Tag Archives: #digital photography

Erie Mainline Revisited

On August 22, 2010, Norfolk Southern SD60M 6777 leads symbol 048—a special move of James E. Strates cars—working eastward at West Cameron, New York. Photo made with a Canon EOS 7D in manual mode fitted with a 24mm lens; exposure f3.5 1/500 at ISO 200. (Jpeg and RAW files exposed simultaneously)

Originally Posted September 28, 2012.

On Sunday August 22, 2010, fellow photographer Pat Yough and I were making photos in western New York south of Rochester, when we got word of an unusual train on Norfolk Southern’s former Erie Route. Having worked this territory for more than 25 years, I navigated a course cross country to intercept our mystery train south of Silver Springs at Castile, New York. We were both curious to see what this was. As it turned out it was a single SD60M leading a portion of the James E. Strates Show train. We made our photo at Castile near the remains of old Erie Railroad water tower, then chased eastward. We followed it to Swain, Canaseraga, Arkport, and to Hornell, New York, then into the Canisteo River Valley. Among the locations we chose was at West Cameron, New York, a spot on the inside of curve, where in the 1980s I’d often photographed Conrail and Delaware & Hudson trains passing a former Erie Railroad  Style-S upper quadrant semaphore (see Curiously Seeking Erie Semaphores posted on September 23). Conrail had single-tracked the old Erie route through the Canisteo Valley in 1993-1994, so it had been a long time since the semaphore came down, yet a portion of the old westward main was retained at West Cameron for use as a setout track, so despite changes, this location didn’t look substantially different to me than it had ‘back in the day’ .

In 1988, Conrail SD50 6700 leads eastward BUOI (Buffalo to Oak Island) carrying New York City subway cars rebuilt by Morrison Knudsen at Hornell. This passes a semaphore on the westward main track at West Cameron, New York. Photo made with a Rollei Model T, a twin-lens reflex featuring a 75mm f3.5 Zeiss Tessar lens. Exposure calculated with a Sekonic Studio Deluxe hand-held light meter. Negative scanned with an Epson V500 scanner.

Afterwards, I searched back over my 120-size black & white negatives, and located this view made with my old Rollei model T of Conrail’s BUOI in 1988. Compare these two photographs made at virtually the same location, at approximately the same time of day, yet more than 22 years apart. There are many advantages to working the same territory repeatedly over the years. While familiarity may lead to boredom, it can likewise lead a photographer to make interesting comparisons.

A lesson: keep making photographs despite changes that appear to make the railway less interesting.

Daily Post: Boston & Maine Revisited, PART 2

 The BIG CHASE: Pan American Southern’s EDRJ, November 2013.

Pan Am 618 roars west at Wisdom Way on November 21, 2013.
Pan Am 618 roars west at Wisdom Way on November 21, 2013.

In yesterday’s post, I waxed nostalgic about the old Boston & Maine, illustrating it with images made around East Deerfield on November 21, 2013.

The big chase! Pan Am's EDRJ (East Deerfield to Rotterdam Junction, New York) roars west at Wisdom Way in Greenfield. As we'd say, "To the River!" Stay tuned tomorrow for photos of the BIG EDRJ chase west. (What all this in one day?)
The big chase! Pan Am’s EDRJ (East Deerfield to Rotterdam Junction, New York) roars west at Wisdom Way in Greenfield. As we’d say, “To the River!”

One of the highlights of the day was midday westbound freight, train symbol EDRJ (East Deerfield to Rotterdam Junction) that departed the yard on the Hoosac Tunnel route.

One of my favorite railway activities in the 1980s was a good westward chase on the old B&M. Nothing made this better than a good consist of locomotives. Last Wednesday was like stepping back 30 years. (Sort of).

As we’d say, ‘To the River’ (meaning ‘to the Hudson’).

Although we only got as far as the Vermont-New York state line before the light faded, the spirit of the chase (and chases from year’s gone by) was with us.

See: Boston & Maine Revisited

Shelburne Falls, Massachusetts.
Shelburne Falls, Massachusetts.

Pan_Am_618_EDRJ_Shelburne_Falls_trailing_on_xing_IMG_3824 1

Old Boston & Maine 3-bay hoppers.
Old Boston & Maine 3-bay hoppers.
Roaring through the valley at Charlemont, Massachusetts.
Roaring through the valley at Charlemont, Massachusetts.
Pan Am Railways
Easing up to the grade crossing at ‘Florida Station’ near Soapstone, on approach to the east portal of the Hoosac Tunnel.
North Adams, Massachusetts.
North Adams, Massachusetts.
Norfolk Southern 206 eastbound.
Norfolk Southern 206 eastbound.

 

Hoosic River Bridge.
Hoosic River Bridge.

B&M_hoppers_EDRJ_North_Adams_Hoosic_River_bridge_IMG_3890

The light was fading at North Pownal, Vermont.
The light was fading at North Pownal, Vermont.
Pan of Pan Am at Petersburg, NY.
Pan of Pan Am at Petersburg, NY.

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Daily Post: Boston & Maine Revisited

Pan American Railways, November 2013

Thinking up new ideas everyday takes a lot of effort, so today, I’ll rely on clichés and old ideas with a new twist to fill the gap.

Pan Am Railways
Pan Am’s EDPL (East Deerfield, Massachusetts to Plainville, Connecticut) rolls south on the Conn River Line near Hatfield on November 21, 2013.

Back in the day, in the 1980s, I’d wander up to the Boston & Maine at East Deerfield where I’d photograph trains on well-worn rights-of-way led by first and second generation EMDs. I was thrilled to find freight trains on the move!

The poor ‘ol B&M had seen better days. New England had been in industrial decline since World War I. It was my understanding that the old phrase ‘it’s gone south,’—meaning ‘it’s gone to the dogs’—originated when New England’s textile industries began closing and heading to the Carolinas and Georgia. (Never mind Southeast Asia, China and what not).

Guilford Transportation came about and melded Maine Central with B&M and briefly with D&H. For a few years the railroad was really busy. Traffic was on the upswing, new intermodal trains were introduced, and run-through locomotives from D&H, Maine Central, as well as Norfolk & Western/Norfolk Southern became common.

Then a souring passed over the scene. ‘All that glitters is not gold’, as they say (paraphrasing an English poet), and the well-trodden paths to the Hoosac Tunnel and along the Connecticut quieted for a time.

Things changed again with the dissolution of Conrail. Now Guilford is Pan American Railways and Pan Am Southern. Metallic blue paint has begun to replace charcoal and orange. And traffic is on the rise.

Yet to me, while there’s been some changes, the old B&M is a throwback to another time.

Yes, there’s a few new signals, some new welded rail here and there, and some nice fresh ties. Many of the old searchlight signals and signal bridges are gone and here and there the tracks have been trimmed back. But the B&M has the appearance of retro railroad. It’s like classic rock with spin.

Last week, on November 21, 2013, my old friend Paul Goewey and I went up to East Deerfield. It was like old times. First and second generation EMD diesels were moving freight in every direction while decaying vestiges of New England industry could still be found at every turn.

Just sayin’ it seems to me that at the end of the day, it is what it is, and MORE!

Pan Am Railways
Paul Goewey snaps Pan Am’s MOED (Mohawk Yard to East Deerfield) crossing an early 20th century span in Greenfield, Massachusetts. Lumix LX3 photo.
Greenfield, Massachusetts. Canon EOS 7D with 100mm lens.
Greenfield, Massachusetts. Canon EOS 7D with 100mm lens.
These old diesels are the same age as me! (more or less). MOED crawls through Greenfield. The old signal bridges are fading fast.
These old diesels are the same age as me! (more or less). MOED crawls through Greenfield. The old signal bridges are fading fast.
I find the sound of 645 diesels, old bridges and vine-covered bricks in low autumnal light stirs nostalgia within me.
I find the sound of 645 diesels, old bridges and vine-covered bricks in low autumnal light stirs nostalgia within me.
Back in the day I was delighted to find old B&M EMD diesels wearing pre-McGinnis maroon and yellow paint. That was 30 years ago!
Back in the day I was delighted to find old B&M EMD diesels wearing pre-McGinnis maroon and yellow paint. That was 30 years ago!
Railway bridge.
The East Deerfield hump set on the Connecticut River Bridge, November 21, 2013.
Maine Central 507 leads a short eastward freight across the Connecticut River.
Maine Central 507 leads a short eastward freight across the Connecticut River.
Pan Am's ED2 departs East Deerfield for points north on the Connecticut River Line.
Pan Am’s ED2 departs East Deerfield for points north on the Connecticut River Line.
North of Greenfield, ED2 grinds along on its northward plod. New rail and ties are being installed on this line and soon trains will be zipping along. Just like the old days when 'the Boot' (for Bootlegger) connected Washington D.C. and Montreal. (Amtrak's Montrealer). Like, man, its all coming back!
North of Greenfield, ED2 grinds along on its northward plod. New rail and ties are being installed on this line and soon trains will be zipping along. Just like the old days when ‘the Boot’ (for Bootlegger) connected Washington D.C. and Montreal. (Amtrak’s Montrealer). Like, man, its all coming back!
The big chase! Pan Am's EDRJ (East Deerfield to Rotterdam Junction, New York) roars west at Wisdom Way in Greenfield. As we'd say, "To the River!" Stay tuned tomorrow for photos of the BIG EDRJ chase west. (What all this in one day?)
The big chase! Pan Am’s EDRJ (East Deerfield to Rotterdam Junction, New York) roars west at Wisdom Way in Greenfield. As we’d say, “To the River!” Stay tuned tomorrow for photos of the BIG EDRJ chase west. (What!? All this in one day?)

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DAILY POST: New England Central at Night


November Moonlight.

Last Friday evening, November 16, 2013, I stopped by New England Central in Palmer, Massachusetts on my way to meet friends for dinner.

The moon was nearly full and a venerable GP38 was resting in the yard. Here was an opportunity for a photograph (or two)!

Lumix LX-3 photograph: exposed for 30 seconds at f2.8 at ISO 80. Notice my shadow at far left.
Lumix LX-3 photograph: exposed for 30 seconds at f2.8 at ISO 80. Notice my shadow at far left.

I’ve made numerous images of New England Central 3855, since this locomotive arrived with the creation of the railroad nearly 19 years ago. So why bother make more, especially on a chilly November evening?

My short answer: because it was there to photograph.

The long answer: the moon was out casting a surreal glow across the Palmer yard and the mix of moonlight and sodium vapor street lights inspired me to expose some long time exposures.

I positioned my Lumix LX3 on my large Bogen tripod and manually set the camera. I carefully avoided direct light by using tree branches and nearby buildings as natural lens shades. I also minimize the effect of street lamps in the photograph, while aiming skyward to catch the twinkle of evening stars. (On the full-sized un-scaled RAW file, the stars are very clear in the sky. Unfortunately the scaled and compressed images do not translate as well as I’d hoped.)

Lumix LX-3 photograph: exposed for 15 seconds at f2.8 at ISO 80. The best part of this image is the tree shadow on the locomotive side.
Lumix LX-3 photograph: exposed for 15 seconds at f2.8 at ISO 80. The best part of this image is the tree shadow on the locomotive side.

Using long exposures require a very steady tripod. Also to minimize noise I selected the lowest ISO value. For more on my ambient light night photo technique see earlier posts including: Friday Night in Palmer, Massachusetts, July 12, 2013; and Lumix LX-3—part 2:  Existing Light Digital Night Shots

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DAILY POST: Pan Am Southern at Millers Falls, Massachusetts, October 2013

Along the old Boston & Maine’s Fitchburg Mainline.

At Millers Falls, New England Central and Pan Am Southern run parallel for a short distance. In this view Pan Am’s westward freight symbol 190ED with a pair of leased SD40-2s (wearing old Burlington Northern paint) has just passed the junction with New England Central. (NECR’s mainline is immediately to the left.

 

Pan Am Southern symbol freight 190ED passes Millers Falls, Massachusetts on October 22, 2013. Canon 7D with 40mm pancake lens.
Pan Am Southern symbol freight 190ED passes Millers Falls, Massachusetts on October 22, 2013. Canon 7D with 40mm pancake lens.

Bright overcast autumn days can be one of the most rewarding times to photograph trains. Soft warm light accentuates the fading foliage, while the lack of directional sun allows more freedom to select angles that favor railway operations.

Had the sky been completely clear, I’d have been fighting the sun, which would have shadowed the train and put harsh light on the colored trees in the distance.

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Daily Post: Energy on the Move on the Old Milwaukee Road.

Canadian Pacific Ethanol Extra Near Milwaukee Airport, November 2013.

Among the biggest changes to North American railway freight traffic in the last five years has been the enormous growth in liquid energy trains. Ethanol and oil train movements have mushroomed.

This is especially noticeable in the Midwest, where it seems like long black worms of tank cars are crawling everywhere.

This a real benefit for railway photography. Not only are many railway lines busier, but long uniform tank trains are especially photogenic.

Ethanol train
Canadian Pacific 602-322 is heavily loaded with Midwestern ethanol. I made this image with my Canon EOS 7D with 200mm lens. The telephoto compression makes for a graphic treatment of the uniform train. It also makes for interesting juxtaposition of this rolling energy pipeline with the high-voltage electric lines along the railway.

On November 8, 2013, Chris Guss and I photographed Canadian Pacific ethanol extra 602-322 at Grange Road in Oakgrove, Wisconsin, near Amtrak’s Milwaukee Airport Station.

It was on this route, many years ago, where Milwaukee Road’s Hiawatha sprinted along at 100 mph and faster behind Alco-built streamlined 4-4-2 and  4-6-4 steam locomotives.

A tighter view with the same lens and camera combination.
A tighter view with the same lens and camera combination.

 

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Daily Post: Old Milwaukee Road Station, Brookfield, Wisconsin.


November Views of a Station; Get Your Photos Soon, Before its Too Late!

Brookfield, Massachusetts; Brookfield, Illinois, and now Brookfield, Wisconsin—Have you noticed a theme?

Railroad depot
Classic old wooden station at Brookfield, Wisconsin. Exposed with a Canon EOS 7D with 40mm pancake lens.

The former Milwaukee Road passenger station at Brookfield, Wisconsin is located between Canadian Pacific’s main tracks at the west end of a grade separation. This unusually situated station has provided a visual link to the railroad’s past for many years, and is one of the last structures of the old order along this line.

Today, Canadian Pacific’s former Milwaukee Road mainline between Chicago and the Twin Cities is largely free from historical infrastructure. The days of an agent working at Brookfield have long since passed. Neither passenger trains nor freights have stopped here in decades. Yet, as of today, the old building survives at its traditional location.

Here’s some advice: get your photos NOW. Don’t wait. Word on the street is that the station will soon be either moved or demolished.

Railway station at Brookfield.
Looking east at Brookfield, Wisconsin. Lumix LX3 photo.

And even if the street gossip changes its tune, the reality is that old wooden railroad stations are ephemeral structures: Never assume the old station that has always stood there, will be there the next time you return.

I made these photos last week while re-exploring southern Wisconsin with Pat Yough and Chris Guss . Back in the 1990s, I made a number of photos of this old station, but I’ve learned you can never have too many images of something (or someone) once its gone.

Might the old station be preserved? Quite possibly, but it won’t be trackside, and thus will have lost its context. This location without the station will just be another characterless wide-spot along the line. Someone might call this ‘progress’; I call it ‘change’.

On Saturday November 9, 2013, I worked with three cameras and photographed the Brookfield station from a variety of angles as the sun came in and out of the clouds. Two eastward Canadian Pacific freights passed giving me ample opportunity to put the old station in context.

A wink of sun illuminates the former Milwaukee Road station at Brookfield, Wisconsin. Lumix LX3 photo.
A wink of sun illuminates the former Milwaukee Road station at Brookfield, Wisconsin. Lumix LX3 photo.
Freight passes the old Brookfield Station.
Canadian Pacific eastward freight 484-08 led by Norfolk Southern 9189 passes Brookfield, Wisconsin. Canon EOS 7D photo.
CP Rail GE diesel.
The sun catches eastward Canadian Pacific freight 248-408 at Brookfield, Wisconsin on November 9, 2013. Canon EOS 7D with 20mm lens.

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Daily Post: Zephyr Glints on the Chicago Raceway


Amtrak’s California Zephyr on the last lap to Chicago.

Last Saturday afternoon, Chris Guss, Pat Yough and I finished up a day’s photography on the former Burlington ‘Triple Track’ around La Grange, Illinois.

We inspected Metra’s Congress Park Station, which consists of two narrow platforms along the busy mainline. Here the sun held a little longer than other places where trees were causing difficult shadows.

An outbound Metra scoot accelerates toward Congress Park, Illinois on November 9, 2013. Canon EOS 7D with 100mm lens.
An outbound Metra scoot accelerates toward Congress Park, Illinois on November 9, 2013. Canon EOS 7D with 100mm lens.
Trailing view of a Metra train at Congress Park.  Canon EOS 7D with 100mm lens.
Trailing view of a Metra train at Congress Park. Canon EOS 7D with 100mm lens.

Shortly before sundown, we caught an outward Metra train. An automated voice announced that this train wouldn’t stop. After it passed, I spotted a headlight on the horizon. Mistaking this for a relatively slow moving freight, I returned to the car for a longer lens.

Pat Yough shouted to me, as the train was approaching quickly. I hastily returned to the platform, making test exposures as I ran.

The resulting photos are what our friend Tim Doherty calls ‘Hail Marys.’ I had just enough time to compose and pop off a few frames as the Zephyr blew through Congress Park.

 Amtrak Number 6, the California Zephyr approaches Congress Park, Illinois at sunset on November 9, 2013. Exposed with a Canon EOS 7D with 200mm lens. 400 ISO 1/500th second at f5.6
Amtrak Number 6, the California Zephyr approaches Congress Park, Illinois at sunset on November 9, 2013. Exposed with a Canon EOS 7D with 200mm lens. 400 ISO 1/500th second at f5.6. As the train got closer I adjusted my exposure (see below).
A slightly closer view. with my Canon EOS 7D with 200mm lens. 400 ISO 1/500th second at f9. I adjusted my exposure as the train was bearing down on me. By 'stopping down' from f5.6 to f9, I reduced the amount of light hitting the sensor. This enhances the glint effect on the side of the train and better retains detail and color in the sky, but results in a very dark locomotive front. I can work with the RAW file in Photoshop to boost shadow detail, and perhaps I'll play with this image at a later date.
A slightly closer view with my Canon EOS 7D and 200mm lens. Set at: 400 ISO 1/500th second at f9. I adjusted my exposure as the train was bearing down on me. By ‘stopping down’ from f5.6 to f9, I reduced the amount of light hitting the sensor. This enhances the glint effect on the side of the train and better retains detail and color in the sky, but results in a very dark locomotive front. I can work with the RAW file in Photoshop to boost shadow detail, and perhaps I’ll play with this image at a later date.

Amtrak Number 6, the California Zephyr approaches Congress Park, Illinois at sunset on November 9, 2013. Exposed with a Canon EOS 7D with 200mm.

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Daily Post: Canadian National at Waukesha, Wisconsin.

Southbound CN Stacks work the old Soo Line, November 8, 2013.

Canadian National

CN’s Q11651-04 at Waukesha at 10:50 am on November 8, 2013. I exposed this photo using my Canon EOS 7D with 100mm lens. To gain a bit of elevation, I stood on Chris Guss’s Toyota 4Runner that is specially equipped with a roof rack for photography.

Between July 1994 and October 1996, I lived within walking distance of the former Soo Line station at Waukesha, Wisconsin.

At that time the railroad was owned and operated by Ed Burkhardt’s Wisconsin Central Limited (a 1980s regional carved from the old Soo Line after Soo Line merged with the largely parallel Milwaukee Road)

I’ve long since moved to new horizons and in the meantime, the ever-expanding Canadian National empire assimilated the WCL. The line through Waukesha that had once been part of the Canadian Pacific family is now a CN route.

Today’s CN has a very different operating style than that of WCL in mid-1990s.

Where WCL ran a tightly scheduled railroad with frequent but relatively short freights connecting Shops Yard at North Fond du Lac with various Chicago-land terminals, CN leans toward enormous rolling land-barges, many of which now take an Elgin, Joliet & Eastern routing around Chicago to reach the former Illinois Central or other connections.

Like the WCL, EJ&E and IC are now part of the CN empire.

On November 8, 2013, Chris Guss, Pat Yough and I photographed CN’s southward intermodal train symbol Q11651-04 led by SD70M-2 8800 passing the old Waukesha Soo Line station. At the back of the train was a modern General Electric working as a ‘distributed power unit’ (a radio-controlled remote locomotive controlled from the head-end).

This is a big change from the pairs of SD45 leading strings of 50 foot box cars or Duluth, Missabe & Iron Range ore jennies that I regularly saw in the 1990s. And, by the way, DM&IR is also another of CN’s railroads.

Vertical view at Waukesha.
Vertical view at Waukesha. CN rolls right along and passes through the town much faster than WC did in the mid-1990s.
CN’s Q11651-04 at Waukesha at 10:50 am on November 8, 2013. I exposed this photo using my Canon EOS 7D with 100mm lens. To gain a bit of elevation, I stood on Chris Guss’s Toyota Front Runner that is specially equipped with a roof rack for photography.
The DPU at the back of Q11651-04 crosses East Broadway in Waukesha. Chris Guss is in position on the roof of his Toyota. Canon EOS 7D with 100mm lens

For a glimpse to how things looked in the 1990s.

take a look at yesterday’s post: Wisconsin Central, Byron, Wisconsin, 1994.

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Thursday’s Post: Boston & Albany Milepost 67, Brookfield, Massachusetts.

Rusty Autumnal Foliage on October 26, 2013.

Over the last few posts, I’ve alluded to this location at milepost 67. On the morning of October 26, 2013, I was up early. Before 8 am, I photographed at New England Central local at Palmer, and I suspected a CSX eastward intermodal train was getting close.

My feeling was confirmed when I heard that CSX Q012 was at CP 109 (near Westfield, Massachusetts). This was at least 40 minutes away, and I didn’t want to photograph this train at Palmer so I began driving east.

I looked a few old standby locations on my way toward Brookfield, but I was really intend on my location at milepost 67. Why?

railway tracks.
Looking west at milepost 67 on CSX’s former Boston & Albany mainline in Brookfield, Massachusetts. EOS 7D with 200mm lens.

On October 25, 2007, I’d caught CSX’s eastward autorack train (symbol Q264) at the Route 148 Bridge at milepost 67. This was a good angle and foliage was just how I like it, but the light was dull.

Move forward six years and the day was clear and bright and the rusty reddish leaves were clinging to selected trees making for a perfect autumn morning.

Looking east on CSX's former Boston & Albany mainline at Brookfield, Massachusetts. My first visit to this spot was back on Labor Day weekend 1978, when my father brough my brother Sean and I out to watch Amtrak's Lake Shore Limited roll west. Back then EMD E8As were the rule of the day. Somewhere I have B&W negs from that afternoon. This image was exposed with a EOS 7D fitted with a 200mm lens.
Looking east on CSX’s former Boston & Albany mainline at Brookfield, Massachusetts. My first visit to this spot was back on Labor Day weekend 1978, when my father brough my brother Sean and I out to watch Amtrak’s Lake Shore Limited roll west. Back then EMD E8As were the rule of the day. Somewhere I have B&W negs from that afternoon. This image was exposed with a EOS 7D fitted with a 200mm lens.

After a half and hour in the cold, which I used to make some test photos and vignettes of the old Boston & Albany line, I could hear the sound of General Electric diesels working eastbound. In short order the hot Q012 intermodal train came into view with relatively new Evolution-Series diesels.

CSX freight.
CSX’s hot intermodal train symbol Q012 chugs eastward at milepost 67. Cross-lighting the train adds a sense of drama and provides visual balance to the trees at the right of the locomotives. Canon EOS 7D with 200mm lens.

I’ll tick that off in the ‘success’ category. Since the next eastward train hadn’t reached Pittsfield, I decided to get some writing done and called it a day.

Incidentally, this was the first daylight move over the B&A since I photographed the westward ethanol train featured in yesterday’s post. See: CSX Empty Ethanol Train Catches the Light at Brookfield.

Trailing view of CSX Q012 at Brookfield. One of these mornings I ought try for a westward train here at sunrise.
Trailing view of CSX Q012 at Brookfield. This would make a great view of a westward train here at sunrise. A week later, I caught a nice afternoon image from this angle on the bridge and that will be the subject of another post. Stayed tuned!

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Daily Post: CSX Empty Ethanol Train Catches the Light at Brookfield.


Lucky Photograph Exposed October 25, 2013.

An empty CSX ethanol extra rolls west on the former Boston & Albany at Brookfield, Massachusetts on the evening of October 25, 2013. Exposed with a Canon EOS 7D with f2.0 100mm lens.
An empty CSX ethanol extra rolls west on the former Boston & Albany at Brookfield, Massachusetts on the evening of October 25, 2013. Exposed with a Canon EOS 7D with f2.0 100mm lens.

Acting fast, I made the most of an extra move. Earlier in the day, I’d stopped in to Tucker’s Hobbies in Warren, Massachusetts on Friday afternoon October 25, 2013. I was there to visit with Rich Reed who was working the counter.

Back in the day, I’d made many Friday trips to Tucker’s to visit with my old friend Bob Buck, proprietor of the hobby shop (and premier Boston & Albany railroad enthusiast). It’s been a little more than two years since Bob took the final train home, but his spirit still smiles on Warren.

I inquired if Rich had seen much on the mainline (CSX’s former B&A route), which passes within sight of Tucker’s. “No, there’s been nothing except the Lake Shore (Amtrak 449 Boston to Chicago).”

These days, east of Springfield, CSX can be very quiet in daylight. There’s a couple of eastward intermodal trains destined for Worcester (symbol freights Q012 and Q022) that make it over the line in the morning, and recently I’ve occasionally seen trains running to Pan-Am Railways via Worcester and Ayer (Q426 eastbound and Q427 westbound).

Departing Warren for East Brookfield, I turned on my old scanner, just in case.

Driving east on Route 9, I’d just passed the State Police Barracks, when the radio crackled, and I heard a key snippet of information, ‘ . . . clear signal CP64, main to main westbound’ (or something along those lines).

I was just east of milepost 67, and now I knew that train was heading west across the Brookfield flats at milepost 64. But the sun was near the horizon and I had to act quickly if I hoped to make a photograph.

Initially, I thought, ‘I’ll head to the Route 148 Bridge at milepost 67’, but I quickly changed my mind because I realized that the tracks swing slightly to the north before reaching milepost 67, and at the late hour in October, the line might be shadowed. I didn’t want to risk it.

Instead, I pulled off of Route 9, near the old Clam Box road-side restaurant. Here, CSX had cleared the right of way of bushes and trees (during recent upgrading and undercutting work to improve clearances.)

Within a couple of minutes the train came into view. It was an extra westward empty Ethanol train, the first I’d seen in many months on CSX. I exposed several digital photos and made a few images with my father’s Leica M4.

It had been exactly four years to the day, since I made the photos of East Brookfield Station that appeared in my post on October 25, 2013. See: East Brookfield Station, October 25, 2009  Coincidence? Not really. I know the foliage and light angles favor the Brookfields at this time of year.

CSX's empty ethanol train catches the glint of the setting sun at Brookfield, Massachusetts. Exposed with a Canon EOS 7D with 100mm lens at f8 1/500th of a second ISO 200, daylight white balance.
CSX’s empty ethanol train catches the glint of the setting sun at Brookfield, Massachusetts. Exposed with a Canon EOS 7D with 100mm lens at f8 1/500th of a second ISO 200, daylight white balance.

See tomorrow’s post for action shots at milepost 67.

 

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DAILY POST: East Brookfield, Massachusetts Moments Before Sunrise.

A Broadside Pan of Modern Locomotives with Autumn Foliage.

CSX Evolution-series locomotive.
CSX Q422 rolls east at CP64 in East Brookfield, Massachusetts on October 22, 2013. Exposed using a Canon EOS 7D with 40mm pancake lens at 1/125th of a second at f2.8, ISO 800.

Early in the morning of October 22, 2013, I noticed that CSX’s Q422-22 was working the east end of Palmer yard. It was too dark to make a conventional image, and the location of the train not suited to make a night photograph, so I headed east.

CSX’s Q422 is not a train I often see. This is a carload train that runs from Selkirk Yard (near Albany) over the former Boston & Albany main line to Worcester. It is one of many symbol freights on the B&A route that tends to be nocturnal.

When I was photographing in the 1980s, Conrail operated a similar train which carried the symbol SEPW (Selkirk to Providence & Worcester). This tended to run in the mid-morning and normally followed the intermodal parade.

I made many images of the old SEPW, which back in 1984 typically operated with sets of four GE B23-7s (rated at 2,250 hp each).

Memories of those days flashed through my mind as I drove east toward daylight. I followed the line up the Quaboag River Valley, as I have many times in the past. At West Warren, there was a glow in the eastern sky, but it was still pretty dark, so after a few test shots I continued eastward.

I considered a favorite location at Brookfield, near milepost 67, but decided against it because it was too head on (stay tuned for an image at this location in an upcoming  post).

I’ve found that in very low light, it helps to photograph trains off-axis to minimize the effect of locomotive headlights. When ambient light levels are low (at dawn, dusk, and very dull days) the relative brightness of headlights can result in undesirable flare which can be especially annoying with digital photography.

Recent undercutting work at East Brookfield resulted in clearing of a small hill that has made for a great broad-side photo location. This is set back from the tracks and provides good elevation. Here, I set up and waited.

Before long I could here the chug of  General Electric diesels across the Brookfield flats and then my scanner chirped something to the effect of: “CSXT Q422-22, Clear Signal CP64.”

To get the effect of speed and set the locomotives off from the background foliage, I exposed this image at 1/125th of a second at f2.8, ISO 800.

As CSX’s Q422 ascended Charlton Hill on it last leg of the trip to Worcester, I headed in a north-westerly direction toward Millers Falls. I’ve learned that make the most of a New England autumn, it helps to keep moving.

CSX_3077_w_Q422_Pan_East_Brookfield_2_IMG_3510

For more on photographic panning technique see the following Tracking the Light archive posts: Irish Rail Intercity Railcar Panned; February 18, 2013; and More Secrets on Pan Photos.

See my new book North American Railroad Family Trees for discussion of the evolution CSX and other America railway networks.

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DAILY POST: MBTA Boston October 27, 2013—Part 2


Sunday Afternoon and Evening.

MBTA
At Tower 1, MBTA 1123 shoves toward Boston‘s North Station. MBTA diesel fleet will soon be transformed by 40 new locomotives built by MPI using General Electric components. As is often the case with fleet upgrading, older locomotives may be withdrawn as newer ones come on line. Lumix LX3 photo modified in post processing to improve contrast and color balance.

Boston gets some great light and evening can be one of the best times to make photographs.

Sunday October 27th was clear in the morning, but clouded up a bit during midday. Towards evening the clouds melted away and a rich golden light prevailed.

MBTA
MBTA 1034 crosses the drawbridges near North Station as it shoves its train toward the terminal station. Lumix LX3 photo.
MBTA
MBTA F40PH 1025 departs Boston’s North Station on Sunday afternoon. Canon EOS 7D with 200mm lens.
Boston
Boston Duck Boat. Lumix LX3 photo.
MBTA Orange Line.
Orange Line rapid transit cars in the early evening light. Canon EOS 7D.
Boston skyline. Lumix LX3 photo.
Boston skyline. Lumix LX3 photo.
MBTA
Orange Line trains meet north of Boston on October 27, 2013. Little remains of the old Orange Line elevated route that I remember from my earliest days. Canon EOS 7D with 200mm lens.

Tim Doherty and I photographed operations out of North Station as well as the north end of the Orange Line rapid transit, then went toward Boston College, where the Commonwealth Avenue branch of the Green Line crosses over the former Boston & Albany mainline.

The fading light of evening made for a dramatic skyline. I didn’t have my tripod with me, so instead racked up the ISO on my digital cameras. With my 7D I can work with a 4000 ISO rating and still get some very presentable images.

My memories of the Commonwealth Avenue line extend back more than 40 years, and my photography of the line nearly that long.

In the late-1970s, I made a point of exposed Kodachrome slides of the PCC’s that were then waning on that route. I never could have guessed than in 2013 some PCC’s would survive in daily service on the Mattapan-Ashmont line.

See yesterday’s post for more Boston images: MBTA Sunday October 27, 2013—Part 1

MBTA
An inbound Commonwealth Avenue line streetcar makes for a modern silhouette. Lumix LX3 photo.
MBTA Boston.
Green Line streetcars meet on the Commonwealth Avenue Line. Boston’s iconic Prudential building looms large above the city. Canon EOS 7D with f2.0 100mm lens. Exposed at f2.8 1/125th of a second at ISO 3200, photo file adjusted in post processing to improve contrast and color balance.
MBTA
Commonwealth Avenue at sunset.Canon EOS 7D with f2.0 100mm lens. Exposed at f2.8 1/60th of a second at ISO 4000-hand held.

See my new book North American Railroad Family Trees for discussion of the evolution MBTA and other commuter rail networks.

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MBTA Sunday October 27, 2013—Part 1


Boston, Revisited.

MBTA train.
A Franklin Line train works outbound through a super-elevated curve on the former New Haven Railroad at Hyde Park, Boston on October 27, 2013. Canon EOS 7D with 200mm lens.

In the 1970s and 1980s, I spent many of my formative years in railway photography exploring greater Boston. My family lived in Newton Center from 1969 to 1973, while after that my father worked in Cambridge, Massachusetts.

I have early memories of riding Green Line PCC cars, watching Penn-Central commuter trains from Star Market (positioned over the Mass-Pike with a view of the parallel Boston & Albany line) as well as later experiences exploring Massachusetts Bay Transportation Authority’s transit and suburban railway lines.

As my photography improved and matured and my interest in railways developed, I explored and photographed operations ever farther from those of my earliest days.

In recent years, trips to Boston have largely been focused on Logan Airport, and I’ve made only occasional photographs in the city. Most of my recent MBTA photographs have been exposed either at South Station or at the periphery of the commuter rail network.

Without exaggeration, I can say that today I’m more familiar with Dublin, London, Philadelphia Chicago and San Francisco than I am with Boston.

MBTA allows and encourages photography as this sign on the Mattapan-Ashmont Line reveals. Lumix LX3 photo.
MBTA allows and encourages photography as this sign on the Mattapan-Ashmont Line reveals. Lumix LX3 photo.
Lumix LX3 photo.
Lumix LX3 photo.

Thanks to Tim Doherty, on Sunday October 27, 2013, I was reacquainted with aspects of the Massachusetts Bay Transportation Authority in and around Boston, some of which I hadn’t seriously photographed in nearly 20 years. A bright day, fall foliage, and Tim’s detailed knowledge of Boston aided our marathon photographic journey. These are among my results:

MBTA
A vintage PCC car works toward Ashmont on the Red Line’s Mattapan-Ashmont High Speed line. Canon EOS 7D with 200mm lens.
MBTA
Mattapan-Ashmont Line’s PCC’s have been painted in classic ‘traction orange’ similar to the scheme worn by Boston streetcars in the 1940s and 1950s. Canon EOS 7D with 20mm lens.
MBTA
Trailing view of a PCC streetcar at Milton, Massachusetts. Canon EOS 7D with 200mm lens.
MBTA is news in Boston. Lumix LX3 photo.
MBTA is news in Boston. Lumix LX3 photo.
MBTA
An inbound MBTA train on the Boston & Albany pauses at Auburndale for a station stop. Canon EOS 7D with 40mm pancake lens.
MBTA
Bound for South Station, an MBTA train accelerates eastward along the Mass-Pike at Auburndale, Massachusetts. Mass-Pike used part of the B&A right of way when it was extended to Boston in the 1960s. Canon EOS 7D with 200mm lens.
MBTA.
An outbound MBTA train pauses at West Newton along the Mass-Pike. Lumix LX3 photo.

More Boston photos in tomorrow’s Tracking the Light post!

See my new book North American Railroad Family Trees for discussion of the evolution MBTA and other commuter rail networks.

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New England Central at Eagleville Dam, Connecticut

Classic Locomotives at Scenic Spot.

In recent months, New England Central’s operations have been altered. This has benefits for photography. Since the times trains tend to run have changed, different locations have opened up for photographic possibilities.

For many years, New England Central operated a southward freight from Palmer, Massachusetts in the early morning (typically as job 608), this worked into Connecticut (to Willimantic and beyond) and returned in the afternoon or early evening.

Now, on many days, the railroad runs a turn from Willimantic to Palmer (often as job 610), that goes on duty at Willimantic in the morning, runs northward to Palmer, and returns. From my experience the return times vary considerably.

Once I was aware of this change, I began thinking about various places to make photographs based on afternoon lighting angles. Last week, I heard 610 working south from Palmer. I was in luck as a pair of vintage GP38s in the railroad’s original scheme (the locomotives were painted by Conrail in preparation for New England Central’s February 1995 start up).

Track speeds south of Palmer make following a train easy enough. My first location was Stafford Springs, where I’ve often exposed photographs of New England Central. From there I followed southward.

New England Central GP38s
New England Central GP38s lead freight 608 southward at Eagleville, Connecticut on October 21, 2013. Exposed with a Canon EOS 7D with 40mm pancake lens.

My final location of the day was at the Connecticut Eagleville Preserve, where the line passes an old Mill dam (I’m not well versed on the specific history of this dam, but the arrangement is common enough in New England, where in the 19th century water powered local industries. For more information on the park and area see: http://www.willimanticriver.org/recreation/pg_park_eagleville-preserve.html).

Afternoon sun favors this location, and I made the most of the light, waterfall and autumn foliage as well as the GP38s.

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Pan Am Railways Crosses the Connecticut, October 17, 2013

Two Perspectives from the Same Vantage Point.

 

New England is famous for its autumn foliage. When making railroad photos in the season, are the leaves the subject, the setting or simply background?

On the morning of October 17, 2013, I made a series of photographs of Pan Am Railway’s (Pan Am Southern) westward freight symbol 190ED between Erving and East Deerfield. Leading the train were a pair of SD40-2s in the latest corporate scheme.

I made my way to the former Boston & Maine bridge over the Connecticut River where there was some very colorful foliage in the foreground and background. Incidentally, this is the location of the ‘icon photo’ used to introduce Tracking the Light.

Connecticut River Bridge with foliage.
Exposed with a Canon EOS 7D with 40mm pancake lens; f4 at 1/320 second ISO 200.

As the freight eased across the bridge, I had ample time to compose several images. Working with my Canon EOS 7D with 40mm lens, I exposed a non-conventional image focused on some foreground foliage, and used a low aperture to deliberately allow the locomotives to be out of focus.

I then changed my focus to the locomotives and bridge and exposed several more conventional images. I also had time to pop off a color slide with my dad’s Leica M4.

Freight train crossing river.
Pan Am 606 leads the westward symbol freight 190ED across the Connecticut River at East Deerfield, Massachusetts on October 17, 2013. Exposed with a Canon EOS 7D with 40mm pancake lens; f4 at 1/320 second ISO 200.

I realize that the image focused on the leaves won’t appeal to everyone. But I find it a bit evocative. It’s more about the foliage than the train, yet the train remains the subject. You cannot help but see the engine’s headlights, like evil eyes, peering from beyond the leaves.

As an aside, the lead locomotive interested me. Pan Am 606 is a variation of the SD40-2 produced with a longer than normal short-hood or ‘nose’ to house 1970s-era radio-control equipment. At this point in time this feature is a left over from an earlier time and its original owner. Pan Am neither has  a need to use such locomotives in mid-train remote service, nor is the locomotive like to remain so equipped. But it is a visually distinguishing feature that sets it apart from other locomotives on the railroad.

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See Thursday’s News Flash: Massachusetts Central’s Recently Acquired GP38 makes First Revenue Run

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Railway Views with a Lumix, Landscape Orientations

The Aspect Ratio Feature as a Compositional Tool.

Amtrak's Vermonters meet in Palmer, Massachusetts, October 17, 2013. Lumix LX3 with 16:9 aspect ratio.
Amtrak’s Vermonters meet in Palmer, Massachusetts, October 17, 2013. Lumix LX3 with 16:9 aspect ratio.

One of my primary image making tools is a Panasonic Lumix DMC LX3. I mentioned this camera in yesterday’s post, East Brookfield Station,  October 25, 2009  and I’ve also detailed its use in previous posts.

See: Lumix LX3—part 1  An Everywhere Camera.

The Lumix LX3 has a sliding switch above the lens that allows control of the camera’s aspect ratio (in other words the relative dimensions of the frame). This gives the photographer the ability to compose images using different proportional rectangles and easily change from one to another as it suits the composition.

I find this an extremely valuable tool when making railway images. There are three basic ratios, 4:3, 3:2, and 16:9 (popular as the HDTV video format), as well as a 1:1 square ratio (that must be accessed using the camera menu). Most of the time I use the 3:2 aspect because this makes maximum use of the sensor area.

The 16:9 aspect gives a broader rectangle that can be very useful in landscape style images. It is a good format for photographing railway locomotives and equipment broadside, and can be used to accentuate a variety of compositions.

New England Central
New England Central GP38s work the interchange track at Palmer, Massachusetts on October 17, 2013. Lumix LX3 with 16:9 aspect ratio.

Keep in mind, the aspect ratio simply determines the dimensions of the rectangle and does not affect the focal length of the lens (controlled separately).

Someone might ask, ‘why not just shoot everything with the sensor at its maximum and then crop later?’

I find that using the different aspect ratios in the field changes the way I see and thus allows me to compose images that I might not recognize otherwise. While I could certainly crop after exposure, having the ability to work on site produces a different photograph (and perhaps more intuitive) than one cropped later.

New England Central locomotives at Palmer, Massachusetts. Lumix LX3 with 16:9 aspect ratio.
New England Central locomotives at Palmer, Massachusetts. Lumix LX3 with 16:9 aspect ratio.

I’ve included a variety of 16:9 aspect images exposed over the last ten days. Along with a comparison between a 3:2 and 16:9 aspect of the same subject.

Trolley car.
Connecticut Trolley Museum’s New Orleans Public Service car crosses a road near East Windsor, Connecticut on Sunday October 20, 2013. Lumix LX3 with 16:9 aspect ratio. The broader rectangle facilitated this split composition that both features the streetcar and the road it has just crossed.
Pan Am Railways.
Pan Am Railway’s symbol freight 190ED at East Deerfield Yard on October 18, 2013. Using the 16:9 aspect ratio made it easier to include the colored foliage on the right while retaining a strong image of the locomotives. LX3 photo.

This pair of image demonstrates the relative dimensional difference between the 3:2 aspect ratio (top) and the 16:9 aspect ratio (bottom).

New England Central symbol freight 611 waits for a crew at Brattleboro, Vermont on the morning of October 18, 2013. Exposed using the 3:2 aspect ration.
New England Central symbol freight 611 waits for a crew at Brattleboro, Vermont on the morning of October 18, 2013. Exposed using the 3:2 aspect ratio.
New England Central.
Combination of a lower angle and the 16:9 aspect ratio allows for a more dramatic image that minimizes distracting foreground elements. Lumix LX3 photo.

 

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See my Dublin Page for images of Dublin’s Open House Event in October 2013.

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East Brookfield Station, October 25, 2009

 

Last Look at an Old Boston & Albany Station.

On the Morning of October 25, 2009, I brought my brand new Lumix LX3 out for a test run. I had just received my first digital camera and this was a trial to see if it was any good.

I’d bought it on the recommendation of Eric Rosenthal. My initial hope for the camera was to use as a light meter and to make photos of friends.

Lumix LX3 photo.
East Brookfield, Massachusetts looking west on October 25, 2009—four years ago.

That morning I drove to East Brookfield and made this image of the old Boston & Albany station. Two eastward trains came by and I photographed those on film, not trusting the new purchase for anything important.

I later drove around making photos of local architecture in the autumn color. I soon found that the LX3 was an extremely powerful tool capable of very sharp images and useful for making a great variety of railway photos.

Approximately 11 months later, I received a phone call from Dennis LeBeau of the East Brookfield Historic Society: the station had been torched by vandals and gutted. For another year or so the skeletal remains of the building remained trackside as a sad reminder of what had been.

This Lumix image is exactly four years old today. In the interval, since I made this image I’ve released the LX3’s shutter more than 15,000 times.

 

See Yesterday’s News Flash! Massachusetts Central’s Recently Acquired GP38 makes First Revenue Run

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Hot Spot: Palmer, Massachusetts, October 17, 2013

Trains Converge on Palmer; 2 Hours of Non-stop Action.

New England Central
At 2:02 pm, New England Central GP38 3855 works CSX’s Palmer yard. Canon EOS 7D photo.

In the 1980s, Trains Magazine occasionally ran articles that featured ‘hot spots’ illustrated by sequences of photos showing different trains passing the same place over the course of hours.

These always caught my attention. While the individual images ranged from pedestrian to interpretive, the collective effect produced an understanding of how a busy spot worked.

Trains tend to arrive in clusters. Hours may pass where nothing goes by except a track car, then trains arrive from every direction. The astute photographer has learned when to make the most of these situations.

Palmer, Massachusetts can be a busy place, if you’re there at the right time. CSX’s east-west former Boston & Albany mainline crosses New England Central’s (NECR) former Central Vermont line at grade. An interchange track connects the two routes and serves as connection to the former B&A Ware River Branch operated by Massachusetts Central.

Afternoon tends to be busy. Among the moves through Palmer are Amtrak’s Vermonters that use CSX’s line between Springfield and Palmer, and NECR’s line north of Palmer toward Vermont. There isn’t a direct connection to allow an eastward train on the CSX route to directly access the NECR’s line.

To compensate for this, Amtrak’s trains must use CSX’s controlled siding to access the interchange track, and this to reach the NECR. This requires trains to reverse direction. As a result, Amtrak trains either have locomotives on each end or run with a push-pull cab control car.

On the afternoon of October 17, 2013, the interchange track proved one of the busiest lines in Palmer and was used by a succession of NECR, Mass-Central, and Amtrak trains.

Complicating matters was Amtrak 57 (southward Vermonter) which was running more than an hour behind its scheduled time, and so met its northward counterpart at Palmer. New England Central was also busy with no less than three trains working around Palmer about the same time.

I’ve put the following photos in sequence with the approximate times of exposure. I stress ‘approximate’, since my digital camera’s clocks not only didn’t agree on the minutes passed the hour, but were set for different time zones as a function of recent travel.

It was a nice bright day too. Patrons at Palmer’s ever popular Steaming Tender restaurant (located in the restored former Palmer Union Station) were entertained with a succession of trains passing on both sides of the building.

A southbound New England Central local approaches the Palmer diamond at 2:33 pm. Canon EOS 7D photo.
A southbound New England Central local approaches the Palmer diamond at 2:33 pm. Canon EOS 7D photo.
At 2:49 pm Mass Central's freight from South Barre looks to work the interchange track to reach the CSX yard. Canon EOS 7D photo.
At 2:49 pm Mass Central’s freight from South Barre looks to work the interchange track to reach the CSX yard. Canon EOS 7D photo.
New England Central 3809 has gone across the diamond to collect southbound train 611 and is now returning with the train and looking to re-cross CSX . Canon EOS 7D photo.
New England Central 3809 has gone across the diamond to collect southbound train 611 and is now returning with the train and looking to re-cross CSX . Canon EOS 7D photo.
Having dropped its interchange and collected its cars from CSX's yard, Mass-Central 960 returns west on the interchange track at 3:23 pm. Canon EOS 7D photo.
Having dropped its interchange and collected its cars from CSX’s yard, Mass-Central 960 returns west on the interchange track at 3:23 pm. A New England Central local with engine 3855 can be seen in the distance working the yard. Canon EOS 7D photo.
Photographer Paul Goewey focuses on Mass-Central as the train reverses over the interchange. Lumix LX3 photo.
Photographer Paul Goewey focuses on Mass-Central as the train passes over the interchange. Lumix LX3 photo.
Paul inspects his results.
Paul inspects his results.
At 3:37pm Amtrak 56, the northward Vermonter crosses the Palmer diamond and enters the controlled siding at CSX's CP83. Canon EOS 7D photo.
At 3:37pm Amtrak 56, the northward Vermonter crosses the Palmer diamond and enters the controlled siding at CSX’s CP83. Its locomotive, P42 153 is shoving at the back. The Steaming Tender is in the old station building on the left. Canon EOS 7D photo.
Amtrak and New England Central.
With Amtrak 56 tucked in on the controlled siding, New England Central’s local passes on the interchange track at 3:40 pm. Lumix LX3 photo.
Amtrak 56 has pulled forward onto the interchange and then reversed back again to make room for its southward counterpart to access the switch that connects the interchange track with CSX's controlled siding. Lumix LX3 photo.
Amtrak 56 has pulled forward onto the interchange and then reversed back again to make room for its southward counterpart to access the switch that connects the interchange track with CSX’s controlled siding. Lumix LX3 photo.
Amtrak's southward (left) and northward (right) Vemonters are nose to nose at Palmer. Lumix LX3 photo.
Amtrak’s southward (left) and northward (right) Vemonters are nose to nose at Palmer. Lumix LX3 photo.
At 408pm, both Vermonters depart Palmer. The train on the left leading with P42 number 153 is heading north to St Albans, Vermont, while on the right the southward train will exit CSX's controlled siding and head west toward Springfield before continuing south to New York, Philadelphia and Washington DC. Lumix LX3 photo.
At 408pm, both Vermonters depart Palmer. The train on the left, leading with P42 number 153, is heading north to St Albans, Vermont, while on the right the southward train will exit CSX’s controlled siding and head west toward Springfield before continuing south to New York, Philadelphia and Washington DC. Lumix LX3 photo.

Not bad for one afternoon! Yet, not a CSX train in sight. These days much of CSX’s business passes Palmer in darkness.

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New England Railways in the Details

Seeing Images; Railway Photographs without Trains.

Tracks
Weed grown yard tracks at East Deerfield, Massachusetts, October 2013. Exposed with a Canon 7D and 200mm lens.

New England can be a challenging place to make railway photographs. While it provides endless quaint and picturesque settings, and in the autumn features wonderful light and bright foliage, compared with many other places, train movements are sparse, and simply finding trains on the move can be difficult.

So why wait for trains to make interesting railway images? I don’t.

Boston & Maine stone arch bridge on the Connecticut River line near East Northfield, Massachusetts. Canon 7D with 100mm lens.
Boston & Maine stone arch bridge on the Connecticut River line near East Northfield, Massachusetts. Canon 7D with 100mm lens.

Over the last three decades I’ve exposed tens of thousands of railway images in this region. And while I often capture trains in their environment (and on the move), I don’t rely upon trains to make images.

Below are selection of images exposed while driving around central New England observing railways.

The trains do run. Off in the distance, the sounds of Electro-Motive diesels reverberate off distant hills, a whistle blows, and soon headlights illuminates the rails. Later posts will focus on the trains; at work, in the light and on the move.

Massachusetts Central former Boston & Albany line on Ware Hill. October 2013. Lumix LX3 photo.
Massachusetts Central former Boston & Albany line on Ware Hill. October 2013. Lumix LX3 photo.
CSX's former Boston & Albany main line at West Warren, Massachusetts. Canon 7D with 200mm lens.
CSX’s former Boston & Albany main line at West Warren, Massachusetts. Canon 7D with 200mm lens.
New England Central near Vernon, Vermont. Lumix LX3 photo.
New England Central near Vernon, Vermont. Lumix LX3 photo.
General Railway Signal searchlight.
General Railway Signal searchlight.

 

Bridge date.
Bridge date.

 

New England Central's former Central Vermont Railway bridge over the Connecticut River at East Northfield, Massaschusetts. Lumix LX3 photo.
New England Central’s former Central Vermont Railway bridge over the Connecticut River at East Northfield, Massaschusetts. Lumix LX3 photo.
East Deerfield yard at Sunrise. Canon EOS 7D with 200mm lens.
East Deerfield yard at Sunrise. Canon EOS 7D with 200mm lens.

 

Locomotive wheel bearing.
Locomotive wheel bearing.

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Sunrise at East Deerfield Yard, October 18, 2013


Applying an Old Technique with Today’s Technology.

The other day I arrived at Pan Am Southern’s Boston & Maine East Deerfield Yard shortly after sunrise. Although not a wheel was turning, there was some nice light and I made a selection of images.

My challenge was in the great contrast between the ground and sky. With my Lumix LX3, I found that if I exposed for the track area, the dramatic sky was washed out (too light), and if I exposed for the sky the tracks area was nearly opaque.

Railway yard.
East Deerfield Yard, Massachusetts at Sunrise. Unmodified ‘in camera Jpg’. Lumix LX3 photo exposed using the ‘V’ (for Vivid) setting.

With black & white film, I would have compensated my exposure and film development to maximize the information on the negative, then dodged and burned critical areas on the easel in the dark room to produce a nicely balanced print. I’d done this thousands of times and had my system down to fine art.

I applied this same basic philosophy the other morning at East Deerfield. I made several exposures from different angles. In one of these I slightly overexposed the sky to retain some detail in the track area.

The in-camera Jpg from this still appears both too dark and too contrasty (from my perspective having witnessed the scene). Rather than be content with this inadequate photograph, I took a copy of RAW file that I exposed simultaneously (one the benefits of the LX3 is it allows both a Jpg and a RAW to be exposed at the same time) and imported it into Photoshop. (I always work from a copy and I NEVER manipulate or alter the original file).

Under the ‘Image’ menu, I selected ‘Adjustments’ and then ‘Curves’; I then adjusted the curve to produce a more balanced over all exposure. This is possible because the RAW file has more information (detail) in it than is visually apparent.

While this improved the image, I still wasn’t satisfied. So I selected the ‘Dodge and Burn tool’ (which appears in the tool bar as a angled gray lollipop). Using the ‘Dodge’ function, I very slightly and selectively lightened track areas and foliage that I felt appeared too dark.

Then I used the ‘Burn’ function to selectively adjust the sky areas. If I’ve done this successfully, the scene should appear very close to the way I saw it. Similar techniques can be used to make for surreal and unnatural spectacular landscapes. While I may do that later, that’s not my intent today.

East Deerfield, Massachusetts.
The same image as above, but from a modified RAW file using Photoshop to adjust contrast (both across the entire image and locally). Lumix LX3 photograph.

While modern tools, like those of the traditional darkroom, allow for improvement over in-camera images, the effort does take time. I estimate I spent 10-15 minutes adjusting this photograph.

Because this adds time to the work on the photograph, I don’t want to have to do this any more often than necessary. Most of my photographs are ready to go ‘in-camera’ (as it were).

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Dublin’s LUAS at Heuston Station, October 14, 2013

Early Dawn on the Tram Line.

Heuston Station (known as King’s Bridge Station until its 1966 renaming) is a multimodal transport hub. In addition to being one of Irish Rail’s primary long distance and suburban stations, it’s also an important LUAS tram stop (one of only a few with a turn-back siding) and a terminal bus stop for 145 and 747 buses.

LUAS
Outbound LUAS tram pauses for passengers at Dublin’s Heuston Station.

I made this time exposure with my Lumix LX3 on Monday morning. Since I didn’t have a tripod, I set the camera on a waist-height railing and set the self timer for 2 seconds to minimize camera shake.

I had the camera set in its ‘Vivid’ color mode which enhances the blue effect of dawn while making red lights more prominent. To calculate exposure, I used the ‘A’ aperture priority setting with a +2/3 (2/3s of a stop over exposure to add light to the scene).

This override is a means of compensating for the dark background and dark sky combined with bright highlights from electric streetlight (which have a tendency to fool the camera meter).

See my post: Lumix LX-3—part 2:  Existing Light Digital Night Shots for more night photography technique.

I made a series of exposures, both to bracket exposure and keep the camera steady. I only had a few moments before the tram pulled away.

For more images of Dublin check Tracking the Light’s: Recent Images of Dublin, Ireland page.

Also see this link to LUAS Red Line Book Festival.

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Ireland’s Bord na Mona at Lanesborough, October 2013—Part 3

Intense Activity is Followed by Quiet Periods.

Bord na Mona.
A pair of laden trains work a double track section near Lanesborough. Digital image exposed using a Canon EOS 7D with f2.8 200mm lens.
A close view of the second of two laden trains. Lumix LX3 photo.
A close view of the second of two laden trains. Lumix LX3 photo.

By virtue of its operations, Bord na Mona peat trains tend to operate in pairs. This suits both loading and switching, since trains often need to reverse into or out of temporary loading spurs.

So, when one train appears, its ‘buddy’ is usually close at hand. Sometimes these operate very closely, often only a few yards apart, other times they might separated by five or ten minutes.

Mid-morning, laden trains return toward Lanesborough while empty train prepare to head out to loading areas in the surrounding bogs. The result is that a parade of trains tend to converge on double track sections near the Lough Rea Power Station.

Once the loads are in and the empties have gone out, the line is again quiet, although maintenance trains will occasionally appear during these lulls. After lunch the whole sequence repeats.

Bord na Mona
A Bord na Mona gatekeeper closes the level crossing as a pair of laden trains approach. There are only a handful of manned crossings on the Bord na Mona network. Most crossings are operated by the train drivers. Lumix LX3 photo.
Bord na Mona
First of two trains crosses the highway at Derraghan More on the main road from Mullingar to Lanesborough. This is pretty and rarely visited part of Ireland. Lumix LX3 photo.
Bord na Mona
An older locomotive with working siderods handles at maintenance train near Lanesborough in October 2013. Lumix LX3 photo.
A panel train at a remote level crossing near Mount Dillon. Bord na Mona is like an enormous model railway and uses fixed track panel sections to reach peat harvesting areas. Lumix LX3 photo.
A panel train at a remote level crossing near Mount Dillon. Bord na Mona is like an enormous model railway and uses fixed track panel sections to reach peat harvesting areas. Lumix LX3 photo.

 

For the photographer the bursts of intense action is both opportunity and a challenge. Everything seems to happen at once, making for chances to catch two or more trains in a photo. However, if you are out of position, you could miss everything.

Headlights are often not illuminated in daytime and sometimes it is the sound of a train that gives you advanced notice.

The bogs are quiet enough. Listen for the sounds of Wagon Master locomotive roaring along with a syncopated clatter of wagons. The trains don’t travel very fast, but you need to be ready for when they arrive.

Bord na Mona
A pair of empties at Derraghan More on the way out to the bog for loading. Digital image exposed using a Canon EOS 7D with f2.8 200mm lens.
Bord na Mona
Lumix LX3 view of the same pair of empties at Derraghan More. October 2013.
Back lit trailing view features some nice evening clouds. Lumix LX3 view.
Back lit trailing view features some nice evening clouds. Lumix LX3 view.

See yesterday’s post for more on Bord na Mona’s Lanesborough netwrok:

Bord na Mona, Lanesborough, October 2013—Part 1

Bord na Mona, Lanesborough, October 2013—Part 2 

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Bord na Mona, Lanesborough, October 2013—Part 2


Close Ups, Details and Alternate Views: A Look Beyond the Obvious.

While photographing Ireland’s Bord na Mona narrow gauge last week, I was looking for different angles. I’ve made nearly a dozen trips to the Bord na Mona in the last year and I wanted to capture the essence of the operation up close.

Bord na Mona
Link and pin coupler between track panel bogies. Lumix LX3. Notice the photographer’s shadow.

This is a gloss free industrial railway. It’s like a big beat-up tin plate train set that has seen lots of use, and doesn’t adhere to prototype railroading in any normal conventions.

Tracks are laid down here and there. Curvature is very tight, in many places there’s no ballast. Junctions appear with little notice. And the trains bounce along at a grinding amble.

Points. Lumix LX3 photo.
Points. Lumix LX3 photo.
Bord na Mona
Level crossing warning. Lumix LX3 photo.
Bord na Mona.
Track panel train. Lumix LX3 photo.
Track panels and panel train. Reminds me of Lionel or American Flyer. Somewhere out in the bog must be the world's largest Christmas tree! Lumix LX3 photo.
Track panels and panel train. Reminds me of Lionel or American Flyer. Somewhere out in the bog must be the world’s largest Christmas tree! Lumix LX3 photo.
Bog tracks. Lumix LX3.
Bog tracks. Lumix LX3.
Photographing an empty. Lumix LX3 photo by Brian Solomon.
Fellow photographer documenting  an empty train near Derraghan Cross. Lumix LX3 photo by Brian Solomon.
Bord na Mona
Tight telephoto view of an empty train scuttling along behind a Wagon Master locomotive. Canon 7D with 200mm lens.
A cow observes an empty train. Lumix LX3.
A cow observes an empty train. Lumix LX3.

See previous posts for more views on the Bord na Mona:

Bord na Mona, Lanesborough, October 2013—Part 1

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Dublin’s LUAS, James’s Street, October 10, 2010

Autumnal Irish Scene.

In October, Ireland doesn’t normally experience whole hillsides of brilliant red and orange autumnal foliage like in eastern North America, but the trees do get a bit rusty, and when the sun comes out it offers a pleasant mix softened pastels and bright colors.

LUAS tram

An Alstom-built Citadis tram works the Red Line route on James’s Street in Dublin on October 10, 2010. Canon EOS 7D with 28-135mm lens
LUAS tram
In this back-lit view the tram catches the soft afternoon sun. I cropped the image slightly to improve the level. Canon EOS 7D with 28-135mm lens
Dublin's LUAS
In this third view, traffic behind the tram waits for it to turn left at the James’s stop. Canon EOS 7D with 28-135mm lens.

On October 10, 2010, I was on my way over to Wexford Street for an Irish friend’s farewell party, when I exposed this sequence of images on James’s Street. It shows a LUAS Red Line tram taking the corner on its way to the Red Cow from the city center. I was using my Canon EOS 7D with 28-135mm lens. The yellow tinged trees and hazy sun is characteristic of Autumn in Dublin, when it’s not raining. The LUAS Red Line just recently celebrated its 9th birthday, having opened for traffic in September 2004.

My YouTube Video, ‘A Tram Called LUAS‘ has received more than 4000 views. If you haven’t seen it, take a look! Please give me a ‘thumbs up/like’ if you enjoy it. Thanks!

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Irish Rail, Stacumny Bridge, June 17, 2000.

 

Looking back at a Place Transformed.

During my fifteen years in Ireland, few railway locations have changed as much as the area around Hazelhatch. I made this photo of a single 121 leading the empty gypsum train (destined for Kingscourt) on June 17, 2000 from Stucumny bridge.

Irish Rail 128 w ety Gypsum at Stacumny Bridge 2000 Brian Solomon photo 2009241

It was my first visit to Stucumny. I was there with Colm O’Callaghan and Mark Hodge, who were well familiar with the spot.  It was a Saturday afternoon and there was an air show going on at the nearby Baldonnel Aerodrome. While waiting for the up gypsum we watched the airborne acrobatics.

Compare this photo with those exposed at the same location last week. (see yesterday’s post: Irish Rail, September 27, 2013)

The gypsum traffic left the rails in 2001. Locomotive 128 was cut up in early 2003. During the late 2000s, Irish Rail added two tracks to the Cork line between Cherry Orchard and Hazelhatch.

Cues that link this image with modern ones include the old barn/castle to the right of the tracks and the high voltage electric lines in the distance.

I exposed this image with my Nikon F3T on Fujichrome Sensia 100.

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Irish Rail, September 27, 2013

 

Sun, Freight and the PWD.

Every so often the sun shines in Ireland. When it does, it helps to be in position to make photographs. As it happened, on Friday September 27, 2013, Colm O’Callaghan and I were at Stacumny Bridge, near Hazelhatch in suburban Dublin.

Irish Rail passenger train
A six piece 22000-series Intercity Rail Car glides up road at Stucumny Bridge, September 27, 2013. Exposed with an Canon EOS 7D.

Our aim was to photograph the down IWT (International Warehousing and Transport) liner which had an 071 class diesel leading. Stacumny Bridge is a favorite location to catch down-road trains mid-morning because of the broad open view of the tracks and favorable sun angle. I’ve post photos from this location on previous occasions.

While waiting for the liner, we got word of an up road wagon transfer. And caught that a few minutes before the liner came down. Then we heard that there was a permanent way department (PWD or ‘Per way’) ballast train coming up road as well. This was one of the elusive high output ballast trains (HOBS) I’ve mentioned in other posts.

Irish Rail class 071 diesel.
Irish Rail 071 class diesel number 079 leads a wagon transfer up road at Stucumny Bridge. Up road is toward Dublin, down road away. Exposed with an Canon EOS 7D and 40mm pancake lens.
Irish Rail freight.
Irish Rail 081 leads the down IWT Liner (International Warehousing and Transport container train Dublin to Ballina) approaching Stacumny Bridge near Hazelhatch on September 27, 2013. Exposed with an Canon EOS 7D with 28-135mm lens.
HOBS.
Irish Rail 0117-071 leads a High Output Ballast (HOBS) train up road at Stacumny Bridge on Septemeber 27, 2013. Exposed with an Canon EOS 7D with 28-135mm lens.

Although an annoying small cloud softened the light at Stacumny when the HOBS roared up road. We pursued the train up to Dublin and caught it again reversing into the old Guinness sidings at Heuston Station.

For the all hours scouring the countryside for photos on dull days, it’s rewarding to catch a clattering of interesting action in just over an hour on a bright day. This is down to watching the weather, combined with patience and persistence and a good bit of luck.

Irish Rail Dublin.
The engine has run around in preparation to reverse the HOBS into the old Guinness sidings at Heuston Station, Dublin. A Mark 4 set passes the train. September 27, 2013. Lumix LX3 photo.
Irish Rail HOBS at Islandbridge Junction near Heuston Station, Dublin. Lumix LX3 photo.
Irish Rail HOBS at Islandbridge Junction near Heuston Station, Dublin. Lumix LX3 photo.
Irish Rail 0117-071 reverses the empty HOBS into the old Guinness sidings at Heuston Station. The locomotive will 'hook off'  for work elsewhere, while the ballast train will remain stabled in the sidings over the weekend. Canon EOS 7D photo.
Irish Rail 0117-071 prepares to reverse the empty HOBS into the old Guinness sidings at Heuston Station. The locomotive will ‘hook off’ for work elsewhere, while the ballast train will remain stabled in the sidings over the weekend. Canon EOS 7D photo.

Tomorrow: Tracking the Light looks back 13 years at Stacumny Bridge. What a change!

Tracking the Light posts new material on a daily basis.

 

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Irish Rail, Cork, September 2013

Kent Station and Cobh and Midleton Lines.

Irish Rail
Kent Station, Cork. Lumix LX3 photo.

Last week, I traveled by train from Dublin to Cork to make photographs and visit with friends. I was traveling light and only brought two cameras, my Lumix LX3 and Canon EOS 3. In addition to some Velvia 100F, I also played around with some Fuji 400 color print film I had stored in the refrigerator.

Initially I focused my attention on Kent Station, which features a unique curved train-shed that make it one of the most interesting railway structures in Ireland. Signaling at the Cobh-end still retains a few mechanical semaphores.

Kent Station, Cork. Lumix LX3 photo.
Kent Station, Cork. Lumix LX3 photo.
New Irish Rail logo.
New Irish Rail logo.

 

Later, I worked east making a variety of images at Glounthuane (Cobh Junction) where Cobh and Midleton lines come together. The Midleton line had been closed for decades and was only reopened for passenger service in 2009. Years earlier, I’d explored the then derelict line.

Earlier this year, I featured a series of posts on Irish Railway Record Society’s locomotive hauled Dublin-Cobh-Midleton excursion. See: Irish Railway Record Society Trip to County Cork, 20 July 2013; Sun Scorched Irish Extravaganza—Part 4.

Where that visit was blessed with bright sun through out the day, on this recent trip I experienced more ordinary Irish weather.

Irish Rail signs at Glounthaune, Cork. Lumix LX3 photo.
Irish Rail signs at Glounthaune, Cork. Lumix LX3 photo.
Irish Rail
Irish Rail 2600-series rail car at Glounthaune, Cork. Lumix LX3 photo.
Irish Rail
Irish Rail train to Cobh near Fota, Cork. Lumix LX3 photo.
Irish Rail
Irish rail train departing Midleton, Co. Cork. Lumix LX3 photo.
Irish Rail
Irish Rail 2600s passing North Esk, Co. Cork. Lumix LX3 photo.

 

Here are a few views from the two cameras. Special thanks to Ken and Janet Fox and Donncha Cronin for location advice and local transportation. Also thanks to John Gunn Camera shop on Wexford Street in Dublin for color negative film processing and prints.

Cork
Kent Station, Cork. September 2013. Lumix LX3 photo.

 

Irish Rail Mark 4 at Kent Station, Cork. Exposed on Fuji 400 ISO color negative film (C41 process) using a Canon EOS 3 with 28-135 mm lens.
Irish Rail Mark 4 at Kent Station, Cork. Exposed on Fuji 400 ISO color negative film (C41 process) using a Canon EOS 3 with 28-135 mm lens.

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More Adventures with Ireland’s Bord na Mona—September 2013.

 

Shannonbridge and More!

Last week, Mark Healy and I made a foray into Irish bog lands searching for narrow gauge peat trains operated by Bord na Móna  (Peat Board). We’d been watching the weather closely and tried to time our visit for a bright clear day.

We got it wrong. Despite a rosy sunrise in Dublin and generally good forecast, we faced fog, cloudy and just general overcast in County Offaly.

After more than a half dozen visits to this rarely photographed industrial railway, I thought I was beginning to have an understanding of their operations.

I got that wrong too! While, we’d photographed a dozen trains by the end of the day, actual operations were quite different than what I expected.

Bord na Mona
Trailing view of Bord na Móna’s Shannonbridge empty ash train returning to Shannonbridge, County Offaly, Ireland. Canon EOS 7D photo.
Bord na Mona
Laden peat train near Shannonbridge, September 2013. Exposed with a Lumix LX3.
Laden trains approach Shannonbridge. Canon EOS 7D photo with f2.8 200mm lens.
Laden trains approach Shannonbridge. Canon EOS 7D photo with f2.8 200mm lens.

Initially we worked the lines radiating out from Shannonbridge. Our first train was the ever-elusive ash train. That was a bonus for us. After about five hours, having photographed several loaded and empty trains, we decided to head east toward Edenderry, which is the focus of another of Bord na Móna’s networks.

On the way we stumbled upon an obscure Bord na Móna operation. Driving east on highway R357 east of Cloghan, Mark noticed a level crossing. “Hey! There’s a pair of trains.” I mistook these for trains heading to Shannonbridge

My error was corrected when we chatted to one of the drivers. Turns out these were empty trains heading out loading to bring peat to the Derrinlough briquette factory. Just dumb luck to catch this operation.

Level crossing gate.
Closing the level crossing gates on Ireland’s R357 east of Cloghan, County Offaly. Canon EOS 7D 7D photo with f2.8 200mm lens.
Rare photo of briquette train.
A Derrinlough-based Bord na Móna train near Cloghan, County Offaly. Canon EOS 7D 7D photo with f2.8 200mm lens.
Bord na Mona.
A Derrinlough-based Bord na Móna train crosses highway R357 near Cloghan, County Offaly. Lumix LX3 photo.
Bord na Mona
Trailing view of Derrinlough-based Bord na Móna trains near Cloghan, County Offaly. Canon EOS 7D 7D photo with f2.8 200mm lens.

 

We finished the day inspecting operations near Mt Lucas and Edenderry. Pity about the lack of sun.

I’ve dealt with Bord na Móna several times in previous posts.

Gallery 8: Irish Bog Railways—Part 1Irish Bog Railways—Part 2 February 16, 2013Irish Bog Railways—Part 3, March 2, 2013Irish Bog Railways—Part 4, August, 2013; and Bord na Mona’s Ash Train.

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Deutsche Bahn Freight near Dordrecht Zuid, Netherlands, September 2013

 

Red Electric in Soft Sun Light.

Thunderstorms had blown through earlier in the afternoon. Then the sun beamed. All the while Netherlandse Spoorwagen’s double-track north-south mainline south of Dordrecht was saturated with an unceasing parade of trains. (See my earlier post: Netherlandse Spoorwagen Koploper near Dordrecht Zuid, Septemeber 2013).

 

NS keeps trains flowing one after another, and doesn’t seem to have any qualms about running freight tightly between passenger trains. I found that about every half hour a freight would be slotted in.

rail freight

I made this photograph with my Canon EOS 7D with f2.8 200mm lens, set at ISO 400 f 4.5 at 1/1000th of a second. In post-processing, I made minor adjustments to contrast and saturation to match how I perceived the light at the moment of exposure.

This was one of the last exposures I made before sundown. A former Netherlandse Spoorwagen electric leads a southward Deutsche Bahn freight. While I’d seen several of these classic electrics on the move, this was the only one I caught in nice light hauling freight.

 

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Thalys High Speed Train, The Netherlands, September 2013

 

Presenting a Modern Railway Vision.

Thalys high-speed train.
Thalys crosses Hollands Diep south of Dordrecht, The Netherlands in September 2013. Exposed using a Canon EOS 7D fitted with f2.8 200mm lens; ISO 800 f4 1/250 second.

I exposed this image of a Thalys at speed crossing a arched bridge over Hollands Diep minutes before the fading orange ball of the sun melted into North Sea coastal fog.

Thalys is an international high-speed train branding applied to services connecting Amsterdam-Brussels-Paris, and Köln-Brussels-Paris. Technologically speaking the train is a French-built TGV, but specially painted and decorated for Thalys services.

This was an evening run from Amsterdam to Paris. Hollands Diep is the coastal estuary fed by Rhein and Meuse Rivers. This bridge features a pronounced sweep up and over the water. Beyond it is an older (and busier) truss that has two main tracks for ordinary rail services (freight and passenger).

I panned this train with my Canon EOS 7D fitted with f2.8 200mm fixed telephoto. The light was fading rapidly, so I set the ISO to 800, adjusted the white balance manually and pre-focused in anticipation of the fast moving train. My exposure was f4 at 1/250 of a second.

Earlier in the evening I’d seen a Thalys fly across the bridge and I recognized that the structure of the bridge mimicked the paint scheme on the train, so I released the shutter to allow for an arching visual flow between train and bridge. This is accentuated by the low light.

 

 

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Amtrak 207 at New Haven, Connecticut, June 26, 2012

Fortuitous Encounter with the Highest Numbered P42.

On June 26, 2012, I was changing trains at New Haven, Connecticut while on my way to Philadelphia. I’d come in on the Springfield-New Haven shuttle. This was a push-pull set consisting of a former Metroliner cab car and an Amfleet coach pushed by Amtrak 207.

While on the platform I made a few images of this General Electric locomotive using my Lumix LX3 and my dad’s Leica M4 (loaded with Fuji Acros 100 black & white film).

Amtrak P42 locomotive
Amtrak P42 Genesis diesel 207 at New Haven, Connecticut on June 26, 2012. Lumix LX3 photo.

It was only later that it occurred to me that 207 is the highest numbered Amtrak Genesis P42.This nominal fact doesn’t make the photos any better, but I thought it was interesting and significant. Firsts and lasts have been long be marked by railway photographers.

What impressed me about 207 was that it was relatively clean and the paint was in good shape. This is a contrast with many of Amtrak’s P42s that have a battle-worn appearance.

Amtrak 207 at New Haven, Connecticut, June 26, 2012
Amtrak’s Springfield, Massachusetts—New Haven, Connecticut shuttle on the platform at New Haven on June 26, 2012. Lumix LX3 photo.
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Rhein River Valley Part 3

Views from the East Side of the Rhein—September 2013.

Rail Freight in Germany.
A DB freight rattles northward near Filsen on the east side of the Rhein in September 2013. Lumix LX3 photo.

For me the Right Bank (east side) of the Rhein has always been more challenging and more intriguing. This side has more freight, but the vistas are more difficult to access. Certainly getting the viewpoints that I envision take a little more work.

On this trip, with the help of maps and some advice from local photographers, I found several satisfactory spots to work from.

Where the Left Bank (west side) remains dominated by passenger traffic (with the occasional freight slotted in), the Right Bank is primarily a freight route, with the requisite hourly (half-hourly at peak times) stopping passenger train.

Since my last visit to the Right Bank in 2010, the passenger service has been upgraded with modern Stadler three and four piece Flirt-model railcars. The tide of freight ebbs and flows, but its not difficult to get four or five freights at one location in a relatively short span of time.

It seems that no sooner than one train has clattered out of sight when the next is on its way. If action on the east side ebbs too much, there are plenty of boats and barges on the Rhein as well as trains on the left side. Regardless of what happens, I find it easy to expose lots of images.

Stadler Flirt
A Stadler Flirt railcar is ready to come out of the sidings at Kaub. These modern electric railcars provide interval passenger service between freights on the east side of the river. Canon EOS 7D photo.
Lorchausen, Germany
Picturesque villages line the east side of the Rhein. This view of Lorchausen was exposed shortly before sunset with my Lumix LX3.
Rhein River Valley
A southward freight is led by a common DB Class 185 electric. This view is made from a vineyard near Lorch that offers superb views of trains on both sides of the Rhein. Lumix LX3 photo.
Grapes.
Plump grapes ripen in the autumn sun near Lorch, Germany. Lumix LX3 macro view.
Coal train on the Rhein.
A blue electric leads a train of PKP coal wagons on the west side of the river (as viewed from a Vineyard in Lorch). Exposed using a Canon EOS 7D with 200mm lens.
Looking south from a level crossing near Kaub, Germany. Lumix LX3 photo.
Looking south from a level crossing near Kaub, Germany. Lumix LX3 photo.
BLS freight on Rhein.
A BLS Cargo electric hums northbound at a lightly used level crossing near Kaub. Once a manned crossing with classic signal tower, gates are now automated. The BLS freights from Switzerland are among the most prized daily catches for some photographers. Lumix LX3 photo.

 

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Rhein River Valley Part 2

 

The Left Bank at Oberwesel—September 2013.

Oberwesel is south of Boppard and also on an elbow-bend in the river. It’s spectacularly set along the river and against steeply rising hills while featuring castles and a medieval city wall.

German passenger train.
A DB class 120 glides southward through Oberwesel in September 2013. Canon EOS 7D photo.

The old city wall is set up as a tourist attraction and can be easily used as a platform for photography. Not only does this provide great views of the line on the Left Bank, but gives superb angles of the dual tunnels on the line serving the Right Bank.

I visited Oberwesel in April 2010, but the light was a bit dull, so I’ve been aching for another try at it on a clear day.

While there are some good angles in the morning, I found the best light angles were obtained after about 2 pm. September is a great time to photograph because the light is good throughout the day and it’s past the peak tourist season. Jostling elbows with the masses while trying to focus on a IC train might be challenging.

Locomotive with castle walls.
A diesel running as a light engine northbound made for an ideal opportunity to frame a train in the window of a medieval wall tower. Canon EOS 7D photo.

The parade of trains is unceasing. If one side of the river starts to lag, the other will seem to make up the difference. It was only during the lunch that traffic seemed to lull. Certainly the passenger trains kept coming, but the freights must of all paused for a snack.

Not far from the south edge of city wall in Oberwesel, we found a suitable restaurant with outdoor seating, a choice of beer, and a view of the tracks

A few hours at Oberwesel gave me more great images than I knew what to do with. I could make this a multi-installment post. Will you still be there for Oberwesel Left Bank Northward Views Part 12? Hmm?

Rhein River Valley at Oberwesel.
A DB Class 101 leads an InterCity passenger train southbound. This view is from the top of an old wall tower at Oberwesel, Germany. Canon EOS 7D.
Rhein River Valley at Oberwesel.
The Oberwesel city walls give good views of the line on the far side of the Rhein in the afternoon. A Swiss BLS locomotive is about to disappear into the tunnels opposite Oberwesel. Canon EOS 7D photo.
Rhein River Valley at Oberwesel.
An ERS Railways Class 189 hums along with a southward container train along the Rhein’s ‘right bank.’ Canon EOS 7D photo.
Rhein River Valley at Oberwesel.
Rich afternoon light graces a Taurus electric leading a northward InterCity train at Oberwesel. This view was made from the city wall. Canon EOS 7D photo. 
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Rhein River Valley Part 1

 

The Left Bank at Boppard and Vicinity—September 2013.

Germany’s Rhein offers one of the World’s great railway experiences. Here busy double track railways occupy both sides of the river, largely in sight of one another. This narrow picturesque valley is dotted with old villages, castles, churches and blanketed with vineyards which adds to its charm and make for more interesting photographs.

Germany ICE high speed train.
An ICE train glides northward along the Rhein as morning mists give way to sun. Canon EOS 7D photo.

For the all the challenges of wandering down lightly travel rural branch lines, or seeking out unusual, peculiar and elusive railway operations, sometimes it’s nice to get ‘a fix’ and go to a place where you will see a great volume and variety of trains in a comfortable setting.

The Rhein in early September hit the spot. The weather was perfect; a mix of sun and mist made for great lighting conditions, while temperatures were comfortable. No rain, no heavy wind. And best of all every few minutes a train comes rolling up or down the river.

Historically, the line on the west side of the river, the ‘Left Bank,’ was almost exclusively a passenger line and featured a continuous parade of Regional, IC, EC, and ICE trains, while the ‘Right Bank’ carried freight and an hourly local service.

Today, there are fewer IC/EC/ICE trains on the Rhein as many through services run on the high-speed line between Köln and Frankfurt. While IC/EC/ICE trains still operate about once an hour in each direction (plus local stopping services) now there are more paths for freights on the Left Bank which makes the line more interesting and more varied.

Boppard is located south of Koblenz on a elbow bend and allows for a variety of angles as the sun swings around. I’ve found from previous trips that Boppard is best in the morning. These photos are a selection from three days of photography based around Boppard.

I worked with three cameras; a Lumix LX3, Canon EOS 7D and Canon EOS 3 with Provia 100F film. Only the digital results are displayed here.

Rhein river valley.
A container train hums northward behind an ERS Railways Class 189 electric. Canon EOS 7D photo.

 

Rhein valley
A DB Class 101 electric leads southward IC train through vineyards near Boppard, Germany in September 2013. Exposed with a Lumix LX3. The Lumix is fitted with a Leica lens that allows for great depth of field.
Rhein valley
Light cloud softens the morning sun making for better contrast on this back lit southward freight near Boppard. Careful placement of wildflowers adds depth and interest to the image. Exposed with a Canon EOS 7D with 40mm pancake lens.
Desiro railcar
This class 642 Desiro railcar made for an unexpected visitor in the Rhein Valley. These are not the normal railcars used on the line. Canon EOS 7D with 40mm pancake lens.
German signals.
Old style Germany signals at Boppard. DB has been replacing this style of hardware with less complex signals. Many of the older signals survive on the Right Bank line. Canon EOS 7D photo.
German passenger train with castle.
A DB class 120 electric shoves on the back of northward IC train departing Boppard station. Lumix LX3 photo.
German passenger train at Boppard.
The morning sun glints off the side of an IC train paused at Boppard for a station stop.I’ve used the platform awning to shield the direct light of the sun from the camera lens to avoid unwanted flare. Lumix LX3 photo.

 

 

 

 

 

 

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German Coal Railway—Part 2

RWE Power: Coal trains, power plants and wires.

RWE Power coal train.
An RWE electric reverses a coal train near the Neurath Power Station. September 2012. Canon EOS 7D photo.

Continuing to explore RWE Power’s coal network brought us to the company’s Nord-Sud-Bahn. Although much of the line is sequestered by trees or inaccessible, we found some recommended locations toward the north-end of the route near the Neurath Power Station.

Our second afternoon proved pleasant weather-wise, and the continuous parade of trains, including a diesel-hauled limestone run, made for a successful photo adventure.

Among the advantages of the North-Sud-Bahn as stated in the May 2013 article in Today’s Railways, is a greater variety of trains.

Although it’s difficult to convey in photographs, what we found interesting was that many of the northward trains reversed up the line, with the locomotive at the back and the rear hopper making a loud beeping to provide warning.

It seemed that all of RWE’s trains moved a gentle speeds which eases the photographic process.

I mostly worked with my Canon EOS 7D, but also exposed some color slides with my Canon EOS 3. In addition to the trains, I made a few photos of the related power infrastructure—impressive because of its enormous scale.

RWE Power coal train.
RWE Power electric 542 leads a laden coal train near Neurath. September 2012. Canon EOS 7D photo.
A diesel leads a train of limestone hoppers near Neurath. September 2012. Canon EOS 7D photo.
A diesel leads a train of limestone hoppers near Neurath. September 2012. Canon EOS 7D photo.
RWE Power's Neurath Power Station.
RWE Power’s Neurath Power Station.
RWE Power's Neurath Power Station.
RWE Power’s Neurath Power Station.
RWE Power.
High voltage electric pylons stand like enormous soldiers at attention. These power lines are an important part of the electrical infrastructure related to RWE Power’s railway operations.
A panned view of an RWE Power EL1 electric locomotive. The line is electrified with an unusual 6000 volt 50Hz standard. Canon EOS 7D photo.
A panned view of an RWE Power EL1 electric locomotive. The line is electrified with an unusual 6000 volt 50Hz standard. Why a pan? This is an effective way of separating the dark green locomotive from the green trees. Canon EOS 7D photo.
A Vossloh diesel leads a coal train that originated off the RWE network and was delivered via the Deutsche Bahn network. The hoppers are of a smaller lighter variety than those used in captive service on RWE's lines.
A Vossloh diesel leads a coal train that originated off the RWE network and was delivered via the Deutsche Bahn network. The hoppers are of a smaller lighter variety than those used in captive service on RWE’s lines.

 

 

 

 

 

 

 

 

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