Last Friday (22 March 2019), Mark Healy and I met in the Dublin city centre to seek out an elusive tram, recently dressed in a yellow advertising livery.
A steady rain was falling by the time we found it.
I made these photos with my Lumix LX7. In post processing, I adjusted the camera RAW files using Lightroom to improve colour temperature, make the contrast more appealing, and restore texture to the afternoon sky.
A beautiful thing about Dublin on a Sunday morning is the relative lack of traffic.
Not so pretty is the rubbish, broken glass and other carnage that tends to litter the streets following a lively Saturday night.
To make the most of the scene on Westmoreland Street looking back toward at College Green, I used my FujiFilm XT1 with 90mm and made low angle view of a northward LUAS tram passing the 18thcentury façade of the Bank of Ireland (right).
As the sunset on Dublin, Monday a week ago (15 October 2018), I used my FujiFilm X-T1 to expose several series of silhouettes as LUAS trams crossed the old Kingsbridge (now formally Sean Heuston Bridge) over the River Liffey.
My goal was to capture the rays of sun bursting through the windows of the tram cars.
I only had a few minutes where the sun was in the optimal position, and luckily LUAS was operating trams on short headways, so I had several opportunities.
My camera was set for ‘turbo flutter’ (continuous high or ‘ch’ on the left-hand dial) which exposes a rapid burst of images when pressing the shutter button.
By exposing for the sky and sun, I allowed the shadows to become an inky black. Using the smallest aperture (f22 on my 90mm lens) creates the sunburst effect while also allowing for better definition of the sun in the sky.
On 30 April 2002, I found myself in Dresden and perishing low on film.
I’d been photographing in Poland and Slovakia for the better part of two weeks and underestimated how many photos I’d make. (Those who know me well, will recall this being a common occurrence on big trips).
Anyway, I’d found a shop with some black & white film, and exposed a roll of HP5 using my Nikon N90S, (trying to stretch out what little slide film I had left), and making parsimonious use of my 120 film.
This had me in a knot, as Dresden is a visually fascinating place, and I was seeing images everywhere I looked!
When I got back to Dublin, I processed the roll of HP5 in ID11 (Ilford’s relative equivalent to Kodak’s D76) and sleeved it, but I never got around to making prints.
The other day (May 2016), I was searching for some German tram photos, when I rediscovered this roll mixed in with a host of other unprinted B&W negatives from the mid-2000s.
What immediately caught my eye was this silhouetted image of a preserved four-wheel tram. Searching the internet, I can conclude this is a museum car operated by the StrassenbahnmuseumDresden.
Last October (2015), I visited Valenciennes in northern France. I stopped by again a few weeks ago during my April 2016 wanderings in France and Belgium.
In these views I focused on the old Chemin de fer du Nord Station (SNCF’s Gare de Valencienes) and the surrounding environment.
Using my FujiFilm X-T1, I made images that feature the old station as both subject and background. Notice how selective focus and use of light shifts the central interest from the old building to the tram.
Outback of the station, there are, of course, SNCF trains and an impressive array of trackage that make interesting subjects in their own right.
Together, the building, trams, SNCF trains and trackage make for a scene, but one not possible to adequately represent in one image. Thus this myriad collection of images. This is a work in progress.
Tracking the Light posts every day! (Have you noticed?)
It was a pleasantly warm Spring day when I set out with Lumix LX7 in hand to make a few photos of the Strasbourg trams.
Strasbourg was among the first French cities to re-adopt the electric tram, and in 1994 introduced an elegant modern tram system using a pioneer type of low-floor car (the first batch were built by ABB) called the Eurotram.
I’ve been meaning to visit Strasbourg for a long time, but only recently managed to finally get there.
Last weekend (October 3, 2015), I made my second visit to the Belgian Coastal Tramway (LIJN Kusttram). This tramway is one of Europe’s more unusual railways. It’s a narrow-gauge electric interurban line that connects towns and cities along the Belgian coast using modern trams.
The setting is peculiar to my eye, as much of the coast is characterized by mile after mile of high-rise apartments that face North Sea beaches. Between resort areas are heavy port facilities, such as that at Zeebrugge.
On my first visit, back in March 2013, I traveled from Ostend to the south end of the line near the French border. Back then it was gray, cold, and exceptionally windy. In other words, it was a complete contrast to last weekend, when it was warm, sunny, and comparatively still.
During this more recent visit, I explored the North-end of the line with some of my Irish friends who are now living in Belgium. At no point did my two journeys on the coastal tramway overlap.
One of these days I’ll need to visit again, and travel the line from end to end. I’ve by no means worked the most dramatic or most characteristic locations on the line.
Interestingly, I’ve seen relatively few published photos on the route, which makes it a bit more mysterious, and perhaps more interesting to explore.
Twice over the last 24 hours, LUAS tram 4012 has caught my attention. This wears the latest of recent advertising liveries.
The red lettering helps makes for more interesting photos, although the lighting was pretty poor. I’ve had to make a variety of contrast adjustments in LightRoom to put a bit of zest into otherwise flat street photos. Silver trams on a dull day.
My opportunities to photograph 4012 are relatively limited. Maybe the sun will shine tomorrow, but then again if doesn’t I have my ‘safety shots’.