For me Conrail was always interesting to watch; I never knew what might show up next.
On April 1, 1989, Conrail was 13, having begun operations on that date in 1976.
I awoke to find heavy snow blanketing the fields and trees of western New York. I met up with Doug Eisele and we drove out into the late season snow seeking trains.
The coolest thing we photographed that day was this Conrail HAZ extra running east from Niagara Falls over the Southern Tier route.
I was always keen on the former Erie Railroad, so that made this comparatively unusual move of great interest to me.
Today, I’m keeping my mind focused on completing my Conrail book. If it’s not Conrail, I’m not paying attention, which has complicated breakfast options. (That’s a Big Blue joke).
At 351pm on September 20, 1989—Just over 30 years ago—I exposed this Kodachrome 25 slide using my Leica M2 with 50mm Summicron near Silver Creek, New York.
Although a favorite slide, this is one of thousands of Conrail photos I reviewed for my latest Conrail book that didn’t make the final cut.
This weekend I’ll put the final touches on the manuscript and send my selection of photos to Kalmbach so that the book may enter its next phase of production.
Tracking the Light Rolls with Conrail this weekend!
The trackage arrangement at Irish Rail’s Cobh Junction, Glounthaune gives the location great photographic interest.
Here the Cobh Branch and Midleton lines divide.
Historically, the line to Midleton (left) had continued to Youghal and was envisioned as a scheme to continue on to Waterford. Later the Cobh Branch (right) was built to reach the old port at Queenstown (Cobh).
The Cobh Branch developed as double-track suburban route, and ultimately the priority of the lines at the junction was reversed.
By the 1980s route via Midleton to Youghal had languished and allowed to go fallow. Ten years ago, after decades of inactivity, Irish Rail rebuilt and revitalized the route as far as Midleton. Today both lines are busy with passenger trains.
This week, Ken Fox gave me a tour of Cork area railways, including trips along the Cobh and Midleton routes.
I made this view from the station footbridge at Cobh Junction, Glounthaune using a FujiFilm XT1 with 90mm lens.
Sunday, 13 October 2019, I exposed this view of an Irish Rail 2600-series railcar at Littleisland on the Cobh Branch destined for Kent Station, Cork.
For me this was a test of the Lumix LX100 that Denis McCabe lent me.
The scene is cross-lit; so the sun is off-camera to my left, leaving the railcar on the ‘Dark Side’ while the signal cabin is brightly illuminated. Complicating the contrast are the fluffy white clouds and a polarized sky above.
This image was adjusted from the camera-RAW file using Lightroom. I darkened highlight areas to obtain greater detail, while lightening shadow regions, and used a digitally applied graduated neutral density filter to better hold detail in the sky.
Two points: I find the RAW files from Lumix LX100 exceptionally sharp; and the files have very good dynamic range which gives me plenty of room to make adjustement in situations with extreme contrast.
One September 2019 morning on Germany’s Rhein, clear skies were obscured by a thick mist hugging the river. As the warm rays of the rising sun graced the tops of the nearby hills, the mist cleared, which made for some cosmic lighting.
I exposed these photographs digitally using my FujFilm XT1. But I also exposed a few colour slides using a Nikon F3 with 105mm lens.
Before Railway Preservation Society of Ireland’s The Cobh Rambler departed Mallow on Saturday evening (5 October 2019) for Dublin, I was given an important task.
A group portrait was hastily organized for me to expose.
Sometimes gathering railwaymen for a portrait is like herding cats, but there’s a long tradition in posing them in front of locomotives.
Smiling alongside locomotive 232 leading The Cobh Rambler are some the RPSI members and Irish Rail employees that made our excursion a roaring success.
For this photo I used my FujiFilm XT1 with 18-135mm zoom lens.
Special thanks to everyone that made The Cobh Rambler a great day out!
Often I assembled Tracking the Light posts several days in advance of publication (or ‘posting’).
As I write this, rain lashes at my window in Dublin.
If all goes to plan, as you read this my friends and I will be traveling on the RPSI diesel tour to Cork and Kerry, titled the ‘Cobh Rambler.’
Traveling behind diesels, especially the 1970s-vintage 071 class General Motors locomotives, has become a novelty in Ireland since the widespread purchase of Intercity Railcars in the mid-2000s, replaced most diesel hauled trains.
This has made diesel trips, such as that one planned for today, a special treat.
What promises to make this trip especially unusual is the very rare combination of 071 class and 201 class working together. There has been considerable comment and speculation as to which locomotives may work this trip. Sometimes the locomotive planned for the day is re-assigned, develops a fault, or is replaced for other reasons.
Over the years I’ve photographed most of the GM diesels in Ireland, and in this post I’ve put up a sampling of the locomotives suggested might work today’s train.
Learn more about the RPSI: https://www.steamtrainsireland.com
Tracking the Light Posts Everyday, or at least tries to.
Sometime, long ago, back in film days someone concluded that three-quarter sun made for the most desirable lighting conditions for locomotive photos.
While its true that in many instances low, three-quarter sun will yield a pleasing result, this is but one lighting solution, and not always the most effective for every setting.
Whoa! WAS that blasphemy?
In September, we hiked into a vineyard south of Sankt Goarshausen, Germany. Blue skies and high thin clouds gave us soft directional lighting with an elevated view of the Right Bank line on the Rhein. In the distance a castle loomed above the river-side Sankt Goarshausen village.
Opting for the dark side presented better contrast that helps visually distinguish the train from the landscape. In this situation because the setting is so visually complex and compelling it helps to make the train stand out, since the train was intended as our subject.
Sure, we could have visited this place earlier in the day, but would that have yielded more effective images?
On the afternoon of Saturday, 14 September 2019, Belmond’s Grand Hibernian was due at Connolly Station, Dublin .
Earlier I’d caught the train being shunted at Heuston Station, and expected it to make the run with Irish Rail 071 in retro orange paint.
A group of us were in place at Connolly anticipating the navy blue cruise train led by the orange loco.
But which platform would make a better photograph?
At the last minute, photographer Kevin O’Brien suggested platform 3. I owe him one for the idea. As it happened the Belmond and a late running Belfast-Dublin Enterprise approached Connolly at the same time.
My friends over on platform 2 didn’t get the view they hoped for since in the final seconds the Enterprise effectively blocked the view of the other train.
Yesterday, Sunday 22 September 2019, the Railway Preservation Society of Ireland operated a private charter from Dublin Connolly station to Graystones, County Wicklow and return.
Photographer Jay Monaghan and I made a run on the LUAS into the Dublin city centre to intercept the return leg, and exposed views of the excursion crossing the Loop Line Bridge.
Congestion at Connolly resulted in the train holding for platform space, giving us time to leg it over to the station for more views. Stay tuned!
My first visit to Killarney was in February 1998. It was dark and damp.
It was my among first encounters with a class 201 diesel.
By contrast, Friday, 6 September 2019, Killarney was warm and pleasant.
The Railway Preservation Society of Ireland’s Cravens led by 4-4-0 Compound no. 85 was in the sidings, having arrived earlier from Dublin with annual Steam Dreams excursion. A scheduled Irish Rail train was just arriving.
I like the contrast between the steam locomotive and the ROTEM built InterCity Railcar. There’s more than 70 years between the two train designs , yet they co-exist on the same modern railway.
Although it was more than 25 years ago, it really doesn’t seem so long since I made this Fujichrome Velvia slide of Conrail’s BUOI (Road freight from Buffalo to Oak Island) along the former Erie Railroad in the Canisteo Valley.
I’d followed the train east from Rock Glen, New York. Steady snow made for slippery road conditions so I took it easy.
Here I’d caught up with the train, which had reached the newly created siding east of Adrian, that would soon become ‘CP Adrian’ (CP for dispatcher Control Point).
Work was under way at the time, but the new color light signals hadn’t been commissioned and the old semaphores that had governed movements under rule 241 (current of traffic) remained in place, but deactivated.
Working with my Nikon F3T and 105mm lens, I exposed this view as the train waited for permission to proceed east.
Velvia was a finicky film and it was tough to nail the exposure in some conditions Getting the snow exposure right was tricky, but since the train wasn’t moving I made a bracket—in other words I exposed several slides with slight exposure variations. You can see that it was relatively dark by the illumination in the number boards on 6118.
One of the hidden gems of the Conway Scenic Railroad is their ‘Redstone Line’.
This is the former Maine Central Mountain Division trackage that runs compass east from Mountain Junction near Intervale, New Hampshire.
This summer I had several opportunities to catch RDC number 23 Millieworking Friday afternoon specials to Redstone.
I’m now 4,000 miles from Redstone, but this weekend will be a very rare opportunity to travel the full length of Conway’s Maine Central trackage on a special run scheduled to depart North Conway at 9am.
This special Notch Train will run to the Saco River Bridge east of Redstone and then proceed back west to Mountain Junction and continue all the way over Crawford Notch to the west-end of Conway Scenic trackage at Hazens near Whitefield.
It will also be an opportunity to catch steam locomotive 7470 on the branch and over the mountain.
I’ll have to have one huge telephoto to catch the action from Islandbridge (in Dublin!!)
From late 1998 through early 2000, I was almost continuously on the road.
I made lots of photos, sent them for processing, plucked out a few choice slides for books, slide shows, etc, and then put the rest in a carton which I promptly mis-placed.
I recalled photographing this Conrail westward freight at CP406 in Batavia, New York in January 1999. I’d been traveling with GVT’s local freight with an Alco RS-11. Although one of the photos from this morning was recently published in September Trains Magazine as an illustration for my discussion on Alco diesels, I couldn’t locate the rest of roll, or most of the other photos from that trip!
In fact many others from 1999 were also beyond reach.
So, Monday (Aug 26, 2019) in my continuing quest for Conrail images, I finally found the long lost box, in it were a great many photos that have remain unseen since the demise of Conrail at the end of May 1999. Twenty years ago.
Conrail’s ‘convention cab’ SD70s were short-lived on the Water Level route east of Cleveland. These were built to Norfolk Southern specs during the Conrail split, assigned NS numbers and then all went to NS following the divide (as intended). This view was one of the only photos I ever made of a Conrail SD70 on the CSX side of Conrail before the split.
It was the last of the Conrail SD70s and only about two months old when I made this photo in January 1999. I think it is safe to say that 2580 was the last New locomotive built for Conrail (as a Class 1 mainline carrier). Thoughts?
Exposed on Fujichrome with a Nikon N90s with 80-200mm zoom lens, scanned with a Nikon Coolscan 5000.
I was having dinner last night at Palmer’s Steaming Tender. I wanted to photograph Amtrak’s eastward Lake Shore Limited and hoped only to invest the minimum amount of time away from my meal.
I brought up Amtrak’s App on my iPhone and clicked the ‘status’ icon, then entered ‘Springfield’ in the slot for ‘station’ and under ‘train number’ I entered ‘448’ (the number for the Boston section of the Lake Shore Limited.
The first time I did this, it estimated 448 departing about 4 minutes late. So I checked again in ten minutes. By that time 448 had departed Springfield about 7 minutes late.
I then switched to the asm.transitdocs.com site that offers a ‘live map’ of Amtrak and VIA Rail trains across the continent, and clicked the window for 448. Among the features of this app is that it will show you the actual speed of the train at the time of its last update. The program updates about every five minutes.
I learned that about four minutes after departing Springfield Station 448 was traveling just under 60 mph (it’s maximum allowed speed on the Boston & Albany to Palmer).
From experience, I know that it takes 448 about 18 minutes to reach Palmer from Springfield if nothing unusual occurs. So 15 minutes after its Springfield-departure, I excused myself from dinner and casually walked to my preferred location near the diamond at the westend of the station.
At 8pm on December 27, 1997, I exposed this view looking west at CP83 in Palmer, Massachusetts.
Mike Gardner and I were returning from one of our all day photo adventures in the Albany area and we decided to make a few more photos before heading home.
The signals lit and there was a green on the mainline, indicating a westward train was near.
This back in Conrail days, when the Boston & Albany route was still very busy with freight. It was years before the old Union Station was transformed into the Steaming Tender restaurant. And there were a few more buildings and businesses on Palmer’s main street.
It was more than a decade before I bought my first digital camera and I exposed this using my Nikon N90S on Provia 100F color slide film.
Yesterday I met fellow photographer Mike Gardner at the Steaming Tender restaurant in the old Palmer Union Station for lunch.
I had iced tea and the Reuben.
Except for the New England Central switching all was quiet for the first couple of hours.
Just after 2 pm, I said “Let’s head outside, I have a feeling it’s all about to happen.”
Luck, intuition or experience, call it what you like.
At first the trains didn’t favor the light. A New England Central local crossed the diamond northbound. CSX B740 was working deep in the old Boston & Albany yard. The Mass-Central came down from Ware long-hood first. Then everything stalled.
“I’ll bet everything is waiting for the Lake Shore.”
At 3pm Amtrak 449, the westward Lake Shore Limited appeared at the east end of the long tangent on the old Boston & Albany. On queue Mike announced, ‘Headlight!’
I made a series of photos of enthusiasts on the old station platform rolling the train by.
After the Lake Shore, the illusion of a lull continued, and most everyone else got bored and left. CSX B740 had pulled up and was poised waiting for signal. Mike and I decided to hold on. And sure enough 15 minutes behind the Lake Shore was a westward CSX freight—Q427.
After this passed, B740 pulled ahead through CP83 and then reverse back into the yard, meanwhile the Mass-Central was getting ready to head back north again.
All in all in was a very successful day in Palmer. But the keys to our success were timing and patience. If you left after the Lake Shore rolled west, you missed most of the show.
Yesterday I scanned this 30 year Kodachrome 25 slide using a Nikon Coolscan5000 operated with VueScan 9.6.09 scanning software..
The unmodified scan is a bit on the dark side. I’d been chasing Conrail ELOI (Elkhart to Oak Island) eastbound on the former Erie Railroad on typically dull western New York November day.
Many of my photos from that chase were exposed on black & white film using my father’s old Rollei Model T. At least one of those appeared in CTC Board as a Conrail new illustration back in the day.
When I reached Olean, I wanted to feature the crossing with the former PRR route to Buffalo, which was then also a Conrail secondary main line, and I made this panned view of ELOI’s lead locomotive crossing the diamonds.
I exposed this at f5.6 1/30 second to capture the motion of the locomotive.
After scanning, I imported the slide into Lightroom and made a variety of corrections to improve the appearance of the image. This included slight cropping to improve the level; color correction, lightening of the shadow areas and over-all contrast control.
I’ve include both the unmodified scan and corrected image here.
Monday afternoon, August 19, 2019 was hot and humid as I rambled through Massachusetts’ Quaboag Valley completing errands.
Driving west on Route 20, I reached the flying junction with Route 67, where I saw the head-end of CSX Q264 roar below me with two modern GEs in the lead.
The train had a good roll-on, so I knew it was making a run for the grade up through Warren. I diverted from my path west, and drove post haste east on Route 67 to find a location to picture this eastward freight.
In the afternoon there aren’t a lot of options. The old B&A has become unpleasantly overgrown with brush, and the back lit summer sun doesn’t offer a flattering portrayal of modern GE diesels.
I opted for the overhead bridge at West Warren, where I made these views with my Lumix LX7.
Although it was still sunny, I could see the storm approaching from the west. Shortly after I arrived home there was lightning, thunder and a violent deluge.
Yesterday, August 19, 2019, I received my author’s advance copy of the October Trains Magazine that features my column titled ‘Getting on board with rail transit.’
Is it ironic that today I’m scheduled to get new tires for my automobile?
To illustrate my column, I selected a digital photo that I exposed in May 2010 using my old Lumix LX3—my first digital camera.
To view the image that I chose, you will need to obtain a copy of the magazine. However, here I’ve included a few of the other railroad images exposed at the same essential location that same evening.
At the time a volcanic eruption in Iceland had filled northern skies with fine layers of ash. While this brought havoc to European air travel (I was waiting in Stockholm for a friend to arrive from Addis Abiba who had been delayed by more than 24 hours because of the ash cloud), the ash produced some stunning sunsets owing to the greater high altitude light refraction.
I was just learning to make use of digital photography. Luckily, my Lumix LX3 had a superb lens and lent itself to making great low light photographs.
In Autumn 1988, I exposed this Kodachrome 25 slide of Conrail’s BUOI (Buffalo, New York to Oak Island, New Jersey) rolling through the Canisteo Valley near West Cameron, New York.
During the late 1980s, the Canisteo Valley was among my favorite venues for photographing Conrail freights.
This is among the legions of Conrail slides that I considered for my upcoming book ‘Conrail and its Predecessors’.
I’m entering the final stages of photo selection and have begun the captioning process.
One week ago, I was sitting in the North Tower of Conway Scenic’s North Conway Station. To the west the sun was shining. To the east it was pouring rain, and the rain was still falling all around. I said to Conway’s operations manager, Derek Palmieri, ‘There must be a rainbow.’
And there was!
Briefly it was a full, but faint, double.
Outside I went, where I made a variety of photos with my Lumix LX7 and FujiFilm XT1 cameras.
This one is from the Lumix.
Sometimes where there’s a rainbow is a sign of change. A fortuitous signal for the future. And this is how I see it.
It was a bright and hazy August 1989 morning, when my old pal TS Hoover and I set up on the east bank of the Susquehanna River to capture this view of the famous former Pennsylvania Railroad Rockville Bridge.
I made this Professional Kodachrome 25 (PKM) slide using my old Leica M2 with a 90mm Elmarit.
It was just one of many Conrail photographs exposed on one of our great adventures in the 1980s!
Sometimes when engaged with one task, something unexpected occurs that demands your attention.
Such was the situation last Friday while I was standing on the platform at North Conway, New Hampshire during my book signing event.
Conway Scenic’s GP9, 1751, still dressed in a New York Central inspired livery applied by former owner Finger Lakes Railway, was engaged to switch a few freight cars out of the North Yard.
In more than two months at Conway Scenic, the only freight car that I’d seen turn a wheel is a tank car that has been rigged up to supply water for steam locomotive 7470. So when I saw 1751 moving the two ancient flats in the yard, I excused myself from book signing tasks and made a few photos with my FujiFilm XT1.
There was gorgeous afternoon light bathing the North Conway station. The Valley excursion train was out on the line, so in one of the odd moments, the platform was almost empty and there few cameras in sight.
Later in the day, in a related incident I had a close encounter with an alarmingly large bear, but I’ll get to that in a future post.
Last night, August 8, 2019, I traveled on Conway Scenic’s Dinner Train for the second evening in a row.
The purpose of my trip was in preparation for some more involved filming in the coming days.
However, when we arrived at Bartlett, New Hampshire we were greeted by a stunning summer sunset, I reached for a camera. Well, actually three cameras. I reached for three cameras.
I then arranged with conductor Derek Palmieri to make a few photos.
Budd Vista dome Rhonda Lee (née Silver Splendor) has only been recently re-lettered and made for a fine sight catching the summer sunset.
These images were the products from my FujiFilm XT1 fitted with a Zeiss 12mm Touit lens.
I also exposed a few images with my Lumix LX7. I’m sure someone will groan when they read that I made black & white views on Ilford HP5 with a Nikon F3.
You’ll have to wait for the film photos, as it might be a few weeks before I have the time or facilities to process them.
Bartlett is one of my favorite places to catch Conway Scenic, and it seems I’m here almost every day, by road or by rail!
Don’t forget, today August 9, 2019, I’ll be signing books on Conway Scenic’s 1330 (130pm) Valley Train to Conway, and at the North Conway Station from 230 to 5pm!
Tuesday’s Conway Daily Sun featured a short story about my books to highlight my book signing event tomorrow afternoon, Friday 9, 2019 at the Conway Scenic Railroad.
Although short, this article covered some of the highlights of my published work including my European Railway Guide, columns in Trains Magazine, and photos in the Journal of the Irish Railway Record Society!
Conway Scenic’s Susan Logan gave me a copy of the article, which I read while traveling on the 6 pm dinner train in preparation for a video/photo shoot this weekend.
Sunday, August 4, 2019 was the 45thanniversary of Conway Scenic Railroad’s first revenue run.
To celebrate this event and to honor Conway Scenic’s founder, Dwight Smith, Conway Scenic’s president and general manager David Swirk presided over a short ceremony at the North Conway station to name locomotive 7470 after him.
In 1968, Dwight purchased former Canadian National 7470. Several years later he helped found the Conway Scenic, and in its early years this heavy 0-6-0 switcher was the heart and soul of the railroad.
Over the decades, Conway Scenic has carried hundreds of thousands of passengers, and locomotive 7470 has entertained countless visitors and is dearly loved by many people. Now it carries the name of the man who saved it and founded a railroad on which it could run.
North Conway, the State of New Hampshire, and the railroad’s many friends, guests and visitors are richer for Dwight’s foresight to preserve and present this precious bit of living history.
On August 4, 1974, Conway Scenic carried its first revenue passengers from its historic North Conway, New Hampshire station south to Conway on the old Boston & Maine Conway branch. Locomotive 7470, then carrying abbreviated number ‘47’, did the honors.
Today, August 4, 2019 is a special day for the railroad and steam locomotive 7470.
Since the locomotive was restored earlier this year, it has been among my regular subjects at Conway Scenic, and I’ve filmed it for several short videos.
Among my assignments this past week on the Conway Scenic Railroad was to guide a TV production crew from Boston’s Channel 5 WCVB.
After they enjoyed a ride and a meal in dome car Rhonda Lee, I collected the crew midway up the mountain, and Conway Scenic’s President and General Manager Dave Swirk and I brought them to some of the most scenic vistas on the line to film the train.
They were able to benefit from my weeks of location scouting in order to film a segment on Conway Scenic that is expected to be broadcast in the coming weeks.
It was a beautiful bright day on the mountain, and they were able to get views of Mount Washington with Conway Scenic’s Notch Train.
One week from today, I’ll be signing books at the Conway Scenic Railroad!
Book Signing: Meet the Author!
On Friday August 9, 2019, I’ll be conducting an ‘on-train and at-the-station’ book signing on the Conway Scenic Railroad in North Conway, New Hampshire.
I’ll be traveling on the 130pm train to Conway with a pen in hand, and then visiting the Brass Whistle Gift Shop in the North Conway station from about 230pm until 5pm
The Conway Scenic’s Brass Whistle Gift shop has a host of my titles for sale and ready to be signed by me.
My titles for sale will include:
Vintage Diesel Power
Electromotive E units & F units
Streamliners
Railway Guide to Europe
Railway Depots, Stations & Terminals
GE & EMD Locomotives
Classic Railroad Signals
I only do a couple of book signings a year, so this is a great opportunity to travel on Conway Scenic’s Valley Train and buy a signed book!