All posts by brian solomon

Author of more than 50 books on railways, photography, and Ireland. Brian divides his time between the United States and Ireland, and frequently travels across Europe and North America.

Maine Eastern Cement Train, August 2004

 

Rockland, Maine.

As a kid, I’d travel with my family to coastal Maine for visits with grandparents who owned a summer home south of Newcastle. At that time, Maine Central operated freights on the Rockland Branch on a weekday basis.

On rare occasions as we were driving, I’d see a train wandering up or down the branch. I recall my exceptional frustration when passing the Rockland roundhouse a group of Maine Central GP7s and GP38s basked in evening sun, but family priorities precluded even a short stop for photography (I think we were going to dinner).

By the time I made visits to Maine in the mid-1980s with aims at making railroad photographs, the old Rockland Branch was all but dormant.

The line experienced a revival in the 1990s and 2000s. Today it hosts freight and passenger trains operated by Maine Eastern. This greatly pleased my late-friend Bob Buck, who had experienced the line in steam days and had watched its gradual decline during the diesel era.

It was a great thrill for him to be able to board a passenger train again at Rockland and ride along the coast inlets toward Brunswick.

Maine Eastern
In August 2004, a Morristown & Erie C-424 leads a short empty cement train up from the Rockland Pier on the rebuilt former Maine Central spur running between the pier and the Rockland yard. Exposed on Fujichrome with a Nikon F3T and 24mm lens.

In August 2004, I was among several friends visiting with Bob at his summer home on the Maine Coast. During this trip, Neal Gage and I spent a productive morning photographing Maine Eastern’s cement train, which made a series of short turns between the cement factory at Thomaston and a pier in Rockland.

This included photographing the short spur (branch) to the pier that had been rebuilt during the revival period to facilitate movement of cement by barge. This line winds through back yards of Rockland and curls around to the waterfront.

Caption: In August 2004, a Morristown & Erie C-424 leads a short empty cement train up from the Rockland Pier on the rebuilt former Maine Central spur running between the pier and the Rockland yard. Exposed on Fujichrome with a Nikon F3T and 24mm lens.

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Bord na Mona’s Ash Train

An Elusive Catch.

For me anyway! On Saturday, August 3, 2013, I scored a few photographs of Bord na Mona’s ash train on the move near Shannonbridge, County Offaly. (Yes, and by the way, that’s ash train, and not ASH TRAY. Just to clarify.)

Bord na Mona, ash train.
Bord na Mona’s laden ash train works east from the West Offaly power station at Shannonbridge. The ash train carries waste ash (left over from the burning of peat) for disposal back into the bog. Canon EOS 7D photo.

Now, someone at Bord na Mona might read this and say, “Elusive ash train? Why that’s scheduled to run every day at 2 pm.” Or, perhaps, it is scheduled to run every third Saturday after the first full moon on months that don’t end in ‘R’. (But, none-the-less, scheduled).

Irregardless, so far as I was concerned, photographing the ash train on the move was a real coup! In the last year, I’ve made a half dozen ventures to photograph Bord na Mona’s narrow gauge lines, this was the first time I’d seen an ash train on the move. Certainly, I’ve seen them before, just not rolling along out on the road.

Bord na Mona, ash train.
Trailing view of Bord na Mona’s ash train near Shannonbridge. Canon EOS 7D photo.
Bord na Mona, ash train.
The laden ash train roars along at a walking pace near Blackwater. Lumix LX3 photo, contrast modified in post processing.

Yet, I’d call it elusive! It’s all a matter of perspective. More on elusive (or at least unusual trains) in future posts.

Incidentally, unlike elusive trains, Tracking the Light regularly posts new material almost every day! So, to use an obsolete cliché, stay tuned!

Bord na Mona, ash train.
Bord na Mona ash train near Blackwater, August 2013. Canon EOS 7D photo.

 

 

Irish Bog Railways—Part 5, August, 2013

Photographing Irish Bog Railways.

In a follow up to yesterday’s post, here’s a few more images from my early August adventure with Ireland’s Bord na Mona narrow gauge. I was working with three cameras: my Lumix LX3, my Canon EOS 7D digital SLR (single lens reflex) and my Canon EOS 3 35mm SLR.

Since it will be a while before the slides are processed, all the images here are from the digital cameras.

Irish Bog Railway
Under showery skies, a Bord na Mona train heads out across the bog for reloading. Canon EOS 7D.
Irish Bog Railways
Loading of a Bord na Mona train. Canon EOS 7D.

 

Bord na Mona
Road bridge over the Bord na Mona double track line near Shannonbridge, Co. Offaly. Canon EOS 7D photo.
Bord na Mona
Bord na Mona track laying machine and an empty train. Lumix LX3 photo.
Bord na Mona
An empty Bord na Mona train returns to the bog for reloading. Lumix LX3 photo.
Bord na Mona
Peat hoppers and the harvested peat bog near Shannonbridge. Lumix LX3 photo.
Maintenance train with sunny skies and weedy tracks. Lumix LX3 photo.
Maintenance train with sunny skies and weedy tracks. Lumix LX3 photo.
Bord na Mona
Empty train growl along the bog. Despite their small size, Bord na Mona trains can be heard a long way before the arrive. Canon EOS 7D photo.
Bord na Mona
Laden Bord na Mona train under a textured sky. Soon it will rain. Canon EOS 7D photo.

I’ve found my visits to photograph the Bord na Mona railways exceptionally rewarding and productive and I look forward to more photography trips in coming months.

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Irish Bog Railways—Part 4, August, 2013

 

Bord na Mona’s Blackwater Network Revisited.

It was fifteen years ago that I made my first acquaintance with Ireland’s bog railway, a narrow gauge network operated by Bord na Mona (peat board). At that time, a tourist train run as the Clonmacnoise & West Offaly made regularly scheduled trips from the Blackwater depot near Shannonbridge in County Offaly.

As I recall, it was an oppressively damp day. Having arrived under swollen skies, I checked in at the booking office, skeptical if the line was even in operation, only to learn that not only was it running, but that the first couple of trains were sold out!

Using the time between tourist trains, I made some black & white photos of the peat trains, then returned to ride the line.

On another occasion two years later, I returned with my father, and family friend Tom Hargadon, and made another spin out on the bog. Since that time, the Clonmacnoise & West Offaly excursion has been discontinued.

Bord na Mona narrow gauge.
My August 2013 visit to the Blackwater network found the bog under rapidly changing skies. Lumix LX-3 photo. Contrast modified in post processing.

 

A Busy Irish Narrow Gauge Industrial Railway.

In early August 2013, I reacquainted myself with Bord na Mona’s Blackwater network, having explored other of Bord na Mona’s railway operations in recent months. See earlier posts:

Gallery 8: Irish Bog Railways—Part 1

Irish Bog Railways Part 2 

Irish Bog Railways Part 3 

Bord na Mona narrow gauge.
Empty Bord na Mona narrow gauge train heading out to be loaded. August 2013. Canon EOS 7D with f2.8 200mm lens.

Blackwater is from my experience, by far the busiest of Bord na Mona’s operations, as the West Offaly power station at Shannon Bridge has the most voracious appetite of the peat burning plants served by Bord na Mona narrow gauge railways. Quite simply there were trains crawling everywhere I went.

The day featured a rapidly changing sky. This made for some wonderful lighting and visual effects, but also resulted in me getting unexpectedly soaked when the sky suddenly opened up. One minute it was sunny, the next there was near horizontal rain! On my next visit I’ll bring plastic bags and a jumper!

Bord na Mona narrow gauge.
In addition to laden and empty peat trains, Bord na Mona operates various type of maintenance  trains. Many of these are hauled by older and more eclectic looking locomotives. August 2013. Canon EOS 7D with f2.8 200mm lens.
Bord na Mona
Bord na Mona trains are loaded with peat. A section of temporary track sits in the foreground. Exposed with a Canon EOS 7D fitted with a 28-135mm lens.
Bord na Mona
A sudden downpour drenches the boglands near Shannonbridge. Canon EOS 7D photo.
Bord na Mona
A laden Bord na Mona train crosses the Shannon near the West Offaly power plant. Discharge from the plant warms the river making it ideal for lilly pads to grow. Lumix LX3.

 

See tomorrow’s post for more Irish Bog Railway photos!

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Railroad Station Building, Steward, Illinois, June 15, 2004

A Vestige of Earlier Times.

At one time, just about every town in North America had at least one railway station. Tens of thousands of station buildings dotted the continent. Most were small. Often railroads would have their bridge and building departments draft standard station plans of various sizes and apply these where appropriate.

Old railway station.
Steward’s former Chicago, Burlington & Quincy is a reminder of former times when passenger trains served this rural village. Exposed with a Nikon F3T with 24mm Nikkor lens on Fujichrome slide film.

Steward, Illinois is a village on the former Chicago, Burlington & Quincy several miles east of Rochelle (where the CB&Q crossed the Chicago & North Western). It has been many years since this small standard-plan station hosted trains. It survives as a tie to the era when the railroad was the town’s lifeline to the outside world.

The May 1949 Official Guide of the Railways lists CB&Q train 52 stopping here at 7:32 am eastbound, and train 49 stopping at 10:51 pm westbound, while a mixed train could make a stop on request (no time listed).

Now the station has little to do with the main line running nearby. Dozens of BNSF Railway long distance freights pass daily. There are no passenger trains on this route—not since Amtrak assumed most long distance passenger services in 1971. But Steward probably had lost its local train long before then.

 

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Orlando Station, November 1999.

Letting Classic Railway Architecture Tell a Story.

On a visit to Florida in mid-November 1999, I made this detailed view of Amtrak’s Orlando passenger station.

Spanish Revival Style railway station.
Orlando, Florida passenger station photographed in November 1999 on Fujichrome with a Nikkor 24 mm lens. Metered manually with a Sekonic Studio Deluxe handheld photocell with incident light dome attachment.

Built by CSX predecessor Atlantic Coast Line in a Spanish revival style, this busy station offers a variety of angles. I opted to make this symmetrical view with my Nikkor 24mm lens. The trick was exposing for the white station against the blue sky and retaining detail while not allowing the station to appear too dark

Although a simple image, it tells a story: “Atlantic” has been imperfectly replaced by “Seaboard,”—reflecting the 1967 merger between Atlantic Coast Line with its long time rival Seaboard Air Line Railroad. Amtrak assumed SCL’s passenger service on May 1, 1971, and Amtrak’s classic ‘pointless arrow’ logo meekly identifies the structure.

As evidence in this image, between the 1960s and 1990s American railroad scene underwent a bewildering series of mergers, transfers of service and rebranding. This is the topic of my upcoming book North American Railroad Family Trees , published by Voyageur Press, which aims to unravel some of the mysteries behind the myriad changes to North American railway operations.

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West Warren, Massachusetts, October 2000.

Another Exercise with 120 Size Transparency Film.

In yesterday’s post, I told about working with a Hasselblad and 120 Kodachrome. Although, 35mm slide film was my stable format for more than 25 years, I’ve periodically dabbled in larger formats.

CSX main line along the Quaboag River.
The former Boston & Albany mainline along the Quaboag River in October 2000, exposed with a Rolleiflex Model T on 120 Fujichrome Velvia 50.

I made this image of CSX’s former Boston & Albany mainline at West Warren, Massachusetts in October 2000 using a Rolleiflex Model T with f3.5 Zeiss Tessar lens to expose 120 size Fujichrome Velvia 50.

While I have many images of trains at West Warren, this remains among my favorite. The trees and brush had been cleared from the north side of the tracks, opening up a angle on the tracks not often possible here. I’ll like the stumps too. My grandfather would have approved.

The lack of train allows for good juxtaposition between the railway, waterfall, and old mill buildings on the far side of the Quaboag River. If I’d let a train into the scene, it would either cause a distraction or block the waterfall. One solution to this puzzle is to work from the other side of the tracks, but that loses the timeless quality offered by this angle.

Nearly peak autumn color is a nice touch, while soft overcast light adds to the autumnal atmosphere.

Caption: The former Boston & Albany mainline along the Quaboag River in October 2000, exposed with a Rolleiflex Model T on 120 Fujichrome Velvia 50.

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Susquehanna’s General Electric DASH8-40B 4002 at West Middlebury, New York, March 1989

Experiment with Medium Format Kodachrome.

New General Electric DASH8-40B on New York Susquehanna & Western
In 1989, New York, Susquehanna & Western served as the court appointed operator of Delaware & Hudson. By virtue of the 1976 Conrail merger, D&H had been granted trackage rights on the former Erie Railroad route from Binghamton to Buffalo, New York. On this March morning, a new NYS&W General Electric led an eastward double stack train on the old Erie near West Middlebury, New York, 384 miles from Jersey City.Exposed on 120 Kodachrome transparency film with a Hasselblad 500C with 80mm Zeiss Planar lens

In March 1989, I was halfway through my final term at the Rochester Institute of Technology. My course load was light enough to allow me several days off a week to pursue my own work.

On this day, my flat mate Bob lent me his Hasselblad, which I loaded with 120 Kodachrome 64. Wow, was this ever a winning combination! It offered brilliant color with exceptional sharpness on a large transparency.

While I took advantage of Bob’s Hasselblad and 120 Kodachrome on several occasions, the relatively high cost of this format precluded my frequent use of it. At the time I was living on about $30 a week and a single roll of 120 Kodachrome processed was beyond my budget. (Also, Bob occasionally needed his camera).

Once I completed my degree, the high cost of Hasselblad cameras put them well out of reach for years. Other considerations were related to practicality. I found the Hasselblad awkward to use for my style of photography, and I had very limited applications for 120 transparencies.

Realistically, the 35mm slide format was not only better suited for most of my color needs, but also far more affordable.

Yet images like this one continue to nag me. From time to time, I have continued to experiment with 120-color transparency film, often with very good results. I’ve never been satisfied with my reluctance to make the plunge. Tough choice.

A week after I exposed this photo, I made an 11x14in Cibachrome print of it. (Thanks to my dad who fronted me the cash for 50 sheets of Ciba paper). Incidentally, the scan of the original image fills nearly 280 MB on my hard drive. If I’d scanned it at the maximum capabilities of my Epson, it would probably reach a GB. That’s a lot of information in one photograph. The image could fill a wall.

 

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Irish Rail Gray 077 Leads Ballast Train

 

A Rare Move to Catch in Full Sun.

As a follow-up to my post Irish Rail Ballast Train at Islandbridge, Dublin, April 16, 2013 , I offer these views of a ballast train at the same location on August 2, 2013.

Irish Rail ballast train.
Irish Rail 077 leads the empty HOBS at Islandbridge Junction on August 2, 2013. The iconic Wellington Testimonial in Dublin‘s Phoenix Park looms above the train. Canon EOS 7D photo.

So far just three of Irish Rail’s 071 class are operating in the new gray livery. So catching one on the move in sunlight can be a challenge. Ballast trains operate infrequently, and standing at this spot for a month of Sunday’s might not guarantee an image such as this. It helps to live near the line.

The cars make up what Irish Rail calls a ‘High Output Ballast’ train which is known on the railway as the HOBS. Using my Canon EOS 7D, I exposed a series of photos of the train on the curve from the Phoenix Park tunnel at Islandbridge Junction.

The combination of elevation, iconic backdrop and the orientation of the tracks and curve allow for one of the best morning views in Dublin for a westward train. As the sun swings around, many more angles open up down the line.

Irish Rail Gray 077 Leads Ballast Train
A landscape view of Irish Rail’s HOBS at Islandbridge Junction near Heuston Station in Dublin on August 2, 2013. Canon EOS 7D photo.
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Bluebell Railway Revisited, July 2013-Part 2

Kingscote Station.

Kingscote Station
Bluebell staff on the platform at Kingscote. Exposed digitally with my Canon EOS 7D.

For many years Kingscote was effectively Bluebell’s northern terminus. That changed this year when the extension to East Grinstead was finally opened along with the direct connection to Network Rail.

Now, as a quiet mid-point on the Bluebell line, it embodies all the qualities of a small town passenger station from a time long ago. Adding to the rural solitude is a ban on visitor automobiles in the car park. (Railway riders are encourage to use other stations on the line).

The facilities are faithfully decorated to convey the spirit of long ago. I appreciated a lack of modern intrusions. Not so much as an electronic beep could be heard during my brief visit. (I turned off the various sounds uttered by my digital cameras!). I should have brought my Rollei Model T for effect.

During my hour visit at Kingscote, I was rewarded with the arrive of a wedding special hauled by a diminutive locomotive named ‘Bluebell’ and decorated appropriately.

Bluebell Railway at Kingscote.
Vintage sign inside Kingscote Station. Lumix LX3 photo.
Bluebell Railway at Kingscote.
Station offices look like something from the late steam era. Notice the old manual typewriter. Lumix LX3 photo.
Bluebell Railway at Kingscote.
Waiting room at the Bluebell Railway station in Kingscote. Lumix LX3.
Bluebell Railway at Kingscote.
A period poster decorates the street side of Kingscote Station. Lumix LX3 photo.
Bluebell Railway at Kingscote.
Locomotive ‘Bluebell’ is ready to depart Kingscote on the Bluebell Railway. Lumix LX3 photo
Locomotive drive wheel
A study in motion: drive wheel, cylinder, valves, crosshead and valve gear of locomotive 92212 at Kingscote Station. Canon EOS 7D photo.
Bluebell Railway at Kingscote.
London Transport locomotive L150 leads a train of Metropolitan Railway carriages at Kingscote in July 2013. Canon EOS 7D with 28-135mm lens.

 

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Bluebell Railway Revisited, July 2013-Part 1

 

A Pleasant Saturday Time Travel Experience.

British Rail class 9F 2-10-0 92212
British Rail class 9F 2-10-0 92212 makes an impressive arrival at East Grinstead. Canon EOS 7D photo.

At the end of July, my friends and I made a pilgrimage to the Bluebell Railway, traveling by Southern Railway electric muliple unit from London to East Grinstead and transferring to the Bluebell’s steam train there.

This was my second trip over the Bluebell this year. While not the best day for photography, owing to a humid hazy morning with flat dull light and rain showers in the afternoon, I managed to make a variety of images of this classic British preserved railway. Regardless of the weather, Bluebell offers a pleasant trip to an earlier era.

In the last dozen years, I’ve made about a half dozen Bluebell visits that have allowed me to better appreciate the line and more fully experience it. It is one of just several dozen top notch preserved railways in Britain.

British Rail class 9F 2-10-0 92212
Engine driver on British Railways locomotive 92212 at Kingscote station. Canon EOS 7D photo.
Signal levers.
Levers at Sheffield Park signal box. Canon EOS 7D photo.
Privatization of British Rail has invoked nostalgia for the old days of a unified nationalized network. Canon EOS 7D photo.
Privatization of British Rail has invoked nostalgia for the old days of a unified nationalized network. Canon EOS 7D photo.
Horsted Keynes is a popular mid-line layover.
Horsted Keynes is a popular mid-line layover.

See my earlier posts on the Bluebell for more details and photos of the line:

Bluebell Railway April 2012 and Bluebell Railway April 2012-Part 2

 

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East Midland Trains

Trip on the old Midland Railway from St. Pancras to Market Harborough.

East Midlands Trains is a franchise operating in its namesake area north and east of London. Detail of an HST Class 43 power car (locomotive). Lumix LX3 photo.
East Midlands Trains is a franchise operating in its namesake area north and east of London. Detail of an HST Class 43 power car (locomotive). Lumix LX3 photo.

I’d pre-booked tickets to ride from St. Pancras north on the old Midland Railway. The last time I made this journey I traveled on Midland Mainline trains, but this franchise was reconfigured in 2007 and now East Midland Trains handles the run.

Although my day’s journey began on the London Tube, the real part of the railway trip started from St. Pancras, a virtual cathedral of British Railways. (See my previous posts: London April 2013, and London Stations). Here the colossal Victorian era shed shelters Eurostar trains bound for Brussels and Paris.

St. Pancras
William Barlow’s classic St. Pancras balloon arch train shed as seen in July 2013. Lumix LX3 photo.

Rebuilding and reconfiguring of St. Pancras in the mid-2000s, resulted in an inspiring interpretation of the historic architecture. However, domestic long distance trains were then relegated to the newer, less inspired train shed extension beyond William Barlow’s pioneering balloon arch.

I arrived looking for the 0930 departure, only to find the place in a bit of turmoil. When I enquired of member of East Midland’s staff where the 0930 was, he said to me, ‘Don’t know mate, the place is in a kip this morning, all the trains are running late, check the boards.’ An honest answer. I accept that.

Eventually, the same East Midlands man found me again, and said, ‘your train’s on platform 3b.’ Right. We only left about 7 minutes after the advertised schedule. However, we were out of path and got stuck in behind a slower moving First Capitol Connect electric suburban train and lost a few more minutes.

The old Midland route is one of the busiest mainline railways in Britain. It’s a four track electrified line from St Pancras to Bedford. Fast lines are good for 110 mph and used for express passenger trains, with slow lines accommodating stopping First Capitol Connect electric services to Bedford and freights.

It’s a thrill to be racing along at 100+ mph and overtake another train. The route is virtually saturated. This means that based on limitations of current infrastructure and signaling, the Midland route is accommodating the maximum number of trains possible at peak times.

I rode out on a class 222 Meridian diesel-multiple unit, and back to London on a 1970s era HST. The HST offered a nicer ride and more spacious accommodation.

I’m a biased fan of the HST, so the modern cramped facilities of the Meridian just wouldn’t impress me, although it’s a better option than a plane or bus, given a necessary comparison.

British Rail ticket
Macro view of my seat reservation from London to Market Harborough. Although the nationalized and unified British Rail network was broken up in the mid-1990s (with passenger services now provided by private companies operating designated franchise routes and to a limited extend via open access arrangements) the old British Rail logo is still used on tickets and related documents. Lumix LX3 photo.
St. Pancras
An HST powercar looms in the darkness of the modern St. Pancras shed extension. The station was officially renamed in 2007 and is now St. Pancras International using airport style lexicon to reflect its enhanced status among British railway stations. Lumix LX3 photo.
East Midlands poster
East Midlands poster at Market Harborough in July 2013. This advertises 84 miles in 61 minutes. I wish Amtrak’s Acela could boast that sort of running from Penn-Station to New Haven Connecticut. Lumix LX3 photo.
East Midlands Trains.
East Midlands class 222 Meridian trains at Market Harborough. Fast and comfortable, but not as nice as an HST. Lumix LX3 photo.
Meridian train
An East Midlands express blitzes the up platform at Market Harborough. Lumix LX3 photo.
East Midlands Trains HST high speed train
An outbound East Midlands Trains HST (powered by class 43 diesels fore and aft) accelerates away from the down platform at Market Harborough. Just to clarify, this is the rear of the train, a similar powercar is roaring away at the head end. Lumix LX3 photo.
View from a London bound HST overtaking a First Capitol Connect suburban electric train south of Bedford. The old Midland Railway four track mainline is among the busiest long distance routes in Britain.
View from a London bound HST overtaking a First Capitol Connect suburban electric train south of Bedford. The old Midland Railway four track mainline is among the busiest long distance routes in Britain.
Commemorative plaque on an East Midlands Trains HST. Lumix LX3 photo.
Commemorative plaque on an East Midlands Trains HST. Lumix LX3 photo.

My 84 mile trip from London to Market Harborough was accomplished in a little more than an hour and fifteen minutes, with station stops and delays. It was even faster on the return leg. It was a good trip!

 

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London Transport Museum

 

Historic Vehicles on Display at Covent Garden, London.

London Transport Museum
The London Transport Museum offers interpretive display of old transit vehicles. It is popular with kids and tourists. Lumix LX3

I’ve visited the London Transport Museum on several occasions, owing to its convenient location at Covent Garden in central London, and my general interest in transport.

Central to the public displays are a variety of historic conveyances ranging from horse-draw omni buses and horse cars to tube trains, buses, a double deck tram and a lone trolley bus.

London Transport Museum
Old double deck buses on display. I found it remarkable how small these buses are in comparison with those working London’s streets today. Lumix LX3

Perhaps more important than the equipment is the context the museum offers. London is one of the most transit friendly cities in the world and has a long history of offering public transport.

This year the London Underground is celebrating its 150th anniversary. As part of the city celebrations, the London Transport Museum has a display of Underground posters.

 

On my July 2013 visit, I made a few photos of the equipment on display at the museum using my Lumix LX3.

London Transport Museum
Vintage London Tube car on display at the London Transport Museum. Lumix LX3 photo.
London Transport Museum
This Victorian-era tube train displays a relative dearth of windows. Lumix LX3 photo.
London Transport Museum
Looking down a set of stairs on a double deck tram. How was the use of steps regulated when the tram operator was at the front of the car? Anyone? Lumix LX3 photo.

 

 

 

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London Tramlink

 

Greater London’s Modern Streetcar.

Croydon Tramlink
Croydon Tramlink features street running in the classic tradition. Canon EOS 7D photo.

In my last post I covered the Docklands Light Railway (DLR). Today, I’m focused on the London Tramlink (an network centered on Croydon and previously known as the Croydon Tramlink). Here the terminology can get a bit confusing because while ‘Light Rail’ and ‘Trams’ are sometimes used to describe the same type of service, in London these services are distinctly different.

The DLR is an automated grade-separated rapid-transit type of service, but features stations that very close together while taking advantage of very tight curvature. By contrast, London Tramlink features street running and is largely a ground-level operation, with drivers on each car.

Where the DLR uses trains consisting of ‘light rail vehicles’ adapted on modern streetcar design, Tramlink uses trams or ‘streetcars’ and generally runs these singly, with a driver (or operator, if you prefer) on each car.

However, while the styles of operation vary, both systems provide intensive localized rapid transit that is fully integrated with the London transport network. Both systems also have lines on former ‘heavy rail’ rights of way.

I first experienced the Tramlink in January 2006. On a particularly bleak winter day, I rode most of the existing network and made a few color slides. The lighting was flat and very dull, so my photos from that effort have remained in the processing boxes.

Croydon Tramlink
A tram passes Lloyd Park. Lumix LX3 photo.

Last week, I had few hours to spare between appointments, and since it was sunny and bright, I opted to revisited the Croydon tram lines with the specific goal of making photos.

I was surprised to learn that the paint livery had changed. In my 2006 visit the trams were red and white, last week they were largely green and white, although there were a few running around in advertising colors. Also, there were some newer trams augmenting the older cars, which added to the variety.

I made photos with both my Lumix LX3 and Canon EOS 7D. All of these images were exposed in just a couple of hours. Thankfully, the trams operate on a close headway allowing for plenty of photo opportunities.

Croydon Tramlink
A tram approaches Lloyd Park on the line to New Addington. Exposed with a Canon EOS 7D and 28-135mm lens.
Croydon Tramlink
A tram at Lloyd Park on the line to New Addington. Exposed with a Canon EOS 7D and 28-135mm lens.

 

East Croydon
Contrasts in modern design; a tram at East Croydon. Lumix LX3 photo
Tramlink_modern_Tram_closeview_IMG_0637
One of Tramlink’s new Stadler Rail Variobahn Trams glides along near East Croydon. Canon EOS 7D photo.
Croydon Tram
This tram was difficult to miss in its iridescent special livery.
London Tramlink
Another unusually painted tram was this car which wore a scheme similar to the red and white that I remember from my earlier trip. Lumix LX3 photo.
Tramlink
Older trams such as this one were built by Bombardier. The Tramlink was well patronized. Canon EOS 7D Photo.

 

 

 

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London Docklands Light Railway July 2013

Visions of Ultra Modern Rail Transport.

Docklands Light Railway
London’s Docklands Light Railway is a rolling example of modern artistic design. Lumix LX3 photo.

Last week (July 2013), I made a visit to the Dockland Light Railway (DLR) on my urban exploration of London.

DLR appears as the manifestation of a future vision. What I mean is that, it seem like the sort of ‘futuristic’ transport envisioned in the 1940s or 1950s. In many places the trains run on purpose-built elevated structures while serving spacious modern stations.

London's Docklands Light Railway
Docklands Light Railway trains pass near Canary Wharf in July 2013. Lumix LX3 photo.

Most remarkable is its driverless automated operation. In this regard it’s more like an airport monorail than conventional urban rail transport. Except that it has several routes that meet with complicated flying junctions and dozens of stations.

Perhaps the best part of the DLR is the ability to watch out of the front of the trains as they roll along. Going west toward Bank/Tower Gateway the DLR runs adjacent to the suburban line to Fenchurch Street operated by C2C.

I made this selection of DLR photos with my Lumix LX3.

London's Docklands Light Railway
DLR train at Canary Wharf in July 2013.
DLR map
DLR map.
London's Docklands Light Railway
View from the front of a DLR train bound for Bank. Lumix LX3 photo.
London's Docklands Light Railway
DLR involves some intensive infrastructure. Lumix LX3 Photo.

 

 

 

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London Underground July 2013—Part 2


More Views of the Underground.

As a follow up to yesterday’s post London Underground July 2013—Part 1, I’ve assembled some of my favorite images from last week’s exploration in London.

Underground Station at Covent Garden
The classically tiled Underground Station at Covent Garden is easily identified. Lumix LX3 photo.

The Underground cleverly blends transport and style. In my experience it is one of the world’s most popular public transportation systems. Phrases like ‘Mind the Gap’ appear on mugs and T-shirts, while many shops sell stylized maps of the Underground network.

There’s a lesson here.

Charing Cross Underground station
Charing Cross Underground station is the preferred way to access The National Gallery and other nearby museums. Lumix LX3 photo.
Tube station.
The National Gallery and Trafalgar Square are among London’s largest tourist attractions. This poster describes Victorian interest in art and places photography in period context. Lumix LX3 photo.
London Tube.
A passenger prepares to board as a Piccadilly Line tube train glides into the Kings Cross St Pancras Underground station. July 2013 photo exposed with a Lumix LX3.
Tube Train.
By placing the camera against the ceiling of the tube train, I secured an unusual angle, minimized vibration to allow for a long exposure, while momentarily attracting the interest of fellow passengers. Lumix LX3 photo.
Air raid signs
Historic Underground signs recall the fear from sky-bourne warfare. Canon EOS 7D photo.
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London Underground July 2013 — Part 1

Exploring London Transport

Big Ben clock tower
Westminster Underground station with Big Ben clock tower, July 2013. Lumix LX3 photo.

London is among the world’s great cities. Last week I made my second visit to the British capital this year. While exploring the city and meeting with friends I traveled using London Transport, including the famous Underground.

This year London’s Underground celebrates its 150th anniversary. It is not only the world’s oldest ‘subway,’ but also certainly one of the most interesting and most photogenic.

Using my Lumix LX3 I made a variety of images of the Underground. The camera’s compact size and relative ease of use makes it an ideal tool for photographing in a subway.

For outdoor images I set the camera’s ISO at 80. When underground, I set the ISO at 200, and use the aperture priority (‘A’ on the top dial) while dialing in 1/3 stop overexposure. I generally use the auto white balance, which seems to work reasonably well.

London Underground
Selective perspective allows for an interesting angle on Oxford Circus station on the Bakerloo Line.
London Underground tube car
London tube cars have a lower profile than cars designed for the older Underground lines. July 2013. Lumix LX3 photo.
London Underground
London Underground train departing Covent Garden station, July 2013.
Virgin Trains advertisement
A Virgin Trains advertisement in the London tube, July 2013.
London Underground
Classic tile-work at Caledonian Road tube station as photographed in July 2013. Lumix LX3 photo.
Leicester Square Underground Station
Leicester Square Underground Station. Lumix LX3.

 

London Underground.
Compare the modern adaptation of the London Underground logo in this image with that of that on the Leicester Square station above. This logo cleverly uses the colours of the British flag and symbols that convey the tube. Lumix LX3 photo.
London tube.
For many passengers the tube offers little more than convenient transport. Lumix LX3 photo.

I’ve found that the digital camera is vastly superior to my old film cameras for making photos of London’s Underground. However, I have plenty of color slides of the Tube and Underground lines from earlier trips.

Check upcoming posts for more views of London Transport.

Also see:

London Underground April 2013—Part 1

 

London Underground April 2013—Part 2

London Overground—Part 1

London Overground—Part 2

 

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Irish Rail’s Tara Mines Run

Fortuitous View From Dublin Bus, 23 July 2013.

Last Tuesday, 23 July 2013, I boarded Dublin’s Airlink Bus (Route 747) on O’Connell Street. I was on my way to London.

The 747 takes a somewhat circuitous route through the Dublin City center. After encircling Bus Aras (Dublin’s central intercity bus station) it wanders along the north quays and then passed the North Wall on its way toward the Port Tunnel.

On this portion of the route, the bus crosses Irish Rail at grade on the line that runs down the Alexandra Road into the port. I was on the upper deck of the 747, and as we approached the crossing I withdrew my Lumix LX3 from my bag.

Most travelers on an airport bus would dread the possibility of being delayed by a freight train. However, I was delighted when the traffic light turned red in front of the bus, and I notice a man in an Irish Rail orange vest with a red flag hovering by the street corner. This could only mean one thing . . .

Tara Mines Run
Irish Rail’s empty Tara Mines train eases across the road as viewed from the Airlink Bus on 23 July 2013. Lumix LX3 photo.

And there it was! Great! Acting quickly, I opened the side window of the bus and positioned my camera. In a moment’s time, Irish Rail’s 071-class locomotive, number 081 eased across the road with the empty Tara Mines train in tow. The flagman walked the train over the crossing to insure maximum safety. I exposed the sequence of photos displayed here.

Freight train viewed from double decker bus in Dublin.
This image reminds me of a photo my father made in the 1960s of an Erie-Lackawanna caboose seen crossing a road from the inside of an old GM bus in New Jersey. Lumix LX3 photo.

It was only a momentary delay. Soon the traffic light returned to green and the bus continued on its way. Oddly, I don’t think any of the other bus passengers shared my enthusiasm for the fortuity of the train’s passing. Can’t please everyone, I suppose.

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Napa Valley Wine Train, December 1990

Classic Diesels with Autumn Foliage.

Napa Valley Wine Train
Former VIA Rail FPA4s lead a northward Napa Valley Wine Train. Exposed on Kodachrome 25 with a Nikon F3T fitted with a 300mm Nikkor Lens.

In 1989, Napa Valley Wine Train began public operations on a former Southern Pacific branch through its namesake valley. I first explored this railway in October 1989. A little more than a year later, Brian Jennison and I spent a very productive day photographing the line on Kodachrome.

Brian lent me a Nikon 300mm lens for this photograph. I’ve always like the image because the extreme compression offered by the long telephoto accentuated the classic lines of the Montreal Locomotive Works diesels (and the steam era bell on the top of the lead unit) while offering a pleasing juxtaposition between the train and the background foliage.

Santa Fe FP45 Leads an Eastward Intermodal Freight


Mojave, California, June 1992.

Santa Fe FP45 near Mojave Calif in 1992
Santa Fe EMD-built FP45 number 98 eastbound near Mojave, California. I exposed this on Kodachrome 25 using my Nikon F3T with an f4.0 200mm lens positioned on a Bogan 3021 tripod with ball head.

In the early 1990s, I made several productive trips to the California Tehachapis. Southern Pacific owned and operated the line over the mountain, while Santa Fe operated by virtue of trackage rights.

Yet at that time, Santa Fe ran about three times the number of trains as SP. On this morning, T.S. Hoover and I were set-up on the east slope of the mountain. While catching a Santa Fe FP45 in the ‘Super Fleet-Warbonnet’ livery leading was certainly a coup, it wasn’t especially unusual.

Dry desert air and clear skies were nearly ideal conditions for Kodachrome 25 film. This was one of many choice chromes exposed that day. I wish I could turn back the clock!

The locomotive survives at the Orange Empire Railway Museum in Perris, California. I made some more recent photographs of it on visit in June 2008.

LUAS McDonalds Tram at Heuston Station

 

Advertising Tram by Moonlight in Dublin.

LUAS tram
LUAS tram advertising McDonalds pauses at Dublin’s Heuston Station on the evening of 20 July 2013. Lumix LX3 photo.

I was waiting to catch Dublin’s LUAS from Heuston Station to the city centre last Saturday evening (20 July 2013) when I spotted this advertising tram outbound.

I grabbed my Lumix, set it for ‘Aperture Priority’ (the ‘A’ on the top dial) and dialed in a 1/3-exposure override to compensate for the inadequate contrast ratio caused by sodium vapor streetlights against a dark sky.

As explained in earlier posts (click here), many camera meters expect daylight-type situations, and thus calculate exposure based on these parameters and this tends to result in under exposure of nighttime scenes. Since the camera meter doesn’t know what the scene looks like, it is important to make the adjustment manually.

I’ve found from past experience that a 1/3 to 2/3s stop override  (in other words + 1/3 or 2/3s in the exposure menu) general provides the necessary compensation. Another alternative is to make a test photo and then expose manually based on the histogram output. This required more time than I had, so I went for the easy solution.

I faced another problem. No tripod. So, I relied on my fall back alternative of placing the camera on the ground while propping up the lens with my spare Lumix battery. This has the secondary effect of providing an unusually dramatic angle.

One last complication: I had only one exposure left on the camera’s card! I knew this and so had to get it right with one try. The tram only stopped long enough for me to make that one exposure anyway.

It was nearly a full moon, which gave me a little bit extra skylight. If I’d had more time and more exposures, I may have made a second photo with a 2/3s exposure override. But that’s a minor point. Hopefully, I have another opportunity to photograph this unusual tram. Perhaps next time in daylight

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Sun Scorched Irish Extravaganza—Part 4

 

Close-ups and Details.

Sometimes special events make for great opportunities to make detailed photos of equipment, structures and settings.

Last Saturday’s Irish Railway Record Society excursion from Dublin to Cork, Cobh and Midleton was an opportunity for visual exploration.

Check previous posts for other images of this historic trip.

Detail of class 071 diesel.
Irish Rail diesel number 073 catches the sun at Kent Station Cork on 20 July 2013. Canon EOS 7D photo.

 

Driver Ken Fox works the ground at Cork.
Driver Ken Fox works the ground at Cork.

 

Kent Station, Cork.
Railway Preservation Society Ireland’s Cravens catch the sunlight at Kent Station Cork on 20 July 2013.

 

Brake cylinder on locomotive 071.
Brake cylinder on locomotive 071.
 92 60 0117071-7
Freshly painted Irish Rail locomotive 92 60 0117071-7 catches the sun at Heuston Station in Dublin. Its still just old 071 to me! Lumix LX3 photo.
Heuston Station
Irish Rail’s Rotem-built intercity rail cars arrive at Heuston Station on the morning of 20 July 2013. Lumix LX3 photo.

 

Handbrake on locomotive 071. Canon EOS 7D photo.
Handbrake on locomotive 071. Canon EOS 7D photo.

 

Heuston Station, Dublin. Lumix LX3 photo.
Heuston Station, Dublin. Lumix LX3 photo.
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Sun Scorched Irish Extravaganza—Part 3

 

Classic Views of an Historic Irish Trip.

 

In previous posts I focused on the human side of Irish Railway Record Society’s Dublin-Cork excursion on 20 July 2013.

However, I also made my own share of classic views showing Saturday’s railway excursion at identifiable locations. I’ve displayed a few view here. In addition to digital image I also exposed color slides at key locations.

 

 

See posts from the last few days for more views of Irish Railway Record Society’s 20 July 2013 diesel hauled trip on Irish Rail to Cork, Cobh and Midleton.

Irish Railway Record Society special, 20 July 2013.
Irish Rail 071 and 073 with IRRS Special at Templemore on 20 July 2013.
Irish Railway Record Society special, 20 July 2013.
Irish Rail class 071 number 073 led the excursion on the Cork-Cobh leg of the trip. It is seen during a photographers stop at Rushbrooke, County Cork. The best classic views were made from a nearby road bridge. The train was well spotted for photos. Canon EOS 7D with 28-135mm lens.

 

Irish Railway Record Society special, 20 July 2013.
Irish Rail 071 catches the sun at Cobh, County Cork on 20 July 2013. Lumix LX3 photo.
Irish Rail_071_Cobh_Vert_IMG_0250
A vertical three-quarter view (or near to it) of Irish Rail 071 at Cobh, County Cork on 20 July 2013. Canon EOS 7D photo.
Irish Railway Record Society special, 20 July 2013.
At Kent Station Cork, engine 071 runs around the train and will follow to Middleton. There doesn’t appear to be anyone in my photo and who’s that shouting? oops. 😉
Kent Station, Cork
Irish Rail 073 reflects into a Mark 4 train at Kent Station in Cork on 20 July 2013. Canon EOS 7D photo.

 

Irish Railway Record Society special, 20 July 2013.
Operation to Midleton required a bit of shuffle owing to a lack of run around facilities. Presently this is the end of the branch. Normally the only equipment on the line are double-ended railcars. Photos of locomotive hauled trains here are highly prized and photographers vied for position to get the best views. Locomotive 073 which brought the train from Cork can be seen in this distance. Canon EOS 7D photo.

 

A bit of color: 201-class General Motors diesel number 209 (painted for the Dublin-Belfast Enterprise) on a Mark 4 set at Cork on 20 July 2013.
A bit of color: 201-class General Motors diesel number 209 (painted for the Dublin-Belfast Enterprise) on a Mark 4 set at Cork on 20 July 2013.
Irish Rail 071 catches the sun at Cobh, County Cork on 20 July 2013. Lumix LX3 photo.
Twin 071s couple on to the excursion at Kent Station Cork. The view from the Dublin-end of the shed is among the best in the city. Lumix LX3 photo.

 

Irish Rail 2800s.
Irish Rail’s 2600-series railcars pause at the back of the train shed in Cork. These are typical of the trains normally assigned to Cork suburban services. Canon EOS 7D photo.
Irish Rail 086 rests with a ballast train at Lisduff as viewed on the return trip of the IRRS special.
Irish Rail 086 rests with a ballast train at Lisduff as viewed on the return trip of the IRRS special. Lumix LX3 photo.

 

 

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Sun Scorched Irish Extravaganza—Part 2

More views of Irish Railway Record Society Trip to County Cork, 20 July 2013.

There’s a long history of special trains with unusual locomotives, rare events, or otherwise noteworthy occurrences of railway operations that have encouraged railway photography.

Saturday’s trip to Cork and Midleton was no exception. (see yesterday’s post).

Among the photographic events was the rare locomotive hauled consist on Cobh and Midleton Branches. The Cobh branch has been exclusively a railcar operation since the mid-2000s, while the Midleton line has only seen railcar operation since its reopening a few years ago.

 Irish Railway Record Society special, 20 July 2013.
Our train pauses at Templemore for photographers on the morning of 20 July 2013. Canon EOS 7D photo. A strategically placed bit of greenery adds depth to the image. (And, yes, I have photos without it).
Irish Railway Record Society special, 20 July 2013.
Fans snap freshly painted 071 class leader at Templemore on 20 July 2013. Canon EOS 7D photo.
Enjoying the spin.
Enjoying the spin.

In time-honoured tradition, at every photo stop, photographers rushed to snap images of the train. Occasionally, an individual entranced by the fresh paint on locomotive 071 or fascinated by some other peculiarity of operation or equipment, would wander haplessly in front of a line of eager photographers. Shouts of ‘Hey!’ ‘Oy!’, ‘Down in front!’ and the like would ensue.

Especially amusing was when a particularly oblivious passenger or passerby would drift with their backs to the anxious photo line (time is precious on these outings as only a few minutes are allowed at each stop), and proceed to linger staring in wonder at the train. In such cases a diplomat would be elected to negotiate a solution.

 Irish Railway Record Society special, 20 July 2013.
‘Down in front!’
 Irish Railway Record Society special, 20 July 2013.
RPSI staff make necessary arrangements with Irish Rail staff at Kent Station Cork.

A Cobh, I was queried by a German woman as to why so many people were photographing the train. It didn’t appear in the slightest bit unusual to her. Significance is in the eye of the observer. I explained that, ‘locomotives were never operated on this line, and the locomotive that brought the train down was in fresh paint, and that the train had carried the photographers for this purpose.’ She seemed satisfied with that.

While I made plenty of images of the train, 071 and 073 and etc, I also focused on the people. From my experience, images of people surrounding the train tend to be more interesting than the train, and tend to have greater value in the end.

 

 Irish Railway Record Society special, 20 July 2013.
Photographs provide clues to memories that may last a lifetime. Someday everyone and everything maybe gone, yet we can remember the thrill of the day as a result of pictures. At Cobh, two young lads get their image made with the driver of locomotive 071. Canon EOS 7D photo.
Kent Station Cork;
Kevin, a tracking the Light follower, proudly displays his model of Irish Rail’s 071 in the new livery.

 

 Irish Railway Record Society special, 20 July 2013.
Photographers vie for positon at Kent Station Cork.
 Irish Railway Record Society special, 20 July 2013.
Aiming for the best angle at Midleton on 20 July 2013. Lumix LX3 photo.
Irish Railway Record Society special, 20 July 2013.
Staff water the train at Kent Station, Cork. Lumix LX3 photo.

 

RPSI staff servicing the train at Cork. Lumix LX3 photo.
RPSI staff servicing the train at Cork. Lumix LX3 photo.
 Irish Railway Record Society special, 20 July 2013.
Not everyone is bothered to get every photo. Some prefer to relax and enjoy the journey. Lumix LX3 photo.
 Irish Railway Record Society special, 20 July 2013.
Irish Rail employee (and Railway Preservation Society Ireland member) Kevin Walker enjoyed the view from a Cravens window on the Irish Railway Record Society’s outing.
 Sun Scorched Irish Extravaganza—Part 2
Irish Rail staff conducted the trip professionally and efficiently, keeping to schedule despite abnormally complex arrangements necessary for the trip.

 

Irish Railway Record Society special, 20 July 2013.
Driver Ken Fox on 071 at Cork.
 Sun Scorched Irish Extravaganza—Part 2
Driver Ken Fox greets passengers after arrival at Heuston Station. Lumix LX3 photo.

 

Irish Railway Record Society special, 20 July 2013.
At the end of the day, Heuston, Station. Lumix LX3.

For more photos see yesterday’s post.

More to come tomorrow!

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Irish Railway Record Society Trip to County Cork, 20 July 2013

Sun Scorched Irish Extravaganza—Part 1

I traveled on the Irish Railway Record Society’s “Special Train” consisting of locomotive hauled Cravens carriages to Kent Station Cork, with side trips Cobh, and Midleton operated on 20 July 2013.

Irish Rail 071 at Heuston Station, Dublin.
Photographers crowd toward the Cork-end of the platform at Heuston to catch snaps of freshly painted 071 on the special train to Cork.

My reasons for traveling were largely to visit with friends on and about the train while enjoying a spin around Cork.

Tracking the Light followers, Noel Enright and Mark Healy at Heuston Station, Dublin on 20 July 2013.
Tracking the Light followers Noel Enright and Mark Healy at Heuston Station, Dublin on 20 July 2013.
Irish Railway Record Society special, 20 July 2013.
Gerry is fellow traveler on many railway adventures. Did he tell you the story about the priest, the minister and the rabbi? Canon EOS 7D photo.
Irish Railway Record Society special, 20 July 2013.
Tracking the Light reader Stephen Hirsch displays his new Lumix camera. Lumix LX3 photo.

The special was unusual. The carriages were Railway Preservation Society’s former Irish Rail Cravens. It’s been nearly seven years since the old Cravens were withdrawn from regular service, thus ending Irish Rail’s routine use of traditional steam heated stock.

More usual was operation of a pair of Irish Rail’s General Motors-built class 071 diesel-electric locomotives. In the last few years, most Irish Rail trains have been operated with various classes of self-propelled rail cars. The exceptions being Dublin-Cork push-pull trains and the Dublin-Belfast Enterprise, both of which routinely call for class 201 diesels.

Thus, the 071 diesels have been largely relegated to freight and per-way (maintenance) service. The days of 071s roaring in ‘run 8’ (maximum throttle) down the Cork mainline hauling Mark II, Mark III or Cravens carriages in regular service is a memory.

Pairs of 071s were never common and multiple working of 071 virtually unknown (although it has been known to have occurred, at least once). So the ability to travel behind a pair of 071s was indeed very unusual. On Saturday’s trip only one of the locomotives was working at a time.

Also, this trip featured freshly painted 071-class leader, now officially known as ’92 60 0117071-7′ in an effort to comply with European common numbering. It’s still just engine 071 to the rest of us.

So far as I know, this was the first scheduled passenger service with an 071 in Irish Rail’s new gray and yellow livery. While, I’d previously photographed 077 (pardon me for not using its full European number) in this paint, this was my first opportunity to make photographs of 071 in gray.

Irish Railway Record Society special, 20 July 2013.
Irish Railway Record Society special on 20 July 2013 pauses at Rushbrooke, Co. Cork on its way to Cobh. Irish Rail 073 leads a former British Rail steam heat van and Cravens carriages. Canon 7D photo.
Cobh (pronounced 'Cove') was the last port of call for the Titanic. Canon 7D Photo.
Cobh (pronounced ‘Cove’) was the last port of call for the Titanic. Canon 7D Photo.
Irish Railway Record Society special, 20 July 2013.
Locomotive 071 couples to the excursion at Cobh. The train had been brought from Kent Station Cork by 073. Lumix LX3 photo.

 

Irish Railway Record Society special, 20 July 2013.
Enthusiasts grab photos of locomotive 073 at Kent Station in Cork. Lumix LX3 photo.
Irish Railway Record Society special, 20 July 2013.
During an engine change friends chat on the platform at Kent Station in Cork, 20 July 2013.

 

Irish Railway Record Society special, 20 July 2013.
Irish Rail driver Ken Fox at Kent Station, Cork. Lumix LX3 photo.

I was impressed with the time keeping. I enjoyed the company on board the train and on the platforms. All of Irish Rail’s and IRRS staff performed admirably, efficiently, and safely. On the trips to Cobh and Midleton, and especially on the return run to Dublin, driver Ken Fox showed exceptional professionalism and skill of operation.

Yet, what impressed me the most, and by far the most unusual aspect of the trip, was they call here ‘wall to wall sun’. Although, I’m told there’s been a spell of good weather in Ireland, I cannot recall the last time I’ve taken an entirely cloud free railway trip in Ireland!

More to come in future posts . . .

 

Irish Railway Record Society special, 20 July 2013.
Irish Rail 071 at Midlton County Cork. First grey 071 at Midleton? Comments anybody? Lumix LX3 photo.

 

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Two Freights 24 Hours Apart


Orange Engine at Stafford Springs, Ct., 
and Irish Rail’s IWT Liner in Dublin.

 

New England Central diesel
New England Central 3015 in fresh Genesee & Wyoming corporate colors passes the Stafford Historical Society in Stafford Springs, Connecticut. Canon EOS 7D with 28-135mm lens.

 

Dublin
Irish Rail’s IWT liner passes Islandbridge Junction in Dublin.

Last week I made these photos, nearly exactly 24 hours apart (one in the morning, the other in the afternoon).

The first image shows New England Central’s freshly painted GP402-L 3015 leading a southward freight at Stafford Springs, Connecticut. I was delighted to finally get this elusive orange engine operating on a road-freight in daylight.

The next image was made in Dublin, after a trans Atlantic crossing courtesy of Aer Lingus. This shows locomotive 073 struggling along with the second IWT Liner at Islandbridge Junction near Heuston Station in Dublin, Ireland.

Later, I heard through the grapevine  that 073 failed a few miles down the line and require assistance.

Both images were made with my Canon EOS 7D. Also both feature 1970s-era General Motors diesels singly hauling freight under bright sunny skies.

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Amtrak’s Lake Shore Limited East of Palmer, Massachusetts

 Difference of Decades

About four miles east of the center of Palmer (Depot Village) CSX’s former Boston & Albany mainline passes a bucolic setting at the bottom of a broad sweeping field as it heads up the Quaboag River Valley. This is best viewed from Route 67, not far east of the split with Route 20.

One summer’s evening more than 30 years ago, my father and I stood out in the field to make a photo of Amtrak’s westward Lake Shore Limited (train 449). Since that time I’ve returned many times to photograph trains.

Amtrak's Lake Shore Limited.
On March 15, 1986, Amtrak’s eastward Lake Shore Limited heads toward Worcester and Boston on Conrail’s former Boston & Albany main line. Exposed on 120 sized black & white film using a Rollei Model T equipped with an f3.5 75mm Zeiss Tessar lens.

I’ve paired two sets of images here. The black & white photograph was made on March 15, 1986 (‘Beware the Ides of March!’). The color images I exposed a week ago Sunday (July 14, 2013).

Among the changes to the scene over the years has been an increase in undergrowth. A more dramatic change was the recent installation of a voltaic farm (solar panels) on the northside of the field. This alteration has greatly changed the character of the place.

According to an article in a recent Palmer Journal Register, perimeter fencing may soon encircle the voltaic farm. Undoubtedly this progress will further improve the photographs made here beyond all previous measures of aethetic virtue.

Passenger train with voltaic farm.
Approaching CP79 (at the east end of the Palmer controlled siding)Amtrak’s eastward Lake Shore Limited—train 448, catches the golden glow of evening as it passes the field along Route 67 east of Palmer, Massachusetts. Exposed with a Canon EOS 7D and 40mm pancake lens.
Amtrak with solar panels.
The recently installed voltaic farm adds a lovely rustic quality to this bucolic New England scene. Soon electricity will be pulsing from these panels to the electric power grid reducing all forms of polution in the region.

 

Friday Night in Palmer, Massachusetts, July 12, 2013

 

Another Train Intensive Evening

Friday evening  July 12, 2013 represented my latest opportunity to watch and photography trains after sundown as this familiar location. In previous posts I’ve outlined my connections to Palmer (see: Palmer, Massachusetts, Friday Night, June 28, 2013, also Foggy Night in Palmer 28 Years Ago . . ., and Drowning the Light.

Freight cars at night.
A headlight illuminates freight cars at New England Central’s Palmer Yard on Friday July 12, 2013. Lumix LX3 photo.

Although Palmer is a relatively small town, it has long been the focus of railway activity. Today, it hosts yards for both New England Central and CSX, as well as nominal terminal facilities for Mass-Central.

CSX has a four-mile dispatchers controlled siding the runs from CP79 to CP83 (the numbers are based loosely interpret mileage from South Station, Boston). Just past the west switch at CP83 is the level crossing with New England Central—colloquially known as the Palmer Diamond. The popular Steaming Tender restaurant occupies the old Union Station between the two lines.

Palmer Diamond
New England Central home signal at the ‘Palmer Diamond’ on July 12, 2013. Lumix LX3 photo.
Palmer Diamond.
New England Central 606 heading north across CSX’s former Boston & Albany main line. Lumix LX3 photo.

After 10pm, trains converged on CP83. A CSX westbound on the main track met an eastward freight running via the controlled siding, as New England Central’s northward job 606 was looking to cross CSX to double its train together before heading toward Vermont.

The awkward nature of the former Central Vermont yard at Palmer complicates operations over the CSX diamond. Not only is the yard too short to hold long trains, but the yard was built on a grade which crests at the CSX (former Boston & Albany crossing).

Palmer, Massachusetts.
A CSX westward freight holds at CP83 as New England Central 606 heads north. The Steaming Tender is located in the old Palmer Union Station. Lumix LX3 photo.

Challenges for railroaders produce opportunities for photography, especially in the evening hours. As the railroads weaved their trains through Palmer, I made a series of photos.

However, time was catching me up: I’d had a long day and by 11pm, I needed a bit of that elusive commodity—sleep. As Bob Buck would have said, I was the ‘hero’, and departed as more trains were focused on Palmer. The approach lit signals at CP83 were still lit when I hit the road. The regular gang can report on what I missed!

 

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Happy Birthday Tracking the Light!

 

Tracking the Light’s first full year.

Benburb Street LUAS Crash
Benburb Street LUAS Crash

 

It was exactly one year ago (July 19, 2012) that Tracking the Light made its debut.

In the last year this site has had nearly 24,000 visits.

Of the nearly 235 posts, the following topics have been the most popular:

1)    Gallery Post 1: Sperry Train at Islandbridge Junction on August 30, 2012 

2)    LUAS Tram Crash on Benburb, Street Dublin September 10, 2012 

3)    Installment 1: Central Vermont Railway at Windsor, Vermont

4)    Gallery Post 2: Looking Back on Irish Railways 1998-2003

5) Tracking the Light Extra! Breaking Views!

Irish Rail 0117077 leads a wagon transfer over the River Liffey at Islandbridge at 4:25pm on April 10, 2013. Canon EOS 7D with 28-135mm lens.
Irish Rail 0117077 leads a wagon transfer over the River Liffey at Islandbridge at 4:25pm on April 10, 2013. Canon EOS 7D with 28-135mm lens.

Among the posts that drew the least interest:

1) Sunset at Bonn, Germany, August 1998

2) Chicago & North Western Station, Chicago August 1984

 

Deutche Bahn InterCity train 522 Berchtesgadener Land (Berchtesgaden—Hamburg) catches the glint of the setting sun at Bonn, Germany. Compare this view with that of Amtrak’s Lake Shore Limited catches the glint at Palmer, May 28, 1986. (posted December 7, 2012). Exposed on Fuji Sensia II (ISO 100) slide film using a Nikon F3T fitted with f2.8 135mm lens. Exposure calculated manually with a handheld Sekonic Studio deluxe light meter (approximately f8 1/500 sec).
Deutche Bahn InterCity train 522 Berchtesgadener Land (Berchtesgaden—Hamburg) catches the glint of the setting sun at Bonn, Germany. Compare this view with that of Amtrak’s Lake Shore Limited catches the glint at Palmer, May 28, 1986. (posted December 7, 2012). Exposed on Fuji Sensia II (ISO 100) slide film using a Nikon F3T fitted with f2.8 135mm lens. Exposure calculated manually with a handheld Sekonic Studio deluxe light meter (approximately f8 1/500 sec).
Chicago, August 19, 1984. Exposed on Kodak Safety Film 5063; bulk loaded Tri-x 400, exposed at ISO 400, processed in Microdol-X.
Chicago, August 19, 1984. Exposed on Kodak Safety Film 5063; bulk loaded Tri-x 400, exposed at ISO 400, processed in Microdol-X.

As a result of my careful marketing analysis, I’ve determine the best ways for Tracking the Light to go viral are:

1)   Encourage Sperry to plan a safely staged ‘derailment’ on Dublin’s LUAS route (to demonstrate the dangers of hidden rail fractures, perhaps) using former a Central Vermont Railway switcher painted in Irish Rail grey and then photograph it on a dull day using my Lumix LX-3. (Along the lines of the theatrically arranged ‘cornfield meets’ of the late Victorian era.)

2)    Hire a Korean guy with sunglasses to dance around near the tracks. (Gangnam Style) —hey, with more than 1.5 Billion hits, something must be working, right??

3)    Offer free Twinkies to all Tracking the Light subscribers.

4)    Plan a merger with LeakyWiks.

5)    Encourage everyone who enjoys the site to spread the word (and links) with their friends and urge regular visitors to subscribe! (there’s a box for comments toward the bottom of the posts and a box to tick that enables the subscription feature—admittedly this is a bit Kafkaesque, and hopefully I’ll find a better means of enabling subscriptions soon!)

 

Incidentally, my elaborate plans to import a German electric for demonstration were to be aborted, unfortunately Amtrak didn’t get the memo! 😉

Thanks again for checking Tracking the Light!

Brian Solomon

 

railroad tracks.
Chicago & North Western’s Chicago-Omaha mainline at sunset.
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Seeking the Elusive Orange Engine(s).

New England Central 3015 on the Prowl.

New England Central 3015.
New England Central’s elusive GP40L 3015 pierces the gloom at Palmer with its headlights. Time exposure with Canon EOS 7D fitted with f2.8 200mm lens.

It’s always nice to be the first to catch a freshly painted locomotive on its maiden run. Or, failing that, to at least see it in its first few days of operation. Or weeks.

When you regularly observe railway operations, often you get lucky and stumble upon new things as they happen.

When I’m in New England, I regularly check New England Central to see what’s going on. I’ve been observing the railroad on and off since its days as the Central Vermont. My earlier posts have reflected this on-going interest.

Lately, it seemed as just about everyone has seen one of the railroad’s freshly painted orange engines . Everyone, that is, except me.

A few months ago, Genesee & Wyoming took control of New England Central’s parent company, Rail America, and to make its mark on the new properties it rapidly began placing locomotives in G&W corporate colors.

I’ve been familiar with Genesee & Wyoming since the days when its was just a New York State short line moving salt from the mine Retsof for interchange with Conrail.

My normally good luck didn’t favor my photography of G&W locomotives on New England Central. Much to my astonishment, just about everyone I know seems to have had better luck with seeing orange engines than I.

A few weeks back, I had a fortuitous meeting with the retired Central Vermont trainmaster at the bank. He was delighted to report having seen an orange engine roll through town, and keenly advised me to ‘get some pictures, quick, before it gets dirty’. Thanks. I’ll work on that.

Yet, every time I’ve swung by the yard, or rolled by a freight, I’d see the same old blue and yellow GP38s that have ruled the railroad for 18 years. Or perhaps some of the recently acquired former Union Pacific or Florida East Coast engines.

One night a few weeks back, I’d been in Palmer, but skipped my normal visit trackside (owing to rain and the late hour—not that this ever gave me pause before!).

I was informed the next morning that the elusive orange engine had been by the yard office, just out of sight. Poor show (on my part.)

Last friday I was again in Palmer (Massachusetts) to meet Rich Reed, Bill Keay & co. for dinner. Before dinner I stopped by the station. I heard a local working, and looked in my rear view mirror. And there! There it was! I made a few photos, and then returned later to make night shots.

New England Central 3015.
At last, an orange engine, and holding still long enough for a time exposure portrait.
Lumix LX3 photo.

Luck, after all, improves with time. Right?

 

Caption:

New England Central’s elusive GP40L 3015 pierces the gloom at Palmer with its headlights. Time exposure with Canon EOS 7D fitted with f2.8 200mm lens.

 

At last, an orange engine, and holding still long enough for a time exposure portrait.

Lumix LX3 photo.

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Union Pacific at the North Fork Bridge, May 18, 1990

 

Classic Image in California’s Feather River Canyon.

 

North Fork Bridge.
Union Pacific C30-7 2474 works an eastward train over the North Fork Bridge near Poe, California on May 18, 1990. Exposed using a Nikon F3 with 135mm lens on Kodachrome film. The camera was mounted on a Bogan 3021 tripod with a ball head.

In the early hours of May 18, 1990, I departed Sacramento, California destined for the former Western Pacific mainline through the Feather River Canyon.

On the drive, I saw a pair of eastward trains in the Central Valley north (railroad timetable east) of Marysville. This sighting influenced my decision to work the lower regions of the canyon, rather than driving through on Highway 70 toward Keddie and Portola, as I had done on previous trips.

A bit west of Pulga, there’s a long and winding dirt road that drops from Highway 70 down toward the North Fork Bridge. Finding it is counter intuitive. On an earlier trip I’d become rather lost trying to find the bridge. A Northern California DeLorme Atlas ultimately provided me the necessary navigational tools.

Having reached the bottom of the road, I hiked into position before 8am and waited on the side of a hill overlooking the modern open spandrel concrete arch bridge. This is late-era construction, built in the 1960s when construction of the Oroville Dam resulted in flooding of the lower Feather River’s North Fork which required relocation of Western Pacific’s line out of the canyon via a series of tunnels and bridges.

At 8:15 am, Union Pacific DASH8-40C 9174 rolled westward across the bridge with an APL double stack train. The sun hadn’t fully hit the bridge and I was happy that the stacks bought me additional time on my anticipated pair of eastbound trains.

The westward stacks must have met the first eastbound at James, a CTC siding immediately west of the Canyon (and another favorite place for photos). Just 20 minutes after the stacks had passed, the first eastward train emerged from the tunnel on the west side of the bridge. I made several exposures, bracketing from f4.5 to nearly f5.6 1/125th of a second on Kodachrome 25 film.

Exposure in the Feather River Canyon can be deceiving. Because of the depth of the canyon, less skylight reaches the tracks than in open territory. Also, the dark green trees and bushes lining the canyon walls absorb a considerable amount of light. The result is that direct and unfiltered sunlight isn’t as bright as it seems.

Careful use of my handheld meter was crucial in calculating the accurate exposure, but I still felt compelled to make fine adjustments as the train rolled into view.

The second eastward train was 20 minutes behind the first. I stayed for the rest of the day in the lower reaches of the canyon and photographed five more Union Pacific trains by 6:09 pm.

Caption: Union Pacific C30-7 2474 works an eastward train over the North Fork Bridge near Poe, California on May 18, 1990. Exposed using a Nikon F3 with 135mm lens on Kodachrome film. The camera was mounted on a Bogan 3021 tripod with a ball head.

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New England Central, South of Stafford Springs, July 16, 2013

 

Today’s Freight.

New England Central
New England Central, South of Stafford Springs, July 16, 2013

I rarely post photos the same day I make them. Today is an exception. Why? Because, I feel like sharing this image now rather than waiting. It’s a photo I made a little more than an hour ago of New England Central’s southward freight running from Palmer to Willimantic, Connecticut.

I exposed this using my Canon EOS 7D and 28-135mm zoom lens. The flexibility of the zoom allowed me to more easily frame the locomotives with grade crossing signals at the right. The train was still en route to Willimantic by the time I was home and downloaded the images.

 

 

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Sunrise at Solitude, Utah—September 4, 1996

NOTICE: Tracking the Light was ‘off line’ for several hours during July 14 and 15th, 2013 as a result of maintenance to the host-site. Tracking the Light should now be functioning normally. Brian apologizes for any inconvenience.

The Rising Sun on Kodachrome.

Kodachrome was  the best medium for photographing the rising sun.

Sunrise over the tracks
The sunrises at Solitude, Utah on September 4, 1996. The roar of westward train pierced the desert silence as it passed Floy siding several miles to the east. Image exposed on Kodachrome 25 using a Nikon F3T fitted with a f4.0 200mm lens. The exposure was calculated with a Sekonic Studio Deluxe hand-held light meter.

I made this photograph with Mel Patrick and T.S. Hoover on the morning of September 4, 1996. We were positioned on the former Denver & Rio Grande Western at the aptly named CTC siding called ‘Solitude’ (population zero) in the desert east of Green River.

Wild fires in Idaho had polluted the air with particulates. During the day this was only barely noticeable, but it made for stunningly red moments at sunrise and sunset since the particulate matter acts as a filter and alters the natural spectrum of sunlight.

Since sunlight passes through more atmosphere at sunrise and sunset than during the height of the day the filtration effect is accentuated.

Kodachrome had two advantages when working with this type of filtered light. Firstly its spectral sensitivity made the most of the red light. Secondly, the inherent quality of the film’s silver grain structure preserved the outline of the sun despite extreme overexposure, while the latitude of the film allowed for an exceptionally broad range for exposure.

Other than the particulate matter in the air, I didn’t use any special filtration to make this image.

 

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Tracking the Light Service Notice

 

NOTICE: Tracking the Light was ‘off line’ for several hours during July 14 and 15th, 2013 as a result of maintenance to the host-site. Tracking the Light should now be functioning normally. Brian apologizes for any inconvenience. Normal service will resume momentarily.

The trolley is a Media, Icon. Canon EOS 7D photo.
The trolley is a Media, Icon. Canon EOS 7D photo.
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State Line Tunnel, Canaan, New York July 9, 2013

 

Brand New General Electric Locomotives at a Classic Location.

CSX at State Line Tunnel
CSX eastward Q012 at State Line Tunnel on the morning of July 9, 2013. Despite its name, the tunnel is actually several miles west of the New York-Massachusetts border. Canon EOS 7D with 40mm pancake lens.

On the morning of July 9, 2013, I visited State Line Tunnel on CSX’s former Boston & Albany mainline. This is a favorite place to catch trains in action on the line.

The air was heavy with moisture and as a result sound carried exceptionally well. I arrived at my location at 6:48 am. At 6:54, I could hear an eastward train blowing for a crossing near Chatham, New York, approximately 10 miles to the west (as per the timetable). At 6:56, the train reported a ‘clear’ signal aspect over the scanner.

Since the only signal in the area is located at CP 171 (the control point east end of the siding at East Chatham) I knew the train was about to cross the New York State Thruway. I then could trace the progress of the train as it sounded for various crossings in Canaan. By 7:04 am, I could cleared hear the engines working upgrade.

A 7:08, CSX’s intermodal train Q012 came into view. In the lead were three factory-clean General Electric ‘Evolution-Series’ diesel-electrics in the 3100-series (model ES44AC). As modelers might say, ‘right out of the box.’ Nice!

CSX at State Line Tunnel
A motor drive has its advantages. I made a sequence of images as the Q012 roared eastward. Canon EOS 7D with 40mm pancake lens.
New CSX GE-built ES44ACs.
This is my favorite of the three images. I like the foliage in the foreground which adds depth.

The train roared into the tunnel below me as I exposed a sequence of images with my Canon EOS 7D and 40mm pancake lens. I’d brought a tripod, but opted not to use it, as hand held gave me greater flexibility.

 

About 40 minutes later, I heard a westward train sounding for Stateline crossing. I relocated, and made images of CSX light engines exiting the west portal of the tunnel.

Until late-1988, this line had directional double track. Since then, just a single main track passes through the tunnel. The railroad uses the 1912-era bore, leaving the older 1840s-era bore void of track.

State Line Tunnel
Headlights gleam inside State Line Tunnel.
State Line Tunnel.
State Line Tunnel is a relatively short bore. The twin tunnels were built decades apart, and at one time both bores had twin tracks in them.
New CSX ES44AC at State Line Tunnel.
The tighter view gives a better view of the new engine but obscures the older tunnel portal. Why make one photo when three will do?
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Central Vermont Railway, Three Rivers, Massachusetts May 1984

My Rare Photo of a CV Switcher. 

 

Central Vermont 1510
Central Vermont SW1200 1510 works the Tampax Factory spur at Bridge Street in Three Rivers, Massachusetts back in May 1984. Exposed on Ektachrome 200 with a Leica 3A and 50mm Summitar lens. Scan modified in post processing to improve contrast and exposure and minimize dust spots.

The other day, I was showing Tim Doherty some photo locations around Three Rivers, Massachusetts. I described to him how the railroad once had a spur into the old Tampax factory.

The spur (siding) had a switch off the mainline near the station (demolished many years ago), then crossed Main Street and made  a sharp curve behind the liquor store before crossing Bridge Street. There’s still vestiges of this track today.

Back in 1984, Dan Howard was visiting from Needham and he and I drove around the Palmer area making railway photos (as you do). The prize of the day, was this photo of CV’s SW1200 1510 working the Tampax factory spur on the Bridge Street Crossing.

It is one of the few photos I have of a CV switcher working in the Palmer area, and one of the few times I caught a rail movement on the Tampax spur. (Might creative minds develop some accompanying humor  ??)

This photo was exposed on Kodak Ektachrome 200 slide film with my Leica 3A using my 50mm Summitar lens. It was a sultry dull day, and not the best for photography. While this is not a world class image, it captures a scene never to be repeated.

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