Tag Archives: LX100

Experimenting with A Lumix LX100.

For me the Lumix100 poses an imaging quandary.

It is an excellent tool. The camera is compact, well-built, packed with features, and has a superb lens that contributes to stunning image quality.

Fota Island, Cork.
Midleton, Co. Cork.

My difficulty with the camera is fitting it into my arsenal of imaging tools.

The LX100 lens range is lacking compared with my other cameras. It is fine for photos exposed in the ‘normal’ range. Its zoom spans the range from 24 to 75mm. In my younger days that range would have been enough to offer me virtually everything I needed for my photographic vision.

I’ve been spoiled by wider and longer lenses. These days, I want to push the range of view just a little further. I often see images that are beyond the range offered by the LX100.

That says more about the way I photograph than about the LX100.

As readers of Tracking the Light are aware, I carry a Lumix LX7 with me just about everywhere. While the LX100 is unquestionably a better camera, the LX7 suits me better for three reasons: 1) it is very compact and light weight, so fits nicely in my jacket pocket 2) it is comparatively inexpensive so when I wear it out or destroy it, I’m not out of pocket for a huge replacement sum. 3) The LX7’s zoom lens covers my vision more closely.

That said, I’m now coveting an LX100 because it is such a fantastic image making tool. Also, because its narrow zoom range limits my comfort zone, it will force me to make better photographs and consider compositions that otherwise I might not see.

But that is just speculation now. Last week, I gave back the borrowed LX100 to Denis McCabe who had lent it to me. I made about 500 photographs with the camera during the week I had it in my camera bag. As I write this Denis and his LX100 camera on are a grand adventure to the far side of the globe.

I’m still sifting through my LX100 images. There’s many more.

Carrigaloe, Cork.
Glounthaune Village, Cork.
Irish Rail Mark4 interior.

Tracking the Light Explores Photography Everyday!

Lumix LX100 at Littleisland, Co. Cork.

Sunday, 13 October 2019, I exposed this view of an Irish Rail 2600-series railcar at Littleisland on the Cobh Branch destined for Kent Station, Cork.

For me this was a test of the Lumix LX100 that Denis McCabe lent me.

The scene is cross-lit; so the sun is off-camera to my left, leaving the railcar on the ‘Dark Side’ while the signal cabin is brightly illuminated. Complicating the contrast are the fluffy white clouds and a polarized sky above.

This image was adjusted from the camera-RAW file using Lightroom. I darkened highlight areas to obtain greater detail, while lightening shadow regions, and used a digitally applied graduated neutral density filter to better hold detail in the sky.

Two points: I find the RAW files from Lumix LX100 exceptionally sharp; and the files have very good dynamic range which gives me plenty of room to make adjustement in situations with extreme contrast.

More Lumix LX100 photos soon!

Tracking the Light Posts Daily

Lumix LX100 Second Test

A few years back I tested a LUMIX LX100 digital camera.

I very much liked the camera, but had just invested in a FujiFilm XT1.

I’ve recommended the LX100 to several photographers.

This week, Denis McCabe, who acted on my advice purchased an LX100 and has been getting very good results with it. He has lent me his camera for further evaluation.

On Friday, 11 October 2019, I traveled by Irish Rail to Portarlington and exposed these photos as a test.

More tests and analysis to follow!

On Friday, 11 October 2019, I traveled by Irish Rail to Portarlington and exposed these photos as a test of an LX100 digital camera.

Tracking the Light aims to post Daily

Lumix LX100 Filters.

They are easy to use. It’s like stepping back in time. Sort of.

Panasonic’s new camera comes with a fantastic lens and sensor combination, but what if clarity seems too sterile? Perhaps, you want to get the effects (and defects) characteristic of old film cameras? No problem!

The LX100 has a button on top of the camera called ‘filters,’ which alters the color, contrast, exposure and sometimes the focus of digital files to emulate a variety of effects that were once characteristic of older camera-film combinations.

The advantage of the ‘filters’ feature is that the effects are done ‘in-camera’ without the need to fiddle around with photo-shop or other post-processing software. The button opens a menu and you simply select the desired filter. This shows you the treatment on screen and in the viewfinder.

In my early days of photography, I experimented with a variety of older cameras, and sampled various film types. My skills weren’t yet developed and my results were a bit random. The LX100’s filter mode allows me to step back to those early experimental times when any photographic result seemed like success.

The best part of filters is that you can easily switch from one mode to the next and back to normal again quickly. Below are some of the filter results. I’ve given these comparative names in ‘quotes’ that I felt were more appropriate than Panasonic’s, but put the camera-filter name in [brackets] for reference. Just so you know. Ok?

Do you have any favorites?

'Cheap 400 speed print film'  [High Key].
‘Cheap 400 speed print film with drug store processing’ [High Key].
'Whoops, I sent my print film in with a slide mailer' [Cross processing]
‘Whoops, I sent my print film in with a slide mailer’ [Cross processing]
'Underexposed Ektachrome 200' [Expressive].
‘Underexposed Ektachrome 200’ [Expressive].
'Fogged color print film' [Impressive Art].
‘Fogged color print film’ [Impressive Art].
'Underexposed Kodacolor 400' [Low Key].
‘Underexposed Kodacolor 100’ [Low Key].
Black & white that I processed with exhausted fixer. [Sepia].
Black & white that I processed with exhausted fixer. [Sepia].
Black & white printed with exhausted Dektol developer. [Monochrome].
Black & white printed with exhausted Dektol developer. [Monochrome].
Overexposed, overprocessed Tri-X that I processed in the sink. [Rough Monochrome].
Overexposed, overprocessed Tri-X that I processed in the sink. [Rough Monochrome].
Instamatic attempt with color print film. [Toy Effect]
Instamatic attempt with color print film. [Toy Effect]
'Light leak.' "Oh no!  I think I opened the back of the camera". [Sunshine].
‘Light leak.’ “Oh no! I think I opened the back of the camera”. [Sunshine].
'This is my friend's cheap HO layout' (What a fool, he's tried to model Palmer!). [Miniature Effect].
‘This is my friend’s cheap HO layout’ (What a fool, he’s tried to model Palmer!). [Miniature Effect].
'Bargain film, only 6 months past the expiration date!' [Old days].
‘Bargain film, only 6 months past the expiration date!’ [Old days].
'Kodak sent me a note with my slides, it said they had a "unique laboratory occurrence" and I got a free roll of 24 exposure K64.' [Bleach Bypass].
‘Kodak sent me a note with my slides, it said they had a “unique laboratory occurrence” and a free roll of 24 exposure K64.’ [Bleach Bypass].
'Drugstore processed black & white' [Silky monochrome].
‘Drugstore processed black & white’ [Silky monochrome].
'I think there's something wrong with my light meter. This was some Ilford HP5 the I processed last week and the negatives were a bit 'thin'. [Dynamic Monochrome].
‘I think there’s something wrong with my light meter. This was some Ilford HP5 that I processed  and the negatives were a bit ‘thin’. [Dynamic Monochrome].
Funny, there didn’t seem to be a filter for ‘Kodachrome 25’.

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