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In the 1980s, I made hundreds of images of upper quadrant three-position semaphores along the old Erie Railroad in New York State, a line then part of the Conrail system.
A Union Switch & Signal upper quadrant semaphore blade, exposed on Kodachrome 25 using a Leica M2 with 200mm Telyt lens.
I focused on this semaphore near Tioga Center, New York in August 1988. This is part of a sequence that portrayed the signal in its three position and this image is of the ‘approach aspect’.
On the surface, it looks a like a standard pattern three-position upper-quadrant semaphore blade, commonly used by many American railways beginning about 1908.
The flat-end red blade with white stripe would have been typically used for an absolute signal that display a full stop in its most restrictive position.
There’s one critical difference with this semaphore blade; it’s a mirror of the signals typically used in the USA.
On most American railways, semaphore blades were oriented to the right, while in British practice (which includes Ireland) they are oriented to the left. (New Haven railroad was an exception).
I would guess that this signal is an adaptation of the American pattern for service in Britain or Ireland. But where did come from? And how did this anomalous signal blade find its way to Finglas, which is not even on a railway line.
At the moment, this stands as one of signaling’s great unsolved mysteries.