The other day on the Conway Scenic, I was telling film student Adam Bartley about a photograph I’d exposed on the former Canadian Pacific at Cookshire, Quebec.
I have relatively few photos on the old CP line in Quebec east of Montreal, and this one is one of my favorites.
I made it with very little set up time, and using something less than my sharpest lens.
This appeared as a full page image on page 102 of Railway Photography, a book authored with the late John Gruber in 2003. We dedicated the book to the memory of our friend the artist Ted Rose, who had passed away the previous year.
The sinuous alignment of the old Southern Pacific in the Tehachapis is ideally suited to lining up sunrise photographs.
A blanket of airborne particulates filtered the rising sun, softening the light and giving it a luminous golden tint.
In the 1990s, I made many glint photos on Kodachrome. This one I exposed digitally and adjusted contrast in post processing to make for a more pleasing image.
Where K25 slide film would have retained the ring of the sun, now I have to settle for a golden blob of light.
A key to making an image such as this one is manually setting the aperture to control the amount of light reaching the sensor. I metered manually and ignored the camera’s recommended exposure, which wouldn’t have given me the desired effect.
Since I was preparing a classic silhouette, I wasn’t interested in retaining detail in the shadows, but instead aimed to hold tonality in the sky.
Where my ‘normal’ daylight exposure with ISO 200 is about f8 1/500th of second, for this photo, I closed down the aperture to f20, which made for two and half stops less exposure.