In late April, Mike Gardner and I made visit to the old graveyard at West Northfield, Massachusetts (south of the junction at East Northfield on the old Boston & Maine), to photograph Amtrak 56 (the Vermonter) on its way to St Albans, Vermont.
Light cloud softened the afternoon sun, which was slightly back-lit at this location for a northward train. To make the most of the old stones and put the entire train in the picture, I opted for my 12mm Zeiss Touit lens.
I made minor adjustments to the RAW file in Lightroom to present better contrast in the JPG image presented here.
In late 2017, I got lucky and caught this heritage locomotive on several occasions, after years of it eluding me entirely.
This afternoon (April 24, 2019), thanks to a tip from my friend Paul Goewey, I caught old 156 again, albeit second unit out, on today’s westward Amtrak Lake Shore Limited (Boston section), train 449.
The view is from the bridge over the railroad and Quaboag River at West Warren, Massachusetts.
Photos exposed using my FujiFilm XT1 with 27mm pancake lens set to the Velvia color profile. Files exported from the camera as JPGs and scaled using Lightroom for internet presentation. No adjustments to contrast, color or exposure.
Check out my most recent TRAINS Podcast—Conversations with Brian Solomon, where I engage in a lively spontaneous discussion with Trains Magazine editors Angela Pusztai-Pasternak. We talk about Amtrak, Norfolk Southern, CSX and other topics, often taking unexpected tangents.
While the New CT Rail trains tend to capture most of attention on the Springfield-New Haven route (now branded as the ‘Hartford Line’), Amtrak continues to run its shuttles and through trains on the same route.
I made this view last week of Amtrak 490 working northward to Springfield, Massachusetts as it crossed the Connecticut River between Windsor Locks and Warehouse Point.
I like the distant vantage point, using a telephoto lens to feature the small train on the big bridge.
The other evening at the modern Amtrak station in Sturtevant, Wisconsin, Trains Magazine’s Brian Schmidt and I set up to photograph Hiawatha Corridor trains during their station stops.
The southward train arrived first, and featured one of the former F40PH diesels, now a cab-control/baggage car in the lead. These are colloquially known as ‘cabbages’, and this one was painted to honor American veterans.
Working with my FujiFilm XT1 and 27mm lens, I set the camera to ISO 6400 and panned the train as it arrived to allow for the effect of motion.
Friday afternoon January 18, 2019, Trains Magazine’s Brian Schmidt and I visited Duplainville, Wisconsin to catch Amtrak’s westward Empire builder, train number 7, as it split the signals in a snow squall.
I was delighted to see that the Milwaukee Road-vintage searchlight signals that I remember from my days in Wisconsin (now more than two decades ago) are still active.
The third locomotive in the Builder’s consist was the elusive Amtrak 156, ‘the bloody nose’—so named for its wearing of the 1970s-era Amtrak paint scheme.
I exposed these views using my FujiFilm X-T1 with 90mm f2.0 telephoto. White balance set to ‘daylight’.
Many years ago, my old pal T.S. Hoover and I would make a project of photographing the old New Haven Railroad during the holiday season.
This past New Years Eve (December 31 2018), I maintained this tradition, although that wasn’t my intent!
I was transferring from Amtrak 405 from Springfield to Amtrak 195 from Boston. Let’s just say the Boston train wasn’t holding to the advertised and I had ample time to wander around and make photographs of the passing action.
New Haven isn’t pretty, high level platforms combined with a plethora of poles, catenary masts, catenary, signs, garbage, stray wires and other visual clutter hasn’t improved this classic setting, but there’s a great variety of equipment on the move.
No GG1s, RDCs, FL9s, E8s or other relics that made this a fascinating place when I was a teenager. For that matter there weren’t any E60s, AEM-7s, F40s or SPV-2000s either.
Last night a damp inky gloom greeted us as we alighted from Amtrak’s Vermonter at the former Pennsylvania Railroad station at Wilmington, Delaware.
A SEPTA Silverliner V electric multiple unit set sat on the opposite platforms waiting to depart for Philadelphia.
I made several exposures with my Lumix LX7. Working with the RAW files in Lightroom, I maximize the amount of visual information in the photos by lightening shadows and darkening highlights while adjusting contrast and color saturation.
The train is now approaching its station stop at Meriden, Connecticut.
It was announced that from Hartford the train was completely sold out. Thus demonstrating that old adage no one rides trains anymore because they’re too crowded!
I exposed these photos with my FujFilm XT1 fitted with a Zeiss 12mm Touit lens.
As we roll along, the files were downloaded to my MacBook using Image Capture software, scaled for internet using Lightroom, and uploaded via Amtrak’s WiFi to WordPress for presentation on Tracking the Light.
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These days the only regular trains to use the old Santa Fe Raton Pass crossing are Amtrak 3 and 4, the Southwest Chief. The days of helpers over the three percent are all but a memory.
This day two weeks ago: Arriving on No.4, we had more than ten minutes at Raton to stretch our legs and take in the mountain air.
I used the opportunity to make some twilight images of Silver Splendor, the Budd-built Vista-Dome that I was traveling on.
Working with my FujiFilm XT1 and Zeiss 12mm Touit lens, I exposed several views in the blue glow of evening. Dusk is a great time to balance the light inside the passenger car with outside illumination.
Between Albuquerque and Raton Pass (on the New Mexico-Colorado state line) I counted three bastions of Union Switch & Signal style-T2 upper quadrant semaphores on our journey over the former Santa Fe in Vista-Dome Silver Splendor.
I watched the blades drop from the vertical as we passed—a scene I’d not witnessed for many years.
In 2018, these signals represent the last large collections of active semaphores on any North American mainline.
The Style T2 was detailed in my book Classic Railroad Signals in a sidebar titled ‘Sante Fe Semaphores Survive in New Mexico’ by John Ryan and the late John Gruber.
Last week, I awoke to sunrise east of Flagstaff, Arizona riding in Budd Vista Dome Silver Splendor as it traveled east on Amtrak no.4, the Southwest Chief.
The luxurious 1956-built stainless steel dome is a classic car from America’s streamlined era.
It was on its way to a new home on the East coast after years being based in California.
The pleasure of traveling in a Vista Dome is enjoying its comfortable elevated panoramic view of the passing scenery. An added bonus on BNSF’s former Santa Fe Transcon is the unceasing parade of freights.
These images were exposed digitally using my FujiFilm X-T1. Some of the photos were adjusted in post processing to compensate for the dome’s tinted glass.