Tag Archives: #Nikon Z6

WORK TRAIN RAW AND JPG

Friday, April 9, 2021, Conway Scenic Railroad operated a Work Extra on its Conway Branch. The sky was clear and blue and the sun bright. This was a perfect opportunity to experiment with my Nikon Z6 digital camera.

Although I purchased this image making machine six months ago, I haven’t come close to mastering it.

The Z6 has an amazing ability to capture and store visual information.

However, to best translate the Nikon RAW (NEF) file requires a bit of study and interpretation, and it is in the interpretation that I am still learning.

Below are two images of the Work Extra, and two interpretations of each. The top in each sequence represents the camera-JPG output with built-in Vivid color profile (scaled but otherwise unadjusted in post processing). The bottom of each sequence is my interpretation of the NEF file using Lightroom, where I’ve made nominal changes to color temperature, shadow and highlights, and overall contrast.

Camera JPEG with built in Vivid color profile. No changes to exposure, color temperature or contrast in post processing.
NEF (Camera RAW) file adjusted using Adobe Lightroom to correct for color temperature, contrast, and shadow/highlight exposure.
Camera JPEG with built in Vivid color profile. No changes to exposure, color temperature or contrast in post processing.
NEF (Camera RAW) file adjusted using Adobe Lightroom to correct for color temperature, contrast, and shadow/highlight exposure.

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Old Boston & Maine station at Ely

It was a clear cold afternoon when Kris Sabbatino and I headed north from White River Junction following the old Boston & Maine line toward Wells River.

We were about an hour ahead of Vermont Rail System’s freight that was running to its CP Rail connection at Newport, Vermont.

I exposed these digital silhouettes using my Nikon Z6 with 24-70mm lens set to f22. In post-processing using Adobe LightroomI adjusted NEF (RAW) files .

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Morning Sun at East Northfield.

Last Monday, March 8, 2021, Kris Sabbatino and I, followed New England Central’s southward 611 freight.

I drove us to my old standby location at East Northfield, where the NECR line toward Palmer, Massachusetts and New London, Connecticut diverges from the old Boston & Maine Connecticut River line (now operated by Pan Am Southern).

As the train approached I exposed a series of photos using my Nikon Z6.

I’ve displayed two variations of the same image.

The top image is a camera generated JPG with color set to Nikon’s Vivid profile.

The bottom image I created from the NEF RAW file in Adobe Lightroom by manipulating color, contrast, and saturation to emulate my FujiFilm XT1’s in-camera ‘Velvia’ mode.

This in-camera JPG was created by my Nikon Z6 set to VI ‘Vivid’ color profile.
Working with Adobe Lightroom, I adjusted the Camera NEF RAW file by lightening shadows, adjusting saturation, fine-tuning contrast settings, and warming the color balance.

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Nikon Z6 Color Considerations

My Nikon Z6 Mirrorless camera is an amazing tool for capturing images.

It has a tremendous ability to capture detail across a broad dynamic range.

Its RAW (NEF) files allow for a high degree of exposure latitude and post processing adjustment.

It’s unadjusted files are the closest to ‘true’ color of any camera that I have owned.

And yet, it is almost too much detail. But without the supersaturated punch that I’ve come to accept from my other digital cameras, notably my Fuji X-series.

On Monday, Kris Sabbatino and I photographed New England Central’s 611 arriving at Brattleboro, Vermont under a clear polarized blue dome. A near perfect morning, and yet contrasty with crusty snow on the ground and deep dark shadows cast along the sides of the locomotives.

I exposed for the snow to retain highlight detail with an expectation of making post processing adjustments to the NEF files with Adobe Lightroom.

My goal was to eye-up (estimate) the adjustment of my RAW files in order to emulate the richly saturated color profile automatically provided by my Fujifilm XT1 JPGs. This was an unscientific approximation without benefit from a detail study of the Nikon’s histogram in comparison with the Fuji’s.

Scaled JPG from an otherwise unaltered or interpreted NEF file. Nikon Z6 with 24-70mm lens.

I’ll plan on making a more critical project by working with these types of comparisons at a later date.

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Against the Sun at Millers

After photographing Pan Am Southern’s eastward ED8 passing searchlight signals at Lake Pleasant (See Monday’s Post), the chase was on!

Kris Sabbatino and I rolled eastward after the 106 car freight as it ascended the grade up the valley of the Millers River.

At Millers Falls, Massachusetts, we paused at the overhead bridge near the center of town that spans both former Boston & Maine and Central Vermont lines (now operated by Pan Am Southern and New England Central respectively) for a dramatic photo looking into the the afternoon sun.

Working with my Nikon Z6, I made a sequence of coming and going photos as the train roared by.

Later, I adjusted exposure, contrast and color using Adobe Lightroom to make for more pleasing images.

We continued after the train making more photos along the way!

ED8 rolls through Millers Falls, Massachusetts on Saturday March 6, 2021.

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Z6 at Palmer

I made my first photos of the railroad scene in Palmer, Massachusetts back in 1977 using a Leica 3C rangefinder on Black & White film.

I made my first Nikon Z6 digital photos of Palmer on Saturday. (January 23, 2021). Kris Sabbatino and I passed through this old haunt of mine during a visit to Monson, Massachusetts. Time was short, so we paused trackside for just a few minutes.

Although the railroads were quiet, and not a steel wheel turned, I made the opportunity to record the railroad scene with my latest camera. A pair of New England Central locomotives were in the yard, and made for subjects to capture digitally.

This morning, I processed these photos using Adobe Lightroom. For me this was an exercise in learning how I see in this long photographed place with my new camera, which I purchased in September 2020.

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WInter Steam! Round 3; Using the Z6 at Second Iron.

On Saturday, January 2, 2021, I limited my photo arsenal to just three cameras.

For this view of the Conway Scenic Railroad’s Winter Steam crossing the Saco River at ‘Second Iron,’ I was used my Nikon Z6.

I made some nominal modifications to the camera raw file (NEF) using Adobe Lightroom. Specifically, I lightened the shadow areas, brought down the highlights, while whitening the whites to help separate the steam from the sky and keep the snow looking clean and fresh. I also slightly increased saturation since the RAW capture appeared a bit dull.

Locomotive 7470 was reversing over the bridge after making its first run-by for the photographers on the trip.

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Nature with the Nikon Z6

Over the last few weeks I’ve been experimenting with my new Nikon Z6.

Last weekend, Kris Sabbatino and I spent the afternoon photographing along the headwaters of the Saco River in Crawford Notch, New Hampshire.

Among the useful features of this camera is the adjustable rear display and touch screen, which combine with easily adjustable focus points makes low angle close focus photography.

Below is small selection of my nature photos from last weekend.

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October Rainbow

Last week on my way to work at the North Conway, NH station, a magnificent rainbow graced the morning sky.

Rainbows are often fleeting, lasting only a few moments, yet this one hung in the sky for about a half an hour.

I made these photos using my new Nikon Z6 mirrorless digital camera.

After exposure I downloaded the camera and imported the camera RAW files (NEF) into Adobe Lightroom for processing.

I made nominal adjustments to color temperature, contrast and color saturation, then output the files as scaled JPGs while adding my watermark.

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My New Camera: Nikon Z6

Last week I received my latest in a long line of cameras that began with an Exakta back in 1972.

Over the last six months, I’ve been considering an upgrade to my digital cameras.

Sensor technology has progressed and my ability to work with digital photography successfully has matured. 

I considered a variety of cameras in my price range including Canon, FujiFilm, and Panasonic Lumix.

I was looking for a camera that will augment my existing cameras while providing demonstrably better or different image quality.

Two events pushed me toward my purchase: The first was the loss of service of my 18-135mm zoom for my Fuji XT1. The second was the loss of service of my Panasonic LX7. 

After careful and lengthy consideration, I ended up purchasing a Nikon Z6 mirrorless digital camera on the recommendation of photographer Pat Yough.

I plan to continue to use my Canon and FujiFilm digital cameras as well as my film cameras. Plus, I’m in the market for another Lumix!

The Nikon’s excellent full-frame sensor and the ability to use my older Nikon lenses on the new camera, plus the price point were among my considerations. I bought the camera with a 24-70 zoom.

Below are a few of the photos from my first day out with the Z6 on a wander around western Maine with my girlfriend and photography partner Kris Sabbatino. All were made with the 24-70mm and processed using Adobe Lightroom.

Grafton Notch, near Neary, Maine.
Grafton Notch, near Neary, Maine.
St. Lawrence & Atlantic at Bethel, Maine.
St. Lawrence & Atlantic at Gilead, Maine.

I may take me a while before I obtain the full visual benefit of this new tool, as it has a lot of buttons, functions, menus and features to explore and learn.

I am not new to Nikon, as I bought my Nikon in the form of an F3T in 1990, but this is my first Nikon Digital camera.

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