On the morning of November 4, 1987, I made a speculative foray to P&L (Pittsburgh & Lehigh) Junction near Caledonia, New York. At the time I was living in nearby Scottsville, and I’d occasionally check P&L to see if anything was moving.
Genesee & Wyoming SW1500 47 crosses the Peanut Line at P&L Junction. Thin autumnal high clouds softened the morning sun. The photo was exposed with a Leica M2 with 50mm Summicron on Kodachrome 25 slide film.
P&L Junction had once been a very busy place. Here the original Genesee & Wyoming had connected with Lehigh Valley, Buffalo, Rochester & Pittsburgh, a branch of the Erie, and New York Central’s so-called ‘Peanut Line.’By 1987, the only railroads left were G&W and its Rochester & Southern affiliate.
I was fortunate to find a southward train and I made this image of a southward G&W salt train heading across the diamond with a vestige of the old Peanut Line (that G&W used to reach a couple of miles into Caledonia). A classic ‘tilt board’ crossing signal protected the diamond.
Today, it seems that G&W railroads are everywhere. I even saw a G&W company freight in Belgium a couple of weeks ago. Back then, I couldn’t have imagined that this New York state short line would reach so far!
At Leige (Liège-Guillemins) I boarded an InterCity train for Brussels and glided along in comfort along perfectly maintained track. At Bruxelles-Nord/Brussel-Noord (French and Flemish names appear randomly applied to Brussels stations—so far as I can tell) I changed to another express, this one destined for Antwerp.
Gazing east from a westward SNCB InterCity train bound for Brussels. Lumix LX3 photo.
I was aiming for Antwerpen Noorderdokken, a location I explored in March, where freight trains access the port of Antwerp. Another change of trains at Antwerp Central brought me to this station. As I walked toward my desired photo angle, I noticed a dark wall of clouds rolling in off the North Sea. (It had been clear and cloudless at Liege!)
Yet, I managed to photograph six freights before the sun vanished—mission accomplished. Boarding my eighth train of the day, I aimed to ride around Antwerp and then back toward Brussels.
By the end of the day, I’d visited eight locations and traveled on ten trains. Not too shabby for the first day of my August visit to Belgium.
A French freight diesel leads a container train from the Port of Antwerp near Antwerpen Noorderdokken. Canon EOS 7D photo.Belgian Class 13 electrics crawl along with an empty freight train near Antwerpen Noorderdokken. Canon EOS 7D photo.SNCB class 28 electrics lead a train of tanks from the Port of Antwerpen. Canon EOS 7D.Dark clouds rolling off the North Sea signal the time to head back toward the station. Canon 7D photo.
Departing Antwerpen Noorderdokken on a local train, another SNCB passenger train was rolling along on an adjacent track. Lumix LX3 photo.Many SNCB passenger trains work with locomotives at both ends. Here a class 27 electric works the back of a train accelerating toward Antwerp Central. I’m on a local that will run around Antwerp on a different route. Lumix LX3.
Does Belgium offer one western Europe’s best-kept secret railway experiences?
Interior of the upper level on a double-deck SNCB train. Exposed with my Lumix LX3.SNCB station entrance at Ottignies, Belgium in August 2013. Lumix LX3 photo.
In 1835, Belgium was first on the Continent to adopt the steam railway. It subsequently developed one of the densest railway networks in Europe. Today, (Société Nationale des Chemins de fer Belges—Belgian National Railways) operates one of the best national networks.
Although, often overlooked in favor of more scenic countries, Belgium is a great place to ride trains. I’ll be honest, while I’d made a few trips to Belgium in the 1990s, in recent years I’d generally ignored it in favor of other places. Recently, I’ve been stunned to find what a pleasant place it is to ride trains.
The railway is well integrated with other modes. Services run frequently on regular intervals across the network. On most routes there’s a good mix of local and express trains. The equipment is varied and generally comfortable, and the staff are very professional, courteous, helpful, and smartly dressed.
On the downside, I found that some stations, especially un-staffed smaller ones, were neglected and in a poor state and this tended to detract from the overall experience. By contrast, other stations were in very nice shape.
I’ve made two trips to Belgium this year. Last week (August 2013), I made good use of a 10-ride ‘Railpass’ ticket that I purchased for 76 Euro back in March.
This is an open-ended ticket where you write in your starting station and destination with date of travel for each journey. From my experience its an excellent value, and especially valuable for wandering.
My goal was to make a circular trip to explore potential photographic locations while traveling lines I’d not previously experienced.
Platform level view of an SNCB class 18 electric at Ottignies, Belgium. Lumix LX3 photo.
Beginning in a southern Brussels suburb, I rode south via Ottignies (see yesterday’s post) and Namur to Marloie, and then eastward over a scenic secondary line to a small station called Esneux, where I spent an hour making photos.
From Esneux, I rode northward to Leige, where I found a stunning surprise . . .
(To be continued . . .)
My train to Esneux arriving at Marloie, a small station in southern Belgium. I appear to be on the wrong platform! (Its a good thing SNCB makes prolonged station stops). LX3 photo.SNCB electric multiple unit interior. Large windows and spacious comfortable seat compensate for a basic functional design. Lumix LX3 photo.
SNCB station at Esneux, Belgium, August 2013. Lumix LX3 photo.
SNCB station at Esneux, Belgium, August 2013. Lumix LX3 photo.
On the morning of August 16, 2013, I was changing trains at Ottignies, a suburban station south of Brussels on the line toward Luxembourg. I had just under an hour to explore and make photos.
For many ordinary passengers, I expect that changing trains is a purgatorial experience, but I’ve always found that is a great time to make photos and helps break up the journey. Such was the case this day.
The sky was bright and blue, and Ottignies was entirely new to me. The station has several platforms, and at regular intervals trains converge to allow passengers to change from one train to another. In addition it serves the local population.
I made this pair of photographs of a northward express train led by a SNCB (Société Nationale des Chemins de fer Belges—Belgian National Railways) class 13 electric. What impressed me about this location was the slight jog in the track on approach to the station and the immense proportions of the overhead footbridge, which combined give the image greater depth.
A SNCB class 13 electric leads a Brussels-bound express passenger train through the station at Ottignies, Belgium on August 16, 2013. Exposed with a Canon EOS 7D with f2.8 100mm telephoto. Both images required nominal contrast adjustment in post processing.
My quandary in editing is deciding which of the two photos I prefer. The first offers a view with signals and more of the footbridge, while the second is more focused on the locomotive and train.
Both were exposed digitally with my Canon EOS 7D and 100mm lens. The train was moving swiftly and I had only moments to make my composition before it blitzed the platforms.
I was driving from Erie, Pennsylvania back to Waukesha, Wisconsin after a week of photography on the former Baltimore & Ohio in West Virginia and Pennsylvania.
West of South Bend, the Chicago, South Shore & South Bend runs parallel to the former New York Central ‘Water Level Route’ (then operated by Conrail).
I’d found a lightly used grade crossing, where I photographed a few Conrail freights. I didn’t have a South Shore schedule, but hoped I might see something roll over the old interurban electric line.
Ten years earlier, I’d taken a memorable trip over the line from Chicago to South Bend. Back in the 1950s and early 1960s, my father had made many images of the South Shore, and I was always fond of the line, despite having missed its operation of antique multiple units and Little Joe electrics that had made the line popular with photographers.
Caption: Outbound South Shore train at sunset near South Bend, Indiana in October 1994. Signals on Conrail’s parallel former New York Central mainline are visible to the left of the train. Exposed on Fujichrome 100 with a Nikkormat FT3 with 28mm Nikkor lens
As daylight faded, I notice that the old Union Switch & Signal color signals facing me suddenly changed from displaying yellow to red. This indicated to me that something was about to happen. And, sure enough, a few minutes later I could hear a train clattering along.
I found a low angle to feature the richly colored sky and I made a single exposure on Fujichrome 100 using my Nikkormat FT3 with 28mm Nikkor lens. This remains one of my favorite railway photos: for me it captures the essence of South Shore’s interurban electric operation. I’ve used it in various places over the years.
As a kid, I’d travel with my family to coastal Maine for visits with grandparents who owned a summer home south of Newcastle. At that time, Maine Central operated freights on the Rockland Branch on a weekday basis.
On rare occasions as we were driving, I’d see a train wandering up or down the branch. I recall my exceptional frustration when passing the Rockland roundhouse a group of Maine Central GP7s and GP38s basked in evening sun, but family priorities precluded even a short stop for photography (I think we were going to dinner).
By the time I made visits to Maine in the mid-1980s with aims at making railroad photographs, the old Rockland Branch was all but dormant.
The line experienced a revival in the 1990s and 2000s. Today it hosts freight and passenger trains operated by Maine Eastern. This greatly pleased my late-friend Bob Buck, who had experienced the line in steam days and had watched its gradual decline during the diesel era.
It was a great thrill for him to be able to board a passenger train again at Rockland and ride along the coast inlets toward Brunswick.
In August 2004, a Morristown & Erie C-424 leads a short empty cement train up from the Rockland Pier on the rebuilt former Maine Central spur running between the pier and the Rockland yard. Exposed on Fujichrome with a Nikon F3T and 24mm lens.
In August 2004, I was among several friends visiting with Bob at his summer home on the Maine Coast. During this trip, Neal Gage and I spent a productive morning photographing Maine Eastern’s cement train, which made a series of short turns between the cement factory at Thomaston and a pier in Rockland.
This included photographing the short spur (branch) to the pier that had been rebuilt during the revival period to facilitate movement of cement by barge. This line winds through back yards of Rockland and curls around to the waterfront.
Caption: In August 2004, a Morristown & Erie C-424 leads a short empty cement train up from the Rockland Pier on the rebuilt former Maine Central spur running between the pier and the Rockland yard. Exposed on Fujichrome with a Nikon F3T and 24mm lens.
Trip on the old Midland Railway from St. Pancras to Market Harborough.
East Midlands Trains is a franchise operating in its namesake area north and east of London. Detail of an HST Class 43 power car (locomotive). Lumix LX3 photo.
I’d pre-booked tickets to ride from St. Pancras north on the old Midland Railway. The last time I made this journey I traveled on Midland Mainline trains, but this franchise was reconfigured in 2007 and now East Midland Trains handles the run.
Although my day’s journey began on the London Tube, the real part of the railway trip started from St. Pancras, a virtual cathedral of British Railways. (See my previous posts: London April 2013, and London Stations). Here the colossal Victorian era shed shelters Eurostar trains bound for Brussels and Paris.
William Barlow’s classic St. Pancras balloon arch train shed as seen in July 2013. Lumix LX3 photo.
Rebuilding and reconfiguring of St. Pancras in the mid-2000s, resulted in an inspiring interpretation of the historic architecture. However, domestic long distance trains were then relegated to the newer, less inspired train shed extension beyond William Barlow’s pioneering balloon arch.
I arrived looking for the 0930 departure, only to find the place in a bit of turmoil. When I enquired of member of East Midland’s staff where the 0930 was, he said to me, ‘Don’t know mate, the place is in a kip this morning, all the trains are running late, check the boards.’ An honest answer. I accept that.
Eventually, the same East Midlands man found me again, and said, ‘your train’s on platform 3b.’ Right. We only left about 7 minutes after the advertised schedule. However, we were out of path and got stuck in behind a slower moving First Capitol Connect electric suburban train and lost a few more minutes.
The old Midland route is one of the busiest mainline railways in Britain. It’s a four track electrified line from St Pancras to Bedford. Fast lines are good for 110 mph and used for express passenger trains, with slow lines accommodating stopping First Capitol Connect electric services to Bedford and freights.
It’s a thrill to be racing along at 100+ mph and overtake another train. The route is virtually saturated. This means that based on limitations of current infrastructure and signaling, the Midland route is accommodating the maximum number of trains possible at peak times.
I rode out on a class 222 Meridian diesel-multiple unit, and back to London on a 1970s era HST. The HST offered a nicer ride and more spacious accommodation.
I’m a biased fan of the HST, so the modern cramped facilities of the Meridian just wouldn’t impress me, although it’s a better option than a plane or bus, given a necessary comparison.
Macro view of my seat reservation from London to Market Harborough. Although the nationalized and unified British Rail network was broken up in the mid-1990s (with passenger services now provided by private companies operating designated franchise routes and to a limited extend via open access arrangements) the old British Rail logo is still used on tickets and related documents. Lumix LX3 photo.An HST powercar looms in the darkness of the modern St. Pancras shed extension. The station was officially renamed in 2007 and is now St. Pancras International using airport style lexicon to reflect its enhanced status among British railway stations. Lumix LX3 photo.East Midlands poster at Market Harborough in July 2013. This advertises 84 miles in 61 minutes. I wish Amtrak’s Acela could boast that sort of running from Penn-Station to New Haven Connecticut. Lumix LX3 photo.East Midlands class 222 Meridian trains at Market Harborough. Fast and comfortable, but not as nice as an HST. Lumix LX3 photo.An East Midlands express blitzes the up platform at Market Harborough. Lumix LX3 photo.An outbound East Midlands Trains HST (powered by class 43 diesels fore and aft) accelerates away from the down platform at Market Harborough. Just to clarify, this is the rear of the train, a similar powercar is roaring away at the head end. Lumix LX3 photo.View from a London bound HST overtaking a First Capitol Connect suburban electric train south of Bedford. The old Midland Railway four track mainline is among the busiest long distance routes in Britain.Commemorative plaque on an East Midlands Trains HST. Lumix LX3 photo.
My 84 mile trip from London to Market Harborough was accomplished in a little more than an hour and fifteen minutes, with station stops and delays. It was even faster on the return leg. It was a good trip!
Sometimes special events make for great opportunities to make detailed photos of equipment, structures and settings.
Last Saturday’s Irish Railway Record Society excursion from Dublin to Cork, Cobh and Midleton was an opportunity for visual exploration.
Check previous posts for other images of this historic trip.
Irish Rail diesel number 073 catches the sun at Kent Station Cork on 20 July 2013. Canon EOS 7D photo.
Driver Ken Fox works the ground at Cork.
Railway Preservation Society Ireland’s Cravens catch the sunlight at Kent Station Cork on 20 July 2013.
Brake cylinder on locomotive 071.Freshly painted Irish Rail locomotive 92 60 0117071-7 catches the sun at Heuston Station in Dublin. Its still just old 071 to me! Lumix LX3 photo.Irish Rail’s Rotem-built intercity rail cars arrive at Heuston Station on the morning of 20 July 2013. Lumix LX3 photo.
In previous posts I focused on the human side of Irish Railway Record Society’s Dublin-Cork excursion on 20 July 2013.
However, I also made my own share of classic views showing Saturday’s railway excursion at identifiable locations. I’ve displayed a few view here. In addition to digital image I also exposed color slides at key locations.
See posts from the last few days for more views of Irish Railway Record Society’s 20 July 2013 diesel hauled trip on Irish Rail to Cork, Cobh and Midleton.
Irish Rail 071 and 073 with IRRS Special at Templemore on 20 July 2013.Irish Rail class 071 number 073 led the excursion on the Cork-Cobh leg of the trip. It is seen during a photographers stop at Rushbrooke, County Cork. The best classic views were made from a nearby road bridge. The train was well spotted for photos. Canon EOS 7D with 28-135mm lens.
Irish Rail 071 catches the sun at Cobh, County Cork on 20 July 2013. Lumix LX3 photo.A vertical three-quarter view (or near to it) of Irish Rail 071 at Cobh, County Cork on 20 July 2013. Canon EOS 7D photo.At Kent Station Cork, engine 071 runs around the train and will follow to Middleton. There doesn’t appear to be anyone in my photo and who’s that shouting? oops. 😉Irish Rail 073 reflects into a Mark 4 train at Kent Station in Cork on 20 July 2013. Canon EOS 7D photo.
Operation to Midleton required a bit of shuffle owing to a lack of run around facilities. Presently this is the end of the branch. Normally the only equipment on the line are double-ended railcars. Photos of locomotive hauled trains here are highly prized and photographers vied for position to get the best views. Locomotive 073 which brought the train from Cork can be seen in this distance. Canon EOS 7D photo.
A bit of color: 201-class General Motors diesel number 209 (painted for the Dublin-Belfast Enterprise) on a Mark 4 set at Cork on 20 July 2013.Twin 071s couple on to the excursion at Kent Station Cork. The view from the Dublin-end of the shed is among the best in the city. Lumix LX3 photo.
Irish Rail’s 2600-series railcars pause at the back of the train shed in Cork. These are typical of the trains normally assigned to Cork suburban services. Canon EOS 7D photo.Irish Rail 086 rests with a ballast train at Lisduff as viewed on the return trip of the IRRS special. Lumix LX3 photo.
I traveled on the Irish Railway Record Society’s “Special Train” consisting of locomotive hauled Cravens carriages to Kent Station Cork, with side trips Cobh, and Midleton operated on 20 July 2013.
Photographers crowd toward the Cork-end of the platform at Heuston to catch snaps of freshly painted 071 on the special train to Cork.
My reasons for traveling were largely to visit with friends on and about the train while enjoying a spin around Cork.
Tracking the Light followers Noel Enright and Mark Healy at Heuston Station, Dublin on 20 July 2013.Gerry is fellow traveler on many railway adventures. Did he tell you the story about the priest, the minister and the rabbi? Canon EOS 7D photo.Tracking the Light reader Stephen Hirsch displays his new Lumix camera. Lumix LX3 photo.
The special was unusual. The carriages were Railway Preservation Society’s former Irish Rail Cravens. It’s been nearly seven years since the old Cravens were withdrawn from regular service, thus ending Irish Rail’s routine use of traditional steam heated stock.
More usual was operation of a pair of Irish Rail’s General Motors-built class 071 diesel-electric locomotives. In the last few years, most Irish Rail trains have been operated with various classes of self-propelled rail cars. The exceptions being Dublin-Cork push-pull trains and the Dublin-Belfast Enterprise, both of which routinely call for class 201 diesels.
Thus, the 071 diesels have been largely relegated to freight and per-way (maintenance) service. The days of 071s roaring in ‘run 8’ (maximum throttle) down the Cork mainline hauling Mark II, Mark III or Cravens carriages in regular service is a memory.
Pairs of 071s were never common and multiple working of 071 virtually unknown (although it has been known to have occurred, at least once). So the ability to travel behind a pair of 071s was indeed very unusual. On Saturday’s trip only one of the locomotives was working at a time.
Also, this trip featured freshly painted 071-class leader, now officially known as ’92 60 0117071-7′ in an effort to comply with European common numbering. It’s still just engine 071 to the rest of us.
So far as I know, this was the first scheduled passenger service with an 071 in Irish Rail’s new gray and yellow livery. While, I’d previously photographed 077 (pardon me for not using its full European number) in this paint, this was my first opportunity to make photographs of 071 in gray.
Irish Railway Record Society special on 20 July 2013 pauses at Rushbrooke, Co. Cork on its way to Cobh. Irish Rail 073 leads a former British Rail steam heat van and Cravens carriages. Canon 7D photo.Cobh (pronounced ‘Cove’) was the last port of call for the Titanic. Canon 7D Photo.Locomotive 071 couples to the excursion at Cobh. The train had been brought from Kent Station Cork by 073. Lumix LX3 photo.
Enthusiasts grab photos of locomotive 073 at Kent Station in Cork. Lumix LX3 photo.During an engine change friends chat on the platform at Kent Station in Cork, 20 July 2013.
Irish Rail driver Ken Fox at Kent Station, Cork. Lumix LX3 photo.
I was impressed with the time keeping. I enjoyed the company on board the train and on the platforms. All of Irish Rail’s and IRRS staff performed admirably, efficiently, and safely. On the trips to Cobh and Midleton, and especially on the return run to Dublin, driver Ken Fox showed exceptional professionalism and skill of operation.
Yet, what impressed me the most, and by far the most unusual aspect of the trip, was they call here ‘wall to wall sun’. Although, I’m told there’s been a spell of good weather in Ireland, I cannot recall the last time I’ve taken an entirely cloud free railway trip in Ireland!
More to come in future posts . . .
Irish Rail 071 at Midlton County Cork. First grey 071 at Midleton? Comments anybody? Lumix LX3 photo.
NOTICE: Tracking the Light was ‘off line’ for several hours during July 14 and 15th, 2013 as a result of maintenance to the host-site. Tracking the Light should now be functioning normally. Brian apologizes for any inconvenience.
Kodachrome was the best medium for photographing the rising sun.
The sunrises at Solitude, Utah on September 4, 1996. The roar of westward train pierced the desert silence as it passed Floy siding several miles to the east. Image exposed on Kodachrome 25 using a Nikon F3T fitted with a f4.0 200mm lens. The exposure was calculated with a Sekonic Studio Deluxe hand-held light meter.
I made this photograph with Mel Patrick and T.S. Hoover on the morning of September 4, 1996. We were positioned on the former Denver & Rio Grande Western at the aptly named CTC siding called ‘Solitude’ (population zero) in the desert east of Green River.
Wild fires in Idaho had polluted the air with particulates. During the day this was only barely noticeable, but it made for stunningly red moments at sunrise and sunset since the particulate matter acts as a filter and alters the natural spectrum of sunlight.
Since sunlight passes through more atmosphere at sunrise and sunset than during the height of the day the filtration effect is accentuated.
Kodachrome had two advantages when working with this type of filtered light. Firstly its spectral sensitivity made the most of the red light. Secondly, the inherent quality of the film’s silver grain structure preserved the outline of the sun despite extreme overexposure, while the latitude of the film allowed for an exceptionally broad range for exposure.
Other than the particulate matter in the air, I didn’t use any special filtration to make this image.
Central Vermont SW1200 1510 works the Tampax Factory spur at Bridge Street in Three Rivers, Massachusetts back in May 1984. Exposed on Ektachrome 200 with a Leica 3A and 50mm Summitar lens. Scan modified in post processing to improve contrast and exposure and minimize dust spots.
The other day, I was showing Tim Doherty some photo locations around Three Rivers, Massachusetts. I described to him how the railroad once had a spur into the old Tampax factory.
The spur (siding) had a switch off the mainline near the station (demolished many years ago), then crossed Main Street and made a sharp curve behind the liquor store before crossing Bridge Street. There’s still vestiges of this track today.
Back in 1984, Dan Howard was visiting from Needham and he and I drove around the Palmer area making railway photos (as you do). The prize of the day, was this photo of CV’s SW1200 1510 working the Tampax factory spur on the Bridge Street Crossing.
It is one of the few photos I have of a CV switcher working in the Palmer area, and one of the few times I caught a rail movement on the Tampax spur. (Might creative minds develop some accompanying humor ??)
This photo was exposed on Kodak Ektachrome 200 slide film with my Leica 3A using my 50mm Summitar lens. It was a sultry dull day, and not the best for photography. While this is not a world class image, it captures a scene never to be repeated.
Palmer Union Station in the foggy gloom of a May 1985 evening. Exposed with a Leica 3A rangefinder on black & white film.
Yesterday (July 10, 2013), I posted night photos I made in Palmer on June 28, 2013. I mentioned that my night photography efforts were part of a long standing tradition. So I dug up this image of the Palmer station exposed nearly three decades earlier.
This was undoubtedly made on a Friday evening. A thick fog from the Quaboag River had enveloped the valley. In the station parking lot, and out of sight, Bob Buck is holding court.
That night I made several views of the Palmer station in silhouette. All were exposed with my old Leica 3A and a 50mm lens, probably a Canon screwmount which I favored at the time. I was using my father’s Linhof tripod to support the camera. Exposure was calculated strictly from experience, and was probably about 30 seconds at f2.8.
Interestingly, just the other day (July 9, 2013) I had the opportunity to interview Jim Shaughnessy about the night photography techniques he used to capture steam locomotives on film back in the 1950s. While similar to mine, his approach was very different and he perfected it more than three decades before my image was exposed.
Where I used 35mm film and strictly ambient light for this image, Jim tended to use a 4×5 camera and a skilled combination of ambient and artificial flash.
Of course, I was well acquainted with Jim’s work by the time I made this photo. There has been a copy of Donald Duke’s 1961 book Night Train on our shelf for as long as I can remember! This features Jim’s work among that of other well-established practitioners of the art of railway night photography.
On the sidewalk, SEPTA’s initials are set in cement. Lumix LX3 photo.
Philadelphia area transit is provided by SEPTA. The city’s eclectic collection of routes and modes has its origins in the 19th Century. In Philadelphia’s heyday, a myriad of railways laced the city and pulsed with passengers. One hundred years ago, 500 million fares were collected annually on Philly’s streetcars alone.
Market-Frankfort subway at 30th Street, Philadelphia. July 2013. Lumix LX3 photo.
Pennsylvania Railroad and Reading Company vied for suburban fares, and both railroads electrified key routes in the early decades of the 20th century. This foresight continues to benefit Philadelphia to the present.
Sadly, while Philadelphia once enjoyed one of the most extensive streetcar networks in the world, much of this was gradually dismantled during the second half of the 20th century. Yet, a few key streetcar routes survive. Here and there tracks tell of past glory.
I visited my brother Sean in Philadelphia in early July, giving me ample opportunity to experience SEPTA and its buses, streetcars, subways, and railroad operations.
Center City is what Philadelphians call ‘down town’. While SEPTA’s operations reach myriad points across the region, Center City is the focus of most public transport.
Here are a collection of views of Philadelphia and its public transport.
The former Pennsylvania Railroad Suburban Station as seen in Philadelphia, Pennsylvania in July 2013. Lumix LX3 photo.Pedestrian entrance to Pennsylvania Railroad Suburban Station as seen in Philadelphia. Lumix LX3 photo.
SEPTA train at Suburban Station, Philadelphia. Lumix LX3 photo.SEPTA Silverliner V pauses at Market-East Station in July 2013. Market-East is directly below the old Reading Terminal on Market Street. Lumix LX3 photo.This mural in the old Reading Terminal depicts the station’s former glory. Lumix LX3 photo.SEPTA Silverline V heads outbound near the 40th Street Bridge in July 2013. Canon EOS 7D photo.SEPTA’s Route 15 Trolley making turn at 26th Poplar Streets in July 2013. Lumix LX3 photo.SEPTA is one of the last American cities to issue transfers.List of SEPTA bus routes at a stop near City Hall.SEPTA Silverliner IV outbound. Canon EOS 7D photo.
Fifteen years ago today, I exposed this image of Irish Rail’s empty Ammonia train at on the South Eastern route Bray Head (former Dublin & South Eastern Railway, nee Dublin, Wicklow & Wexford Railway).
Irish Rail empty ammonia works around Brayhead, County Wicklow. Exposed on Fuji Sensia 100 with a Nikon F3T fitted with an f2.8 135mm lens. Exposed calculated manually with a Sekonic Studio Deluxe handheld light meter.
At that time, there were three daily ammonia trains between Marino Point, County Cork and Shelton Abbey near Arklow, County Wicklow. The trains operated to tight schedules and were among the most predictable freight trains on the Irish Rail network.
For me the Ammonia was a bonus. I was actually out for a Railway Preservation Society Ireland (RPSI) steam special running with engine 461. To make the most of the morning, I taken the first southward Dublin Area Rapid Transit (DART) run from Pearse Station (Dublin) to Bray, then walked roughly two miles to this location in anticipation of catching the regular passenger trains and the empty Ammonia.
The line itself was in transition. If you look carefully, you’ll see the electrification masts along the line, as Irish Rail was preparing for extension of DART services to Greystones (the next station south of Bray).
The run around Bray Head is one of the most scenic on Irish Rail. Here the line clings to cliff and passes through several tunnels all the while in view of the vast expanse of the Irish Sea.
It was my first July 4th outside of North America. Irish Rail’s ammonia traffic ceased in 2002, when the fertilizer factory at Shelton Abbey closed. Today there’s no regular freight traffic on the South Eastern route.
Grand Central’s colossal architecture exudes magnificence. Lumix LX3 photo.
New York City’s Grand Central Terminal is unquestionably America’s best known railway station. This year it celebrated its 100th anniversary.
The station is also probably the most photographed in the USA. At any given time tourists and visitors are actively making images of its awe inspiring interior.
On the evening of June 29, 2013, I joined the masses in their image making crusade.
I also took a spin up the Hudson Line to Tarrytown, where I made some twilight views of Metro-North.
Grand Central’s most memorable feature is its grand concourse, a vast interior space intended to accommodate tens of thousands pedestrians daily.
Working with both my Lumix LX3 and Canon EOS7D, I made a variety of digital images. These may soon augment my older images of Grand Central and Metro-North.
Metro-North at Tarrytown, New York on June 29, 2013. Lumix LX3 photo.Metro-North M7 multiple unit glides into Tarrytown, New York. Canon EOS7D with 40mm pancake lens.Passengers flood from a Hudson Line train on Grand Central’s upper level. Lumix LX3 photo.MTA Metro-North Railroad.Grand Central’s exterior is faced with a blend Bedford limestone and Stony Creek granite. Atop this façade is an enormous neo-classical sculpture of Mercury, Minerva and Hercules that incorporates a huge clock—Time keeping, is of course, integral with railway travel. Canon 7D with 40mm Pancake lens.Grand Central ceiling features a unique depiction of the Mediterranean Zodiac as interpreted by French painter Paul Helleu. Lumix LX3 photo.The ghost of an early twentieth century bicycle crosses Grand Central’s concourse. Lumix LX3.
Between the 1960s and the 1980s, Northeastern commuter rail operations made the transition from private to public operation.
In 1983, after more than a decade of various forms of subsidy, operation of commuter rail service radiating from Grand Central Terminal on former New Haven and New York Central Railroad routes was conveyed to Metro-North (an affiliate of New York’s Metropolitan Transportation Authority).
Thirty years later, Metro-North is one of America’s busiest commuter railways.
New Haven, Connecticut’s railroad station. I remember in the early 1980s when this waiting room was closed and the old station was a rotting relic of an earlier age. Exposed with a Lumix LX3 on June 29, 2013.
It embodies a curious aesthetic by blending infrastructure and classic architecture from the golden age of railroading with utilitarian modern railway equipment, while offering convenient no-frills public transport.
The days of boarding a well appointed parlor car on New Haven Railroad’s exclusive, luxurious Merchants Limited at Grand Central Terminal for the run to Boston ended long ago. Likewise, New York Central’s New York-Chicago all-sleeper extra-fare Twentieth Century Limited is now the stuff of legend.
Solari arrivals-departure board at New Haven, Connecticut, June 29, 2013. Lumix LX3 photo.
When the new Grand Central Terminal opened in 1913, it was the grandest and most opulent railway station in the world. It represented the power of private capital, and was New York Central’s gift to New York City.
On June 29, 2013, I made a foray in to Metro-North territory. Since I’m not a regular commuter, I have the privilege of enjoying my travels on Metro-North trains, which included my first spin on a new M-8 electric multiple unit.
Lumix LX-3 photo.A 1970s-era Metro North ‘M2CSR’ multiple unit at New Haven, June 29, 2013. Lumix LX3 photo.Destination board on a new M8 multiple unit. Lumix LX3 photo.Brian’s seat check on a nicely air conditioned M8 heading toward New York City. Lumix LX3 photo.M8 interior. Lumix LX3 photo.Metro-North M8 passes Noroton Heights, Connecticut. June 29, 2013. Exposed with Canon EOS 7D with 40mm Pancake lens. 1/60th second.Grand Central Terminal’s 42nd Street Façade, New York City. Lumix LX3 photo.
See: Tracking the Light on July 3, 2013 for Metro-North Anniversaries Part 2!
Please share Tracking the Light with anyone who might enjoy it!
Last week I rode from Chicago Union Station over the former New York Central Water Level route to Albany and then via the Boston & Albany to Worcester, Massachusetts.
A contemporary work of fiction: Amtrak’s Lake Shore Limited public timetable. Exposed with my Lumix LX3
A familiar run, I first made this trip in August of 1983 and I’ve done it many times since. However, both my first trip and most recent have a commonality: I began these trips with some photography on the former Chicago, Burlington & Quincy ‘Triple Track’ near Aurora, rode a ‘scoot’ into Chicago and changed for the Lake Shore at Union Station.
While I enjoy train travel, I’m not especially keen on really long runs. My usual limit is about 8 hours. I make exceptions for the Lake Shore. For me this is one of the most interesting American runs.
Amfleet II rolling east. Exposed with a Lumix LX-3
The queuing process at Chicago Union leaves much to be desired. It reminded me of a recent experience with jury duty. Yet once ensconced in my seat in an Amfleet II coach I was happy enough.
We departed Union Station 3 minutes after the advertised and gradually lost more time over the course of the run. I don’t mind this especially, after all the train’s long standing nick-name is, “The Late for Sure Limited.’
Gliding east in the darkness, I squinted to pick out familiar landmarks, as this trip is the thread that really ties my recent posts together.
At 9:37 pm we eased over the 21st Street Bridge; a few minutes later we clattered across the diamonds with the old Rock Island at Englewood, and at 9:58 we raced through Hammond-Whiting, Indiana. I noted where Chris Guss and I had stood a week earlier to photograph both an EJ&E freight and NS’s Interstate Heritage Unit.
Northern Indiana was alive with trains. We passed a CSX stack train at Curtis on the adjacent former Baltimore & Ohio. East of Michigan City we overtook a South Shore freight led by a pair of GP38s roaring along under wire like an apparition from another era. I heard the Doppler blast as the South Shore hit a crossing alongside of us. It was just a momentary glimpse in the night and not far from a spot where Mike Danneman made photos on an icy February afternoon some 18 years ago.
A seeming endless parade of Norfolk Southern freights greeted us on the Water Level Route. Every few minutes a low base roar would precede locomotives blasting by on an adjacent main track. Although Conrail has been gone 14 years, I still find it odd that Central’s old Water Level Route is now run by two separate railroads.
I dozed off, waking briefly at Toledo to watch an oil train roll east, and empty hoppers used to move fracking sand clatter west. Somewhere between Toledo and Berea, Ohio we lost about an hour.
A jet soars westward, as Amtrak 448 approaches Berea, Ohio. Lumix LX-3 photo.
Near Berea we met the rising sun and passed the old tower—sacred ground visited by my late friend Bob Buck and countless other fans over the years. This is the divide, from here east we were rode on CSX tracks.
Cleveland’s skyline features the Van Sweringen brothers’ famed Terminal Tower (center, near the apex of the lift bridge). Lumix LX-3 photo.
We paused for Cleveland, then Erie, and for many miles we ran parallel to the former Nickel Plate Road, which now carries Norfolk Southern freight east of Cleveland. I was pleased to see many photographers line-side; my train’s journey was well documented!
At Buffalo, I had a pleasant surprise: instead of taking the normal route via CP Draw and CP FW, we were routed over the Compromise Branch that takes a more northerly (and slightly longer route) through Buffalo, rejoining the other line at CP 437 (the control point near the ghastly decaying remnants of Buffalo Central Terminal). Amtrak’s 48/448 serves the suburban Buffalo-Depew station instead of the old terminal.
Behind me a woman traveler was on the phone describing her trip on Amtrak from Oregon: “We live in such an amazing country! Crossing the plains I saw endless herds of wild Bison and red Indians on horseback! There were wagon trains crawling dusty trails against purple mountains and rainbows! And amber fields of grain! Is that wheat, do you think? And Chicago was like the emerald city, its towers scraping the sky. Such a skyline! And all through the Midwest big factories making the produce of America! It’s just wonderful!”
Indeed. Was she on number 8? Or perhaps one of those ‘Great Trains of the Continental Route’ as advertised in my August 1881 Travelers’ Official Guide?
At Rochester, my old friend Otto Vondrak came down for a brief visit. He and I share various Rochester-area experiences. Then eastward into ever more familiar territory.
Otto Vondrak gives me a wave at Rochester, New York—home of Kodak. Lumix LX-3 photo.
At Schenectady, a Canadian Pacific freight overtook us on the Delaware & Hudson before we resumed our sprint to Albany-Rensselaer, where we then sat for an eternity waiting for station space. Here 48 and 448 are divided, with the latter continuing down the Hudson to New York City.
My seat on the Lake Shore. Comfortable and relaxing. Certainly superior to flying, provided time isn’t an issue. With today’s technology, I can review photos I made of Metra’s train shortly before boarding the Lake Shore. I don’t have to wait days or weeks to see my results. Well, except for the Provia I exposed with my EOS3. (I like to keep the bases covered, as it were).
East of Rensselaer, I paid extra special attention to our progress. There are few railroads I know as well as the B&A. At 4:38pm we met CSX’s Q283 (empty autoracks) at Chatham. We paused at CP171 (East Chatham) to let pass our westward counterpart, train 449. At Pittsfield, CSX’s Q423 (Worcester to Selkirk) was waiting for us.
Brian gives Q423 a roll by. Self portrait with Lumix LX-3.CSX GP40-2s at North Adams Junction in Pittsfield. It was here that Bob Buck photographed a Mohawk in the snow back in 1947. Lumix LX-3 photo.
The highlight of the trip was the sinuous descent of Washington Hill’s west slope. There was test of the Westinghouse brakes near the deep rock cut east of Washington Station, and I continued my trip through time and space. Familiar places and landmarks blitzed by the glass; Lower Valley Road, Becket, Twin Ledges, old Middlefield Station, Whistler’s stone bridges along the valley of the Westfield’s west branch, the old helper station at Chester, and east through Huntington, Russell, and Woronoco.
Drifting downgrade at the famed ‘Twin Ledges’ (between Becket and Middlefield, Massachusetts). Lumix LX-3 photo.Middlefield: where I’ve made many photos from that grassy knoll. Lumix LX-3.‘Chesta!’ (Chester, Massachusetts). Lumix LX-3. (Old Norvel C. Parker grew up here).
At West Springfield we passed the old Boston & Albany yard. Watching the parade of trains in evening at the west end of the yard were ghosts of departed members of the West Springfield Train Watchers; among them founding member Norvel C. Parker, Stuart Woolley—retired B&A fireman, Joseph Snopek—photographer and author, and of course, Bob Buck—B&A’s greatest fan and proprietor of Tucker’s Hobbies. I waved and they waved back. (Hey, at least I wasn’t seeing herds of wild bison!)
After a stop at Springfield Station, I was on my final leg of this journey. We rattled over the Palmer diamonds—where I’ve exposed countless photos over the years, and raced up the Quaboag River Valley, through West Warren, Warren, West Brookfield, Brookfield, and East Brookfield—where my friend Dennis LeBeau and his loyal dog, Wolfie, were line-side to salute my passage.
Palmer, Massachusetts, looking railroad-south on New England Central. It is here, I’ve exposed countless hundreds of images since the 1970s. Home territory and all that. And it goes by in the blink of an eye on 448! Lumix LX-3 photo.West Warren, Massachusetts along the Quaboag River. Another favorite spot for railway photography. Lumix LX-3 photo.Worcester Union Station at sunset. Lumix LX-3 photo.Boston & Albany carved in stone—Worcester, Massachusetts.
At Worcester, my father, Richard J. Solomon was poised to collect me. And so concluded my latest Lake Shore epic. And, yes, 448 was indeed late: 1 hour 15 minutes passed the advertised. Tsk!
Dick Gruber did the driving, John offered historical context, while I made notes. We all made photos. I was working with three cameras; my EOS-3 film camera loaded with Provia 100F slide film, my EOS 7D digital camera, and Lumix LX-3.
John Gruber, says as we inspect a grade crossing near Sun Prairie, Wisconsin, ‘Passenger trains were allowed 75mph through here. The Hiawatha’s Atlantics worked here towards the end. It was probably the last regular trains they worked. When I saw them they were pretty dirty.’
Wisconsin & Southern’s westward freight L464 hits the a highway crossing near Deansville, Wisconsin on June 1,4 2013. Canon EOS 7D with 28-135mm lens.
Visions of high-speed service on this route were revived in recent years (as part of a Chicago-Milwaukee-Madison route) then dashed again when political philosophy interfered with transport reality. Track speed is 10mph, and the only service is Wisconsin & Southern’s (WSOR) local freights.
Wisconsin & Southern’s westward freight L464 near Sun Prairie. Canon EOS 7D with f2.8 200mm lens.
We drove from DeForest, pausing for lunch near Sun Prairie, to a lightly used grade crossing near Deansville where we intercepted the WSOR local freight. This was hauled by a clean pair of GP38s clattering upgrade with a long string of ballast cars and mixed freight at the back.
WSOR’s burgundy and silver makes for a pleasant contrast with rural scenery. I can only imagine what it was like with a streamlined A1 Atlantic clipping along with light-weight passenger cars at speed. Different worlds.
Sun Prairie, Wisconsin: Wisconsin & Southern’s westward freight L464 drops down the grade from Deansville. Canon EOS 7D with f2.8 200mm lens.Wisconsin & Southern’s westward freight L464 at Sun Prairie. Lumix LX-3.Detailed view of WSOR GP38 number 3801 at Sun Prairie, Wisconsin. Lumix LX3 photo.
For more on Wisconsin & Southern locomotives click here.
On August 17, 2003, I traveled by train from Zagreb, Croatia to Belgrade, Serbia. This was a six-hour journey. While the train departed on time, it took a diversionary route around Zagreb to avoid track work on the mainline. On the way out of town, I noted a variety of stored General Motors diesels and a pair of 2-10-0s in a goods yard. Before long the train was 27 minutes behind schedule.
Exposed southeast of Zagreb, Croatia with a Nikon F3T and Nikkor f2.8 24mm lens on Fujichrome Sensia 100 slide film.
I made a number of photos, including this one, looking out the back of the train. Generally, Croatian Railways (Hrvatske Zeljeznice) maintained their track to excellent standards. Some HZ mainlines, such as this one, are electrified at 25 kV at 50 Hz, others with high voltage DC overhead, while many other lines are worked with diesels.
Approaching the Serbia frontier, the train was reduced to a crawl. This area was still showing the ravages of war. Passing Vinkovci, I noted a large yard full of derelict freight wagons, but also saw that line-renewal was under way.
Serbia had just eliminated visa restrictions for American and EU passport holders, so I had no difficulties with the border inspection. The heat, on the other hand, was memorable!
Belgrade was fascinating, but I’ll save that adventure for some future post. Two years later (to the day), I was back in Croatia again, and on that trip explored the line to Rijeka.
This entire five image sequence was exposed with a Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.
Going back to at least the 1980s, a group of us would convene in Palmer on Friday evenings. It used to be that after closing Tucker’s Hobbies on Fridays, Bob Buck would come down for dinner along with customers and friends from the store. Afterwards, we’d head over to ‘the station’ to watch the railroad.
I recall seeing Central Vermont’s old Alco RS-11s on sultry summer evenings, belching clouds of exhaust and sparks, while we waiting for the parade of westward Conrail trailvans (intermodal piggy-back trains); TV-5, TV-13, and etc. Back in the day, I’d make night shots with my Leica 3A. That seems like a long time ago.
This past Friday, a group of us convened at the usual spot; Doug and Janet Moore, Bill Keay, Rich Reed and myself. After a few trains, Doug and Janet were the ‘heroes’ as Bob would have called them; they headed home and a little while later the signals at CP83 lit up. To my astonishment, the ‘C’ light was flashing (the small lunar-white light between the main signal heads). I rushed for my cameras . . .
Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.
The signals at CP83 are approach-lit. So, when the signals light, it means that something (usually a train) has shunted the circuit. Among other things, CSX’s CP83 governs the switch at the west end of a controlled siding that begins at CP79 (about four miles to the east). When the signals light with a high green, it means a westward train has been cleared to continue past CP83.
Conrail installed the present signaling system back in 1986 when it converted the Boston & Albany route from directional double track under Automatic Block Signal rule 251 ( ‘signal indication will be the authority for trains to operate with the current of traffic’) to a largely single main track system with controlled sidings and governed by Centralized Traffic Control-style signals with cab signaling.
As a result there are now only wayside signals at dispatcher control points such as CP83. CSX assumed operations from Conrail 14 years ago.
It’s rare, but occasionally a locomotive suffers a cab-signal failure, or a locomotive that isn’t cab signal equipped leads a train. There is a provision with the signal system using the ‘C’ light, to allow a dispatcher to authorize a train to proceed without operative cab signal.
Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.
CSX rule CR-1280A names the ‘C’ light aspect as ‘Clear to Next Interlocking’. This gives the train permission to proceed the full distance to the next block ‘approaching next home signal prepared to stop’.
Why am I going into such specific operational details? Because, I’m fascinated by signals, but also in the 27 years since Conrail installed this signal system I’ve only witnessed a ‘C’ light lit, three times. And, I’d never before seen the C-light lit at CP83. I’ve been to CP83 more times that I can count, so for me, that is a really unusual event. (I saw a shooting star that night too, but those are common by comparison!)
Fortunately, I had cameras handy, and, perhaps more to the point, I had my dad’s Gitzo tripod, which made this sequence of images possible. (Other wise I would have trying to balance the camera with stacks of coins on the roof of my Golf, but, we’ll save that for another event . . .)
I just wish that Bob Buck could have been there with us to watch the train pass. He would have enjoyed that.
Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.
All images exposed with a Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.
Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.
Often I look to put trains in their environment by trying to find angles that show context. Not every railway scene is scenic. And, in the North East, more often than not, the environment around the railway is pretty rough looking. But that is the scene, isn’t it?
Canon EOS 7D with f2.8 200mm lens; exposed at 1/400th sec at f.5.6 ISO400, exposure set manually.
On Wednesday May 29, 2013, Rich Reed and I were making photos of trains on former Boston & Maine lines around Ayer, Massachusetts. Rich has lived in the area for many years and is well versed on the history of the area.
Among the trains we saw was this Pan Am Southern local switching a set of autoracks. In the 1970s, a GP9 would have often worked Boston & Maine’s Ayer local. Today, Pan Am Southern runs the railroad, and the local is a pair of Norfolk Southern GE six-motor DASH-9s working long hood first.
I made several images east of the Ayer station. One of my favorites is the view looking down the street that features a parked postal truck and cars with the train serving as background instead of the main subject. It’s an ordinary everyday scene, yet it’s part of the history, and someday it will be different. Everything changes.
Canon EOS 7D with f2.8 200mm lens; exposed at 1/400th sec at f.5.6 ISO400, exposure set manually.Exposed with a Lumix LX3 set on Aperture Priority Mode; f2.8 at 1/200th second, ISO 80.
Which of these images will be more memorable in 50 years time? Someone might wonder why the Post Office needed a delivery truck, or what all the wires were for. You just never know.
General Electric Genesis Diesels and Style T Semaphores.
Railways can offer tremendous technological contrasts. Among my photographic themes is juxtaposition of the oldest technology along side the most modern. When I made this image, there was roughly 60 years between development of the signals and the locomotives.
Exposed with a Nikon F3T and Nikkor f2.8 24mm lens on Fujichrome slide film. I didn’t record my exposure, but the image was made at dusk, and I probably had the camera set to about 1/2 second at f2.8
I made this image during an exploration with Mel Patrick of the former Santa Fe mainline across northern New Mexico and eastern Colorado. At that time BNSF still maintained many of the old Union Switch & Signal Style T-2’s dating from the steam-era.
The Union Switch & Signal Style T-2 was featured in my book Railroad Signaling published by Voyageur Press. Here’s an except from my text: “US&S’s T-2 is a three-position upper quadrant type with a top of mast mechanism. Typical semaphore height measured 22 feet 6 inches from the ground to mechanism.”
Traffic on this line was relatively light, with only Amtrak’s Southwest Chief and a couple of BNSF freights daily. Then, as today, most of BNSF trans-con freight was routed via the Belen Cutoff (through Abo Canyon) to the south.
At 11:11 am on November 16, 1992, I made this image of double-headed AEM-7s leading train 169 The Mayflower passing the interlocking at South Norwalk on the former New Haven Railroad mainline.
Amtrak train 169 led by AEM-7 number 911 at South Norwalk; exposed on Kodachrome 25 with a Nikon F3T fitted with a Tokina f5.6 400mm telephoto lens.
This was a routine event. I don’t recall anything unusual or noteworthy about the train itself. I was playing with a Tokina f5.6 400mm lens I’d recently purchased secondhand. I made this photo with that lens attached to my Nikon F3T on Kodachrome 25.
My exposure-notes indicate that the lens was at its widest aperture and the camera at 1/125 of a second. I probably had the camera on my Bogen 3021 tripod as I doubt I would have tried to hand hold the 400mm lens at 1/125th of second.
Telephoto lens compression with truss-bridges under the old New Haven catenary makes for a tunnel-like effect, while giving context to the crossovers.
At that time, Amtrak’s AEM-7s were still in their ‘as delivered’ condition with their original paint scheme. These powerful little locomotives have been the backbone of Amtrak’s electrified operations for more than three decades. Their day in the sun will soon end; replacements are on their way.
Amtrak Turbotrain Races Southward Along the Hudson
An Amtrak Turbotrain works along the east shore of the Hudson River approaching the Breakneck Ridge tunnels at Cold Spring, New York on August 1989. The historic Bannerman Castle makes for a Rhein-like prop in the distance.
I made this view from a hiking trail on Breakneck Ridge along the Hudson River in August 1989. At the time my standard camera was a Leica M2 that I tended to use with Kodachrome 25. Turbotrains were standard equipment on Amtrak’s Empire Corridor trains making for common sights along the Hudson.
While common on this route, Amtrak’s Turbotrains were an anomaly in American operating practice, making them an unusual and worthy subject for photography. These reminded me of the original streamlined trains of the 1930s such as Burlington’s Zephyrs, Illinois Central’s Green Diamond, and New Haven Railroad’s Comet.
Today I’m happy to have a nice selection of these trains at work, but I regret not having traveled on them. I was always puzzled when my fellow photographers opted not to make photos of them. Perhaps Turbotrains seemed too common?
About 10 months ago (July 2012), I started Tracking the Light. In the short time span since then I’ve had about 19,000 hits. While small numbers compared with Gangnam Style’s viral You-Tube dance video (with more than 1.7 billion hits), it’s a gratifying start. (BTW, there are some train scenes in Gangnam Style, so it isn’t a completely random reference).
In my introductory post, I offered a bit of my background with a taste of my philosophy on the subject of railway photography; ‘There is no ‘correct way’ to make photographs, although there are techniques that, once mastered, tend to yield pleasing results. I hope to expand upon those themes in these Internet essays by telling the stories behind the pictures, as well as sharing the pictures themselves.’
Irish Rail Intercity Rail Cars converge on Islandbridge Junction, May 2013. Lumix LX3 photo. I routinely post images of Irish railways. Check regularly for updates. Also, I have a special page on Dublin that is more than railway images. For more Irish Rail click here!An empty timber from Waterford near Donamon, County Roscommon, Ireland. Canon 7D with 100mm f2.0 lens.
What began as an infrequent opportunity to share work via the Internet has evolved into a nearly daily exercise. In the interval, I’ve learned a bit what makes for an interesting post, while working with a variety of themes to keep the topic interesting.
TTC Streetcar at corner of King and Queen Streets, Sunnyside, Toronto, February 8, 2010. Lumix LX-3 set at ISO 80. Originally Posted February 8, 2013
Regular viewers may have observed common threads and topics. While I’ve made a concerted effort to vary the subject matter considered ‘railway photography,’ I regularly return to my favorite subjects and often I’ll post sequences with a common theme.
Occasionally I get questions. Someone innocently asked was I worried about running out of material! Unlikely, if not completely improbable; Not only do I have an archive of more than 270,000 images plus tens of thousands of my father’s photos, but I try to make new photos everyday. My conservative rate of posting is rapidly outpaced by my prolific camera efforts.
New England Central GP38 3850 leads train 608 at Stafford Springs on January 25, 2013. A series of difficult crossings in Stafford Springs is the primary reason for a 10 mph slow order through town. Especially difficult is this crossing, where the view of the tracks is blocked by a brick-building. Protection is offered by a combination of grade crossing flashers and traffic lights. Canon 7D with 40mm Pancake Lens; ISO 400 1/500th second at f8.0. In camera JPG modified with slight cropping to correct level and scaling for web. A RAW image was exposed simultaneously with the Jpg. Originally posted on January 26, 2013.
Someone else wondered if all my photos were ‘good’. I can’t answer that properly. I don’t judge photography as ‘good’ or ‘bad’. Certainly, some of my images have earned degrees of success, while others have failed to live up to my expectations (It helps to take the lens cap ‘off’). Tracking the Light is less about my success rate and more about my process of making images.
A couple pair of laden Bord na Mona trains struggle upgrade, laying sand down as they ascend a short steep grade on the run back toward Mountdillon. This is the same stretch of track pictured in Irish Bog Railways–Part 2. Originally posted on March 4, 2013
I’m always trying new techniques, exploring new angles, while playing with different (if not new) equipment.
The most common questions regarding my photography are; ‘What kind of camera do you use?’ and ‘Have you switched to digital?’ I can supply neither the expected nor straight-forward responses. But, in short, I work with a variety of equipment and recording media. I aim to capture what I see and preserve it for the future. I try to have a nice time and I hope to entertain my friends.
Learn my secrets, click here. This image was made in Spring 2012 on Fuji Acros 100 film exposed with a Leica 3a and 21mm lens and specially processed for scanning.Semaphores are one of my themes. See my post from September 23, 2012. Eastward Delaware & Hudson symbol freight ‘Jet1’ passes semaphores at milepost 320 (measured from Jersey City) east of Adrian, New York on May 14, 1988.
Originally posted on December 1, 2013. CSX Q427 rolls through Palmer, Massachusetts, at 11:01 pm on November 30, 2012. Notice the photographer’s shadow superimposed on the blur of the train. Single exposure with Panasonic Lumix LX-3 with Leitz Summicron lens, zoom set to 5.1mm, ISO 200, exposed in ‘A’ mode with +2/3 over-ride, f2.2 at 7 seconds. Entirely exposed with existing light; no flash.
CSX General Electric Evolution-series diesels work west at Palmer, Massachusetts on May 17, 2013. Exposed digitally with my Canon EOS 7D.
CSX Q264 at West Warren, Massachusetts.
Martinez, California, as viewed from Carquinez Scenic Drive. Canon EOS 3 with 100-400 mm lens, Fujichrome slide film.The number plate on a smoke box door catches the hint of a blue sky beyond. Canon EOS7D with 28-135mm lens.
In April 2002, I was on my way from Zagan, Poland to Dresden, Germany with John Gruber and some other friends. Shortly after sunrise, we changed trains at Chojnów, where rich low sun allowed for some dramatic images of PKP (Polish National Railways) trains. PKP was operating a variety of interesting locomotives, and I’m partial to the distinctive shape of the SU45 diesel.
Exposed with my Nikon F3T fitted with Nikkor 24mm lens on Fujichrome slide film.
My journal entry at Chojnów made at 6:34 am on that day includes this observation: “We awoke at 3:30 am to catch the 4:49 am [train] from Zagan—beautiful morning light [at Chojnów], but the station is decayed and graffiti covered.”
After I made this photo, we boarded a train destined for Gorlitz (and Dresden). Breakfast in the WARS dining car was memorable: “The girl at the counter cooked us scrambled eggs in a frying pan—class act!”
Exposed with my Nikon F3T fitted with Nikkor 24mm lens on Fujichrome slide film.
Tuesday, May 21, 2013 was a clear bright morning. I heard New England Central’s 608 climbing State Line Hill through Monson. I dithered briefly about heading out to photograph it. I’ve only photographed New England Central’s trains about a thousand times (metaphorically).
When I went to make myself a cup of tea I discovered to my horror that there wasn’t any milk! Poor show. So, I made the most of both problems. I drove to Stafford Springs, where I waited all of five minutes to score a few nice bright shots of a pair of New England Central GP38s. (I made a couple of slides too—just for ‘the record). Then stopped in at the shop in Stafford Hollow for milk before heading home again.
New England Central freight 608 crawls through Stafford Springs, Connecticut on May 21, 2013. Canon EOS 7D with 28-135mm lens.Canon EOS 7D with 28-135mm lens; exposed at f8 1/500 ISO 200.
What I find interesting is that, 16 years ago I made similar images of the same GP38s in the same location! A lot has changed in that time. Back then New England Central was part of RailTex. Now, after a dozen years as a RailAmerica road, it’s a Genesee & Wyoming property.
Somehow, I doubt that in another 16 years I’ll still be able to make images just like these. But you never know. It’s nice having an interesting railway nearby.
Something a Bit Darker: Enigmatic or just playing around?
Palmer in Gloom and Rain, May 24, 2013.
Friday evening May 24, 2013 wasn’t the driest night in recent days. I was in Palmer, Massachusetts to meet some friends for dinner. On the way in, I timed my arrival to intercept CSX’s westward Q437 (Worcester, Massachusetts to Selkirk, New York). I’d learned that one of the specially painted ‘Diversity in Motion’ AC4400CWs was leading.
The day was in its final moments with just a hint of blue in the sky. The signals at CP 83 (dispatchers control point, measuring 83 miles from South Station, Boston) lit up moments after I arrived. That gave me about six minutes to think up a photo solution. Since the car-park (parking lot) at Steaming Tender was comparatively empty, I opted for a broadside pan. All I had to work with was my Lumix LX3.
CSX Q437 rolls through CP83, Palmer, Massachusetts. Lumix LX3 photo.
I set the LX3 for 200 ISO, switched ‘off’ the image stabilizer (I’ve found this tends to interfere with long pans), and selected ‘aperture priority’ with f2.6 and +1/3 exposure compensation. Then I set the focus manually and waited. There’s a slow order through Palmer, and Q437 passed traveling not faster than 30mph. I made a long pan and the camera selected a shutter speed of 1/3.2 seconds. A long exposure, but not long enough. I still needed to lighten the image in post processing using the program’s ‘curve’s’ feature.
After dinner, it was raining steadily. Rich Reed, Bill Keay & I returned to CP 83 to observe the arrival of a southward New England Central freight. I made a couple of more long pans in the gloom of night. Then, I placed the camera on an old railroad tie to make one final exposure of the train in the rain.
New England Central freight arrives at Palmer yard. Lumix LX3 ISO 200 set at f2.6 1.3 seconds, panned hand held in the rain.I grabbed a second pan shot, as with the previous image, this one was with the Lumix LX3 ISO 200 set at f2.6. Slightly longer exposure: 1.6 seconds, also panned hand held in the rain.Rain at Palmer yard. May 24, 2013. New England Central freight . Lumix LX3 ISO 200 set at f2.5 1/1.6 seconds.
Something a bit different anyway and it cost me nothing but a few moments of my time (and suffering some gratuitous dampness.)
Detail of the GATX GP15-2 operating on Mass-Central. The GP15 model features an unusual airflow pattern. Canon 7D.
My brief encounter with Mass-Central’s borrowed GP15-2 on May 10, 2013 (see Quaboag Valley in Fog and Sun, May 10, 2013 encouraged me to seek out this locomotive and spend some more time photographing it on the former Boston & Albany Ware River Branch.
This branch is one of my longest running projects. Back in 1981, I rode my 10-speed bicycle from Monson to Ware to make photographs of Mass-Central’s recently acquired EMD NW5, number 2100. Now, more than 30 years later, that old engine is still on the property, and I’ve been up and down the line by road (and rail) dozens of times.
Despite this familiarity, at least once a year (if not once a season) I’ll take a photo-trip along the line. So, having a nice freshly painted locomotive against fresh spring leaves is a good excuse to get out and the exercise cameras.
Northward Mass-Central freight near Creamery on May 13, 2013. Canon 7D with 20mm lens.Mass-Central crosses Rt 67 at Barre, Massachusetts on May 13, 2013. Lumix LX-3 photo.Mass Central at Barre, Massachusetts on May 13, 2013. Lumix LX3 photo.
Much of the line is on a southwest-northeast angled alignment; and since trains tend depart northbound in the morning from Palmer and return after midday, I’ve found that the southward return chase can be the most productive for making clean locomotive images.
On Monday May 13th, I spent the morning writing and running errands. Then in late morning, I followed Mass-Central’s line up to Gilbertville where I waited for the weekday freight to pass on its northbound run. (Just to clarify; the weekday freight is all I’d ever expect to see. The days of Boston & Albany’s steam hauled mixed train and milk specials have long since passed!)
My timing was good, and after a little while the GP15-2 rolled through northbound with two cars. Not much of a train, but it collected a few more cars near Creamery and continued to South Barre where it worked for about an hour delivering and collecting freight cars.
As expected, the southward chase offered better angles and nicer train. Not only did the southward train have a decent consist of cars, but the sun made some well-timed appearances.
Mass-Central working the spur at South Barre. This light industrial branch diverges near the end of track on Mass-Central’s line at South Barre. Canon 7D.Mass-Central freight near Barre, Massachusetts on May 13, 2013. Canon 7D with 20mm lens.
I made photos with both film and digital Canon bodies as well as my Lumix LX-3, while following all the way south to Palmer (where Mass-Central interchanges with both CSX and New England Central).
Canon 7D.Mass-Central crossing Rt 32 near Creamery, Massachusetts. Canon 7D.Mass-Central catches the sun at the Rt 181 crossing near Palmer, Massachusetts. Canon 7D with 28-135 lens.
I’ve learned to take advantage of unusual or new motive power on the branch, as things can (and do) change quickly. To use a cliché; it’s best to strike when the iron is hot! I was pleased with my results featuring the GP15-2 and I wonder what motive power I’ll find next time I follow the line?
On the evening of August 15, 2009, I was photographing along the former Western Pacific near Oroville, California. At that time, Union Pacific was doing heavy work on its parallel former Southern Pacific line over Donner Pass, and it was understood that double-stack container traffic would soon be shifted off the old WP route in favor of Donner Pass. Time was running out to regularly catch double stack trains on the WP route and I focused my efforts on making the most of this while I could.
Smoke tinted sun makes for a painterly image of this Union Pacific double stack near Oroville, California on Aug 15, 2009. Canon EOS 3 with Fujichrome slide film.
At the end of the day, I made this image of a westward double stack train stopped at a signal east of Oroville. Wildfires had filled the atmosphere with smoke, which lend to a surreal painterly light. Low sun accentuated the effect and the combination of California golden grass with smoke tinted glint light offered wonderful photographic opportunity.
I exposed these images on Fujichrome slide film with my Canon EOS 3 using several different focal lengths. It was a spectacular finish to a productive day of photography. I’d made my first visit to the Western Pacific in October 1989, nearly 20 years earlier. Hard to believe so much time had passed between these trips. In 1966, my father, Richard Jay Solomon, rode west over this line in a dome car on Western Pacific’s famed California Zephyr.
Union Pacific container train near Oroville, California.
Significantly, this portion of the Western Pacific route (between Oroville and the lower reaches of the Feather River Canyon) was built new in the early 1960s as part of a line relocation forced by construction of the Oroville Dam.
Luggage on the platform at Horsted Keynes on April 20, 1948, no sorry, make that 2013.
Old advertisement at Sheffield Park.Nameplate on locomotive Stowe inside the engineshed at Sheffiled Park. Lumix LX3 photo.
One of the great features of Britain’s preserved Bluebell Railway is its exceptional attention to detail. Everywhere you look there is something to make the past, alive. Old advertisements, piles of luggage, semaphore signals, cast iron warning signs, and buckets of coal.
You hear the clunk of a rod moving a signal blade from red to green, followed by the shrill guard’s whistle and the slam of a wooden door. Then a mild hiss as the automatic brake is released and the sharper hiss from the locomotive as it eases off the platform. Yet, the Bluebell experience isn’t all about its locomotive, or its trains. The Bluebell is a railway experience.
Outer home semaphore on the Bluebell Railway near Horsted Keynes. I’m especially impressed by Bluebell’s great attention to period railway signalling (two ll’s). Canon EOS7D with 28-135mm lens.
The number plate on a smoke box door catches the hint of a blue sky beyond. Canon EOS7D with 28-135mm lens.A class 9F 2-10-0 emits wisps of steam on the platform at Sheffield Park. Lumix LX3 photo.Southern Railway advertisements hint of the glamour of railway travel from another era. Lumix LX3 photo.
The time warp ends when you arrive back at East Grinsted, where you insert your ticket with its magnetic stripe into automatic barriers, then board a modern electric multiple unit with sealed windows, plastic décor and space-age loos that look like they belong on the set of Star Trek.
Crews chat on the platform at Sheffield Park. Lumix LX3 photo.
The Bluebell Railway is Britain’s first standard gauge preserved steam railway. It dates from the early 1960s, and for more than 50 years has offered excursions over a scenic portion of former Southern Railway, ex London, Brighton & South Coast Railway. Today the railway runs from East Grinsted to Sheffield Park (south-southwest of London), and includes a relatively long tunnel.
Departing Kingscote behind a British Railways class 9F on April 20, 2013. Canon EOS 7D with 28-135mm lens.
Bluebell, like many of Britian’s steam railways, is a fully functioning preserved line, complete with stations, signal boxes (towers), authentic period signal hardware (including semaphores), engine sheds and lots of staff (presumably mostly volunteers), all of which contributes to the appearance of an historic British railway. In other words, it’s like a time machine!
Bluebell’s staff wear period railway attire. Canon EOS 7D with 28-135mm lens.
On Saturday April 20, 2013 David Hegarty and I traveled from London by train via East Croydon to East Grinsted. It was a beautiful clear bright day. Bluebell had just recently reopened its line for connections to British rail network at East Grinsted.
New track! On April 20, 2013, our train from East Grinsted navigates the recently completed connection from the British rail network. After more than five decades of isolation from the British rail network, Bluebell is finally connected.
While not especially photogenic, I found the new East Grinsted transfer a big improvement for reaching the Bluebell. On previous visits, I’d hired a car and drove directly to Horsted Keynes—a mid-point station on the Bluebell. All things being equal, its nice to arrive by rail.
Enginemen on Southern Railway 2-6-0 1638 at Horsted Keynes. Exposed with a Canon EOS 7D with 28-135mm lens.
It was interesting to travel behind steam (British Railways 2-10-0 class 9F) over newly laid track. We spent a full day wandering up and down the line by train. At one point we went for a long hike following signposted footpaths to a known good spot (what friends like to call a KGS). I’d found the spot, north of Horstead Keynes, about 10 years ago.
Bluebell’s dinner train departs Sheffield Park on April 20, 2013. Canon EOS 7D with 28-135mm lens.
Biggest challenge to making photos on the Bluebell is their operating practice of locomotives facing north, which can present some difficult lighting angles considering most of the line is on a north-south alignment.
My known good spot: here a Bluebell train works the bank north of Horsted Keynes. Lumix LX3 photo.
Chicago & North Western’s Chicago-Omaha mainline at sunset.
In the mid-1990s, I’ve made a variety of similar images along the Chicago & North Western’s Chicago-Council Bluffs mainline that offers a literal depiction of the classic textbook illustration showing railroad tracks to demonstrate perspective.
Why C&NW? The angle of tracks and arrangement offers classic simplicity. This is a largely tangent east-west double-track line that crosses comparatively open landscapes in western Illinois and central Iowa, where installation of advanced signaling combined with burying of code lines and other communications minimized line-side poles and wires.
I’ve exposed for the sky that produces a silhouette of tracks and equipment. C&NW’s highly polished mainline rails nicely reflect the evening sky. For added interest I’ve included a set of interlocking signals in the distance. If I placed them too close, the signals will have become the subject, and that was not the intent of this image.
For the last decade or so, Irish Rail has focused largely on its passenger operations. These days long distance passenger trains are dominated by fleets of Rotem-built InterCity Rail cars (ICRs), with locomotive-powered trains only working Dublin-Cork (class 201 diesels with Mark 4 push-pull) and Dublin-Belfast (class 201 diesels with De Dietrich push-pull). To the casual observer, it might seem that all the Irish Rail trains are ICRs. Certainly they seem to be everywhere.
Last Thursday and Friday, David Hegarty & I visited midland counties in search of freight trains. These are good days to be out, since Irish rail fields a variety of scheduled freight on its route to County Mayo via Portarlington, Athlone, and Roscommon. This single-track line has a rock and roll profile across undulating countryside.
Irish rail’s ‘up IWT liner’ (Ballina to Dublin) passes the 44 1/2 mile post near Portarlington. Gorse blossoms on both sides of the tracks. Canon 7D with 200mm f2.8 lens.First of two Dublin-Ballina IWT liners on Thursday, April 25, 2013. Canon 7D with 40mm pancake lens.
On on April 25, 2013, Irish Rail class 201 diesel number 219 leads a laden timber at mp44 1/2 near Portarlington. Canon 7D with 40mm pancake lens.
It’s gorse-season, and the gold-tinged blooming bushes works well with Irish Rail’s ‘safety yellow’ on the front of most trains. Getting the sun out is an added bonus. One minute there’s bright sun, the next its lashing rain. Sometime, I didn’t have to wait that long. They call it Spring. It’s as good an excuse as any.
Second IWT liner from Dublin to Ballina, north (west) of Portarlington on the branch to Athlone. Thursdays is a busy day for freight in Ireland, we caught six freight moves on April 25, 2013. Irish Rail 234 is the highest number 201 class diesels. The next day we photographed it again at Clara, Co. Offaly. Canon 7D with 20mm lens.
Ballina to Dublin IWT approaches the station at Clara on Friday April 26, 2013. That’s 234, again. Lumix LX3 photo.Not so lucky with the twice weekly DFSD liner. The rain caught me here. Luckily I had an Opel for shelter! This is from the main road between Athlone and Knockcroghery. Canon 7D with 200mm f2.8 lens.This sounded great; its the down IWT liner roaring along with a 1970s-era class 071 near the former station of Donamon (west of Roscommon). Canon 7D with 40mm pancake lens.Last train of the day; the empty timber from Waterford near Donamon. After we caught this train, we were given good advice on an even nicer location a couple of miles further west. We’ll be back! Canon 7D with 100mm f2.0 lens.
In addition to these digital photos exposed with my Canon 7D and Lumix LX-3, I also exposed a couple of rolls of film, including the first roll of Fuji Velvia 50 that’s been in my Canon EOS 3 in about six years. When using slide film, I usually work with 100 ISO stock. The Velvia 50 is an accident, and I’ll be curious to see how those slides turn out. Thanks to Noel Enright for logistical advice!
Ballina to Dublin IWT approaches the station at Clara on Friday April 26, 2013. That’s 234, again. Lumix LX3 photo.
I exposed this Fullerton seen with my Canon EOS 3 with a 100mm f2.0 lens on Fujichrome slide film.
In Spring 2008, I spent seven weeks in California working on my ‘Railroads of California’ book for Voyageur Press. I focused on elements of California railroading that I’d missed or had changed since I lived there in the early 1990s.
At the end of May, I took Amtrak’s Coast Starlight from Oakland to Los Angeles. Among my projects was the Los Angeles Metrolink commuter rail system.Aiding my effort, Metrolink provided several comp-tickets. On this day, my cousin Stella and I traveled over several of Metrolink routes. I was delighted by the trains, which were air-conditioned and comfortable.
I focused the evening’s efforts at Fullerton, a location that my father recommended to me. Several years earlier, he’d spent an afternoon waiting for Santa Fe 3751 (Baldwin-built 4-8-4 steam locomotive) that was working an excursion.
Fullerton is a busy place with three main tracks that host Metrolink, Amtrak, and BNSF trains. I exposed this image from the foot bridge as a Metrolink train paused for its station stop. Hazy LA-area smoggy sun makes for a nice soft light source, while backlighting offers good contrast for a high impact image.
