In April 2005, Dublin’s LUAS light rail system was still relatively new. Services on the Red Line service between Dublin Connolly Station and Tallagh had only commenced the previous September.
The Trams still had that ‘right out of the box’ quality. They were new and shiny and free from dents and day-to-day wear and tear. The yellow safety stripes were still in the future.
The Irish Railway Record Society was working on a special LUAS edition of their Journal and fellow IRRS members Stephen Hirsch, the late-Norman McAdams and myself spent a morning intensively photographing LUAS operations and its trams to help fill this publication.
The morning was bright but had a hazy diffused quality of light, typical of Irish April weather. I exposed this image with my Nikon N90S fitted with a Tokina 400mm lens.
However when I inspected the processed slide, it left me with something of quandary: While I was satisfied with the composition and the subtle backlit qualities, I’d felt that I’d misjudged the lighting and overexposed the image by about a stop. Worse, I didn’t manage to keep the camera level, so, by my normal standards of judgment, I felt the slide projected poorly.
Despite these flaws, I found the slide, scanned exceptionally well. In post processing I was easily able to correct for level, and the exposure looks fine on the computer screen without need for manipulation.
This just goes to show what doesn’t look good on film, may, in fact, produce a better than average final image in other media.
This day last year (June 29, 2012), Pat Yough, my brother Sean and I, spent the evening photographing the final runs of SEPTA’s 50 year old Silverliner IIs and IIIs. These were working the short run on the former Pennsylvania Railroad line to Cynwyd.
More than 50 years earlier, my father Richard Jay Solomon had photographed, similar and then new PRR Silverliners on the same line. Back then tracks and electrification continued across the Schuylkill River to Manayunk and beyond to Norristown. Today, SEPTA serves these locations by the former Reading Company line that ran largely parallel to the old PRR line.
On the evening of June 26, 2013, I arrived at East Brookfield to find Dennis LeBeau observing CSX’s undercutting operations immediately east of CP64.
Over the last few years, CSX has been improving its former Boston & Albany route between Selkirk Yards (near Albany, New York) and its Worcester, Massachusetts terminal.
Conrail improved clearances on the line in the mid-1980s and began running international containers on double-stack trains in 1989 (I first photographed an eastward Conrail double-stack in Spring 1989). However, CSX’s desire to run larger domestic containers on double stack trains has required further clearance improvement.
Once complete, the Boston & Albany route will be clearance compatible with most of CSX’s former Conrail mainline, which should allow for more traffic to be sent to Worcester. The clearance improvements are coincident with the recent closure of Beacon Park Yard at Alston, Massachusetts in favor of expanded facilities in Worcester.
On Wednesday evening, CSX had every track in East Brookfield occupied, as it cleared equipment from the mainline to allow east and westbound freight to pass (Amtrak had cancelled train 448 (Boston section of Lake Shore Limited). Once traffic had passed, work crews resumed their re-ballasting of the recently undercut mainline.
I was one of a half-dozen civilians observing the activity. Late in the day, the sun emerged from a cloudbank to provide some soft lighting and I kept three cameras busy, documenting the changes.
A few weeks back, I traveled to West Brookfield to meet with my friend Dennis LeBeau—East Brookfield’s musical godfather and preeminent historian. Dennis had organized for me an informal tour of the former Boston & Albany station—now a local history museum.
Our timing was neatly suited to catch the passing Amtrak’s 449, the westward Boston section of the Lake Shore Limited. A phone call to Amtrak’s Julie (the computerized information voice) advised us that the train was a few minutes late out of Worcester.
I was playing with a Pentax ZX-M 35mm camera fitted with an f1.4 50mm Pentax lens and loaded with Velvia 50 color slide film. While not my regular combination of equipment and media, I like to vary my approach and experiment with different types of cameras.
West Brookfield was once a place of great importance for Boston & Albany predecessor, Western Rail Road of Massachusetts. This was the mid-way point between Worcester and Springfield. Back in the 1830s and 1840s, all trains stopped here for water, while passenger trains also allowed time for a meal stop. It was a meeting point for local stage routes and so serving as an early transportation hub.
As late as the 1940s, water tanks were maintained east of the station and freights would often take water here after the long climb east from Palmer.
The original Western Rail Road station was replaced in the late 19th century with a stone building designed by Shepley, Rutan & Coolidge (the architectural successors to the late H. H. Richardson who’s vision shaped station design on the B&A in the 1880s). The original station was relocated to the west side of the Long Hill Road crossing, and still stands today.
The brick building in the photograph on the far side of the tracks is the original Western Rail Road freight house, dating to the mid-19th century.
Today, the only functional track in West Brookfield is CSX’s mainline. There’s no switches, water tanks, or open railway stations. The surviving buildings are relics of an earlier age. No passenger train has called on West Brookfield since the early 1950s.
Just about 2pm, Amtrak 449 came into sight. I exposed two frames of Velvia. This is the closer of the two exposures. I scanned this with my Epson V600 scanner and adjusted the curve of the film to lighten mid tones and control contrast, and adjusted color balance. (Velvia 50 tends to shift red). Both corrected and raw scans are presented below.
Amtrak 449 at West Brookfield, Pentax ZX-M with f1.4 50mm lens; Velvia 50 corrected scan.
Last week I rode from Chicago Union Station over the former New York Central Water Level route to Albany and then via the Boston & Albany to Worcester, Massachusetts.
A familiar run, I first made this trip in August of 1983 and I’ve done it many times since. However, both my first trip and most recent have a commonality: I began these trips with some photography on the former Chicago, Burlington & Quincy ‘Triple Track’ near Aurora, rode a ‘scoot’ into Chicago and changed for the Lake Shore at Union Station.
While I enjoy train travel, I’m not especially keen on really long runs. My usual limit is about 8 hours. I make exceptions for the Lake Shore. For me this is one of the most interesting American runs.
The queuing process at Chicago Union leaves much to be desired. It reminded me of a recent experience with jury duty. Yet once ensconced in my seat in an Amfleet II coach I was happy enough.
We departed Union Station 3 minutes after the advertised and gradually lost more time over the course of the run. I don’t mind this especially, after all the train’s long standing nick-name is, “The Late for Sure Limited.’
Gliding east in the darkness, I squinted to pick out familiar landmarks, as this trip is the thread that really ties my recent posts together.
At 9:37 pm we eased over the 21st Street Bridge; a few minutes later we clattered across the diamonds with the old Rock Island at Englewood, and at 9:58 we raced through Hammond-Whiting, Indiana. I noted where Chris Guss and I had stood a week earlier to photograph both an EJ&E freight and NS’s Interstate Heritage Unit.
Northern Indiana was alive with trains. We passed a CSX stack train at Curtis on the adjacent former Baltimore & Ohio. East of Michigan City we overtook a South Shore freight led by a pair of GP38s roaring along under wire like an apparition from another era. I heard the Doppler blast as the South Shore hit a crossing alongside of us. It was just a momentary glimpse in the night and not far from a spot where Mike Danneman made photos on an icy February afternoon some 18 years ago.
A seeming endless parade of Norfolk Southern freights greeted us on the Water Level Route. Every few minutes a low base roar would precede locomotives blasting by on an adjacent main track. Although Conrail has been gone 14 years, I still find it odd that Central’s old Water Level Route is now run by two separate railroads.
I dozed off, waking briefly at Toledo to watch an oil train roll east, and empty hoppers used to move fracking sand clatter west. Somewhere between Toledo and Berea, Ohio we lost about an hour.
Near Berea we met the rising sun and passed the old tower—sacred ground visited by my late friend Bob Buck and countless other fans over the years. This is the divide, from here east we were rode on CSX tracks.
We paused for Cleveland, then Erie, and for many miles we ran parallel to the former Nickel Plate Road, which now carries Norfolk Southern freight east of Cleveland. I was pleased to see many photographers line-side; my train’s journey was well documented!
At Buffalo, I had a pleasant surprise: instead of taking the normal route via CP Draw and CP FW, we were routed over the Compromise Branch that takes a more northerly (and slightly longer route) through Buffalo, rejoining the other line at CP 437 (the control point near the ghastly decaying remnants of Buffalo Central Terminal). Amtrak’s 48/448 serves the suburban Buffalo-Depew station instead of the old terminal.
Behind me a woman traveler was on the phone describing her trip on Amtrak from Oregon: “We live in such an amazing country! Crossing the plains I saw endless herds of wild Bison and red Indians on horseback! There were wagon trains crawling dusty trails against purple mountains and rainbows! And amber fields of grain! Is that wheat, do you think? And Chicago was like the emerald city, its towers scraping the sky. Such a skyline! And all through the Midwest big factories making the produce of America! It’s just wonderful!”
Indeed. Was she on number 8? Or perhaps one of those ‘Great Trains of the Continental Route’ as advertised in my August 1881 Travelers’ Official Guide?
At Rochester, my old friend Otto Vondrak came down for a brief visit. He and I share various Rochester-area experiences. Then eastward into ever more familiar territory.
At Schenectady, a Canadian Pacific freight overtook us on the Delaware & Hudson before we resumed our sprint to Albany-Rensselaer, where we then sat for an eternity waiting for station space. Here 48 and 448 are divided, with the latter continuing down the Hudson to New York City.
East of Rensselaer, I paid extra special attention to our progress. There are few railroads I know as well as the B&A. At 4:38pm we met CSX’s Q283 (empty autoracks) at Chatham. We paused at CP171 (East Chatham) to let pass our westward counterpart, train 449. At Pittsfield, CSX’s Q423 (Worcester to Selkirk) was waiting for us.
The highlight of the trip was the sinuous descent of Washington Hill’s west slope. There was test of the Westinghouse brakes near the deep rock cut east of Washington Station, and I continued my trip through time and space. Familiar places and landmarks blitzed by the glass; Lower Valley Road, Becket, Twin Ledges, old Middlefield Station, Whistler’s stone bridges along the valley of the Westfield’s west branch, the old helper station at Chester, and east through Huntington, Russell, and Woronoco.
At West Springfield we passed the old Boston & Albany yard. Watching the parade of trains in evening at the west end of the yard were ghosts of departed members of the West Springfield Train Watchers; among them founding member Norvel C. Parker, Stuart Woolley—retired B&A fireman, Joseph Snopek—photographer and author, and of course, Bob Buck—B&A’s greatest fan and proprietor of Tucker’s Hobbies. I waved and they waved back. (Hey, at least I wasn’t seeing herds of wild bison!)
After a stop at Springfield Station, I was on my final leg of this journey. We rattled over the Palmer diamonds—where I’ve exposed countless photos over the years, and raced up the Quaboag River Valley, through West Warren, Warren, West Brookfield, Brookfield, and East Brookfield—where my friend Dennis LeBeau and his loyal dog, Wolfie, were line-side to salute my passage.
At Worcester, my father, Richard J. Solomon was poised to collect me. And so concluded my latest Lake Shore epic. And, yes, 448 was indeed late: 1 hour 15 minutes passed the advertised. Tsk!
General Motors Single Cab Diesels Wander Far and Wide in their Final Years.
In their final few years of service, Irish Rail 124 and 134 worked a great variety of services. For me, simple knowing these two engines were out there, made photographing Irish Rail more interesting.
Sometimes I knew where they were, other times one would appear unexpectedly. Occasionally they’d get paired together and stay that way for a while, but more often than not, they’d be paired with one of the 141/181 class Bo-Bos.
All of my images of 121s at work were made on film (slide and black & white negative). By the time I’d acquired my first digital camera, old 124 and 134 were no longer active.
Sifting through my slides from their last five or six years, I’ve found numerous images of these engines. As I’ve mentioned previously, every time I saw one, I expected it to be the last time, so I made the most of every opportunity. Here’s a lesson: never expect that you’ll see something again; so photograph to the best of you ability when you have the chance.
During sugar beet season Irish Rail was tight for motive power, as the six to seven extra laden trains per day, plus returning empties, tended to tax the railway’s small locomotive fleet to its limits.
Beet season was always a good time to make photographs. During the 2004 season I was fortunate to catch surviving class 121 diesels several times working laden trains. The tuned ear could always pick out the sound of a 121 over the other classes.
On November 22, 2004, David Hegarty and I caught this mixed pair with 124 in the lead, hauling a laden beet train just passed Nicholastown Gates between Clonmel and Cahir, County Tipperary.
It was a hard pull up the bank from Clonmel to Nicholastown, and just east of the gates the line leveled out. We could hear the pair clattering away in run-8 for several minutes before they appeared. The gates were manually operated, and would be closed well ahead of the train.
The S-bend at Nicholastown was among our favorite locations on the line; I’ve made dozens of images here.
Exposed with a Nikon F3T with f2.8 180mm lens on Fujichrome slide film.
My favorite Irish Rail diesels were the Class 121s. This single cab General Motors type was derived from the standard American switcher, as typified by the various NW and SW models.
However, unlike switchers built for North American railways, the 121’s were intended for road service and worked freight and passenger trains. The fifteen locomotives were delivered in 1961, and were not only the first La Grange built diesels in Ireland, but are understood to have been the first production-built diesels from La Grange to work in Western Europe.
I liked the way the looked and sounded as they reminded me of the locomotives I grew up with in the USA. Also, we have a Lionel O gauge NW2, which was among my favorite locomotives as a kid.
In early 2003, Irish Rail retired and scrapped most of the 121s. However two survived in service for another five years. Numbers 124 and 134 continued to work in a variety of services after all the others of their class. They had been fitted with multiple unit connections, so they could work as pairs with other ‘Bo-Bo’ General Motors types (the class 141s built in 1962, and class 181s built in 1966.)
In Spring 2003, David Hegarty and I made several trips to photograph the last surviving 121s. Number 124 was the easiest to find, as it was assigned to push-pull service on the Limerick to Limerick Junction shuttle. While these were by no means my final images of these locomotives, I considered myself fortunate every time I photographed them from that time onward. The 121s were clearly running on borrowed time.
At noon on May 13, 2006, David Hegarty and I photographed this Modern Railway Society Ireland special exiting the tunnel at Ferrycarrig, County Wexford on the old Dublin & South Eastern Railway. The gorse lined tunnel made for an unusually scenic view. My notes from the day indicate that driver Ray Collins was at the throttle.
We followed the train, catching it again on the South Wexford line near Robbinstown, and later in the day between Waterford and Carrick-on-Suir at Fiddown, then one last time at Nicholastown Gates. It wasn’t the brightest day in Ireland, but that didn’t stop us for making some memorable images.
Here’s an image from my early archives. I was wandering around Boston on a snowy day in January 1982. Among the other photos I made were views along the Green Line on Huntington Avenue. This one caught my eye the other day when I was reviewing my early work. It require a nominal crop. Many of my early photos tend to be off-level. This problem is easily fixed today.
South Station was the main passenger terminal for Boston & Albany and New Haven Railroads, and in the early years of the twentieth century was the busiest passenger station in the world (as measured in the number of daily train movements).
Exactly two years ago, I delivered my brother Sean to the Amtrak station in Berlin, Connecticut. He was on his way back to Philadelphia after a brief visit to Massachusetts. Amtrak’s Berlin agent, Bill Sample, is always very friendly and helpful, so we prefer Berlin over some of the closer stations.
I made this image of the southward shuttle train using my Canon EOS 7D with f2.8 200mm lens. There’s a lot of history in this simple photo. The train is led by a cab-control-car rebuilt from one of the old Budd-built Metroliner multiple units. Today’s single main track doesn’t tell much of a story, but Berlin was once a busy junction.
While Pan Am Southern’s route toward Plainville and Waterbury diverges here (at the left), this only sees about one round trip per week. Historically there was a diamond crossing here between New Haven Railroad lines. Also, one of New Haven Railroad’s earliest experimental electrified schemes reached Berlin, but I’m not sure if that would have been in this scene or not.
If all goes according to plan, the double track to Springfield, Massachusetts will someday be restored.
John Gruber and I went over to Madison’s Lake Monona anticipating Wisconsin & Southern’s (WSOR) road freight heading to Janesville. I’m working against a deadline, so I brought the laptop with me to read, write and edit, while waiting for the train thus making dual use of my time. John said, ‘You’re putting me to shame!’ All he brought was a camera.
After a 40 minute wait, we heard a horn sounding for a crossing. But it wasn’t coming Madison as we expected. This wasn’t the southward train, but the northward run! So 20 minutes from sundown a pair of SD40-2s crawled across the causeway. It was here that Bill Middleton made some iconic photos more than 60 years ago. John remembered, “His first published picture in Trains; it featured the Dakota 400 crossing the bay.”
I exposed a few slides with my Canon EOS 3, and a flurry of digital images with my EOS 7D. Then we drove over to WSOR’s Madison yard, where we found another freight ready to leave. I made a few photos with my Lumix LX-3 in the fading light.
Dick Gruber did the driving, John offered historical context, while I made notes. We all made photos. I was working with three cameras; my EOS-3 film camera loaded with Provia 100F slide film, my EOS 7D digital camera, and Lumix LX-3.
John Gruber, says as we inspect a grade crossing near Sun Prairie, Wisconsin, ‘Passenger trains were allowed 75mph through here. The Hiawatha’s Atlantics worked here towards the end. It was probably the last regular trains they worked. When I saw them they were pretty dirty.’
Visions of high-speed service on this route were revived in recent years (as part of a Chicago-Milwaukee-Madison route) then dashed again when political philosophy interfered with transport reality. Track speed is 10mph, and the only service is Wisconsin & Southern’s (WSOR) local freights.
We drove from DeForest, pausing for lunch near Sun Prairie, to a lightly used grade crossing near Deansville where we intercepted the WSOR local freight. This was hauled by a clean pair of GP38s clattering upgrade with a long string of ballast cars and mixed freight at the back.
WSOR’s burgundy and silver makes for a pleasant contrast with rural scenery. I can only imagine what it was like with a streamlined A1 Atlantic clipping along with light-weight passenger cars at speed. Different worlds.
For more on Wisconsin & Southern locomotives click here.
Brian Solomon’s Tracking the Light post new material daily!
Canadian Pacific’s former Milwaukee Road M&P Branch.
Dick Gruber, John Gruber and I, explored some former Milwaukee Road lines near Madison, Wisconsin on June 14, 2013.
“You hear a lot about deforestation these days,” Dick says to me, “I quite like it. What’s wrong with DeForest Station anyway?”
Having inspected the restored depot. We continued northward (timetable west) along Canadian Pacific’s former Milwaukee branch from Madison to Portage. We had good information that the weekday freight was working towards us. Since track speed is about 10 mph, there was little chance that we might miss the train.
However, we weren’t expecting to find a CP work extra with an SD40-2 and vintage Jordan Spreader doing ditching work. Another case of good luck on my part. I’ve said this before, but I often have good luck on the railroad.
A few miles north of DeForest, I said to Dick, ‘Turn here, I think that road crosses the line, maybe there’s a photo op.” Sure enough! There we see the spreader working. While watching the works, I gave John a quick lesson on how to work his new Canon 7D. In the meantime, the weekday freight crept up and we made photos of the two trains together.
This local freight was led by a GP38 and one of the new ‘Eco’ GP20Cs built by Electro Motive. It was my first experience with these new units. Dick was appalled with the appearance of the GP20C, “Ah! What do you call those engines? LODs! Lack of Design!”
The local got around the spreader and did a bit switching at an industrial park then continued past the DeForest Station toward Madison.
Soon we were heading toward Sun Prairie and Waterloo to intercept a Wisconsin & Southern freight working toward Madison. I’ll cover that in a future post.
It’s impossible for me to visit Rondout Tower and not see the ghost of a streamlined F7 Hudson blasting by with the Hiawatha in tow. Ghosts only; I’m not nearly old enough to have witnessed such a spectacle.
On Wednesday 12, 2013, Chris Guss and I paused on the footbridge to have a late lunch and watch a couple trains. Nothing unusual, just an outbound Metra train for Fox Lake and Amtrak’s Chicago-Seattle Empire Builder a few minutes later.
Back when the Hiawatha raced between Chicago and Milwaukee, Milwaukee Road was operating the fastest regularly steam powered trains in the world and the famous for its order, ‘Slow to 100’ for the Elgin, Joliet & Eastern crossing at Rondout.
Today, maximum speed on the line is 79 mph. Occasionally someone mentions ‘progress’. For me this abstract concept has little meaning. Change, certainly.
Someday, change will mean that Rondout Tower, too, will only be a ghost.
Chicago is well suited for night photographs. On the evening of June 11, 2013, Chris Guss and I took advantage of warm and windless weather to make a variety of railway images in the downtown area.
I employ a variety of techniques to make night photos. This evening, however, I emphasized my Canon EOS 7D and turned up the ISO to unusually high settings in order to stop the action.
Where color slide film essentially topped out at 400 ISO. My 7D allows me to dial in up to 6400 ISO. Does this offer the same clarity of ISO 100 or 200? No, of course not. But, it’s not so bad either. Is this high ISO technique the only way to make night photos? Hardly, there are many good ways to go about exposing images at night and this is just one.
Today, I can make photos digitally, that would have been all but impossible with film. (Although, that’s never stopped me from exposing a few slides here and there anyway).
On the evening of Tuesday, June 2013, Chris Guss and I were exploring the convergence of railroad lines in northern Indiana. Here myriad routes aiming for Chicago traverse a heavily industrialized environment; tracks and trains are everywhere.
At Hammond-Whiting, Indiana the former Pennsylvania Railroad (PRR), New York Central and Baltimore & Ohio routes run roughly adjacent to each other. Just east of the Amtrak station, Norfolk Southern’s (NS) former Conrail line moves from the old PRR alignment to that of the old New York Central. Immediately to the north is CSX’s former B&O line, while beyond that is Canadian National’s Elgin, Joliet & Eastern (EJ&E) line.
Earlier a thunderstorm had raged through the area, and this left behind tell-tail puddles. The setting sun was about to drop below a thin layer of clouds. We were following an EJ&E local, while keeping an eye open for Norfolk Southern’s 65R (empty oil train destined for BNSF Railway at Chicago and then to North Dakota).
We’d been expertly informed that NS’s Interstate Railroad painted heritage locomotive was leading.
A hint of chatter on the radio and then—THERE!—we saw 65R with the Interstate in the lead. It was paused on the mainline. We jumped into position just as the EJ&E local emerged and another NS train was racing eastward out of the sun with a Union Pacific SD70M in the lead.
When it rains it pours! Any one of these three trains would be of interest, but having all three converge on us simultaneously with no time to properly assess the lay of the land presented a challenge.
Some much favored ‘drop under sun’ graced the landscape. In a flurry of activity, lenses were swapped, light readings made and pixels were exposed. The ‘creamsickle’—as the Interstate Railroad heritage repaint has been known (because of its distinctive livery), was all to soon on the move! A face-paced, but skillfully navigated chase ensued. Chris did all the work as I snapped photos from the window.
In the end, we followed the prize west across the state line to Illinois and made this selection of images.
Infrastructural Views Fresh From the Digital Cameras.
The other day, I landed at Midway where I was met by Chris Guss. We immediately set to work making images of America’s most railroad intensive city. It’s been nearly two years since I was last here; and nearly 30 years since my first visit. Time passes and much has changed, yet there are many vestiges of old railroads.
There’s always a wheel turning in Chicago, but these pictures are more about the railroad infrastructure than the trains themselves. There’s a book in this somewhere.
Boston’s two primary passenger terminals have no scheduled service between them. Historically, South Station served Boston & Albany and New Haven Railroad lines, while North Station served Boston & Maine’s. Both represented consolidations of older terminals. Today, Massachusetts Bay Transportation Authority provides suburban service, while Amtrak operates long distance trains from both stations.
To move equipment between North and South Stations (and their respective repair and maintenance facilities), MBTA normally uses the former B&A Grand Junction Branch which crosses the Charles River and passes through Cambridge, thus forming the only Boston-area link between North- and South-side networks.
Some months ago a problem was discovered with the Charles River Bridge. So now MBTA and Amtrak equipment transfers must travel a roundabout route via Worcester (from South Station over the old B&A mainline) then north via Clinton to Ayer, and eastward via the former B&M Fitchburg line toward North Station.
Equipment transfers operate as needed, and I’ve been fortunate to catch several of them over the last few months. On Wednesday, June 5, 2013, I got lucky and stumbled into position just in time to catch one without even trying!
Rich Reed and I had traveled to Ayer to photograph Pan Am Southern’s westward intermodal train 23K. After making successful images of the train, we drove back through Ayer and over the bridge just east of the Station, where I spotted a high-green (clear) signal at AY interlocking for an eastward movement.
I guessed that since this is a controlled signal, it would only be lined if something was due and we set up on the bridge in anticipation. This was the exact location where we’d photographed Norfolk Southern GEs switching a week earlier. See last week’s post: Ayer, Massachusetts, Wednesday May 29, 2013.
As it turned out, the clear signal was for an eastward MBTA commuter train, which arrived shortly and paused for its Ayer station stop. As passengers were boarding we were surprised to spot a second MBTA train coming off the wye from Worcester! This was an equipment transfer, led by MBTA GenSet locomotive 3249 hauling avariety of locomotives and cars.
By shear dumb luck we just happened to be in precisely the right place at the right time.
Had we known this train was coming we’d probably picked a different location to intercept it. Sometimes not knowing what’s going on can earn you a better photo than knowing too much.
Canon EOS 7D with f2.8 200mm set at f8.0 at 1/500 second at ISO 200.
I was in Stockholm in Early May 2010 to visit a friend. I made some time to re-explore the railways, as it had been a dozen years since my last trip here. On my first afternoon, I noted a container train passing the suburban station at Alvjso just after 5pm. The next day, I was in place at precisely that time to make a photo. My observation and planning paid off, even if the weather didn’t fully cooperate.
Stockholm is a fascinating city with superb public transport and near perfect time-keeping. There’s multimodal connections at most major railway stations, with a well developed network of metro and tram lines.
I made this pair of images of the daily afternoon Dublin Connolly to Sligo passenger train passing the long closed station at Hill of Down on the old Midland Great Western Railway mainline. Class 071 locomotive number 073 leads Mark II carriages.
The old Midland follows the Royal Canal for many miles west of Dublin. This pastoral route was one of my favorite Irish rail subjects in the early 2000s. Although it wasn’t as busy as other routes, the combination of scenery, friendly signalmen and gatekeepers, and quaint old trains made for seemingly endless photographic possibilities.
At the time most trains were locomotive hauled with vintage General Motors diesels.
In additional to class 071 diesels working Mark II and Cravens passenger consists, the old classes 121, 141 and 181s regularly worked freight.
Today the line is exclusively run with diesel rail cars.
The best part of the apartment was the terrace, which faced the river and the tracks. As young kids, my brother, Sean, and I would spend hours sending paper airplanes and bubbles, (and sometime heavier items) off the terrace to see how far they’d go. But for me the highlight of the apartment (apart from grandma and grandpa) was the regular passage of trains.
By age 10, I’d learned to calculate running times. Eastbound (northbound) trains running toward Boston would pass 17-20 minutes after leaving Penn-Station, while Westbound (Southbound) trains were less predictable, and sometimes wouldn’t show up until after they were scheduled to depart Penn-Station.
Until 1981, Amtrak would occasionally operate its elderly GG1 Electrics, and I’d keep my Leica handy for just such an event. On rare occasions, two trains would pass in front of the apartment.
I vividly recall a frenzied moment, when Sean shouted, “there’s two trains!” I panicked and in the 10-15 seconds I had to act, I failed to locate the camera. “You missed it! I can’t believe you missed it!” Eventually, the situation repeated itself, and a photograph resulted.
By 1984, freight had been diverted off the line, while most Amtrak trains to New Haven consisted of eight to ten Amfleet cars hauled by AEM-7 electrics. The one elusive train was Amtrak’s Night Owl that passed in the wee hours (as owls do) and this train carried sleeping cars. Even at night these cars looked different than the others.
In the relative silence of early morning, trains would make an audible clatter crossing the bascule drawbridge that was just out of sight from the terrace. We were visiting for New Year’s at the end of 1983. One night during that visit, my sixth sense for trains alerted me in my sleep that the southward Night Owl hadn’t gone by at its usual time (about 3 am).
By daybreak, the Night Owl still hadn’t gone by. So, I readied my old Leica 3A, and waited. Shortly after sunrise it rolled by, and I exposed several Ektachrome slides. These might have been better if I’d used a longer lens, yet, had I done that, then the photos wouldn’t have shown all the heritage equipment, including the train’s sleeping cars, that distinguished it from ordinary North East Corridor trains. While not my greatest effort, it’s not too bad considering I was half asleep and not yet skilled with the camera.
I found this slide last month mixed in with some ‘3rds’ (my old term for slides that were not bad enough to throw away, yet neither good enough to give away—what I called 2nds, nor acceptable for slide shows—1sts). Time has move it up a couple of degrees. I’m not giving it away.
Between 1973 and 1985, my paternal grandparents lived at Co-op City in The Bronx, New York City. They had a great view of Amtrak’s former New Haven Railroad line from New Rochelle to the Hell Gate Bridge, which carried all of Amtrak’s Boston-New York trains. Until about 1980, this route also hosted infrequent freights.
When I was younger, I’d keenly watch for trains from my grandparents 19th floor terrace, all the while hoping to see Amtrak’s aged former Pennsylvania GG1 electrics. By 1982, all of Amtrak’s GG1s had been retired.
I made this morning view of a Penn-Station bound Amtrak train approaching the bascule drawbridge over the Hutchinson River led by an AEM7 electric. The scene itself wasn’t remarkable at the time, but I’m glad I made the effort to put it on film. It fascinates me now and brings me back to another time. Although details, such as how to effectively work with backlighting eluded me, I managed to get my exposure pretty close anyway.
I was 16 at the time. I used my Leica 3A with f2.0 50mm Summitar—the camera I carried with me everywhere. A couple of years ago, I located some of my long-lost early negatives and made a project of scanning them. The miracle of modern scanning technology coupled with post-processing allowed me to finally make something of photos I’d made before I was technically competent to make decent prints.
Stay tuned for tomorrow’s post; “the view from grandma’s terrace.”
Other kids would get assignments along the lines of: “Write a 500 word essay on how you spent your summer vacation.” I always wished for something like that. In 7th grade this would have read:
“We live on a boring road where nothing ever happens, so to keep me from driving my mother crazy, my father took me to Boston at least one day a week. My dad works near Harvard Square in a bright office with lots of computers. (That’s actually in Cambridge, not really Boston.)
“The first week he show me how to use the computer terminal and I played a game called ‘R Adventure’. The second week he showed me how to write a short program (that’s a bunch of lines and letters that tells the computer what to do). I wrote a program with a sneaky line called an ‘infinite loop’. This tells the computer to repeat the same line again and again. That was neat. I wrote ‘Brian Likes Trains.’ And this scrolled slowly over the CRT (that’s the computer screen that looks something like a TV but with green letters.)
“I figured I’d improve my program, so I added an exponent. When I ran the program the next time, the screen filled with ‘Brian Likes Trains’ faster and faster, soon the whole screen was rolling. Then it suddenly stopped. Actually the whole computer stopped. All the computers in the room stopped!
“A graduate student came in and spoke to my dad. Then my dad gave me a dollar and told me to go ride the subway or something. So I rode around and came back when it was time to drive back to Monson. Writing that program was like magic. Every time after that, my dad would give me a dollar and I’d ride around with my camera taking pictures.
“By August, I’d been on all the subway lines. So I went to the railroad station. South Station is a great place, it’s where they keep all the Budd Cars. Those are great because the engineers who run them let you ride up front and don’t charge you to ride.
“The Budd cars go all over the place, but if you’re not careful you might not get back by the time to go home, so it’s really important to get a schedule.
“My dad sometimes gave me his ‘SUPER WIDE ANGLE lens’. This is much better than my ‘Normal’ lens because its comes with a viewfinder which is an extra part you put on top of the camera that helps you to see pictures. With my normal lens, you have to look through a little hole, and that makes it harder to find good pictures.
“He also gave me a light meter to measure the light and set the camera. I made lots of pictures. This is one of my favorite because it shows the Budd Cars and the old signals at South Station. I had to walk all the way from the subway stop to the parking lot to make this picture and it was really hot outside.
“Now summer’s over, and I can’t ride around on the subway or Budd Cars until next year. I hate school.”
In1982, I was visiting my friend Dan Howard in Needham, Massachusetts. We’d made a day of riding bicycles to Framingham and back to photograph trains. (Neither of us were old enough to hold a valid driving license).
At the time, I was very enthusiastic about the railroad, and eager to capture it on film. Yet, I had very little conception of how to make photos. Furthermore, while I had a reasonably high quality camera, this was entirely dependant on my ability to set it properly (aperture, shutter speed, and focus)
I was using a 1930s-era Leica 3A with an f2.0 Summitar lens. This didn’t have the crutches provided with most cameras today: no auto focus, no auto exposure, no zoom-lens, and no instant response digital display window.
Simply getting film in the camera required the aid of a Swiss Army knife. While focusing the Leica using the rangefinder was a bit abstract. To gauge exposure, I used at Weston Master III light meter. With this camera I exposed Kodachome slides, and black & white 35mm film that I processed in the kitchen sink.
To simply get a photo of any kind, I had base level camera-operating skills, but no sense for how to make real railroad photos. I didn’t appreciate conventional angles, nor did I know what to crop out or what to feature. I knew precious little about working with light or how to make optimum use of the film media. My chemical processing skills were rudimentary, at best.
I just really wanted to make railway pictures! And, honestly, it’s a miracle that I got any results at all.
Thankfully on that day, Dan & I met a friendly and helpful grade crossing gate keeper, who manually worked the gates where former Boston & Albany and New Haven Railroad lines crossed the main street. He chatted with us and shared knowledge about when trains were coming. (Incidentally, I made a color slide or two of him working the gates, which seemed like the thing to do).
Toward the end of the day, a Conrail local departed Framingham’s North Yard, heading across the street and over the diamonds with the B&A on its way toward the Attleboro and beyond. I made this image ‘against the light’ looking into the setting sun, with a GP15-1 leading the local (which is about to cross the street) and some MBTA Budd cars in front of the old station.
Sometimes raw and unchecked enthusiasm produces a more interesting image than one crafted by skill, but hampered by ambivalence (or over thinking the photographic process.) Modern photographic scanners allow for me to interpret what I captured more than 30 years ago on film, and compensate for my lack of technical skill.
Listening to the Sounds of a General Motors 645 diesel in Run 8.
On the afternoon of August 16, 2003, I was in suburban Zagreb making photos on Croatian Railways (Hrvatske Zeljeznice—properly spelled with a hooked accent over the ‘Z’, which I’m not using in order to avoid problems with text interpretation by different computers).
Some local passenger trains, and long distance trains working the non-electrified line to Varazdin were hauled with General Motors diesels (built locally under license by Duro Dakovic). Many were still wearing the older Yugoslavian green and gold, but a few such this one (2044-002) were in the newer and attractive HZ blue and silver livery.
I also caught a few freights with Swedish designed Rc electrics HZ class 1141, similar to Amtrak’s AEM-7s.
Zagreb is a beautiful city with some wonderful old architecture a tram system. It’s as old as memory goes too. There were people living there when the Romans arrived some 2000 years ago.
Incidentally, precisely 20 years earlier, on the afternoon of August 16, 1983, Bob Buck and I caught a Boston & Maine freight leaving the yard in Springfield, Massachusetts with a Canadian National GP9 in consist. The CN GP had come down on the Montrealer the night before, pinch-hitting for a failed F40PH. Somehow, it seems relevant to mention that, it really ties the blog posts together.
A Hrvatske Zeljeznice class 2044 diesel (General Motors export model GT22HW-2) works west of Zagreb. Exposed with an Nikon F3Ts with 105mm lens on Fujichrome slide film.
On August 17, 2003, I traveled by train from Zagreb, Croatia to Belgrade, Serbia. This was a six-hour journey. While the train departed on time, it took a diversionary route around Zagreb to avoid track work on the mainline. On the way out of town, I noted a variety of stored General Motors diesels and a pair of 2-10-0s in a goods yard. Before long the train was 27 minutes behind schedule.
I made a number of photos, including this one, looking out the back of the train. Generally, Croatian Railways (Hrvatske Zeljeznice) maintained their track to excellent standards. Some HZ mainlines, such as this one, are electrified at 25 kV at 50 Hz, others with high voltage DC overhead, while many other lines are worked with diesels.
Approaching the Serbia frontier, the train was reduced to a crawl. This area was still showing the ravages of war. Passing Vinkovci, I noted a large yard full of derelict freight wagons, but also saw that line-renewal was under way.
Serbia had just eliminated visa restrictions for American and EU passport holders, so I had no difficulties with the border inspection. The heat, on the other hand, was memorable!
Belgrade was fascinating, but I’ll save that adventure for some future post. Two years later (to the day), I was back in Croatia again, and on that trip explored the line to Rijeka.
Going back to at least the 1980s, a group of us would convene in Palmer on Friday evenings. It used to be that after closing Tucker’s Hobbies on Fridays, Bob Buck would come down for dinner along with customers and friends from the store. Afterwards, we’d head over to ‘the station’ to watch the railroad.
I recall seeing Central Vermont’s old Alco RS-11s on sultry summer evenings, belching clouds of exhaust and sparks, while we waiting for the parade of westward Conrail trailvans (intermodal piggy-back trains); TV-5, TV-13, and etc. Back in the day, I’d make night shots with my Leica 3A. That seems like a long time ago.
This past Friday, a group of us convened at the usual spot; Doug and Janet Moore, Bill Keay, Rich Reed and myself. After a few trains, Doug and Janet were the ‘heroes’ as Bob would have called them; they headed home and a little while later the signals at CP83 lit up. To my astonishment, the ‘C’ light was flashing (the small lunar-white light between the main signal heads). I rushed for my cameras . . .
The signals at CP83 are approach-lit. So, when the signals light, it means that something (usually a train) has shunted the circuit. Among other things, CSX’s CP83 governs the switch at the west end of a controlled siding that begins at CP79 (about four miles to the east). When the signals light with a high green, it means a westward train has been cleared to continue past CP83.
Conrail installed the present signaling system back in 1986 when it converted the Boston & Albany route from directional double track under Automatic Block Signal rule 251 ( ‘signal indication will be the authority for trains to operate with the current of traffic’) to a largely single main track system with controlled sidings and governed by Centralized Traffic Control-style signals with cab signaling.
As a result there are now only wayside signals at dispatcher control points such as CP83. CSX assumed operations from Conrail 14 years ago.
It’s rare, but occasionally a locomotive suffers a cab-signal failure, or a locomotive that isn’t cab signal equipped leads a train. There is a provision with the signal system using the ‘C’ light, to allow a dispatcher to authorize a train to proceed without operative cab signal.
CSX rule CR-1280A names the ‘C’ light aspect as ‘Clear to Next Interlocking’. This gives the train permission to proceed the full distance to the next block ‘approaching next home signal prepared to stop’.
Why am I going into such specific operational details? Because, I’m fascinated by signals, but also in the 27 years since Conrail installed this signal system I’ve only witnessed a ‘C’ light lit, three times. And, I’d never before seen the C-light lit at CP83. I’ve been to CP83 more times that I can count, so for me, that is a really unusual event. (I saw a shooting star that night too, but those are common by comparison!)
Fortunately, I had cameras handy, and, perhaps more to the point, I had my dad’s Gitzo tripod, which made this sequence of images possible. (Other wise I would have trying to balance the camera with stacks of coins on the roof of my Golf, but, we’ll save that for another event . . .)
I just wish that Bob Buck could have been there with us to watch the train pass. He would have enjoyed that.
All images exposed with a Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.