During the summer of 1993, Kodak had introduced a new flavor of Ektachrome slide film with a rating of 100 ISO and a warm color balance.
I bought a few rolls for use imaging trains with New England autumn foliage.
On October 6th of that year I drove to Groveton, NH to intercept the NHV local that worked the old Boston & Maine line toward Whitefield.
It was raining and dark when I pictured the train ambling along a few miles south of Groveton.
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Red diesels in the snow can make for classic photographs. This combination is much nicer than black diesels in the mud,
Kris Sabbatino and I were on our way north when we paused for a sandwich at Newbury, Vermont.
After a while, we could hear the whistle of the northward Vermont Rail System freight on its way from White River Junction to Newport.
I made these photos using my Nikon Z6 with 24-70mm lens.
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It was a clear cold afternoon when Kris Sabbatino and I headed north from White River Junction following the old Boston & Maine line toward Wells River.
We were about an hour ahead of Vermont Rail System’s freight that was running to its CP Rail connection at Newport, Vermont.
I exposed these digital silhouettes using my Nikon Z6 with 24-70mm lens set to f22. In post-processing using Adobe LightroomI adjusted NEF (RAW) files .
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I thought for St Patrick’s Day, I’d post this photo of Irish Rail’s up-Claremorris Liner at Islandbridge.
This was carrying empty Guinness kegs for replenishment.
Exposed using a Canon EOS 3 with 200mm lens loaded with Fujichrome Velvia 100F.
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We maintained an old tradition: watching the passage of Amtrak’s Lake Shore Limited at Palmer, Massachusetts.
Kris Sabbatino and I met some old friends at CP83 in Palmer where we enjoyed takeout from the Steaming Tender (located inside the historic Union Station).
I looked up at the signals and said, ‘449 ought to be hitting the circuit at CP79 any second now.’ And on cue the light cleared to ‘green over red’.
I made these photos of Amtrak’s westward Lake Shore Limited hitting the Palmer diamond using my Nikon Z6 with 24-70mm lens. I set the camera manually with a 1/1600th of a second shutter speed to better freeze the motion of the train.
Amtrak 449 is the Boston section of the train, which joins the New York section at Amtrak’s Albany-Rensselaer.
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Last week, we heard New England Central 608 sounding for State Line from Moulton Hill in Monson, Massachusetts.
That was the call to send Kris Sabbatino and me into action.
We drove post haste through Monson, as the northward freight was approaching the ‘Monson Tunnel’ (Route 32 underpass at Academy Hill), and selected a spot well ahead of the train where the morning sun provided excellent illumination.
I made these two views using my Nikon Z6 with 24-70mm lens.
After exposure, I imported the NEF (RAW) files into Adobe Lightroom where I re-profiled the color and contrast.
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Back in June, 2015, the ever popular Norfolk & Western streamlined J-Class 4-8-4 number 611 was running trips out of Manassas, Virginia.
Photographer Pat Yough and I had traveled by train to Virginia to capture this event.
In addition to the steam locomotive, I made photographs of the more ordinary train on the move.
Working with my Canon EOS-3, I pictured this Virginia Railway Express commuter train on Provia 100F color slide film.
Last week, I scanned this slide using a Nikon CoolScan5000 slide scanner and processed the high-resolution TIF file using Adobe Lightroom.
From an historical perspective I wonder how many photos were made of this lowly commuter train in comparison to the streamlined steam locomotive?
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Last Monday, March 8, 2021, Kris Sabbatino and I, followed New England Central’s southward 611 freight.
I drove us to my old standby location at East Northfield, where the NECR line toward Palmer, Massachusetts and New London, Connecticut diverges from the old Boston & Maine Connecticut River line (now operated by Pan Am Southern).
As the train approached I exposed a series of photos using my Nikon Z6.
I’ve displayed two variations of the same image.
The top image is a camera generated JPG with color set to Nikon’s Vivid profile.
The bottom image I created from the NEF RAW file in Adobe Lightroom by manipulating color, contrast, and saturation to emulate my FujiFilm XT1’s in-camera ‘Velvia’ mode.
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My Nikon Z6 Mirrorless camera is an amazing tool for capturing images.
It has a tremendous ability to capture detail across a broad dynamic range.
Its RAW (NEF) files allow for a high degree of exposure latitude and post processing adjustment.
It’s unadjusted files are the closest to ‘true’ color of any camera that I have owned.
And yet, it is almost too much detail. But without the supersaturated punch that I’ve come to accept from my other digital cameras, notably my Fuji X-series.
On Monday, Kris Sabbatino and I photographed New England Central’s 611 arriving at Brattleboro, Vermont under a clear polarized blue dome. A near perfect morning, and yet contrasty with crusty snow on the ground and deep dark shadows cast along the sides of the locomotives.
I exposed for the snow to retain highlight detail with an expectation of making post processing adjustments to the NEF files with Adobe Lightroom.
My goal was to eye-up (estimate) the adjustment of my RAW files in order to emulate the richly saturated color profile automatically provided by my Fujifilm XT1 JPGs. This was an unscientific approximation without benefit from a detail study of the Nikon’s histogram in comparison with the Fuji’s.
I’ll plan on making a more critical project by working with these types of comparisons at a later date.
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We concluded our vigorous chase of Pan Am Southern’s ED8 at Orange, Massachusetts, having first seen this freight earlier in the day at East Deerfield Yard.
The overhead bridge in the center of Orange offers several advantages;
I made this photo with my Nikon Z6.
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As we raced east on Rt2 in pursuit of Pan Am Southern’s ED-8, I kept my eye open for the turn that lead down to the railroad location on the old Boston & Maine known as ‘Farleys’.
I thought back to that February morning, 35 years ago, when working with my father’s Leica, I exposed the final frame on a roll of Kodachrome 64 of an eastward Boston & Maine loaded Bow coal train meeting the westward POPY (Portland to Potomac Yard) at Farleys.
While ED8 wasn’t quite as thrilling as that rolling meet, it was pretty neat to soak in the sight and sounds of this 106-car freight grinding up the grade toward Erving.
I exposed this photo using my Nikon Z6 with an aim to adjust the RAW (NEF) file to maximize the data presented so as to compensate for the excessively contrasty scene.
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After photographing Pan Am Southern’s eastward ED8 passing searchlight signals at Lake Pleasant (See Monday’s Post), the chase was on!
Kris Sabbatino and I rolled eastward after the 106 car freight as it ascended the grade up the valley of the Millers River.
At Millers Falls, Massachusetts, we paused at the overhead bridge near the center of town that spans both former Boston & Maine and Central Vermont lines (now operated by Pan Am Southern and New England Central respectively) for a dramatic photo looking into the the afternoon sun.
Working with my Nikon Z6, I made a sequence of coming and going photos as the train roared by.
Later, I adjusted exposure, contrast and color using Adobe Lightroom to make for more pleasing images.
We continued after the train making more photos along the way!
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On Saturday afternoon, a Pan Am Southern freight departed East Deerfield yard eastbound for Ayer, Massachusetts.
Kris Sabbatino and I drove to Lake Pleasant crossing in Montague to intercept the train.
I opted for an unorthodox framing to feature the General Railway Signal searchlight signals that survive at this location.
Once standard on the Boston & Maine, these now antique signals are become increasingly rare and well-worthy of photographing.
Images exposed using my Nikon Z6 with 24-70mm lens. Nikon NEF RAW file processed using Adobe Lightroom.
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Yesterday, Saturday March 6, 2021, Kris Sabbatino and I visited White River Junction, Vermont.
Hard crusty snow covered the ground under a bright polarized sky. Visually appealing conditions, but contrast and difficult to capture.
Key to making successful snow photos is exposing for the snow correctly.
If the snow is overexposed (too light), detail is lost and it becomes an amorphous white blob. If it is underexposed, then the snow will be rendered gray and other elements of the scene appear too dark.
Most automatic camera metering does not recognize snow and has a inherent bias to render it as gray instead of white, which if left unattended at the time of exposure will result in an underexposed file.
For this photo, I exposed manually. I gauged my exposure from experience, and allow the meter to read 2/3s of a stop over exposure. This still renders texture in the snow, but allows for easy corrections for the rest of scene in post production.
Below I display two versions of the camera RAW file exposed with my Nikon Z6 (NEF format). The top is the scaled but unmodified file. The bottom has been adjusted to make the most of the data recorded and lighten shadow areas while correcting color balance.
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This Kodachrome slide has languished in the darkness for 32 years.
I’d followed a westward empty Conrail coal train through New York’s Canisteo Valley on the evening of April 7, 1989.
It had been an overcast day with laden clouds. Yet traffic had been heavy on Conrail’s former Erie Railroad lines in western New York.
At the time Conrail was routing coal empties west from Hornell via the old Erie main line that went through Alfred and Andover, then operated as the Meadville Line.
West of Hornell this route ascended a steep grade that brought heavy trains to a crawl.
In the fading light of that April evening, I exposed this Kodachrome 25 slide along Canacadea Creek. If I recall correctly, my shutter speed was about 1/30th of a second.
Why such a slow film?
That is what I had in my Leica M, and so I made do.
Here are two versions of the scanned image. The first is scaled but unmodified. The second is a heavily modified image to make the most of the extremes of Kodachrome’s capturing ability while adding drama to the scene.
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Willard, Ohio, July 21, 1988: CSXT was still a novelty and many locomotives were still painted for CSX’s Chessie System and Seaboard System components.
My pal TSH and I were traveling around central Ohio on our summer 1988 adventure.
I made this Kodachrome 25 slide using my Leica M2 with 50mm Summicron.
I scanned this slide in January 2021 using a Nikon Coolscan5000 scanner, and made minor adjustments to color, contrast and exposure using Adobe Lightroom.
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Yesterday, my author’s copies of NRHS Bulletin Vol 83, No. 4 arrived with my feature story, ‘Growing Up with Central Vermont’.
This personal story of my experiences with the old CV includes a variety of my photos of the railroad exposed between 1977 and 1993.
The opening spread is a photo, previously unpublished, of train 444 crossing the Palmer diamond in September 1977, which I exposed using my father’s Leica IIIC.
An unexpected surprise was the cover story of the magazine, which is a detailed article on Metro North by my old friend (and Tracking the Light reader) Walter E. Zullig Jr!
Although a nice photo, the above view of Central Vermont’s northward road freight at Vernon, Vermont, did not make my final cut for photos submitted to the NRHS Bulletin.
Special thanks to Bulletin Staff Editor Jeff Smith for bringing my article to print.
The NRHS Bulletin’s email is: bulletin@nrhs.com
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In December 1982, my father and I visited the former Delaware, Lackawanna & Western Hoboken Terminal on the Hudson River waterfront opposite Manhattan.
I thought this ancient decaying relic of the Golden Age of American railways was just about the most fascinating place on the planet.
Rotten, yet grand, elusive, yet filled with intrigue. I exposed a series of Kodachrome slides using my 1930s era Leica 3A with Sumitar lens.
There’s no doubt; I was born in the wrong era. At age 16, my interests lay in the world decades before my birth.
Lackawanna Terminal has been tidied up since that day. Today, one of the old DL&W electric multiple unit cars serves as Conway Scenic Railroad’s dining car Chocorua, while another former DL&W car is coach 3202 Hurricane Mountain. Oddly enough, I write this in the shadow of Hurricane Mountain in North Conway, New Hampshire.
I scanned the slide portrayed here just a little while ago. I offer two versions. One is a scaled RAW scan without interpretation, the other is an ‘improved’ version of the same scan. I lightened this, adjusted the contrast and color temperature.
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It was a wintery weekend a few weeks ago, when Kris Sabbatino and I briefly revisited the forlorn former Grand Trunk station along Genesee & Wyoming’s St. Lawrence & Atlantic at Groveton, New Hampshire.
I made these digital studies using my Nikon Z6 digital camera, and processed the files for color and contrast in Adobe Lightroom.
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On December 13, 2014, Pat Yough and I visited Reading & Northern’s former Reading Company main line near Auburn, Pennsylvania where the former Pennsylvania Railroad Schuylkill Branch crossed on a through truss bridge.
Working with my Canon EOS-7D fitted with a 100mm lens, I exposed a sequence of Reading & Northern’s 4-6-2 Pacific number 425 that was leading a Christmas excursion toward Schuylkill Haven.
This is among the scenes that inspired me to recreate the Reading Company in HO scale.
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On snowy Saturdays and dark evenings, we’ve continued to recreate a vision of Eastern Pennsylvania anthracite country in HO Scale.
Yesterday, I focused on track laying and preliminary wiring.
My girlfriend Kris Sabbatino made these photos of the wee railroad using her new FujiFilm XT4.
See my previous posting for earlier photos of the wee railroad:
http://briansolomon.com/trackingthelight/wp-admin/post.php?post=30559&action=edit
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In May 1963, my father exposed this Kodachrome slide of Reading Company class T-1 4-8-4 number 2102 leading one of the railroad’s popular Iron Horse Rambles.
21 years ago, I ran this photo across two pages in my large format book Locomotive published by MBI.
Today, this image of great interest to me as part of our on-going model railroad project, which aims to recreate the spirit of the Reading Company in anthracite country.
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On April 9, 2000, I was traveling across the UK from Oxford to Holyhead (and then on to Dublin), and changed trains at Crewe.
During my layover, I exposed this 400mm view of new Class 175 diesel railcars arriving from Holyhead.
I was working with a Nikon N90s loaded with Fujichrome. The lens was an older model Tokina f5.6 400mm that I’d bought years earlier from Doug Moore.
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Yesterday (Wednesday February 24, 2021) was bright and sunny with textured clouds in North Conway, New Hampshire.
The railroad had scheduled a plow extra to clear the line toward Attitash in Bartlett.
Working with my FujiFilm XT1 with 16-55mm lens, I made these photos of the plow being readied for action and heading west out of the yard.
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On Sunday, February 21, 2021, Kris Sabbatino and I visited the old Intervale, New Hampshire station site at Intervale Cross Road to catch the in-bound snow train from Attitash.
In the lead was former Maine Central GP7 573, one of Conway Scenic’s most productive locomotives. It is pictured on former home rails.
Historically, Intervale was the interchange between Maine Central’s Mountain Division and Boston & Maine’s Conway Branch.
Exposed digitally using my FujiFilm XT1. File converted from Fuji’s RAW format to a DNG file using Iridient X-Transformer and adjusted in Adobe Lightroom.
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In the mid-1990s, Wisconsin Central actively pursued traffic to fill its lines with trains.
In this September 1996 photo a former Algoma Central SD40-2 leads a short stone train at Grand Avenue in Waukesha, Wisconsin.
These trains typicallyl ran with a single six-motor diesel and former Canadian National gypsum cars, often make several trips a day over the line.
I made this image using a Nikon F3T with f4.0 200mm Nikkor lens on Kodachrome Film.
Kodachrome’s grain structure permitted superior definition in extreme exposure situations such as the locomotive headlights. Where E6 films and digital media often suffer from poorly defined headlight areas, Kodachrome had a much better ability to retain detail.
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Yesterday (Sunday February 21, 2021) a clear blue dome made for excellent winter photographic conditions.
Kris Sabbatino and I went out to picture Conway Scenic’s afternoon Snow Trains.
We caught the 3pm departure passing Glen, New Hampshire.
After exposing a few Provia 100F color slides of the train crossing the truss bridge over the Ellis River, I made this view with my FujiFilm XT1 as the westward train approached the grade crossing.
I’ve presented two versions. The first is the camera-JPG using the Fuji Veliva color profile. The second is a JPG made from the camera-RAW, which I first converted using Iridient X-Transformer to a DNG file, then working in Adobe Lightroom I made very slight adjustments to the highlights and shadows to maximize the detail in the image while retaining the color profile.
Notice the difference in the amount of highlight detail in the snow, particularly to the left of the train. Also notice the tint of the green paint on the front of locomotive 216.
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I paid a visit to the Ontario Midland at Sodus, New York on a windy October day in 1987.
The sky was a tumble with autumnal clouds blowing off Lake Ontario with occasional patches of blue sky.
I made this view on Kodachrome 25 slide film with my Leica M2 and 50mm Summicron.
I’d missed a wink sun on the Alco RS-11 by a few moments.
I wonder why I didn’t wait a little while to see if it would have come out again?
Below are three versions of the photo. The first is my uncorrected scan, the second and third are variation with corrections to exposure, contrast, saturation and color balance implemented with Adobe Lightroom.
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A few days ago on my walk to the North Conway station where I work, I made this sunrise sunburst of Conway Scenic’s Budd Vista Dome Rhonda Lee.
The secret to making this type of photo is manually selecting a very small aperture (in this case f22) with a wide-angle lens (16mm in this case), while allowing the sun to intersect a dark area (station roof).
It is also helpful to have a relatively dark sky, in this situation against a polarized winter sky.
I’ve made good use of this effect over the last few months where stark winter weather has given me plenty of opportunities for sunburst.
Incidentally, this image was made without the benefit (or detraction) of external filters. Nor was it substantially modified in post processing.
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It was a lovely Spring morning in Claremorris, County Mayo, when I made this telephoto trailing view of the empty Irish Rail Ballina Branch train approaching the yard.
Finding a ‘mixed pair’ of 121/181 diesels on the passenger train was a rare event by 2006, and certainly worthy of my attention.
Irish Rail 075 that had been assigned to work the branch passenger train had failed at Ballina day or two previously, and the older EMDs were borrowed from their freight assignment to fill in.
I exposed this Fujichrome slide using my Nikon F3 with a short telephoto, probably a 105mm, from the road bridge west of the Claremorris Station.
I scanned the slide last night using an Epson V600 flatbed scanner set to 3200 dpi. Then I made nominal color/contrast corrections in Adobe Lightroom before scaling the image for internet presentation.
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Winter in the White Mountains.
Yesterday afternoon (February 17, 2021) I made this photo Conway Scenic Railroad GP9 1751 at the Golf Course Crossing near our North Conway Station.
Over the last few weeks winter weather has made for a textured monochromatic landscape.
Exposed using my FujiFIlm XT-1 with the ‘Velvia’ color profile.
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This evening (February 17, 2021) at 7pm Eastern time, I’m schedule to give a Zoom slide show on my Conway Scenic Railroad photography to the 470 Club.
Below is just a brief preview of the slide show, which draws on more than three decades of photography, but focuses on my work for Conway Scenic over the last two years.
I’ve included a host of film images as well as my digital work.
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It is a cool, and aptly named northern New Hampshire village.
Stark. Literally and figuratively. And when I say cool, I’m being ironic.
It was cold.
The old Grand Trunk Railway runs through Stark on the north side of the Ammonmoosuc. Today, this is Genesee & Wyoming’s St. Lawrence & Atlantic.
Trains, when these pass, typically pass in the wee hours.
Very wee.
There’s also an auld bridge here. And a wee church.
A feeling of minimalistic surrealism permeates the frosty landscape.
I made these views on a Stark visit with Kris Sabbatino over the weekend.
All images were exposed using my Nikon Z6, and processed in Adobe Lightroom.
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A few days after Christmas 1984, my father and I set up for photographs at the St Johns River bridge on the former Atlantic Coast Line just north of Sanford, Florida.
I made this trailing view of Amtrak’s northward Silver Meteor on Kodachrome 64 using my Leica 3A rangefinder with 50mm lens.
The color in the slide was unusually pastel and had shifted to a blue-cyan bias, so after scanning, I imported the photo into Adobe Lightroom to adjust the color and improve sharpness and saturation.
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It was a dull Friday afternoon in mid June 2005, when DH and I were exploring locations along the Cork Road (Dublin to Cork) between Mountrath, Co Laois and the top of Ballybrophy Bank.
We’d stopped in sight of the tracks on a lightly traveled dirt road, and were cleaning the car, when off to the east we heard the distant drumming of a class 071 in Run-8 (full throttle).
Irish Rail’s class 071s are mid-1970s era EMD diesel-electrics, built with Dash-2 technology and powered with 12-cylinder 645E3 (turbocharged) engine. Their sound is distinctive.
I grabbed my Nikon F3 loaded with Fujichrome Sensia II (100 ISO). As the Friday-only ‘Down Kerry’ (Dublin Heuston to Tralee) came into view, the sun peaked out from a thick overhead cloud-bank. Irish Rail 072 was driven by Irish Rail’s Ken Fox, who recognized us and gave a few friendly blasts of the hooter (horn).
As the train passed on its ascent toward Ballybrophy, the sound intensified—a characteristic of the doppler effect. We could hear the aged EMD until Ken shut off at the top of the bank—several miles distant.
I scanned these slides a couple of weeks ago.
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On October 22, 1987, I made this study of former Reading Company 50-foot boxcars stored on the Genesee & Wyoming at P&L Junction in Caledonia, New York.
When Reading was folded into Conrail, Delaware & Hudson took title to a variety of Reading Company equipment, yet these cars were still painted for their original owner.
For more than 30 years this Kodachrome slide languished in the dark, and only recently did I retrieve it. These cars are of special interest to me now because I’m building a scale interpretation of the Reading Company in HO, and, Kris Sabbatino and I recently purchased models of Reading Company cars similar to these.
Exposed on Kodachrome 25 using a Leica M2 with a 90mm f2.8 Elmarit.
Scanned using a Nikon SupersCoolScan5000 digital scanner operated using VueScan software. Scan adjusted in Adobe Lightroom.
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