Tag Archives: #digital photography

Interstate Interstate Chase.

 

In Pursuit of a Norfolk Southern GE Diesel dressed in Heritage Paint.

NS Interstate heritage unit.
NS Interstate heritage unit.

On the evening of Tuesday, June 2013, Chris Guss and I were exploring the convergence of railroad lines in northern Indiana. Here myriad routes aiming for Chicago traverse a heavily industrialized environment; tracks and trains are everywhere.

At Hammond-Whiting, Indiana the former Pennsylvania Railroad (PRR), New York Central and Baltimore & Ohio routes run roughly adjacent to each other. Just east of the Amtrak station, Norfolk Southern’s (NS) former Conrail line moves from the old PRR alignment to that of the old New York Central. Immediately to the north is CSX’s former B&O line, while beyond that is Canadian National’s Elgin, Joliet & Eastern (EJ&E) line.

EJ&E_at_Hammond_IN
An Elgin, Joliet & Eastern local works eastward at Hammond-Whiting, Indiana. In the distance is a set of CSX locomotives on the old Baltimore & Ohio. Lumix LX-3, exposed at f4 1/100 ISO 80.

Earlier a thunderstorm had raged through the area, and this left behind tell-tail puddles. The setting sun was about to drop below a thin layer of clouds. We were following an EJ&E local, while keeping an eye open for Norfolk Southern’s 65R (empty oil train destined for BNSF Railway at Chicago and then to North Dakota).

We’d been expertly informed that NS’s Interstate Railroad painted heritage locomotive was leading.

It’s no secret that last year (2012) Norfolk Southern had 20 new six-motor diesels (both EMD and GE models) dressed in liveries to represent a variety of its predecessor railroads. See: http://www.nscorp.com/nscportal/nscorp/Community/Heritage%20Locomotives/ and also; http://www.nsdash9.com/heritage/NS8105.html and; http://vimeo.com/67440425

A hint of chatter on the radio and then—THERE!—we saw 65R with the Interstate in the lead. It was paused on the mainline. We jumped into position just as the EJ&E local emerged and another NS train was racing eastward out of the sun with a Union Pacific SD70M in the lead.

Union Pacific SD70Ms
Union Pacific SD70Ms lead an eastward Norfolk Southern freight near Hammond-Whiting, Indiana. Canon EOS 7D with 100mm lens set at 1/250th second f4 ISO 200.

When it rains it pours! Any one of these three trains would be of interest, but having all three converge on us simultaneously with no time to properly assess the lay of the land presented a challenge.

Freight trains at meet.
Norfolk Southern freights meet in the fading light of evening. Lumix LX3 f2.8 at 1/640 second.
Interstate_Heritage_Unit
Norfolk Southern’s Interstate heritage unit catches the glint. Lumix LX3 f2.8 1/250th second.

Some much favored ‘drop under sun’ graced the landscape. In a flurry of activity, lenses were swapped, light readings made and pixels were exposed. The ‘creamsickle’—as the Interstate Railroad heritage repaint has been known (because of its distinctive livery), was all to soon on the move! A face-paced, but skillfully navigated chase ensued. Chris did all the work as I snapped photos from the window.

Oil train catches the glint.
Away we go into the sunset hot in pursuit of an oil train. Canon EOS 7D with 100mm lens set at f6.3 1/1000 second at ISO 200.

In the end, we followed the prize west across the state line to Illinois and made this selection of images.

NS Interstate Heritage Unit
Pace shot executed near the Indiana-Illinois line. The Interstate Railroad is a Virginia line that is a lesser-known component of Norfolk Southern. Lumix LX3 f2.8 at 1/125th second.

 

Norfolk Southern 8105 is a General Electric ES44AC diesel-electric.
Norfolk Southern 8105 is a General Electric ES44AC diesel-electric. Canon EOS 7D with 100mm lens.

 

NS Interstate Heritage unit_on 65R South Chicago
Norfolk Southern 65R with led by the Interstate heritage locomotive at South Chicago, Illinois. Canon EOS 7D.

Related articles

NS Interstate heritage unit.
NS Interstate heritage unit.

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Chicago Medley, June 2013

 

Infrastructural Views Fresh From the Digital Cameras.

 

The other day, I landed at Midway where I was met by Chris Guss. We immediately set to work making images of America’s most railroad intensive city. It’s been nearly two years since I was last here; and nearly 30 years since my first visit. Time passes and much has changed, yet there are many vestiges of old railroads.

There’s always a wheel turning in Chicago, but these pictures are more about the railroad infrastructure than the trains themselves. There’s a book in this somewhere.

CTA train
Chicago Transit Authority Midway train catches the glint of the evening sun near Corwith. Canon EOS 7D with 200mm lens.
Old tracks Chicago.
DIsused former Grand Trunk Western near Corwith, Illinois. Canon EOS 7D with f2.0 100mm lens.
Level crossing at Brighton Park
Former Gulf Mobile & Ohio line at Brighton Park, Chicago, Illinois. . Canon EOS 7D with f2.8 200mm lens.
Old switch levers.
Vestiges of the old lever frame at Brighton Park. Canon EOS 7D with 40mm pancake lens.
Weeds along the tracks.
Weeds grow trackside at Brighton Park. . Canon EOS 7D with f2.8 200mm lens.
Metra train with position light signals.
Metra Train rolls toward Union Station on the former Pennsylvania Railroad Panhandle route at Racine Avenue. Canon EOS 7D with 40mm pancake lens.
Chicago Metra
Metra Train glides through Racine Avenue, Chicago. Lumix LX-3 handheld.
Train on grade crossing.
Norfolk Southern GP38 working a local freight at Racine Avenue. Lumix LX3 panned at f2.8 1 second.
Chicago at night
Norfolk Southern local at Racine Avenue, Chicago. Canon EOS 7D with 40mm pancake lens, exposed for 1.6 seconds at f2.8 ISO200; camera on mini Gitzo tripod.

These are just a sample from my Canon EOS 7D and Lumix LX-3 cameras. More to come!

 

 

 

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Ayer Massachusetts, June 5, 2013

 

MBTA Surprise.

Boston’s two primary passenger terminals have no scheduled service between them. Historically, South Station served Boston & Albany and New Haven Railroad lines, while North Station served Boston & Maine’s. Both represented consolidations of older terminals. Today, Massachusetts Bay Transportation Authority provides suburban service, while Amtrak operates long distance trains from both stations.

To move equipment between North and South Stations (and their respective repair and maintenance facilities), MBTA normally uses the former B&A Grand Junction Branch which crosses the Charles River and passes through Cambridge, thus forming the only Boston-area link between North- and South-side networks.

Some months ago a problem was discovered with the Charles River Bridge. So now MBTA and Amtrak equipment transfers must travel a roundabout route via Worcester (from South Station over the old B&A mainline) then north via Clinton to Ayer, and eastward via the former B&M Fitchburg line toward North Station.

Equipment transfers operate as needed, and I’ve been fortunate to catch several of them over the last few months. On Wednesday, June 5, 2013, I got lucky and stumbled into position just in time to catch one without even trying!

Rich Reed and I had traveled to Ayer to photograph Pan Am Southern’s westward intermodal train 23K. After making successful images of the train, we drove back through Ayer and over the bridge just east of the Station, where I spotted a high-green (clear) signal at AY interlocking for an eastward movement.

I guessed  that since this is a controlled signal, it would only be lined if something was due and we set up on the bridge in anticipation. This was the exact location where we’d photographed Norfolk Southern GEs switching a week earlier. See last week’s post: Ayer, Massachusetts, Wednesday May 29, 2013.

MBTA Ayer Mass.

MBTA train 420 pauses for passengers at Ayer on June 5, 2013. Canon EOS 7D with f2.8 200mm set at f8.0 at 1/500 second at ISO 200.

As it turned out, the clear signal was for an eastward MBTA commuter train, which arrived shortly and paused for its Ayer station stop. As passengers were boarding we were surprised to spot a second MBTA train coming off the wye from Worcester! This was an equipment transfer, led by MBTA GenSet locomotive 3249 hauling avariety of locomotives and cars.

MBTA equipment train at Ayer.
An MBTA equipment move is coming off the Ayer wye on tit journey from South Station to North Station via Worcester, Clinton and Ayer. Canon EOS 7D with f2.8 200mm set at f8.0 at 1/500 second at ISO 200.
CP AY
MBTA trains at Ayer, Massachusetts. Canon EOS 7D with f2.8 200mm set at f8.0 at 1/500 second at ISO 200.

By shear dumb luck we just happened to be in precisely the right place at the right time.

Had we known this train was coming we’d probably picked a different location to intercept it. Sometimes not knowing what’s going on can earn you a better photo than knowing too much.

Canon EOS 7D with f2.8 200mm set at f8.0 at 1/500 second at ISO 200.

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Rail Freight, Stockholm, May 7, 2010.

 

 

Green Cargo Rc2 Electric Leads a Container Train at Alvjso.

Swedish Rc2 electric
Green Cargo Rc2 rolling at Alvjso, Stockholm, Sweden. Exposed digitally with my Lumix LX-3

I was in Stockholm in Early May 2010 to visit a friend. I made some time to re-explore the railways, as it had been a dozen years since my last trip here. On my first afternoon, I noted a container train passing the suburban station at Alvjso just after 5pm. The next day, I was in place at precisely that time to make a photo. My observation and planning paid off, even if the weather didn’t fully cooperate.

Stockholm is a fascinating city with superb public transport and near perfect time-keeping. There’s multimodal connections at most major railway stations, with a well developed network of metro and tram lines.

The Swedish Rc electric locomotive is one of the most widely built types worldwide. Amtrak’s AEM-7 electric is an Rc derivative. See my post: Amtrak’s Mayflower at South Norwalk, Connecticut.

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Palmer, Massachusetts, ‘CP83’ on Friday evening, May 31, 2013.

 

The “C” Light is Lit.

CP83 Palmer MA
This entire five image sequence was exposed with a Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.

Going back to at least the 1980s, a group of us would convene in Palmer on Friday evenings. It used to be that after closing Tucker’s Hobbies on Fridays, Bob Buck would come down for dinner along with customers and friends from the store. Afterwards, we’d head over to ‘the station’ to watch the railroad.

I recall seeing Central Vermont’s old Alco RS-11s on sultry summer evenings, belching clouds of exhaust and sparks, while we waiting for the parade of westward Conrail trailvans (intermodal piggy-back trains); TV-5, TV-13, and etc. Back in the day, I’d make night shots with my Leica 3A. That seems like a long time ago.

This past Friday, a group of us convened at the usual spot; Doug and Janet Moore, Bill Keay, Rich Reed and myself. After a few trains, Doug and Janet were the ‘heroes’ as Bob would have called them; they headed home and a little while later the signals at CP83 lit up. To my astonishment, the ‘C’ light was flashing (the small lunar-white light between the main signal heads). I rushed for my cameras . . .

 Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.
Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.

The signals at CP83 are approach-lit. So, when the signals light, it means that something (usually a train) has shunted the circuit.  Among other things, CSX’s CP83 governs the switch at the west end of a controlled siding that begins at CP79 (about four miles to the east). When the signals light with a high green, it means a westward train has been cleared to continue past CP83.

Conrail installed the present signaling system back in 1986 when it converted the Boston & Albany route from directional double track under Automatic Block Signal rule 251 ( ‘signal indication will be the authority for trains to operate with the current of traffic’) to a largely single main track system with controlled sidings and governed by Centralized Traffic Control-style signals with cab signaling.

As a result there are now only wayside signals at dispatcher control points such as CP83. CSX assumed operations from Conrail 14 years ago.

It’s rare, but occasionally a locomotive suffers a cab-signal failure, or a locomotive that isn’t cab signal equipped leads a train. There is a provision with the signal system using the ‘C’ light, to allow a dispatcher to authorize a train to proceed without operative cab signal.

Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.
Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.

CSX rule CR-1280A names the ‘C’ light aspect as ‘Clear to Next Interlocking’. This gives the train permission to proceed the full distance to the next block ‘approaching next home signal prepared to stop’.

Why am I going into such specific operational details? Because, I’m fascinated by signals, but also in the 27 years since Conrail installed this signal system I’ve only witnessed a ‘C’ light lit, three times. And, I’d never before seen the C-light lit at CP83. I’ve been to CP83 more times that I can count, so for me, that is a really unusual event. (I saw a shooting star that night too, but those are common by comparison!)

Fortunately, I had cameras handy, and, perhaps more to the point, I had my dad’s Gitzo tripod, which made this sequence of images possible. (Other wise I would have trying to balance the camera with stacks of coins on the roof of my Golf, but, we’ll save that for another event . . .)

I just wish that Bob Buck could have been there with us to watch the train pass. He would have enjoyed that.

Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.
Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.

All images exposed with a Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.

Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.
Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.

To learn more about railroad signals, check out my book Railroad Signaling  available from Voyageur Press.

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Ayer, Massachusetts, Wednesday May 29, 2013

 

Three views of Norfolk Southern General Electric Dash-9s.

Often I look to put trains in their environment by trying to find angles that show context. Not every railway scene is scenic. And, in the North East, more often than not, the environment around the railway is pretty rough looking.  But that is the scene, isn’t it?

Street scene at Ayer, Massachusetts.
Canon EOS 7D with f2.8 200mm lens; exposed at 1/400th sec at f.5.6 ISO400, exposure set manually.

On Wednesday May 29, 2013, Rich Reed and I were making photos of trains on former Boston & Maine lines around Ayer, Massachusetts. Rich has lived in the area for many years and is well versed on the history of the area.

Among the trains we saw was this Pan Am Southern local switching a set of autoracks. In the 1970s, a GP9 would have often worked Boston & Maine’s Ayer local. Today, Pan Am Southern runs the railroad, and the local is a pair of Norfolk Southern GE six-motor DASH-9s working long hood first.

I made several images east of the Ayer station. One of my favorites is the view looking down the street that features a parked postal truck and cars with the train serving as background instead of the main subject. It’s an ordinary everyday scene, yet it’s part of the history, and someday it will be different. Everything changes.

Norfolk Southern DASH9-40CW 9647 at Ayer.
Canon EOS 7D with f2.8 200mm lens; exposed at 1/400th sec at f.5.6 ISO400, exposure set manually.
NS GE diesels in Ayer, Mass.
Exposed with a Lumix LX3 set on Aperture Priority Mode; f2.8 at 1/200th second, ISO 80.

Which of these images will be more memorable in 50 years time? Someone might wonder why the Post Office needed a delivery truck, or what all the wires were for. You just never know.

Learn more about Norfolk Southern diesels: see my book North American Locomotives.

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Tracking the Light in Review

 

Light, Camera, Philosophy . . .Action! (Hopefully).

Kodachrome slide of a Central Vermont freight train at Windsor, Vermont.
Central Vermont Railway at Windsor, Vermont. Originally posted with Installment 1 on July 19, 2012.

About 10 months ago (July 2012), I started Tracking the Light. In the short time span since then I’ve had about 19,000 hits. While small numbers compared with Gangnam Style’s viral You-Tube dance video (with more than 1.7 billion hits), it’s a gratifying start. (BTW, there are some train scenes in Gangnam Style,  so it isn’t a completely random reference).

 

Reading Terminal clock
Reading Terminal clock on Market Street, Philadelphia. Exposed with a Canon 7D with 28-135mm lens. Originally posted on January 4, 2013.

In my introductory post, I offered a bit of my background with a taste of my philosophy on the subject of railway photography; ‘There is no ‘correct way’ to make photographs, although there are techniques that, once mastered, tend to yield pleasing results. I hope to expand upon those themes in these Internet essays by telling the stories behind the pictures, as well as sharing the pictures themselves.’

Irish Rail trains
Irish Rail Intercity Rail Cars converge on Islandbridge Junction, May 2013. Lumix LX3 photo. I routinely post images of Irish railways. Check regularly for updates. Also, I have a special page on Dublin that is more than railway images. For more Irish Rail click here!
Irish Rail empty timber train.
An empty timber from Waterford near Donamon, County Roscommon, Ireland. Canon 7D with 100mm f2.0 lens.

What began as an infrequent opportunity to share work via the Internet has evolved into a nearly daily exercise. In the interval, I’ve learned a bit what makes for an interesting post, while working with a variety of themes to keep the topic interesting.

TTC Streetcar Toronto.
TTC Streetcar at corner of King and Queen Streets, Sunnyside, Toronto, February 8, 2010.
Lumix LX-3 set at ISO 80. Originally Posted February 8, 2013

Regular viewers may have observed common threads and topics. While I’ve made a concerted effort to vary the subject matter considered ‘railway photography,’ I regularly return to my favorite subjects and often I’ll post sequences with a common theme.

Occasionally I get questions. Someone innocently asked was I worried about running out of material! Unlikely, if not completely improbable; Not only do I have an archive of more than 270,000 images plus tens of thousands of my father’s photos, but I try to make new photos everyday. My conservative rate of posting is rapidly outpaced by my prolific camera efforts.

New England Central GP38 3850 leads train 608 at Stafford Springs on January 25, 2013. A series of difficult crossings in Stafford Springs is the primary reason for a 10 mph slow order through town. Especially difficult is this crossing, where the view of the tracks is blocked by a brick-building. Protection is offered by a combination of grade crossing flashers and traffic lights. Canon 7D with 40mm Pancake Lens; ISO 400 1/500th second at f8.0. In camera JPG modified with slight cropping to correct level and scaling for web. A RAW image was exposed simultaneously with the Jpg.
New England Central GP38 3850 leads train 608 at Stafford Springs on January 25, 2013. A series of difficult crossings in Stafford Springs is the primary reason for a 10 mph slow order through town. Especially difficult is this crossing, where the view of the tracks is blocked by a brick-building. Protection is offered by a combination of grade crossing flashers and traffic lights. Canon 7D with 40mm Pancake Lens; ISO 400 1/500th second at f8.0. In camera JPG modified with slight cropping to correct level and scaling for web. A RAW image was exposed simultaneously with the Jpg. Originally posted on January 26, 2013.

Someone else wondered if all my photos were ‘good’. I can’t answer that properly. I don’t judge photography as ‘good’ or ‘bad’. Certainly, some of my images have earned degrees of success, while others have failed to live up to my expectations (It helps to take the lens cap ‘off’). Tracking the Light is less about my success rate and more about my process of making images.

Bord na Mona
A couple pair of laden Bord na Mona trains struggle upgrade, laying sand down as they ascend a short steep grade on the run back toward Mountdillon. This is the same stretch of track pictured in Irish Bog Railways–Part 2. Originally posted on March 4, 2013

I’m always trying new techniques, exploring new angles, while playing with different (if not new) equipment.

The most common questions regarding my photography are; ‘What kind of camera do you use?’ and ‘Have you switched to digital?’ I can supply neither the expected nor straight-forward responses. But, in short, I work with a variety of equipment and recording media. I aim to capture what I see and preserve it for the future. I try to have a nice time and I hope to entertain my friends.

 

Learn my secrets, click here. This image was made in Spring 2012 on Fuji Acros 100 film exposed with a Leica 3a and 21mm lens and processed for scanning.
Learn my secrets, click here. This image was made in Spring 2012 on Fuji Acros 100 film exposed with a Leica 3a and 21mm lens and specially processed for scanning.
Eastward Delaware & Hudson symbol freight 'Jet1' passes semaphores at milepost 320 (measured from Jersey City) east of Adrian, New York on May 14, 1988.
Semaphores are one of my themes. See my post from September 23, 2012. Eastward Delaware & Hudson symbol freight ‘Jet1’ passes semaphores at milepost 320 (measured from Jersey City) east of Adrian, New York on May 14, 1988.

Stay tuned for the details!

Thank you for your support!

By the way: If you know of anyone that might enjoy Tracking the Light, please share with them this site: http://briansolomon.com/trackingthelight/

Railroads at night in Palmer, Massachusetts.
Originally posted on December 1, 2013. CSX Q427 rolls through Palmer, Massachusetts, at 11:01 pm on November 30, 2012.
Notice the photographer’s shadow superimposed on the blur of the train. Single exposure with Panasonic Lumix LX-3 with Leitz Summicron lens, zoom set to 5.1mm, ISO 200, exposed in ‘A’ mode with +2/3 over-ride, f2.2 at 7 seconds.
Entirely exposed with existing light; no flash.

 

CSX General Electric Evolution-series diesels work west at Palmer, Massachusetts on May 17, 2013. Exposed digitally with my Canon EOS 7D.
CSX General Electric Evolution-series diesels work west at Palmer, Massachusetts on May 17, 2013. Exposed digitally with my Canon EOS 7D.

 

CSX Q264 at West Warren, Massachusetts.
CSX Q264 at West Warren, Massachusetts.

 

Martinez, California, as viewed from Carquinez Scenic Drive. Canon EOS 3 with 100-400 mm lens, Fujichrome slide film.
Martinez, California, as viewed from Carquinez Scenic Drive. Canon EOS 3 with 100-400 mm lens, Fujichrome slide film.
The number plate on a smoke box door catches the hint of a blue sky beyond. Canon EOS7D with 28-135mm lens.
The number plate on a smoke box door catches the hint of a blue sky beyond. Canon EOS7D with 28-135mm lens.

 

 

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PKP Class SU45 at Sunrise, Chojnów, Poland, April 29, 2002.

 

Early Morning Sun on a Classic Diesel.

In April 2002, I was on my way from Zagan, Poland to Dresden, Germany with John Gruber and some other friends. Shortly after sunrise, we changed trains at Chojnów, where rich low sun allowed for some dramatic images of PKP (Polish National Railways) trains. PKP was operating a variety of interesting locomotives, and I’m partial to the distinctive shape of the SU45 diesel.

Polish diesel locomotive.
Exposed with my Nikon F3T fitted with Nikkor 24mm lens on Fujichrome slide film.

My journal entry at Chojnów made at 6:34 am on that day includes this observation: “We awoke at 3:30 am to catch the 4:49 am [train] from Zagan—beautiful morning light [at Chojnów], but the station is decayed and graffiti covered.”

After I made this photo, we boarded a train destined for Gorlitz (and Dresden). Breakfast in the WARS dining car was memorable: “The girl at the counter cooked us scrambled eggs in a frying pan—class act!”

Exposed with my Nikon F3T fitted with Nikkor 24mm lens on Fujichrome slide film.

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New England Central at Stafford Springs, Connecticut on May 21, 2013.

 

Brian’s Milk Run.

Tuesday, May 21, 2013 was a clear bright morning. I heard New England Central’s 608 climbing State Line Hill through Monson. I dithered briefly about heading out to photograph it. I’ve only photographed New England Central’s trains about a thousand times (metaphorically).

When I went to make myself a cup of tea I discovered to my horror that there wasn’t any milk! Poor show. So, I made the most of both problems. I drove to Stafford Springs, where I waited all of five minutes to score a few nice bright shots of a pair of New England Central GP38s. (I made a couple of slides too—just for ‘the record). Then stopped in at the shop in Stafford Hollow for milk before heading home again.

New England Central GP38s
New England Central freight 608 crawls through Stafford Springs, Connecticut on May 21, 2013. Canon EOS 7D with 28-135mm lens.
NECR_608_Stafford_Springs_3quarter_view_IMG_0562
Canon EOS 7D with 28-135mm lens; exposed at f8 1/500 ISO 200.

What I find interesting is that, 16 years ago I made similar images of the same GP38s in the same location! A lot has changed in that time. Back then New England Central was part of RailTex. Now, after a dozen years as a RailAmerica road, it’s a Genesee & Wyoming property.

Somehow, I doubt that in another 16 years I’ll still be able to make images just like these. But you never know. It’s nice having an interesting railway nearby.

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Drowning the Light

 

 

Something a Bit Darker:  Enigmatic or just playing around?

Palmer in Gloom and Rain, May 24, 2013.

Friday evening May 24, 2013 wasn’t the driest night in recent days. I was in Palmer, Massachusetts to meet some friends for dinner. On the way in, I timed my arrival to intercept CSX’s westward Q437 (Worcester, Massachusetts to Selkirk, New York). I’d learned that one of the specially painted ‘Diversity in Motion’ AC4400CWs was leading.

The day was in its final moments with just a hint of blue in the sky. The signals at CP 83 (dispatchers control point, measuring 83 miles from South Station, Boston) lit up moments after I arrived. That gave me about six minutes to think up a photo solution. Since the car-park (parking lot) at Steaming Tender was comparatively empty, I opted for a broadside pan. All I had to work with was my Lumix LX3.

Pan photo of CSX.
CSX Q437 rolls through CP83, Palmer, Massachusetts. Lumix LX3 photo.

I set the LX3 for 200 ISO, switched ‘off’ the image stabilizer (I’ve found this tends to interfere with long pans), and selected ‘aperture priority’ with f2.6 and +1/3 exposure compensation. Then I set the focus manually and waited. There’s a slow order through Palmer, and Q437 passed traveling not faster than 30mph. I made a long pan and the camera selected a shutter speed of 1/3.2 seconds. A long exposure, but not long enough. I still needed to lighten the image in post processing using the program’s ‘curve’s’ feature.

After dinner, it was raining steadily. Rich Reed, Bill Keay & I returned to CP 83 to observe the arrival of a southward New England Central freight. I made a couple of more long pans in the gloom of night. Then, I placed the camera on an old railroad tie to make one final exposure of the train in the rain.

New England Central freight arrives at Palmer yard. Lumix LX3 ISO 200 set at f2.6 1.3 seconds, panned hand held in the rain.
New England Central freight arrives at Palmer yard. Lumix LX3 ISO 200 set at f2.6 1.3 seconds, panned hand held in the rain.
New England Central freight arrives at Palmer yard. Lumix LX3 ISO 200 set at f2.6 1.6 seconds, panned hand held in the rain.
I grabbed a second pan shot, as with the previous image, this one was with the Lumix LX3 ISO 200 set at f2.6. Slightly longer exposure: 1.6 seconds, also panned hand held in the rain.
Rain at Palmer yard. May 24, 2013. New England Central freight . Lumix LX3 ISO 200 set at f2.5 1/1.6 seconds.
Rain at Palmer yard. May 24, 2013. New England Central freight . Lumix LX3 ISO 200 set at f2.5 1/1.6 seconds.

Something a bit different anyway and it cost me nothing but a few moments of my time (and suffering some gratuitous dampness.)

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CSX Moves Fuel.

Tank Trains Rolling at Guilderland, New York.

 

 

 

On Saturday, May 18, 2013, CSX had four eastward unit oil trains working the Water Level route between Buffalo and Selkirk, New York. Mike Gardner and I were in place to catch two of these monsters. Mile-plus long strings of black heavily-laden tank cars hauled by colorful variety of locomotives.

These were only part of the show and mixed in with CSX’s seemingly endless parade of intermodal trains and mixed freight. While waiting for first of the oil train to reach us, we experience the highlight of the day. To the east I heard the classic roar of EMD 16-645 engines.

What could be making such a racket? This is a railroad dominated by the muffled sound of modern GE four-stroke diesels and the occasion EMD 710. By contrast this sound sent me back 20 years . . .

CP Rail SD40-2 leads an empty ethanol train.
SD40-2s lead CSX symbol freight K4091 (a westward empty ethanol train) on the old West Shore. The line on the right is the traditional eastward track built to fly over the westward main near French’s Hollow. Three SD40-2s on the Water Level Route, not bad! Canon EOS 7D with f2.0 100mm lens.

Working west in run-8 were three SD40-2s (one Canadian Pacific and two painted for Dakota, Minnesota & Eastern/Iowa, Chicago & Eastern) with empty ethanol train in tow. The crew was enthusiastic and passed us with a friendly blast of the horn and bells ringing. It was just about the coolest train I’ve seen on CSX in several years!

Empty ethanol train.
Trailing view of CSX K4091, the receding sounds of 16-645E3 engines brightening my day. Canon EOS 7D with f2.0 100mm lens.

After it passed we caught the first two unit oil trains, one right after the other, followed more ordinary traffic. This oil business is a new phenomenon and seems to be growing. I expect I’ll see more liquid energy on the move.

CSX_oil_train_K040
First of four eastward unit oil trains; CSX K040 with a mix of CSX, KCS, and BNSF locomotives.
CSX GE number 860 leading K048, the second of four oil trains on May 18, 2013. Canon EOS 7D with f4.0 200mm lens.
CSX GE number 860 leading K048, the second of four oil trains on May 18, 2013. Canon EOS 7D with f4.0 200mm lens.
Oil train
Rolling pipeline; trailing view of CSX K048—the second of four oil trains on May 18, 2013. Canon EOS 7D with f4.0 200mm lens.
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West Shore Bridges, French’s Hollow, Guilderland, New York.

 

Morning of May 18, 2013.

CSX on bridge.
We only had a few minutes to wait after arrival before we heard this westward train approaching French’s Hollow. One of CSX‘s SD70MACs leads. The train is on the older (and closer) of the two bridges. Canon EOS 7D with 28-135mm lens set at 75mm. Exposed at ISO 200 f5.6 1/1000th of a second. (I chose a very fast shutter speed because of my broadside angle to the train).

CSX’s Selkirk Branch, the old West Shore Railroad (New York, West Shore & Buffalo), is part of the busiest rail-freight corridor in the Albany area. This line is the primary westward link from the sprawling Selkirk yard; freight to and from Boston Line (old Boston & Albany), River Line (former West Shore to northern, New Jersey), and Hudson Line (former New York Central Hudson Division) plus Albany-area terminal traffic all uses this route.

Saturday, May 18th promised to be a bright day, so Mike Gardner and I aimed for French’s Hollow, where the old West Shore crosses Norman Kill. This section of line features a New York Central-era grade separation, built to allow the traditional eastward main to fly over the westward main, thus minimizing the need for conflicting movements of freights coming in and out of Selkirk.

Graffiti on railway car.
Decorated auto rack passes over Norman Kill. Canon EOS 7D with 28-135mm lens.

In a wet season, Norman Kill can be a raging torrent making for nice waterfall below the twin bridges. However, it’s been unseasonably dry, and the waterfall was little more than a trickle.

The north-south orientation of the Selkirk Branch and broadside view of the bridges is well suited to photographing westward trains in the morning. Our location was from a closed road bridge, now a hiking trail, immediately compass east of the railroad bridges.

Freight train crosses bridge at Frenchs Hollow, New York.
This was the second of several westward freights to cross the bridge at French’s Hollow. Old topo maps show this location as ‘French Mills’, so presumably there was once some sort of mill on Norman Kill. Exposed with a Canon EOS 7D with 28-135mm lens set at 30mm; ISO 200 f5.6 1/1000th of a second.

CSX performed more or less as anticipated; between 8 am and about 9:30 am we had a steady parade of westward trains, and at least one eastward train. This proved an excellent beginning to a very productive day photographing CSX freight west of Selkirk. In addition to more than a hundred digital images, I also exposed a couple of rolls of slide film during the course of the day. I’ve displayed just a few of the French’s Hollow images here.

GE diesels on Selkirk Branch.
There was a time when ‘foreign power’ (off line locomotives) running on the Water Level Route would generate a bit of excitement. Today, it isn’t unusual to see BNSF or Union Pacific locomotives leading train on CSX wet of Selkirk. A pair of BSNF Evolution Series GE six motor diesels glide across the bridge at Frenchs Hollow on May 18, 2013. Exposed with a Canon EOS 7D fitted with a Canon 40mm Pancake lens.

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Amtrak Along the Hudson at Stuyvesant, New York, May 17, 2013.

Visions of the Great Steel Fleet.

 

On Friday, May 17, 2013, John Pickett and I went for lunch at the Riverview Cafe at Stuyvesant, New York. This is one of John’s favorite places to eat, as it offers a view of both the former New York Central Water Level Route and the Hudson River, and sits a short walk from the old Stuyvesant railway station.

I was visiting John to review some black & white negatives for upcoming book projects. John has a wonderful collection of steam-era photographs, many that he exposed with his own lens, and I’ve published a number of these in recent books, including North American Locomotives published by Voyageur Press.

I enjoy perusing John’s files and finding hidden gems among his images.

One of the photos he made shows a New York Central streamlined J3a Hudson racing west through Palentine Bridge in 1946. John grew up in Canajoharie on the opposite side of the Mohawk River from Palentine Bridge and he has great memories of watching trains in the glory days of the New York Central.

Before we sat down for lunch, John consulted his Amtrak schedule and worked out the times for train 238 running south from Albany and train 281working north from New York City. It was a toss up as he figured they were both due about the same time. ‘How exciting! I wonder which will get here first?’

Amtrak along the Hudson River
Amtrak train 238 crawls by the old New York Central station at Stuyvesant, New York. Canon EOS 7D with 28-135mm lens.

As it turned out, 238 came first, but rolled through at a crawl. Soon after it passed us, we could here 281 blasting north. John passed the train a friendly wave, and, to our delight, we saw that it had a classic New York Central round-end observation at the back! ‘That was Babbling Brook!’. Neat to see a vestige of the Great Steel Fleet (what New York Central called its Water Level route passenger service) still rolling along at speed.

 

Amtrak along Hudson River.
John Pickett waves to Amtrak train 281 led by dual-mode General Electric locomotive 702 at Stuyvesant, New York on May 17, 2013. Canon EOS 7D with 28-135mm lens.
Observation car on Amtrak 281.
New York Central observation Babbling Brook passes Stuyvesant, New York. Today, the former New York Central Hudson Division has just two main tracks at Stuyvesant; the days of 4-6-4 Hudson-types, 4-8-2 Mohawks, and 4-8-4 Niagaras on the great four track main line are just a memory. Canon EOS 7D with 28-135mm lens.
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Mass-Central, Monday May 13, 2013.

 

Blue GP15-2 and Spring Greenery.

GP15-2
Detail of the GATX GP15-2 operating on Mass-Central. The GP15 model features an unusual airflow pattern. Canon 7D.

My brief encounter with Mass-Central’s borrowed GP15-2 on May 10, 2013 (see Quaboag Valley in Fog and Sun, May 10, 2013  encouraged me to seek out this locomotive and spend some more time photographing it on the former Boston & Albany Ware River Branch.

This branch is one of my longest running projects. Back in 1981, I rode my 10-speed bicycle from Monson to Ware to make photographs of Mass-Central’s recently acquired EMD NW5, number 2100. Now, more than 30 years later, that old engine is still on the property, and I’ve been up and down the line by road (and rail) dozens of times.

Despite this familiarity, at least once a year (if not once a season) I’ll take a photo-trip along the line. So, having a nice freshly painted locomotive against fresh spring leaves is a good excuse to get out and the exercise cameras.

GP15-2
Northward Mass-Central freight near Creamery on May 13, 2013. Canon 7D with 20mm lens.
Mass-Central crosses Rt 67 at Barre, Massachusetts on May 13, 2013. Lumix LX-3 photo.
Mass-Central crosses Rt 67 at Barre, Massachusetts on May 13, 2013. Lumix LX-3 photo.
Mass_Central_w_GATX_499_Barre_w_stream_P1480619
Mass Central at Barre, Massachusetts on May 13, 2013. Lumix LX3 photo.

Much of the line is on a southwest-northeast angled alignment; and since trains tend depart northbound in the morning from Palmer  and return after midday, I’ve found that the southward return chase can be the most productive for making clean locomotive images.

On Monday May 13th, I spent the morning writing and running errands. Then in late morning, I followed Mass-Central’s line up to Gilbertville where I waited for the weekday freight to pass on its northbound run. (Just to clarify; the weekday freight is all I’d ever expect to see. The days of Boston & Albany’s steam hauled mixed train and milk specials have long since passed!)

Albany station at Gilbertville, Massachusetts on May 13, 2013.
Former Boston & Albany station at Gilbertville, Massachusetts on May 13, 2013.

My timing was good, and after a little while the GP15-2 rolled through northbound with two cars. Not much of a train, but it collected a few more cars near Creamery and continued to South Barre where it worked for about an hour delivering and collecting freight cars.

As expected, the southward chase offered better angles and nicer train. Not only did the southward train have a decent consist of cars, but the sun made some well-timed appearances.

Mass-Central working the spur at South Barre. This light industrial branch diverges near the end of track on Mass-Central's line at South Barre.
Mass-Central working the spur at South Barre. This light industrial branch diverges near the end of track on Mass-Central’s line at South Barre. Canon 7D.
Mass-Central freight
Mass-Central freight near Barre, Massachusetts on May 13, 2013. Canon 7D with 20mm lens.

I made photos with both film and digital Canon bodies as well as my Lumix LX-3, while following all the way south to Palmer  (where Mass-Central interchanges with both CSX and New England Central).

Canon 7D.
Canon 7D.
Mass-Central crossing Rt 32 near Creamery, Massachusetts.
Mass-Central crossing Rt 32 near Creamery, Massachusetts.
Canon 7D.
Mass-Central catches the sun at the Rt 181
Mass-Central catches the sun at the Rt 181 crossing near Palmer, Massachusetts. Canon 7D with 28-135 lens.

I’ve learned to take advantage of unusual or new motive power on the branch, as things can (and do) change quickly. To use a cliché; it’s best to strike when the iron is hot! I was pleased with my results featuring the GP15-2 and I wonder what motive power I’ll find next time I follow the line?

CP 83 Palmer, Massachusetts. Canon 7D photo.
CP 83 Palmer, Massachusetts. Canon 7D photo.
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Quaboag Valley in Fog and Sun, May 10, 2013

 

Anniversary of the Golden Spike.

Morning of May 10, 2013 finds heavy fog at Hospital Road in Monson, Massachusetts. This view looking south on New England Central's former Central Vermont Railway. Canon EOS 7D.
6:38 am on the morning of May 10, 2013 finds heavy fog at Hospital Road in Monson, Massachusetts. This view is looking south on New England Central’s former Central Vermont Railway. Canon EOS 7D.

May 10th holds symbolic railroad significance as the anniversary of completion of the first Transcontinental Railroad in 1869—an event that had great national and international importance. Many other railway anniversaries can be linked to May 10 as well.

In 2007, I coordinated a team of 37 photographers to document a full day’s worth of North American railway activity from Nova Scotia to southern California and from the Pacific Northwest to southern Florida in what became a book titled The Railroad Never Sleeps published by Voyageur Press.

Although this seems to be out of print, it remains a stunning photographic collection, which is especially impressive considering it was entirely accomplished within the limits of just one day!It’s hard for me to believe that six years have passed since that day.

Yesterday (May 10 2013), I got up early and aimed for Palmer, Massachusetts, with an aim of making a variety of railway images on this significant day. In the course of just a few hours, I’d photographed five train movements on three different railroads. I was home by 9:30 am. (Although, I was out again later in the day to investigate some changes to railway infrastructure).

When I began my photography there was thick fog clinging to the valleys; this gradually burned off leaving bright sun. Here’s a selection of my efforts.

Train in fog.
6:43 am. New England Central 608 led by GP38 3857 works south of Palmer Yard approaching Hospital Road in Monson, Massachusetts. On May 10, 2013, the sun was out, just not here. Canon EOS 7D.
Tracks in forest.
7:49 am. The fog had begun to lift when I made this view along Mass-Central’s former Boston & Albany Ware River Branch near Forest Lake, Palmer, Massachusetts. May 10, 2013. Canon EOS 7D.
Here was a complete surprise for me; I was unaware that Mass-Central had borrowed a GATX GP15-2 locomotive until I saw it leading the northward freight. Some quick driving  on my part put me in position at this broadside view where the line crosses Forest Lake. I was pleased, that's a nice looking locomotive in fresh paint.
7:52 am. Here was a complete surprise for me; I was unaware that Mass-Central had borrowed a GATX GP15-2 locomotive until I saw it leading the northward freight. Some quick driving on my part put me in position at this broadside view where the line crosses Forest Lake. I was pleased, that’s a nice looking locomotive in fresh paint. Canon EOS 7D with 40mm Pancake Lens.
Crossing the mountain from the Ware River Valley to the Quaboag River Valley, I heard CSX Q264 call the signal at CP83 in Palmer. I altered my course to intercept it at West Warren, where recent undercutting and brush work has opened up a nice view for morning trains headed east. The sun was just emerging from the fog making for some rich soft light. Canon EOS 7D with f4.0 200mm lens.
Crossing the mountain from the Ware River Valley to the Quaboag River Valley, I heard CSX Q264 call the signal at CP83 in Palmer. I altered my course to intercept it at West Warren, where recent undercutting and brush work has opened up a nice view for morning trains headed east. The sun was just emerging from the fog at 8:15 am making for some rich soft light. Canon EOS 7D with f4.0 200mm lens.
EMD SD70MAC
8:29 am. Only a few minutes behind Q264 was this eastward intermodal train. The sun was out brightly in Warren and I could hear the roar of EMD diesels well before the train reached me. Canon EOS7D with 28-135mm lens at 28mm.

 

 

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New England Central, Monson, Massachusetts, May 8, 2013

The ‘Pride of Palmer’ Climbs Stateline Hill.

Yesterday morning, jetlag had me awake and alert considerably earlier than I’m accustomed. By 7 am, I’d photographed three trains on two railroads in two states and was on my way home to get some work done. Crazy thing, jetlag.

Tracks in Monson, Massachusetts
New England Central’s former Central Vermont Railway line looking north toward Washington Street in Monson, Massachusetts. Canon 7D with an f2.0 100mm lens.

The highlight of the morning’s impromptu photo excursion was this image of New England Central’s ‘Pride of Palmer’ (GP38 3851) climbing through Monson, Massachusetts with a short freight for Willimantic, Connecticut. This is passing Monson’s ‘tornado alley’, where, nearly two years ago a freak afternoon twister made splinters and memories of  many fine buildings and trees.

New England Central GP38 in Monson, Mass.
At 6:16 am on May 8, 2013, New England Central 3851 approaches the ‘Monson tunnel’, now nearly an underpass below Main Street. Canon 7D with an f2.0 100mm lens, ISO 400 exposed at f4.0 1/250th, white balance set for ‘cloudy.’
Train in Monson, Mass.
New England Central 3851 approaches Main Street, Monson. Exposed with a Lumix LX3, set at ISO 200. Image modified with Adobe Photoshop to compensate for exposure extremes and to warm the color balance.

 

 

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Bluebell Railway April 20, 2013—Part II

Attention to Details.

Bluebell Railway
Luggage on the platform at Horsted Keynes on April 20, 1948, no sorry, make that 2013.

 

Bluebell Railway
Old advertisement at Sheffield Park.
Bluebell Railway
Nameplate on locomotive Stowe inside the engineshed at Sheffiled Park. Lumix LX3 photo.

One of the great features of Britain’s preserved Bluebell Railway is its exceptional attention to detail. Everywhere you look there is something to make the past, alive. Old advertisements, piles of luggage, semaphore signals, cast iron warning signs, and buckets of coal.

You hear the clunk of a rod moving a signal blade from red to green, followed by the shrill guard’s whistle and the slam of a wooden door. Then a mild hiss as the automatic brake is released and the sharper hiss from the locomotive as it eases off the platform. Yet, the Bluebell experience isn’t all about its locomotive, or its trains. The Bluebell is a railway experience.

Semaphores.
Outer home semaphore on the Bluebell Railway near Horsted Keynes. I’m especially impressed by Bluebell’s  great attention to period railway signalling (two ll’s). Canon EOS7D with 28-135mm lens.

 

The number plate on a smoke box door catches the hint of a blue sky beyond. Canon EOS7D with 28-135mm lens.
The number plate on a smoke box door catches the hint of a blue sky beyond. Canon EOS7D with 28-135mm lens.
Bluebell Railway.
A class 9F 2-10-0 emits wisps of steam on the platform at Sheffield Park. Lumix LX3 photo.
Old railway posters
Southern Railway advertisements hint of the glamour of railway travel from another era. Lumix LX3 photo.

The time warp ends when you arrive back at East Grinsted, where you insert your ticket with its magnetic stripe into automatic barriers, then board a modern electric multiple unit with sealed windows, plastic décor and space-age loos that look like they belong on the set of Star Trek.

Crews chat on the platform at Sheffield Park. Lumix LX3 photo.
Crews chat on the platform at Sheffield Park. Lumix LX3 photo.

 

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Bluebell Railway April 20, 2013

Visiting a Preserved Steam Railway.

The Bluebell Railway is Britain’s first standard gauge preserved steam railway. It dates from the early 1960s, and for more than 50 years has offered excursions over a scenic portion of former Southern Railway, ex London, Brighton & South Coast Railway. Today the railway runs from East Grinsted to Sheffield Park (south-southwest of London), and includes a relatively long tunnel.

Bluebell Railway.
Departing Kingscote behind a British Railways class 9F on April 20, 2013. Canon EOS 7D with 28-135mm lens.

Bluebell, like many of Britian’s steam railways, is a fully functioning preserved line, complete with stations, signal boxes (towers), authentic period signal hardware (including semaphores), engine sheds and lots of staff (presumably mostly volunteers), all of  which contributes to the appearance of an historic British railway. In other words, it’s like a time machine!

Bluebell Railway.
Bluebell’s staff wear period railway attire. Canon EOS 7D with 28-135mm lens.

On Saturday April 20, 2013 David Hegarty and I traveled from London by train via East Croydon to East Grinsted. It was a beautiful clear bright day. Bluebell had just recently reopened its line for connections to British rail network at East Grinsted.

Bluebell Railway.
New track! On April 20, 2013, our train from East Grinsted navigates the recently completed connection from the British rail network. After more than five decades of isolation from the British rail network, Bluebell is finally connected.

While not especially photogenic, I found the new East Grinsted transfer a big improvement for reaching the Bluebell. On previous visits, I’d hired a car and drove directly to Horsted Keynes—a mid-point station on the Bluebell. All things being equal, its nice to arrive by rail.

Engine driver on the Bluebell.
Enginemen on Southern Railway 2-6-0 1638 at Horsted Keynes. Exposed with a Canon EOS 7D with 28-135mm lens.

It was interesting to travel behind steam (British Railways 2-10-0 class 9F) over newly laid track. We spent a full day wandering up and down the line by train. At one point we went for a long hike following signposted footpaths to a known good spot (what friends like to call a KGS). I’d found the spot, north of Horstead Keynes, about 10 years ago.

Bluebell Railway.
Bluebell’s dinner train departs Sheffield Park on April 20, 2013. Canon EOS 7D with 28-135mm lens.

Biggest challenge to making photos on the Bluebell is their operating practice of locomotives facing north, which can present some difficult lighting angles considering most of the line is on a north-south alignment.

Bluebell Railway.
My known good spot: here a Bluebell train works the bank north of Horsted Keynes. Lumix LX3 photo.
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Irish Rail Freight April 25-26, 2013

Seeking Liners and the Ever Elusive Timber-train.

For the last decade or so, Irish Rail has focused largely on its passenger operations. These days long distance passenger trains are dominated by fleets of Rotem-built InterCity Rail cars (ICRs), with locomotive-powered trains only working Dublin-Cork (class 201 diesels with Mark 4 push-pull) and Dublin-Belfast (class 201 diesels with De Dietrich push-pull). To the casual observer, it might seem that all the Irish Rail trains are ICRs. Certainly they seem to be everywhere.

 

Last Thursday and Friday, David Hegarty & I visited midland counties in search of freight trains. These are good days to be out, since Irish rail fields a variety of scheduled freight on its route to County Mayo via Portarlington, Athlone, and Roscommon. This single-track line has a rock and roll profile across undulating countryside.

UP IWT liner
Irish rail’s ‘up IWT liner’ (Ballina to Dublin) passes the 44 1/2 mile post near Portarlington. Gorse blossoms on both sides of the tracks. Canon 7D with 200mm f2.8 lens.
Dublin-Ballina IWT liner
First of two Dublin-Ballina IWT liners on Thursday, April 25, 2013. Canon 7D with 40mm pancake lens.

 

Irish Rail Timber near Portarlington
On on April 25, 2013, Irish Rail class 201 diesel number 219 leads a laden timber at mp44 1/2 near Portarlington. Canon 7D with 40mm pancake lens.

It’s gorse-season, and the gold-tinged blooming bushes works well with Irish Rail’s ‘safety yellow’ on the front of most trains. Getting the sun out is an added bonus. One minute there’s bright sun, the next its lashing rain. Sometime, I didn’t have to wait that long. They call it Spring. It’s as good an excuse as any.

Irish Rail freight.
Second IWT liner from Dublin to Ballina, north (west) of Portarlington on the branch to Athlone. Thursdays is a busy day for freight in Ireland, we caught six freight moves on April 25, 2013. Irish Rail 234 is the highest number 201 class diesels. The next day we photographed it again at Clara, Co. Offaly. Canon 7D with 20mm lens.

 

Ballina to Dublin IWT approaches the station at Clara on Friday April 26, 2013. That's 234, again. Lumix LX3 photo.
Ballina to Dublin IWT approaches the station at Clara on Friday April 26, 2013. That’s 234, again. Lumix LX3 photo.
Not so lucky with the twice weekly DFSD liner. The rain caught me here. Luckily I had an Opel for shelter! This is from the main road between Athlone and Knockcroghery. Canon 7D with 200mm f2.8 lens.
Not so lucky with the twice weekly DFSD liner. The rain caught me here. Luckily I had an Opel for shelter! This is from the main road between Athlone and Knockcroghery. Canon 7D with 200mm f2.8 lens.
IWT liner at Donamon.
This sounded great; its the down IWT liner roaring along with a 1970s-era class 071 near the former station of Donamon (west of Roscommon). Canon 7D with 40mm pancake lens.
Irish Rail empty timber train.
Last train of the day; the empty timber from Waterford near Donamon. After we caught this train, we were given good advice on an even nicer location a couple of miles further west. We’ll be back! Canon 7D with 100mm f2.0 lens.

In addition to these digital photos exposed with my Canon 7D and Lumix LX-3, I also exposed a couple of rolls of film, including the first roll of Fuji Velvia 50 that’s been in my Canon EOS 3 in about six years. When using slide film, I usually work with 100 ISO stock. The Velvia 50 is an accident, and I’ll be curious to see how those slides turn out. Thanks to Noel Enright for logistical advice!

Ballina to Dublin IWT approaches the station at Clara on Friday April 26, 2013. That's 234, again. Lumix LX3 photo.
Ballina to Dublin IWT approaches the station at Clara on Friday April 26, 2013. That’s 234, again. Lumix LX3 photo.
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Northern Lights HST at Kings Cross

Fast train delayed because of a suspected points failure.

On Monday, April 22, 2013, a well-known industry communications manager and I paused at an overhead bridge beyond London’s Kings Cross to watch the departure of the 1400 (2pm) East Coast train to Aberdeen. This is called the Northern Lights and features a 1970s-vintage HST, thus making it among the more interesting trains serving Kings Cross.

What ought to have taken just a few moments, dragged on and on. We could see the HST on the platform, but at 2 o’clock it failed to depart on time. I knew something was up when a man, who appeared to be the driver, left the cab of the train. (Just for clarification: in British terminology the person who runs—or ‘drives’—the train is known as a ‘driver’ rather than an engineer.)

Two minutes turned into five, and the HST still hadn’t left. Then two railway employees appeared by a slip-switch beyond the end of the platform. They began disassembling the cowling that covered the switch machine motor. The incident was shaping up to what they call a ‘points failure’. (In Britain, track switches are called ‘points.’)

Before it was all straightened out, there were four men dressed in orange safety clothing on the ground managing the uncooperative points. Finally, just after 1412 (2:10pm), the HST marched out of Kings Cross in parallel with another East Coast train, this one hauled by a common class 90 electric (and was probably destined for Newark Northgate).

Kings Cross, London
I used my Lumix LX3 to catch the late departure of East Coast’s Northern Lights (on left) on Monday April 22, 2013. On the right is the class 90 electric with another northward train. It’s been more than 45 years since the famous Gresley-designed A4 Pacific’s worked this route. Much more than the locomotives has changed, and continues to change. The whole area around Kings Cross is a construction site.

 

 

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London Stations

 

A brief photographic tour from April 2013.

Kings Cross renovation
Signage around Kings Cross helps place renovations and modernization in context. St Pancras looms in the distance. Lumix LX3 photo.

During my wanders around London in April 2013, I visited a variety of London’s stations. For me, London’s stations are far more interesting than the trains. Where the trains tend to be fleets of modern multiple-units, the stations range from Victorian gems to austere examples of Lego-block architecture.

My favorite station is St Pancras. This is a classic railway cathedral.  A few years ago it was transformed in to a modern multimodal center. Today, it serves as an international station as well as both a long distance and commuter railway station. It features a shopping mall and luxury hotel. Most impressive is the original architecture, including the pioneer example of a balloon-style arched train-shed, which has been successful integrated into a modern facility.

St Pancras
St Pancras’s head house is the Midland Grand Hotel, designed by Sir George Gilbert Scott—one of London’s best remembered 19th century architects. I made this view with my Lumix LX3 on the morning of April 19, 2013
St Pancras
St Pancras: railway cathedral as viewed on April 20, 2013. Lumix LX3 photo.
St Pancras
In my book, Railway Masterpieces (published by Krause in 2002), I wrote of St Pancras, “The station’s great balloon arch train shed, the very first of its kind, spans 240 feet, measures 689 feet long, and rises to 100 feet above rail level at its peak. It was designed by the Midland’s engineer, William Barlow.”
On April 19, 2013, light tickles a Eurostar highspeed train under the famous shed. Lumix LX3 photo.
St Pancras
Modern additions to St Pancras offer a contrast to the Victorian splendor of the original station. Lumx LX3 image exposed on April 20, 2013.

Kings Cross is adjacent to St Pancras. This has also been recently transformed, and blends historic and contemporary architecture. Interestingly, Kings Cross may be most famous for its mention in the Harry Potter stories. Today, there’s both a Harry Potter shop and a light-hearted platform 9 ¾ for visitors.

Kings Cross
Kings Cross on April 18, 2013 after a spring shower. Renovations are on-going. Lumix LX3 photo.
Kings Cross
Today, Kings Cross is a blend of contemporary and historic architecture. Lumix LX3 photo exposed on April 22, 2013.
Kings Cross
A 1970s vintage HST under the shed at Kings Cross. Years ago I saw graffiti scrawled on the side of an American boxcar that read, ‘Kings Cross is the best, forget the rest.” A line from a song?
These days Kings Cross is best known because of its role in the Harry Potter stories.
These days Kings Cross is best known because of its role in the Harry Potter stories.

On this trip, I passed through London Bridge station and was shocked to see that the old train shed has been demolished! All I saw was a few vestiges of the old iron columns. Fifteen years ago, I made some memorable images inside the shed, and now that it’s gone, I’ll need to dredge these photos from the archives. Another change at London Bridge was nearby construction of a monumental skyscraper, colloquially known as ‘The Shard’.

The Shard looms over London Bridge Station on April 20, 2013. Lumix LX3 photo.
The Shard looms over London Bridge Station on April 20, 2013. Lumix LX3 photo.
Blackfriars
A First Capitol Connect train rolls into Blackfriars on April 21, 2013. Canon EOS 7D photo with 28-135mm lens.
Charing Cross Station
Not to be forgotten is London’s Charing Cross, located near Embankment, and just a short walk from Trafalgar Square. Lumix LX3 photo on April 19, 2013.
Victoria Station
Victoria Station; two terminals with one name.
Waterloo
Waterloo Station, is one of London’s busiest. Waterloo is named for the Belgian town where Wellington prevailed over Napoleon. Ironically, this was the London-Paris Eurostar terminal for more than a decade before international services were shifted to St. Pancras. Lumix LX3 photo.
London Euston
Like New York’s late, great Pennsylvania Station, the classic Euston Station was demolished in the 1960s to make way for uninspired modernity. Progress doesn’t necessarily make things better. Lumix LX3 photo.
Euston Station
This statue of British Railway pioneer Robert Stephenson is displayed in front of Euston Station. Euston, Heuston, what’s in an ‘H’ anyway? LX3 photo.

Clapham Junction is famous as Britain’s busiest station. Still images cannot convey the power of place. Watching trains at Clapham Junction is akin to watching the tide flow in. At rush hours an unceasing parade of trains passes Clapham Junction, with trains flowing in waves. Most impressive is standing at the north end of the station when as many as six trains approach simultaneously.

Clapham Junction
Clapham Junction is difficult to properly appreciate in still photos.
Clapham Junction
Buses converge outside of Clapham Junction Station on April 22, 2013. Canon EOS 7D with 28-135mm lens.
Clapham Junction Platform 13 destination board on the evening of April 22.
Clapham Junction Platform 13 destination board on the evening of April 22.

 

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London Overground—Part 2

 

 

More Views London’s Overground Network

Yesterday’s post (London Overground–Part 1 posted April 27, 2013) offered a cursory survey of London’s Overground network. Here I’ve posted a follow up with more images.

London Overground Train.
London Overground Train. Exposed with a Lumix LX3.
London Overground.
Overground train approaches Brondesbury on April 19, 2013. Lumix LX3 photo.

Since Overground primarily serves neighborhoods in London’s outer reaches and is a much more recent addition to London Transport, it is undoubtedly less-familiar to visitors than the Underground. Yet, Overground is a boon for the railway enthusiast, since it connects a variety of interesting railway hubs and junctions.

 

London Overground with canal.
Overground crossing the Regents Canal at Haggerston on April 17, 2013. Lumix LX3 photo.
Train interior.
Interior of London Overground train on April 21, 2013. Lumix LX3 photo.

Overground services are fully integrated with other elements of London Transport, and there are many places allowing cross platform transfers to Underground and Network Rail services, as well as connections to buses and the Docklands Light Railway. Overground is open to holders of Day Travel Cards, Oyster Cards and other urban fares.

Class 59.
An EMD-built Class 59 diesel leads an empty stone train through Kensington-Olympia station on April 19, 2013. The Overground offers a convenient link to freight routes. Exposed with a Canon EOS 7D and 28-135mm lens.
London Overground.
London Overground train approaches West Hempstead station on April 19, 2013. Canon EOS 7D with 28-135mm lens set at 135mm.
London Overground train at Clapham Junction. Lumix LX3 photo.
London Overground train at Clapham Junction. Lumix LX3 photo.

On the down side, many Overground stations suffer from austere, utilitarian, and otherwise uninspired architecture (if the term can be applied to the line’s platforms and shelters). Yet, I found the services well run, and stations and trains clean and easy places to make photographs.

An EWS Class 66 diesel leads a northward container train through the Overground station at Wandsworth Road on April 22, 2013. Canon EOS 7D photo.
An EWS Class 66 diesel leads a northward container train through the Overground station at Wandsworth Road on April 22, 2013. Canon EOS 7D photo.
Wandsworh Road on April 22, 2013. Lumix LX3 photo.
Wandsworh Road on April 22, 2013. Lumix LX3 photo.

 

Mirror-view of London Overground.
A platform mirror catches a view of an Overground train at Willesden Junction on April 19, 2013. Lumix LX-3 photo.
Hoxton Station
Hoxton Station on London’s Overground. Lumix LX3.
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London Overground—Part 1

Exploring London’s Overground Network

 

London Overground platforms at Clapham Junction. Lumix LX-3 photo.
London Overground platforms at Clapham Junction. Lumix LX-3 photo.

London’s Overground system provides a regular-interval rapid transit service on various radial railway routes. These routes utilize a mix of Network Rail mainlines, new specialized Overground lines, and lines converted from former Underground lines. Over much of its network, Overground services share tracks with franchise long-distance passenger train operators, freight services, and in a few places with Underground trains.

London Overground train approaches Wandsworth Road on its run from Clapham Junction to Highbury&Islington on April 17, 2013. Exposed with Canon EOS 7D.
London Overground train approaches Wandsworth Road on its run from Clapham Junction to Highbury&Islington on April 17, 2013. Exposed with Canon EOS 7D.

Recently, Overground completed an outer orbital ring. This allows passengers to make a complete circle around London (albeit requiring a couple train changes). Since this circle intersects several significant freight lines, I found it useful for studying and photographing freight trains in the London area.

Overground provides an easy link from popular places to photograph freights such as Kensington-Olympia, Wandsworth Road, and a variety of stations on the North London line. My experience on this most recent trip produced mixed results.

London Overground at Hamstead Heath
An Overground train approaches Hamstead Heath on the North London Line. Freights often use this line, filling paths between scheduled Overground services. Lumix LX-3 photo.
GB Railfreight locomotives.
GB Railfreight EMD-built Class 66 diesels roll toward London’s Kensington-Olympia station on April 19, 2013. Exposed digitally with a Canon EOS 7D with 28-135mm lens.
Class 66 diesel-electrics.
An EWS Class 66 diesel leads a Class 92 electric on a unit freight at Kensington-Olympia on April 19, 2013. The high volume of freight transiting London on this line, make Kensington-Olympia popular with photographers. While photographer’s lunch droppings make the station popular with pigeons. Canon EOS 7D with 28-135mm lens.
An EWS Class 66 diesel leads a Class 92 electric on a unit freight at Kensington-Olympia on April 19, 2013.
Trailing view of a freight led by an EWS Class 66 diesel and Class 92 electric on a unit freight at Kensington-Olympia on April 19, 2013. Canon EOS 7D with 28-135mm lens.

Since, Overground services have been much expanded since my last visit, I focused my efforts on riding and photographing routes that not previously experienced while re-exploring places I hadn’t visited in several years. As result, I wasn’t as patient waiting for freights to pass. While I saw many freights from the windows of Overground trains, I made only a few successful images of freight movements.

My time in London was limited and I had variety of social and business engagements. Also, I visited a variety of London’s museums, pubs, and other attractions.  Yet, I made good use of my time on the Overground. These are images are just a few of my results. Check London Overground—Part 2 for more views.

A London Overground train at Willesden Junction on April 19, 2013. Compare this view with the image of the London Tube train presented in an earlier post.
A London Overground train at Willesden Junction on April 19, 2013. Compare this view with the image of the London Tube train presented in London Underground Part 2.

 

London Overground Train.
London Overground Train. Exposed with a Lumix LX3.

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London Underground April 2013—Part 2

More Images of London Transport.

 

London Underground
West Brompton Station on the District Line on April 19, 2013. Notice the larger size of cars used on the District and Circle lines as compared with Tube trains.

As a follow up to yesterday’s post (London Underground April 2013—Part 1), I’ve displayed a few more London Underground images made during last week’s trip. I first photographed the Underground at South Kensington back in early 1998, using my Nikon F3T  loaded with Fuji slide film. By contrast, all of my images displayed here were exposed digitally, primarily with my Lumix LX-3, although I also made a few with my Canon EOS 7D.

London Underground
Kings Cross-St. Pancras Tube Station on Monday April 22, 2013. Lumix LX-3 set at ISO 200.

Riding the Underground, what always strikes me is the continual warnings to ‘Mind the Gap!

London Underground
At noon on April 19, 2013, a Bakerloo tube train approaches Willesden Junction. At this location Tube trains share tracks with Overground services. Exposed with a Canon EOS 7D fitted with 28-135mm Canon lens.

Trains fit two profiles, the older and larger profile  such as that used by Circle, District, and Metropolitan Lines, and the later and lower profile used by ‘Tube’ services. These days many people refer to the whole of the Underground as the ‘Tube,’ (technically only the lines linking tunnels bored through deep clay which the lower profile trains use are ‘Tube lines’). Of course, in addition to subterranean routes, Underground trains also work surface lines and in some places share tracks with Overground and Network Rail trains.

London Underground
A Metropolitan Line train catches the glint on the evening of Wednesday, April 17, 2013. Lumix LX-3 photo.

 

London Underground
Underground Station at London’s Covent Garden, April 18, 2013. Lumix LX-3 photo.
London Underground signs
Signs boast of renovations and improvements to the Underground at Tottenham Court Road. Lumix LX-3 photo.
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London Underground April 2013—Part 1

Digital Images of Urban Transport.

 

London Tube
Caledonian Road Tube Station on the London‘s Piccadilly Line, April 19, 2013.

During 2013, London’s Underground network has been celebrating 150 years of service. This milestone is marked by posters and artwork around the network. For me the Underground is both a convenience and a subject for photography.

London Underground 150.
London Transport Poster celebrating 150 years of service on the Underground. Lumix LX-3 photo, exposed at Bank station on Sunday April 21, 2013.

The Underground is one of the world’s most complex and extensive railway rapid transit networks, and is well integrated with the rest of London transport.

Photographing on the Underground has its challenges. Space is often constrained, it tends to be dimly lit underground, and trains and platforms are nearly always crowded. The system boasts that it carries more than 1 Billion passengers annually! At times it seems that each and every one of these billion are in the way. Yet, the passengers are the reason for the system and often make for the most interesting images.

I’ve included a small selection of photos of the London Underground that I exposed over the last week. Most were made with my Lumix LX-3, which owing to its compact size and ease of use makes it my choice camera for making Underground images. Use of flash is prohibited; a tripod is impractical, so all of my images were made handheld with existing light.

Tube Station.
Highbury&Islington Tube Station on the Piccadilly Line, April 19, 2013.
Escalator at Leicester Square Tube Station.
London Underground Station at Leicester Square on April 22, 2013.
Escalator at Leicester Square Tube Station.
Classic Underground mosiac on the wall of the Tube. Lumix LX-3 photo.

 

London Underground
Escalator at Leicester Square Tube Station.
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Vistas with Battersea Park Power Station, London, April 17, 2013

The View From Wandsworth Road Station Footbridge.

Perhaps London’s most impressive railway backdrop is the disused Battersea Park Power Station. It is among London’s industrial icons and famous for its portrayal on the cover of Pink Floyd’s 1977-album Animals.

A Southeast Trains EMU from Waterloo Station passes the Battersea Park Power Station on April 17, 2013. Exposed with a Canon EOS 7D fitted with 28-135mm lens.
A Southeast Trains EMU from Waterloo Station passes the Battersea Park Power Station on April 17, 2013. Exposed with a Canon EOS 7D fitted with 28-135mm lens.

This location was recommended to me from veterans of railway photography and I first photographed here in the year 2000. The vantage point is from the lightly used suburban station at Wandsworth Road. Until recently, this was served by a loop service connecting London Victoria and London Bridge terminals. Now, the Overground rail network (subject of a future post) serves Wandsworth road.

Trains stop here every 15 minutes on the run between Clapham Junction and Highbury&Islington stations.

Several lines converge at Wandsworth Road, and in addition to continual parade of suburban trains are a variety of freight moves. Until a few years ago, Eurostar high-speed trains passed on their way to and from Waterloo International. Now, Eurostar serves St. Pancras and take a different route through London.

Battersea Park Power Station
Southeast Trains  services glide along at Wandsworth Road, London on April 17, 2013. Digital image made with a Canon EOS 7D fitted with 28-135mm lens.

I made these images only an hour or so after landing at Heathrow. As I waited for trains,  helicopters were circling as result of on-going funeral proceedings for Margaret Thatcher. Battersea closed as a generating station in 1983; ironic, isn’t it?

A Southeast Trains EMU from Waterloo Station passes the Battersea Park Power Station on April 17, 2013. Exposed with a Canon EOS 7D fitted with 28-135mm lens.
Battersea Park Power Station on April 17, 2013.

 

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London April 2013

 

 

St. Pancras Station on Thursday, April 18, 2013.

Sir George Gilbert Scott’s Midland Grand Hotel along Euston Road, London, on the afternoon of April 18, 2013.
Sir George Gilbert Scott’s Midland Grand Hotel along Euston Road, London, on the afternoon of April 18, 2013. Exposed with a Lumix LX-3

I first visited London more than 15 years ago and since that time, I’ve revisited this dynamic city dozens of times. The impetus for last week’s visit was the opportunity to give an illustrated talk to the London-area Irish Railway Record Society. I made this image of St Pancras on my way to the talk, which was hosted at the Exmouth Arms near London’s Euston Station.

This magnificent structure is one of several important railway terminals along Euston Road. The massive ornate building was designed by Sir George Gilbert Scott, and historically served as both the St. Pancras head house and the Midland Grand Hotel. It remains one of London’s finest railway buildings. Beyond the head house is St Pancras’ immense balloon-style iron and glass train shed—the pioneer work of this type.

During my visit to London, I had the opportunity to explore the transport network. I found a variety of changes since my last trip to London, nearly two years ago. As one of the world’s great cities, London is undergoing a continual transformation. While elements of its past are incorporated in its new urban fabric, in each and every visit I find some things new and note some things forever lost. If nothing else, this keeps my cameras busy.

During this trip, I exposed more than 1000 digital images, and nearly 3 rolls of slide film. I plan to explore this material over the next few posts. Stay tuned!

 

 

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Chicago & North Western 1385 in February, 1996.

Mid-Continent Railway Museum, North Freedom, Wisconsin.

I’ve featured Chicago & North Western 1385 in a number of books, including my American Steam Locomotive (published in 1998 by MBI), and Locomotive (published in 2001 by MBI) and most recently in Alco Locomotives  (2009 by Voyageur Press).

C&NW R-1
This view from inside the cross-tender’s shack at North Freedom show’s Chicago & North Western 4-6-0 1385 pulling up to the water tank to take on water. I made this classic scene in February 1996, during Mid-Continent’s annual “Snowtrain” event. I featured this image in my American Steam Locomotive among other publications. It was exposed on Kodachrome with my Nikon F3T and a 28mm lens.

The locomotive is preserved at the Mid-Continent Railway Museum  in North Freedom, Wisconsin, and was operated regularly when I lived in Wisconsin in the mid-1990s. My friend John Gruber had helped save the locomotive in the early 1960s, and it was his son Dick Gruber who introduced me to the engine when we worked for Pentrex Publishing.

Here’s an excerpt of my text from Locomotive on C&NW’s R-1 Class 4-6-0s:

If any one locomotive could be selected to represent Chicago & North Western’s steam power fleet, it would have to be the Class R-1 Ten Wheeler. In its day, the R-1 was the most common, and perhaps the most versatile locomotive on the railroad. A total of 325 R-1 were built, the most numerous type of any C&NW steam locomotive, and they were among the longest lived classes on the railroad as well.

 During the last 15 years of the 19th century, C&NW amassed quite a variety of 4-6-0s. Most were products of the Schenectady Locomotive Works, in Schenectady, New York, but some were built by Baldwin.

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Irish Rail Ballast Train at Islandbridge, Dublin, April 16, 2013

Iarnród Éireann’s elusive HOBs on the move.

Yesterday morning (Tuesday April 16, 2013) was sunny and warm, but very windy. Fluffy clouds raced across the sky casting shadows as the rolled along. This is always a tough situation when waiting for a train to pass. Often, it seems the desired train passes just as cloud obscures the sun.

I was lucky; a big cloud was just clearing as Irish Rail 080 exited the Phoenix Park Tunnel. There was more than a two-stop difference between the cloudy and sunny spots. With full bright sun, I caught Irish Rail’s ‘High Output Ballast’ (known on the railway as HOBS) passing Islandbridge Junction.

Irish Rail Ballast Train
Canon EOS 7D with 40mm pancake lens, exposed at 1/500th second f7.1. In-camera Jpg and RAW files were made simultaneously. This is a scaled Jpg from the in-camera Jpg.

I made a few Fujichrome slides with my EOS 3 and some digital with the Canon EOS 7D. I’ll have to wait a few weeks for the slides, but here are my digital efforts.

Ballast wagon.
Canon EOS 7D with 40mm pancake lens, exposed at 1/500th second f9.0. I made a spot decision to stop down from f7.1 to f9, based on the camera meter. With rapidly changing light and a moving train, I didn’t have time to consult the exposure histogram.
Irish Rail Ballast Train
Irish Rail HOBS at Islandbridge.

I’ll be presenting my illustrated talk “Ireland through American Eyes 1998-2008 My first Decade in Ireland” to the London area Irish Railway Record Society  tomorrow, April 18, 2013.

The program begins at 1900 (7pm) upstairs at the Exmouth Arms, 1 Starcross Street, LONDON NW1, (advertised as a 5 minute walk from London’s Euston station). A nominal donation of £3.50 is asked of non-IRRS members (members £2.50)

For more on the IRRS see: http://www.irrs.ie/

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Guest Post: Richard Jay Solomon’s Hoosac Trip, April 13, 2013

Note from Tracking the Light: This is the first guest post. It features photos and notes by Richard Jay Solomon.

Here’s few shots of Saturday’s (April 13, 2013) Boston to Mechanicville, New York private-car excursion that operated on Pan Am Railway’s Boston & Maine route via the famed Hoosac Tunnel. (also see: Boston & Maine Slug Set at Rices, near Charlemont, Massachusetts; June 26, 1986.)

Pan Am’s executive F’s lead Saturday’s (April 13, 2013) excursion at Boston’s North Station: ASA 200, f/5, 1/40th sec. jpegs at full size (super size RAWs files were exposed simultaneously, along with color slides in another camera).
Pan Am’s executive F’s lead Saturday’s (April 13, 2013) excursion at Boston’s North Station: ASA 200, f/5, 1/40th sec. jpegs at full size (super size RAWs files were exposed simultaneously, along with color slides in another camera).

The next two images are clips taken from a HDTV video of the run-by made with my Olympus PL1 ‘micro 4/3ds’ sensor, and a 14-42mm zoom lens (probably set at 14mm, f3.0)

The camera was mounted on mini Gitzo tripod. No people filter used — just luck and low angle!

East Portal, Hoosac Tunnel on April 13, 2013.
East Portal, Hoosac Tunnel on April 13, 2013.
If I had two more hands I could have taken still digital with my Lumix LX-7 that would have been much sharper. The clips are processed in ‘Levels’ with an un-sharp mask.
If I had two more hands I could have taken still digital with my Lumix LX-7 that would have been much sharper. The clips are processed in ‘Levels’ with an un-sharp mask.

And finally a shot inside Boston & Maine’s 4.75-mile Hoosac Tunnel; Exposed at f/4, 1s, ASA 800, 15mm with zoom, with image stabilization mode ‘IS2,’ exposed from the rear platform of the Caritas.

Hoosac Tunnel looking east.
Hoosac Tunnel looking east.
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Irish Rail 077 Works Laden Tara Mines Train on April 11, 2013.

New Irish Rail Livery!

Irish Rail zinc train.
Freshly painted Irish Rail 077 approaches Clontarf Road on the afternoon of April 11, 2013. This is the first of the repainted 071 class to leave Inchicore Works. Exposed digitally with a Canon EOS 7D and 28-135mm lens.

Freshly painted in the new Irish Rail livery, 071-class locomotive 92-60-0117077-4 (077) leads a Tara Mines zinc train at Clontarf Road in Dublin on its way to the North Wall. The locomotive is the first to leave Inchicore in the new livery. See: Tracking the Light’s extra post from April 10, 2013.

Irish Rail zinc train.
Freshly painted Irish Rail 077 approaches Clontarf Road.
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Dublin’s Heuston Station, April 9, 2013.

 

 

Trans-Atlantic Exchange.

ish Rail’s Tony Cooke and Amtrak’s Douglas Kydd at Heuston Station with Intercity Rail Car 22311. Lumix LX-3 photo.
Irish Rail’s Tony Cooke and Amtrak’s Douglas Kydd at Heuston Station with Intercity Rail Car 22311. Lumix LX-3 photo.

Click here for views of Irish Rail 077 in the new livery!

I featured Dublin’s Heuston Station in my 2002 book, Railway Masterpieces. Here’s a an excerpt of my text:

Located near the Guinness Brewery along the south bank of the River Liffey, Dublin’s Heuston Station is a classic example of a railway terminal from the dawn of the railway age. Despite its age it still serves as one of the city’s primary railway stations and is among the oldest railway stations in continuous use in the world. Few stations have survived from the formative age of railways, and far fewer city terminals exist from this period.

  “The Dublin terminal was formerly known as Kingsbridge and was renamed in 1966, along with many other stations in Ireland, as a commemoration of the 50th anniversary of the Easter Rising. At this time, railway stations were renamed in honor of participants in the Rising who had been executed by British authorities in the aftermath of the event, so this station is named for Sean Heuston.”

On April 9, 2013, I facilitated a short tour of Heuston for visiting Amtrak locomotive engineer Douglas Kydd who was on vacation in Ireland with his Fiancée. Among the highlights was the opportunity to inspect one Irish Rail’s newest trains.

Irish Rail 22311 and other 22K-series Intercity Railcars under the restored 1840s-era Heuston Station train shed. Lumix LX-3 photo.
Irish Rail 22311 and other 22K-series Intercity Railcars under the restored 1840s-era Heuston Station train shed. Lumix LX-3 photo.
Irish Rail 22311 arrived in Ireland on August 17, 2012 and officially entered traffic on on December 20th last year. It retains the gloss and an aroma of a new car. Lumix LX-3 photo.
Irish Rail 22311 arrived in Ireland on August 17, 2012 and officially entered traffic on on December 20th last year. It retains the gloss and an aroma of a new car. Lumix LX-3 photo.

 

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Tracking the Light Extra! Breaking Views!

 

Extra! Extra! Irish Rail 077 in the new Livery makes one its first daylight runs.

Irish Rail 0117077
Irish Rail locomotive number 0117077 leads a wagon transfer over the River Liffey at Islandbridge at 4:25pm on April 10, 2013. Canon EOS 7D with 28-135mm lens.

A few minutes ago, at 4:25 pm, April 10, 2013, I caught Irish Rail’s 071 class locomotive 0117077 working a wagon transfer from Inchicore to Dublin’s Northwall . While the locomotive has worn this new paint for about a month, today it finally left its sequester at Inchicore works. It was understood to have worked a trial to Sallins (on the Cork road) earlier in the day.

Irish Rail 0117077 leads a wagon transfer over the River Liffey at Islandbridge at 4:25pm on April 10, 2013. Canon EOS 7D with 28-135mm lens.
Irish Rail locomotive number 0117077 leads a wagon transfer over the River Liffey at Islandbridge at 4:25pm on April 10, 2013. Canon EOS 7D with 28-135mm lens.

The locomotive’s expanded number is intended to comply with European numbering conventions.

Irish Rail 0117077 leads a wagon transfer over the River Liffey at Islandbridge at 4:25pm on April 10, 2013. Canon EOS 7D with 28-135mm lens.
Irish Rail 0117077 leads a wagon transfer over the River Liffey at Islandbridge at 4:25pm on April 10, 2013. Canon EOS 7D with 28-135mm lens.
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British Rail Class 9F 2-10-0 on North Yorkshire Moors Railway; April 10, 2011

9F 2-10-0 near Goathland
British Rail 9F 92214 approaches Goathland on the North Yorkshire Moors Railway on the morning of April 10, 2011. Exposed with a Canon 7D with 28-135mm zoom lens; ISO 200 f10 at 1/250th second. Metered manually.

British Steam:

Two years ago today, I was visiting Britain’s preserved North Yorkshire Moors Railway. This is an amazing operation. The railway is worked with a colorful mix of preserved steam and diesel locomotives. Trains work on a regular schedule, traversing the sublime Yorkshire Moors. In addition to beautifully restored stations and signal boxes (tower), the railway is well accessed by hiking trails. This location was recommended to me by a member of the railway’s station staff at Goathland—and is only 10-15 minute walk from the station platforms.

This was a pleasant place to spend a crisp Spring morning. I could hear locomotive 92214 barking up the grade for several minutes before it came around the bend into view. Later in the week I had business attending the annual London Book Fair, which while interesting and necessary, couldn’t compare to my brief experience on the North Yorkshire Moors!

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Purple Ad Tram on LUAS Green Line

Spring Colors for Dublin Transport.

Harcourt Street, April 3, 2013.
Harcourt Street, April 3, 2013.

The other evening I was at birthday party in Dublin’s old Harcourt Street Station where I noticed the passing of a purple advertising tram. Wednesday, April 3, 2013 dawned clear and bright, so during the course of my day, I took a spin down the LUAS Green Line, and intercepted this latest ad tram. I exposed digital photos with my Lumix LX3, while making a few slides with my old Nikon F3.

Alstom Citadis Tram
Alstom Citadis Tram in advertising livery arrives at Kilmacud on the LUAS Green Line, April 3, 2013.

Purple_tram_St_Stephens_Green_P1450661_3

Alstom Citadis Tram
LUAS Alstom Citadis Tram seen at St Stephens Green, Dublin.
LUAS Alstom Citadis Tram seen at St Stephens Green, Dublin.
LUAS Alstom Citadis Tram seen at St Stephens Green, Dublin.

I’ll be presenting my illustrated talk “Ireland through American Eyes 1998-2008 My first Decade in Ireland” to the London area Irish Railway Record Society on April 18, 2013.

The program begins at 1900 (7pm) upstairs at the Exmouth Arms, 1 Starcross Street, LONDON NW1, (advertised as a 5 minute walk from London’s Euston station). A nominal donation of £3.50 is asked of non-IRRS members (members £2.50)

For more on the IRRS see: http://www.irrs.ie/

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German Class 52 2-10-0 works upgrade near Pelm, April 3, 2010

German steam near Gerolstein
One of the advantages of the LX-3 are its multiple aspect ratios. For this photograph, I selected the 16:9 ratio for a panoramic view.

175th Anniversary Plandampf:

Three years ago, four of my Irish friends and I flew to Germany to witness 175th anniversary of German railway celebrations and excursions. This was truly spectacular and featured an ambitious excursion schedule focused on Trier in the Mosel Valley. While we were up early every morning it was impossible to catch all of the more than 100 special trains operated over the six day period in early April. The lines covered by excursions were all new to me, so prior to our arrival, I’d spent more than a week pouring over maps and satellite views.

Among the lines intensively worked was the heavily graded single track route east of Gerolstein toward Daun. Here, my map-work paid off, as I’d picked out this spot never having been there before. Our means of obtaining the location was a bit unorthodox; we drove up a lightly traveled unpaved trail, then uphill across a field to reach a fire-road then further up hill. Upon reaching the ridge, we found there was actually an easier means of getting here. Some German enthusiasts already on-site were bemused by our bold arrival. ‘You must have a great faith in God to come here that way,’ they said to me.

Using my Lumix LX-3, I made this image of Deutche Bahn Class 52 8134-0 working up the valley toward Daun. I also exposed a series of color slides on Fujichrome with my Canon EOS-3.

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