The old Pennsylvania Railroad Middle Division is a favorite stretch of railroad.
I first visited this location on the heavily traveled east-west trunk route back in 1988 with my old pal TSH.
In November 2001, Mike Gardner and I were on a week-long photograph blitz of Pennsylvania and paused a Mifflin for a few hours to make photos of the action.
I exposed this Fujichrome color slide using my Contax G2 rangefinder fitted with a 28mm Zeiss Biogon lens. The Zeiss lens was extremely sharp from corner to corner while offering exceptional color rendition.
After photographing Pan Am Southern’s eastward ED8 passing searchlight signals at Lake Pleasant (See Monday’s Post), the chase was on!
Kris Sabbatino and I rolled eastward after the 106 car freight as it ascended the grade up the valley of the Millers River.
At Millers Falls, Massachusetts, we paused at the overhead bridge near the center of town that spans both former Boston & Maine and Central Vermont lines (now operated by Pan Am Southern and New England Central respectively) for a dramatic photo looking into the the afternoon sun.
Working with my Nikon Z6, I made a sequence of coming and going photos as the train roared by.
Later, I adjusted exposure, contrast and color using Adobe Lightroom to make for more pleasing images.
We continued after the train making more photos along the way!
Working with ripe professional Kodachrome 25 (PKM), I made a series of photos of Norfolk Southern trains traversing the former Nickel Plate Road street trackage on 19th Street in Erie, Pennsylvania.
This was part of a great adventure with my pal TSH in the summer of 1988 that brought us to many fascinating places on the railroad.
Kodachrome was wonderful film, and PKM was among my favorite emulsions, but when used a little on the ripe side (too fresh) it shifted cyan (blue/green).
I scanned this slide the other day using a Nikon Coolscan5000 digital scanner then imported the high-res TIF scan into Adobe Lightroom for adjustment.
Working with the sliders in the program, I made a host of small corrections to color, contrast, and exposure that improve the overall appearance of the photo while minimizing the effects of the cyan color cast.
I’ve included a scaled version of the unaltered scan; my adjusted scan, and one of the Lightroom work windows that shows some of the adjustments that I made during post processing.