This features recent work and exceptional images for display and discussion.
Freiburg has a complex tram system with a great variety of equipment.
I made this view with my Lumix LX7 a week ago that features a new CAF tram gliding along cobblestone streets.
More Freiburg trams in future posts.
On the morning of 21 April 2016, I had a few minutes to make photos of Basel’s trams using my Lumix LX7.
Low clear morning sun helped make my brief efforts a photographic success.
Perhaps on future visit, it would be nice to re-explore the Basel network to a greater extent.
I remember seeing open auto racks on American railroads. One of my few pre-Conrail images is of a former Pennsylvania Railroad tri-level.
Open car trains are still common in Europe. I made this view last week of a train load of new cars climbing southward on the Gotthard route heading for Italy.
Its nice to see the cars out in the open instead of sequestered inside full-enclosed multi-levels.
Using my FujiFilm X-T1, I exposed this image last week looking across a field of dandelions near Erstfeld, Switzerland.
By using the tilting live-view display screen, I was able to hold the camera very low to the ground which allows for this exaggerated perspective of the foreground greenery and flowers.
Compare this photo to the conceptually similar view of the Italian tilting train I posted a few days ago. See: Italian Tilting Train at Gurtnellen—15 April 2016
The technique for both photos is essentially the same, however with the photo below of the Swiss ICN passenger train I used a slight telephoto and opted to crop the sky, rather than use a graduated neutral density filter to balance the contrast/retain detail.
Below is another view from the same location near Erstfeld. Same camera, same lens, but I’ve set the zoom to a wide-angle view and I’m not as low to the ground.
The result is that the flowers remain in relative focus to the train and distant scenery. (Also I’m using the graduated neutral density filter to retain highlight detail at the top of the image).
The train is a bit small, but this photograph is more about the whole scene rather than being focused on the train.
It was 20 years ago that my brother and I explored the setting of the abandoned former Illinois Central tunnel at Belleville, Wisconsin.
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Does the mist and rain add a sense of mystique to one of the great railway wonders of the world?
At Biaschina, SBB’s route on the south slope of the Gottard Pass navigates a complete double spiral (or double helix).
The line passes through several tunnels and appears the viewer on three distinct levels, each hundreds of feet above each other.
I made these images from the Ticino riverbed using my Lumix LX7 on Saturday 16 April 2016.
Denis McCabe, Gerry Conmy, Stephen Hirsch and I were visiting the line to make photographs before the new base tunnel diverts traffic at the end of the year.
On the morning of April 18, 1993, I made this Kodachrome slide of an eastward Amtrak train on the shore of San Pablo Bay at Pinole, California.
Exposed using a Nikon F3T with 35mm PC (Perspective Control lens). Note the level horizon.
Compare my use of foreground of the image below with that featured in this morning’s post at Gurtnellen, Switzerland. In both situations I’ve held the camera close to the ground, while standing on a hill side above the train.
Tracking the Light post every day.In the last three days, I’ve exposed more than 1000 digital images of the railway over Switzerland’s Gotthard Pass.
Although, I haven’t had time to thoroughly examine all my files, this image struck me as capturing the sprit of Swiss mainline mountain railroading in Spring.
Iridescent green grass and distant snow crested peaks, with modern electric locomotives humming upgrade with an intermodal train.
If you haven’t visited the Gotthard Pass, here’s my advice to you: don’t wait.
At the end of this year the Gotthard base tunnel opens and most of the traffic will be diverted away from this classic Alpine crossing.
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At one time the wig wag signal was the standard grade crossing protection. Now the type is all but extinct.
I learned a few weeks ago that Wisconsin & Southern had finally removed the last of these classic American signals on its former Chicago & North Western line to Reedsburg, which had survived at Baraboo, Wisconsin.
Over the years, I’d photographed wig wags at various locations in Wisconsin.
I made these photographs at Baraboo with John Gruber in February 2008.
The other day I was at the St. John’s Road roundabout. A Mark4 set was blocked as an in-bound ICR (intercity railcar) bound for Dublin’s Heuston Station over took it on the middle road.
Using my Lumix LX-7, I made this photo by holding the camera over the wall and gauging composition from the live-view digital display at the back of the camera.
I lightened the shadows in post-processing to improve contrast.
For the next couple of weeks Tracking the Light will be on auto-pilot while Brian is on the road. Posts should appear daily having been pre-programmed into the holding queue.
Last weekends Irish Railway Record Society 071 trip offered countless opportunities to make detailed views of the trains, stations and other equipment.
When I wasn’t focusing on the people or on scenes with the special train, I looked for iconic images of Irish Rail closeup.
These were exposed using my FujiFilm X-T1.
I will be on the road beginning 14 April; Tracking the Light posts should continue to appear daily for the duration of this trip.
The trains are the excuse to travel, but for me many of the most interesting photos are the portraits.
In the end, it’s the cast of characters that make the trip worthwhile.
Here are just a few from the dozens of images I exposed on Saturday and Sunday 9-10 April 2016.
All of the above were made with my Lumix LX7.
More photos to come soon.
Irish Railway Record Society’s ‘071 class two-day 40th anniversary railtour‘ covered a lot of ground in just two days.
The trip represented a mastery of coordination; special to thanks to everyone at Irish Railway Record Society, Railway Preservation Society of Ireland, and Irish Rail!
This a selection of 20 new images I made with my Lumix LX7. (I’m still down-loading the photos made with my FujiFilm X-T1).
We started and finished at Dublin’s Connolly Station, running to Ballybrophy (with train continuing ‘empty carriages’ to Lisduff sidings to change direction, then via the Nenagh Branch to Limerick.
Limerick to Cork, Cork back to Mallow, then to Killarney for an overnight stay. In the morning to Tralee (my visit there since I bought a digital camera!) then back to Kilarney.
Back via Mallow to Limerick Junction, then down my favorite line to Waterford via Carrick-on-Suir. From Waterford to Killkenny and via Cherryville Junction back up to Dublin.
There were lots of intermediate photographic stops along the way.
I’ll be posting more photos from the popular trip soon!
Tracking the Light is a Daily Photographic Blog.
Yesterday morning, Saturday 9 April 2016, I made this panoramic composite image at Connolly Station featuring the Irish Railway Record Society ‘071 class two-day 40th anniversary railtour.‘
(If you are not viewing Tracking the Light directly, you may need to click the link to the site to get the full effect of the panorama.)
I traveled on this epic and ambitious diesel-hauled special and I’m presently downloading the hundreds of digital photos I exposed of the trains and the people involved with it.
More soon!
In my Tracking the Light post from 23 March 2016, Unusual Semaphore in an Unexpected Place, I displayed photos of an unusual three-position semaphore in The Full Shilling pub in Finglas, Dublin.
This had puzzled me since it appears to be a mirror image of a once-standard American style of semaphore blade, and is a rather incongruous decoration to find in a suburban Dublin pub.
I’ve had a lot of traffic on this subject.
It was most certainly not a signal employed on an Irish railway.
While the full story has yet to be unraveled, the signal blade appears to be of a type used on railways in New South Wales Australia.
See; http://vrhistory.com/walks/Gunning/Gunning.htm
The other day, I returned to The Full Shilling for another inspection of the signal and a few more photographs (etc).
Special thanks to everyone who made suggestions and provided information and links, including: Donncha Cronin, Ken Fox, and Michael Walsh. See the following link for discussion of my original posting: http://forum.signalbox.org/viewtopic.php?f=7&t=7525
I like to have at least two cameras handy. This especially true when I’m in a situation where photographic opportunities are rapidly unfolding.
These days I usually have both my FujiFilm X-T1 and Lumix LX7 at the ready.
Both are very good image-making machines, yet each has its strengths.
My Lumix is great for candid views and situations where it isn’t necessary or practical to have the camera at eye level. Often I use strictly with the live-view rear screen.
This is a selection of photographs of last Sunday’s (3 April 2016) Dublin Rivera steam excursions operated by the Railway Preservation Society of Ireland.
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Lately LUAS has made headlines in Ireland as the result of high-profile service disruptions owing to disputes with tram drivers.
Looking back more than ten years; I made this photo at Heuston Station when the LUAS Red Line was still a relatively new service. Back then the 3001-series trams were still in a short configuration.
From a photographic perspective, in their early appearance the trams seemed a bit naked, as the safety-yellow banding hadn’t been applied.
At the time of this image, the use of the center platform at Heuston was a relatively unusual occurrence.
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Yesterday, the Railway Preservation Society of Ireland (RPSI) operated a pair of excursions from Dublin’s Connolly Station to Greystones, County Wicklow and return using former Dublin & South Eastern 2-6-0 461.
The trains were well patronized, which demonstrates a continued interest in Irish steam trains.
Dull weather prevailed, while cool temperatures made lots of steam condensation.
Sometimes I find that dull days makes for better steam photos.
Here’s a sample of digital images I made with my FujiFilm X-T1.
Most required contrast and saturation adjustment in post-processing.
Any favorites?
Today, April 1, 2016, is the 40th birthday American eastern giant, Conrail. Commencement of operations on the Consolidated Rail Corporation began on this day 40 years ago.
Conrail was created by Congress to assume operations of a variety of financially troubled eastern railroads including Penn Central, Erie Lackawanna, Reading Company, Central Railroad of New Jersey and Lehigh Valley.
When I was growing up in the late 1970s and early 1980s, Conrail was the big show. By the time Conrail’s operations were divided by CSX and Norfolk Southern in 1999, I’d exposed tens of thousands of images of its locomotives, trains and people.
I miss Conrail. It’s blue locomotives photographed well; it ran lots of freight over my favorite Boston & Albany; its employees were friendly to me, and it embodied most of favorite historic railroads. Turn back the clock, let it be Conrail-days all over again!
In 2004, Tim Doherty and I co-authored a book on Conrail, published by MBI. If you have this prized tome, it’s now a collectible item! By the way, if you know a publisher interested in a follow-up title, I have access to virtually limitless material and keen knowledge of the railroad. Just sayin’
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The other evening some friends and I traveled from the Dublin city centre to Blackrock on the DART-Dublin’s electrified suburban rail-transit service.
The DART branding mimic’s the Bay Area’s third-rail rapid transit brand ‘BART’ (Bay Area Rapid Transit).
While sometimes my rail travel is focused on the making of photos, this trip had another primary purpose; yet with my Lumix LX7 at the ready, I used every opportunity to make photos.
Significantly, Dublin’s Pearse Station, formerly-known as Westland Row, is credited as the world’s oldest city terminus in continuous use. It was opened in 1834 with the Dublin & Kingstown Railway. Of course, the D&K has the distinction as the world’s earliest operating suburban railway.
As a follow up to yesterday’s Extra Post, I thought I’d display this image of a similar signal in the USA.
I made this photograph of three-position upper quadrant semaphores on the old Monon on a warm 2004 summer morning near Romney, Indiana.
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Every so often, I stumble upon something that flummoxes me.
On St. Patrick’s Day, I was enjoying the evening’s celebrations with some friends at The Full Shilling in Finglas (in north suburban Dublin).
This is a large shop (drinking establishment) with lots of décor characteristic of a Dublin Pub.
On the way to the loo, I looked up and was startled to find a three-position upper quadrant semaphore blade.
‘What’s this? And, what’s it doing here?’
As the author of two books on American signaling, I’m reasonably well versed in semaphore practice. (see: Classic Railroad Signaling; Railroad Signaling. Also see: Barnes & Noble.)
On the surface, it looks a like a standard pattern three-position upper-quadrant semaphore blade, commonly used by many American railways beginning about 1908.
The flat-end red blade with white stripe would have been typically used for an absolute signal that display a full stop in its most restrictive position.
There’s one critical difference with this semaphore blade; it’s a mirror of the signals typically used in the USA.
On most American railways, semaphore blades were oriented to the right, while in British practice (which includes Ireland) they are oriented to the left. (New Haven railroad was an exception).
I would guess that this signal is an adaptation of the American pattern for service in Britain or Ireland. But where did come from? And how did this anomalous signal blade find its way to Finglas, which is not even on a railway line.
At the moment, this stands as one of signaling’s great unsolved mysteries.
Do you know the story behind it?
This is a cursory survey of new trackage now being installed for Dublin’s Cross City extension of the LUAS Green Line tram route. (The first portion of the Green Line had opened in 2004.)
A couple of weeks ago, Mark Healy and I inspected progress on Dublin’s North Side.
We made a follow up trip last week and these photos were made walking the route along Hawkins Street, College Green, Nassau and Dawson Streets to St. Stephen’s Green (present southern terminus).
I made these photos with my Lumix LX7.
One downside to the completion of the line will be the necessity to string catenary through the Dublin city centre. This will complicate photography of historic architecture.
Of course this same architecture will make for some nice backdrops.
This quiet overhead crossing of the quad-track is just past the 8 ¾ milepost from Dublin’s Heuston Station.
It offers an open view of the line with a favorable angle for down (traveling away from Dublin) trains mid-morning.
It takes a tuned interest in Irish Rail’s operations and a bit of luck. to time a visit to coincide with passage of the weekday IWT Liner (International Warehousing & Transport container train between Dublin and Ballina) and the more elusive HOBS (high output ballast system).
Getting the clouds to cooperate is trickier yet again.
A couple of weeks ago Colm O’Callaghan and I spent a strategic 45 minutes at Stucumny Bridge.
Even if you fail at catching the freight on the move, there’s always a steady parade of passenger trains.
Last Tuesday, I noticed a shaft of sunlight that had illuminated a pair of trains under the shed at Dublin’s Heuston Station.
This Kodachrome slide has always resonated with me.
In North American practice, cabooses and stack trains were equipment from different eras that just barely overlapped.
During the mid-1980s, most class 1 freight carriers banished cabooses to operational backwaters. True, cabooses held out in rare instances (some can still be found), but they had been made redundant by technological changes and their once-standard operation finally came to an end as a side-effect of deregulation.
Another effect of deregulation was a more progressive environment that favored double-stacked container trains.
So, as cabooses were rapidly sidetracked, stack trains were becoming common on principal trunk lines. Since intermodal operations tended to run from terminal to terminal, these trains were among the first to lose cabooses.
I can count the number of caboose-ended double-stack trains I photographed on one hand.
I especially like this view in a snow squall of a Norfolk Southern train carrying an Norfolk & Western caboose on the back of a Maersk stack train that had just come east over the old Nickel Plate route.
The background is the colossal and completely abandoned Buffalo Central Terminal, designed by Fellheimer & Wagner, and constructed by the New York Central during the false optimism of the roaring 1920s, only to open on the eve of the Great Depression.
Buy my book Railway Depots, Stations & terminals published by Voyageur Press to learn more about Fellheimer & Wagner’s stations
(Hint: if you aren’t on Brian’s site, click on Tracking the Light to get the full view!).
The other day I offered a view of Dublin’s Heuston Station lit for St. Patrick’s Day.
A day or so later, I rode by on the top of a double decker bus, and it occurred to me that I’d missed the image.
By showing the station face-on, I inadvertently minimized the effect of the lit Irish Tricolour.
Here, I show the station at a more oblique angle the I feel does a better job of capturing the effect. I’ve included the LUAS but in a marginal role.
What do you think?
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My Lumix, always handy, makes a near-perfect tool for capturing the spirit and colour St. Patrick’s Day in Dublin.
Click on my Dublin Page for more photos!
Check out my Dublin Page for more photos!
Sunday morning was warm but dull.
Railway Preservation Society Ireland had scheduled a trip to depart Connolly Station Dublin for a run out the Sligo Road to Carrick-on-Shannon and Boyle.
Where to catch it?
There’s a bit of a pull up toward Glasnevin Junction with the stiffest climb as the line passes Croke Park.
At Claude Road a pedestrian bridge over the line offers an excellent view to the east.
On a clear day this isn’t a preferred mid-morning view, because you’d be fighting the sun (to no advantage).
No chance of the sun presenting a problem yesterday morning.
I could hear number 4’s shrill whistle as the engine departed Connolly, followed by more than five minutes of stack talk as the engine worked its consist of Cravens upgrade.
Using my FujiFilm X-T1, I exposed this sequence of digital images as the train worked by me.
I wonder, perhaps I’d have been better off with my old Nikon and 400mm Tokina telephoto to hone in on the working engine? That would be a slide of course. Maybe next time.
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It’s become an annual tradition to illuminate notable buildings around Dublin for St. Patrick’s Day celebrations.
I made this image of Heuston Station using my Lumix LX7 mounted on a mini Gitzo tripod.
Heuston is among the stations featured in my book Railway Depots, Stations & Terminals published by Voyageur Press in 2015.
On a bright May morning at Wolsztyn, Poland, I organized a footplate trip for myself on a PKP (Polish National Railways) 2-6-2 running to Poznan with a revenue passenger train.
This was among the photos I made of the experience.
Let’s just say I had a nice view on the return trip.
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Tonight, 10 March 2016, I will present an illustrated program “One Year on Irish Railways; Looking back Ten Years” to the Irish Railway Record Society in Dublin.
What will I show?
I sifted through thousands of my Irish Rail slides looking for images that fit my arbitrary qualification; exposed in Ireland during 2006.
After locating more than 500 slides that fit the bill, I then honed the selection to something manageable.
Ultimately, this meant I needed to reject more photos than I included.
Here are five views that I exposed in 2006, that will not be appearing tonight.
I hope no one will be disappointed.
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Here’s another view from productive day last month photographing Pan Am Railway’s Office Car Special in the snow.
I made this view with my Canon EOS-3 on HP5 at Shelburne Falls, Massachusetts.
It is an old school technique to capture a traditional looking train.
Irish Rail’s 071 class diesels are 40-year old work-horse locomotives that are now largely assigned to permanent way and freight trains.
Ten years ago, Irish Rail’s 071s still regular worked passenger services in addition to their other duties. I made a point of photographing the 071s on both main line and branch passenger trains.
Among the features of my presentation to the Irish Railway Record Society this coming Thursday (10 March 2016) will be my vintage images of the 071 at work.
The talk will begin at 7:30 pm at the IRRS Dublin premises near Heuston Station.
Among the features of Irish Rail in 2006 were two new paint liveries that had been introduced the year previous.
I preferred the yellow-face scheme on the 201 class diesel. This photographed better than either the older predominantly orange livery, or the new two-tone green and silver (such featured in yesterday’s post).
The brighter ends proved visually especially advantageous in situations such as this one where the front-end was shadowed.
On 10 March 2016, I will present a feature length illustrated talk to the Irish Railway Record Society in Dublin; my topic, Irish Railways in 2006.
This will begin at 7:30 pm at the IRRS Dublin premises near Heuston Station, Dublin.
On 10 March 2016, I will present a feature length illustrated talk to the Irish Railway Record Society in Dublin; my topic, Irish Railways in 2006.
This will begin at 7:30 pm at the IRRS Dublin premises near Heuston Station, Dublin.
In keeping with this theme, today’s Tracking the Light looks back at 2006: A year that saw many changes on Irish Rail. Among these was the introduction of the Mark4 push pull sets on the Dublin-Cork run.
I made this view from the canal bridge over the River Barrow of Irish Rail’s viaduct over the same river.
Here a 201-class diesel in the recently introduced green and silver livery (designed to match the new Mark4 sets) leads a train of Mark 2 carriages.
Green 201s and Mark IIs only co-existed for a short time and I was please to make this striking image of this comparatively unusual combination.
Key to my composition is the billowing clouds to the north of the line.
