Working with a Nikon F3 with f1.4 50mm lens loaded with Fomapan 100 Classic, I exposed these portraits of some of the men working Railway Preservation Society’s 18 March 2019 trips from Dublin Connolly Station to Maynooth.
I processed the film in a non-standard way to obtain a period look while giving photos optimal tonality in a contrasty situations.
First: I pre-soaked film it in a very dilute bath of Kodak HC110 (measured 3 parts per 1000 with water, plus wetting agent) for about 7 minutes at 72 F;
Second: primary developer consisted of Ilford ID-11 1 to 1 with water at 69 F for 6 minutes;
Third: following stop bath, two fixer baths, and a thorough 10 minute rinse, I toned the negatives in a 1-9 selenium solution (outdoors to avoid breathing toxic fumes) for 8 minutes. This was followed by several rinse cycles and a final rinse in distilled water.
Negatives were scanned in colour to retain the selenium tint.
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Saturday’s (13 April 2019) The West Awakerail tour put Irish Rail’s class 071 diesels in the limelight.
Although once regularly used in prominent passenger services, in recent years Irish Rail’s 071 class General Motors diesels have largely been assigned to freight and per-way (maintenance) trains, which makes their prominent use in excursion work of great interest to observers
I photographed 071 locomotives that participated in Saturday’s tour. Engine 074 delivered Railway Preservation Society of Ireland’s Cravens carriages from Irish Rail’s Inchicore Works to Connolly Station in Dublin.
Locomotives 082 and 075 had been specially prepared for the tour and set up of multiple unit working, a highly unusual arrangement for these agile six-motor diesels in Ireland.
At Claremorris, the 071 class-leader (number 071 and dressed in retro orange and black paint) took over for the runs to Ballina and Westport.
For 071 enthusiasts, 082 was a special treat because of its extra-loud base roar in the higher throttle positions. While 075 is a curiosity because it is painted in a slightly warmer shade of gray than most of the other members of its class.
I made these photos of the well-maintained 1970s-era General Motors locomotive on parade during The West Awake tour.
Special thanks to everyone at Irish Rail and the Railway Preservation Society of Ireland for making the tour a very enjoyable experience and productive photographic opportunity!
During the course of yesterday’s Railway Preservation Society of Ireland The West Awakerail tour to County Mayo I exposed dozens of portraits of the crew, passengers and observers, along with views of the train from many angles.
This selection was exposed using my FujiFilm XT1 digital camera.
Thanks to Irish Rail and the Railway Preservation Society of Ireland for a well-planned rail excursion!
I’ll admit that if you’re not closely familiar with Irish Rail’s Dublin operations my title to today’s Tracking the Light post might seem cryptic.
Two of the Irish Rail 201 class General Motors diesels, 231 and 233, are painted in a minimalist silver, black and yellow livery. These are colloquially known in the enthusiast community as ‘raccoons’ (or ‘badgers’).
Engine number 233 has been shy lately and rarely seen out on the mainline.
RPSI stands for the Railway Preservation Society of Ireland.
RPSI owns an historic set of Cravens-built passenger carriages.
These are stored/maintained at Irish Rail’s Inchicore works (repair shops), and when they are required for an excursion, Irish Rail makes a transfer run across Dublin to deliver them to Connolly station for boarding.
The graded three-track line from Islandbridge Junction to Inchicore runs through a cutting along Con Colbert Road known as ‘the Gullet’.
While I’ve covered most of this previously, I figure it doesn’t hurt to review the esoteric every so often to avoid confusion.
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—Not seeing semaphores? Click the link to Tracking the Light to get the full view and story—
I made this vertical (portrait) view of a driver’s training special on Irish Rail’s Sligo Line at Killucan back in April 2003
Railway Preservation Society of Ireland tank engine No 4 had run around its train at Killucan and then received the signal to reverse back on the main road (line). The driver had opened the regulator (throttle) and the engine had begun to move when I released the shutter, framing the engine in a cloud of its own effluence.
The semaphores were removed in conjunction with Irish Rail’s conversion of the Sligo line to operation using Mini CTC signaling during 2005, a change that closed Killucan cabin, among other classic signal cabins on the route.
This day last week (13 October 2018), I traveled on and photographed Railway Preservation Society of Ireland’s autumn diesel tour called The Southwestern.
Damp dark weather may make it difficult to expose over the shoulder lit three quarter views, and it may ruin Lumixes (See: Final Frame? Lumix LX7 Coils Up), but it’s ideal for making black & white photos on film.
Working with my battle-worn Canon EOS-3 with a 40mm pancake lens, I exposed this view of the train at Cork’s Kent Station using Kodak Tri-X.
On Monday, I processed the film using Ilford ID11 mixed 1-1 with water. Following a presoak with exceptionally dilute HC110 to initiate development, I gave the film 7 minutes and 30 seconds in the ID11 at 68F (20C) with intermittent agitation.
I scanned the negatives using an Epson V500 flatbed scanner and made nominal contrast adjustments using Lightroom.
Sunday, 16 September 2018 found unusual variety at Irish Rail’s Dublin Connolly Station.
Adding colour to Irish Rail’s parade of local and long distance trains was Belmond’s Grand Hibernian that arrived from Dundalk, and departed a half an hour later bound for Waterford. As this high-end cruise train was departing, a HOBS (ballast train) was heading from the northern line into the North Wall with Irish Rail 077.
But the most unusual train was Rail Preservation Society of Ireland’s heritage Cravens, which arrived from Inchicore behind one of Northern Ireland Railways Enterprise class 201 diesels. While the train was expected, the locomotive was a surprise.
I departed for points north before steam locomotive number 4 arrived to take the scheduled RPSI excursion from platform 5. All the while, engine 85 in Great Northern blue, which was intended for the day’s RPSI excursion was stuck on Connolly’s turntable!
Working with two digital cameras, I made these images at Irish Rail’s Drogheda Station. This is a classic Great Northern Railway (Ireland) railway station with a curved platform, antique brick buildings and elegant old-school platform canopies.
But it also features more modern elements too, such as palisade fencing and a diesel railcar depot and wash.
Is it honest to exclude the modern elements and just focus on the antique? Or is it better to allow for mix of new and old? After all the photos were made digitally in 2018, not on film in the days of yore.
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On the Evening of 16 September 2018, the Railway Preservation Society Ireland’s Cravens transfer (train i.d. H260) ran from Connolly to Irish Rail’s Inchicore Works. Rather than run with an 071 class locomotive, as is often the case, it was assigned locomotive 216 specially painted for Belmond’s Grand Hibernian.
The following morning, the up Grand Hibernianfrom Waterford passed the same location with Irish Rail class 071 number 083 in the lead.
While Belmond’s train often runs to and from Waterford with an 071 class locomotive, this still presents a bit variety on a railway that tends to favour uniform train sets.
All of these photos were exposed at ‘The Gullet” (the three track throat to Islandbridge Junction) from Memorial Road in Dublin.
Gauzy autumn light is perfect for photographing black steam locomotives on the move.
Yesterday, Railway Preservation Society of Ireland operated steam excursions between Dublin, Drogheda and Dundalk. Plans to work with engine 85 were foiled by difficulties with the turntable at Connolly Station.
Instead RPSI engine No.4 did the work.
Paul Maguire and I drove to a remote overhead bridge near Mosney.
I exposed this view using my FujiFilm XT1 with 27mm pancake lens. To make the most of the scene, I imported the RAW file into Lightroom and adjusted it for contrast and saturation, using a digitally applied graduated neutral density filter to bring in sky detail.
Learn more about the Railway Preservation Society of Ireland:
Earlier this week it was organized for me to travel on the footplate of Great Northern Railway of Ireland 85.
The thrill of experiencing a steam locomotive cab on the main line is a rare privilege.
My job was to make photographs and stay out of the way.
Locomotive 85 is a three cylinder compound 4-4-0, a 1932 product of Beyer Peacock.
The compound arrangement is what intrigued me, but like the low droning throb sounding from the 20 cylinder diesel powering an EMD SD45, this element of the steam equipment is beyond my ability to picture.
Instead, I had to settle for making images of the crew at work and the locomotive in motion.
The footplate offers a rough ride, while swirling coal dust and locomotive exhaust complicate photography and the handling of sensitive equipment. The lighting is at best difficult. Staying out of the way often means that I wasn’t always able to get the angle I really wanted and needed to make due with where I was able to stand.
Special thanks to everyone at the Railway Preservation Society of Ireland (RPSI) and at Irish Rail for making my locomotive journeys possible.
For details about the RPSI and scheduled steam and diesel trips see:
Yesterday (3 September 2018), sunny skies greeted Great Northern Railway Ireland 85, a 4-4-0 three-cylinder compound locomotive operated by Railway Preservation Society of Ireland, when it paused at Portarlington, County Laois to take water.
This classic Irish express passenger locomotive was working a chartered train from Dublin Connolly to Killarney.
I exposed these images using my FujiFilm XT1 fitted with 12mm Zeiss Touit lens.
The photos here were scaled without modification from camera JPG files using the Velvia color profile.
I also made a few colour slides on real FujiFilm: Provia 100F.
On Satuday 24 March 2018, I shared Dublin’s Claude Road foot-bridge with Paul Maguire and Ciarán Cooney, as we waited for the RPSI Cravens to run from Inchicore to Connolly for a scheduled inspection of the equipment.
It had been completely sunny, but as the time for the train approached, clouds began to dapple the morning sky.
I exposed this view using a Nikon N90S with 180mm Nikkor telephoto lens on Fujichrome Provia100F slide film.
The light was in flux when I released the shutter. Was the train in sun?
I had to wait more than three weeks to find out, since I’ve just received my slides back from the lab.