Bitterly cold with a clear sky; that was Toronto on the evening of February 8, 2010.
I exposed this photo of a GO Transit train using my Lumix LX3. While this was a great little camera, it suffered from poor battery life. On this cold day, I rapidly worked my way through all three of my rechargeable batteries and had to take time midday to recharge one.
Exposed using a Panasonic Lumix LX3; f2.8 1/320 second ISO 80. Set manually. Vivid color profile.
By the time I made this frame, the last battery was flashing red, yet I had enough juice left for a few more photos.
My LX7 is a better camera and the batteries are much improved. Word to the wise: always carry a spare battery.
Denis McCabe, Stephen Hirsch and I were on a week-long exploration of central Austria in January 2012. I made this view through the windscreen of our hired car as we drove through a long Alpine tunnel.
Lumix LX3 view from inside an Alpine tunnel. For effect I exposed the photo at 1/2 second, which makes for a painterly like blur of the walls, road surface, and roof, while blurring the lights. The camera’s built-in image stabilization helps minimize lateral movement.
Lumix LX3 close up of the classic North Shore Electroliner displayed at the Illinois Railway Museum
I grew up seeing the Electroliner projected on our slide screen; my father had photographed these classic trains on several occasions between 1958 and 1963 on the North Shore, and later on Philadelphia’s Red Arrow Lines.
Many years ago, I saw an advertisement on the back cover of Trains Magazine asking for donations to help save one of the trains. I sent $15, which wasn’t much money, but it was every penny I had. I was only about 13 or 14 at the time.
Happily both streamlined sets have been preserved: one is at the Illinois Railway Museum at Union; the other at the Rockhilll Trolley Museum in Pennsylvania.
On June 19, 2010, Hank Koshollek, John Gruber and I traveled from Madison, Wisconsin to the Illinois Railway Museum. Among the trains on display was the Electroliner.
It was the first time I’d seen the train outdoors since catching a fleeting glimpse of it at SEPTA’s 69th street shops in the late 1970s.
I wanted to make a distinctive image of the train, so I used my Lumix LX3 to make a dramatic close up. I also made several more conventional views.
Posed in the sun at IRM. Lumix LX3 digital photograph.
This is relevant because IRM is now hoping to restore the train to service. IRM’s Tom Sharratt contacted me via Tracking the Light, and detailed their plan along with a plea to get the word out:
IRM is pleased that we are finally working on completing the restoration of our [Electroliner] set (801-802), hopefully in time for its 75th Anniversary (Jan 2016.) All eight motors need to be removed and inspected and repaired as necessary, the air conditioning needs to be replaced, and the interior worked on (we have the fabric and a volunteer who is working on that now.) We only (!) need to raise $500K. We have right around $100K now, and need $150K before we drop the motors and take them to a contract shop. We have a Facebook page– http://www.facebook.com/Electroliner
Flexity tram at Place Royale. Exposed with my Lumix LX3 in August 2013.
The Belgian cities have admirable tram networks. By far the most extensive is that in Brussels. Here tram routes crisscross the city. While long sections of tram subway now serve central Brussels, there’s still lots of street running.
Modern Bombardier-built ‘Flexity’ articulated trams dominate the fleet. Yet there’s still some variety of older cars, including articulated PCCs.
For this segment, I’ve largely focused on the more modern cars as they offer the greatest contrast with Brussels’ eclectic old world architecture.
I have mixed feelings about the gold and silver livery. While more subdued than the gaudy colors used in some cities, it tends to look a bit grimy, especially in dull light.
I explored a theme of contrasting Brussels’ old architecture with its modern trams. Lumix LX3 photo.A tram lurks beyond the fountain. Lumix LX3 photo.This tram was wrapped in an advertising livery. It offered a change from the gold and silver that dominates the modern fleet. Exposed with my Canon EOS 7D.Twilight glow near Place Royale, Brussels. Canon EOS 7D.This number 94 car is headed for the Tram Museum (in service, not for preservation—not just yet, anyway!). Canon EOS 7D.Sunset in Brussels. Reminds me of a scene from the cover of a fantasy novel . . .
Excursions are a great opportunity to make detailed photos of railway equipment. In addition to the traditional angles, I like to get close and focus on characteristic elements of locomotives and railway cars.
Locomotive 461 is an old favorite. I’ve been photographing it for more than 15 years, and I think it’s safe to say that I have a fair few photos of it. But that’s never caused me pause; I keep looking for new ways and new angles on this old machine.
Here’s just a few from The Marble City trip on August 25, 2013.
461’s builders plate. The Lumix LX3 allows for exceptionally close focusing for macro views such as this one. I switched off the auto focus and set the focus manually which gave me better control. Lumix LX3 photo.Classic three-quarter ‘roster shot’ (rods down), a photographic style that evolved from the 19th century ‘builders photograph’ used to document new locomotives by their manufacturers. I made this image with my Canon EOS 7D, classic builders photos were exposed on glass plates.Wheel bearing cover with the initials of 461s first owner, the Dublin & South Eastern Railway. Lumix LX3 photo.461 drive wheel. Lumix LX3 photo.461 detail view exposed with a Canon EOS 7D.After watering the locomotive, RPSI crews laid out hoses on the platform to drain. This is an important part of the process, but rarely photographed. Lumix LX3 photo.A wisp of steam wafts by the cab on locomotive 461. Canon EOS 7D photo.
I was impressed by the efficiency of the trip. Irish Rail employees and RPSI volunteers cooperated to bring the trip off and ensure everyone on board had a safe and enjoyable trip.
As on other recent Irish excursions, I tend to focus on the people as well as the equipment. These trips are as much about the people as either the destination or the equipment.
Yet, it’s always interesting to see how people react to the steam locomotive. Passing Drumcondra Station in suburban Dublin, I watch the expressions of Irish Rail’s regular passengers as 461 puffed through with our excursion. These ranged from total bewilderment, as if a ghost from the past drifted across their bedroom, to nods of approval, and the occasional wave.
At every stop, passengers and passers by flocked to see the engine. The swarms of people are as much part of the scene as the engine and crew.
Yet, I found plenty of time to make close-ups of the equipment too. Check tomorrow’s post for some close-up views.
On the footplate of 461. Canon EOS 7D photo.RPSI train hosts. Lumix LX3 photo.Checking tickets in the traditional fashion. Canon EOS 7D photo.Driver Ken Fox has been on the footplate for many miles.An RPSI member assists with servicing the locomotive.Steam locomotives make for great photo subjects. Lumix LX3 photo.On 461’s footplate. It’s hard work, but has great rewards. Canon EOS 7D photo.Planning to inspect the locomotive with an expert eye. Lumix LX3 photo.At Athy 461 hadmany fans. Canon EOS 7D photo.
Does Belgium offer one western Europe’s best-kept secret railway experiences?
Interior of the upper level on a double-deck SNCB train. Exposed with my Lumix LX3.SNCB station entrance at Ottignies, Belgium in August 2013. Lumix LX3 photo.
In 1835, Belgium was first on the Continent to adopt the steam railway. It subsequently developed one of the densest railway networks in Europe. Today, (Société Nationale des Chemins de fer Belges—Belgian National Railways) operates one of the best national networks.
Although, often overlooked in favor of more scenic countries, Belgium is a great place to ride trains. I’ll be honest, while I’d made a few trips to Belgium in the 1990s, in recent years I’d generally ignored it in favor of other places. Recently, I’ve been stunned to find what a pleasant place it is to ride trains.
The railway is well integrated with other modes. Services run frequently on regular intervals across the network. On most routes there’s a good mix of local and express trains. The equipment is varied and generally comfortable, and the staff are very professional, courteous, helpful, and smartly dressed.
On the downside, I found that some stations, especially un-staffed smaller ones, were neglected and in a poor state and this tended to detract from the overall experience. By contrast, other stations were in very nice shape.
I’ve made two trips to Belgium this year. Last week (August 2013), I made good use of a 10-ride ‘Railpass’ ticket that I purchased for 76 Euro back in March.
This is an open-ended ticket where you write in your starting station and destination with date of travel for each journey. From my experience its an excellent value, and especially valuable for wandering.
My goal was to make a circular trip to explore potential photographic locations while traveling lines I’d not previously experienced.
Platform level view of an SNCB class 18 electric at Ottignies, Belgium. Lumix LX3 photo.
Beginning in a southern Brussels suburb, I rode south via Ottignies (see yesterday’s post) and Namur to Marloie, and then eastward over a scenic secondary line to a small station called Esneux, where I spent an hour making photos.
From Esneux, I rode northward to Leige, where I found a stunning surprise . . .
(To be continued . . .)
My train to Esneux arriving at Marloie, a small station in southern Belgium. I appear to be on the wrong platform! (Its a good thing SNCB makes prolonged station stops). LX3 photo.SNCB electric multiple unit interior. Large windows and spacious comfortable seat compensate for a basic functional design. Lumix LX3 photo.
SNCB station at Esneux, Belgium, August 2013. Lumix LX3 photo.
SNCB station at Esneux, Belgium, August 2013. Lumix LX3 photo.
In a follow up to yesterday’s post, here’s a few more images from my early August adventure with Ireland’s Bord na Mona narrow gauge. I was working with three cameras: my Lumix LX3, my Canon EOS 7D digital SLR (single lens reflex) and my Canon EOS 3 35mm SLR.
Since it will be a while before the slides are processed, all the images here are from the digital cameras.
Under showery skies, a Bord na Mona train heads out across the bog for reloading. Canon EOS 7D.Loading of a Bord na Mona train. Canon EOS 7D.
Road bridge over the Bord na Mona double track line near Shannonbridge, Co. Offaly. Canon EOS 7D photo.Bord na Mona track laying machine and an empty train. Lumix LX3 photo.An empty Bord na Mona train returns to the bog for reloading. Lumix LX3 photo.Peat hoppers and the harvested peat bog near Shannonbridge. Lumix LX3 photo.Maintenance train with sunny skies and weedy tracks. Lumix LX3 photo.Empty train growl along the bog. Despite their small size, Bord na Mona trains can be heard a long way before the arrive. Canon EOS 7D photo.Laden Bord na Mona train under a textured sky. Soon it will rain. Canon EOS 7D photo.
I’ve found my visits to photograph the Bord na Mona railways exceptionally rewarding and productive and I look forward to more photography trips in coming months.
Norfolk Southern X999 works southward on the former Reading Company at Yardley, Pennsylvania. Exposed with Canon EOS 7D with 200mm lens.
On June 30, 2013, Pat Yough and I photographed Norfolk Southern X999, an extra-dimensional (oversized load) move carrying an Air Products industrial heat exchanger.
Norfolk Southern X999 carrying a heat exchanger near Yardley, Pennsylvania. Exposed with a Lumix LX3.Norfolk Southern X999, Yardley, Pennsylvania.
We photographed this twice. Once on the former Reading Company line at Yardley, Pennsylvania. And again on the former Pennsylvania Railroad Trenton Cutoff near Morrisville.
This unusual train had locomotives at the front and back (to aid in changing direction) and an Air Products caboose.
Norfolk Southern X999 near Morrisville, Pennsylvania. Exposed with a Lumix LX3.Norfolk Southern X999 carries an industrial heat exchanger. Exposed with a Lumix LX3.
Chicago is well suited for night photographs. On the evening of June 11, 2013, Chris Guss and I took advantage of warm and windless weather to make a variety of railway images in the downtown area.
I employ a variety of techniques to make night photos. This evening, however, I emphasized my Canon EOS 7D and turned up the ISO to unusually high settings in order to stop the action.
Union Station as viewed from Roosevelt Road. Exposed with my Canon EOS 7D with a 70-200mm f2.8 zoom lens at f2.8 1/40th second, ISO 6400 Camera was firmly mounted on a tripod.
Where color slide film essentially topped out at 400 ISO. My 7D allows me to dial in up to 6400 ISO. Does this offer the same clarity of ISO 100 or 200? No, of course not. But, it’s not so bad either. Is this high ISO technique the only way to make night photos? Hardly, there are many good ways to go about exposing images at night and this is just one.
An Amtrak train passes CP 21st at Chicago’s 21st Street Bridge. Handheld Canon EOS 7D with a 40mm pancake lens, 1/6th second at f.3.2 5000 ISO. It helps to have a rock steady hand.Chicago’s 21st Street Bridge looking south from the nearby grade crossing. Canon EOS 7D with 40mm pancake lens at 1.20th second at f2.8. ISO 5000. This image is a bit pixelated and not as sharp as I’d like, but not bad all things considered.
Today, I can make photos digitally, that would have been all but impossible with film. (Although, that’s never stopped me from exposing a few slides here and there anyway).
Another philosophy: low ISO with long exposure. This makes for a sharper and less pixilated image, but doesn’t allow for stop action of moving trains. In this case I used my Lumix LX3 on a miniature Gitzo tripod positioned on the railing of Roosevelt Road. Exposure: f3.5 at 3.2 seconds, ISO 80. (The camera was set in aperture-prioritiy ‘A’ mode, but I manually over exposed by 2/3s of a stop to compensate for the bright sodium vapor lights and dark sky which tends to cause the camera’s automatic metering to lean toward underexposure.)
Fast train delayed because of a suspected points failure.
On Monday, April 22, 2013, a well-known industry communications manager and I paused at an overhead bridge beyond London’s Kings Cross to watch the departure of the 1400 (2pm) East Coast train to Aberdeen. This is called the Northern Lights and features a 1970s-vintage HST, thus making it among the more interesting trains serving Kings Cross.
What ought to have taken just a few moments, dragged on and on. We could see the HST on the platform, but at 2 o’clock it failed to depart on time. I knew something was up when a man, who appeared to be the driver, left the cab of the train. (Just for clarification: in British terminology the person who runs—or ‘drives’—the train is known as a ‘driver’ rather than an engineer.)
Two minutes turned into five, and the HST still hadn’t left. Then two railway employees appeared by a slip-switch beyond the end of the platform. They began disassembling the cowling that covered the switch machine motor. The incident was shaping up to what they call a ‘points failure’. (In Britain, track switches are called ‘points.’)
Before it was all straightened out, there were four men dressed in orange safety clothing on the ground managing the uncooperative points. Finally, just after 1412 (2:10pm), the HST marched out of Kings Cross in parallel with another East Coast train, this one hauled by a common class 90 electric (and was probably destined for Newark Northgate).
I used my Lumix LX3 to catch the late departure of East Coast’s Northern Lights (on left) on Monday April 22, 2013. On the right is the class 90 electric with another northward train. It’s been more than 45 years since the famous Gresley-designed A4 Pacific’s worked this route. Much more than the locomotives has changed, and continues to change. The whole area around Kings Cross is a construction site.
