Blue sky and red signals; the old Boston & Maine-era searchlight protects the Bellows Falls diamond. In the steam era an old ball signal protected this crossing, then with Rutland Railroad.
Twilight, apparently, may strictly defined by the specific position of the sun below the horizon.
‘Civil Twilight’ as defined by the National Weather Service, is ‘the time at which the sun is 6 degrees below the horizon.’ Key to this period is that ‘there is enough light for objects to be clear distinguishable.”
I’ve always used the term in a more general sense to indicate the time of day when there’s a glow in the sky (before sunrise or after sunset). I suppose, the more appropriate title for these evening photographs would ‘Dusk at Bellows Falls.’
Anyway, it was the end of day’s photography in October 2004, when Tim Doherty and I visited Bellows Falls to witness the arrival of Guilford Rail System’s WJED (White River Junction-East Deerfield) freight.
This train worked interchange from Vermont Rail System’s Green Mountain Railroad and I made a series of atmospheric images at the passenger station. In the lead was a former Norfolk Southern high-hood GP35, a rare-bird indeed.
Bellows Falls is one of my favorite places to make railway images. I’ve been visiting as long as I can remember. My family had been taking day trips to Bellows Falls, and some of my earliest memories are of the tracks here. But, I’ve rarely made photos here at this time of day.
Twilight? Dusk? Evening? How about: dark enough to warrant a tripod, but light enough to retain color in the sky?
Guilford’s WJED eases past the Bellows Falls passenger station. Exposed using a Nikon N90S with Fujichrome.WJED shoves back on the interchange to collect cars from the Green Mountain Railroad. The Rutland had been gone more 40 years when I made these photos; more than 50 now. Which went first? The Rutland or the balls at Bellows Falls?
I love technological contrasts and parallel compositions. This simple photograph works with both motifs.
What makes this photo work for me, isn’t just the technological contrasts and functional symmetry, but also the textured sky. This was difficult to exposure for properly, but serves an important visual element. If it was overexposed, it would represent a defect that would distract from the signals, while if it had been a blue dome, it would have dramatically altered the visual contrast of the image.
A westward Burlington Northern double-stack container train rolls downgrade on Montana Rail Link’s former Northern Pacific mainline over Winston Hill, east of Helena.
I used a relatively short shutter speed to allow a little bit of motion blur, while waiting for an appropriate gab between the stack wells to show both eastward- and westward-facing semaphores.
These upper quadrant blades were powered by General Railway Signal Type 2A base of mast mechanisms, a standard type of signal hardware installed by Northern Pacific in the steam era.
By the early 1990s, double stack container traffic was new and growing, while semaphore signals were relics from an earlier era and rapidly being replaced.
What will be the 2014 equivalent of this photograph? A state-of-the-art LNG-fueled locomotive passing a classic searchlight?
Interested in railway signaling? See my book Railroad Signaling available from Voyageur Press/Quayside Publishing
Wisconsin Central GP7 and a Northern Pacific 4-6-0 in August 1996.
This old Kodachrome is a prize! Sometimes a scene has more background that I could have incribed on the slide mount.
Back in August 1996, Dick Gruber and I drove up to Osceola, Wisconsin to spend a weekend photographing Northern Pacific 4-6-0 number 328 that was scheduled for Minnesota Transportation Museum’s Osceola & St. Croix Valley trips over Wisconsin Central’s former Soo Line.
Two days worth of trips were scheduled and we made the most of this classic locomotive under steam. There were some challenges; such as finding a place to stay. I recall scouring motels in the Minneapolis area without any luck.
A Wisconsin Central local freight meets Northern Pacific 4-6-0 number 328 at Dresser, Wisconsin on August 17, 1996. I made this image from a low-angle using my Nikon F3T with a 28mm lens.
We ended up back in Osceola in the early hours chatting with crew. The mosquitoes were fierce and accommodations were lacking. I had a sleeping bag in my car, and one of the steam crew suggested I sleep on 328’s tender.
I took this suggestion to heart and laid out my bag on a flat spot away from the coal and got a few hours rest. The heat from the boiler kept me warm, while the smoke discouraged the bugs. Unfortunately, about 5:30 am, a crewman woke me with an apology. “Sorry, you’ll need to move, I need to stoke the engine.”
This was the start for a long but productive day of photography. Some 13 hours later, I made this image. After an excursion, NP 328 had run, ‘light engine,’ (by itself) to Dresser to turn on the wye. Here it met a Wisconsin Central local freight with a former Chicago & North Western GP7, still in its former owner’s paint.
At the time I was researching for my book The American Steam Locomotive (Published by MBI in 1998). I couldn’t help but thinking, that it was GP7s like this one had ousted 4-6-0s from their duties more than 40 years earlier. (However, 4151 was built new for Rock Island, and only acquired by C&NW in 1981). The irony is the GP7 was probably scrapped while today 328 is still around (pending overhaul).
Among my favorite locomotives are Electro-Motive’s classic end-cab switchers, of the sort introduced in the mid-1930s with EMC model SC.
I became familiar with this type as a result of an O-Gauge Lionel NW-2 dressed for Santa Fe that my father bought for me about 1972. Later, I watched and photographed full scale switchers on Penn-Central, Conrail and Boston & Maine.
This type in effect emulated the shape of the common steam locomotive, allowing the engineer to look down the length of the hood, instead of a boiler. Electro-Motive wasn’t first to use this arrangement, which Alco introduced in the early 1930s. But, it was the Electro-Motive switcher that I found to have a classic sound and shape.
Rochester & Southern SW1200 107 is posed in front of the Brooks Avenue yard office between 9:45 and 10:15 am on September 23, 1987. I made this photograph with a Leica M2 with 50mm Summicron lens on Kodachrome 25 slide film. At the time was doing a lighting test with my Sekonic Studio Deluxe light meter. Puffy clouds were rapidly passing over and intermittently blocking (and diffusing) the sunlight. I made careful notes of changes in exposure which varied by two full stops between ‘full sun’ and shaded. — Incidentally, I published this image on page 53 of The American Diesel Locomotive (MBI Publishing, 2000).
When I was studying at the Rochester Institute of Technology in the late 1980s, Rochester & Southern’s Brooks Avenue Yard was just a few minutes away. I routinely stopped by the yard to see what was going on.
At that time, R&S 107—a former Southern Pacific SW1200—could be routinely found drilling cars. Over the years, I made a number of images of this old goat.
I left Rochester in 1989. I wonder what has become of this switcher? Does it still sport the SP-order oscillating lights?
Sunny Morning on Niagara Frontier Transportation Authority Metro Rail.
A Niagara Frontier Transportation Authority Tokyu Car-built light rail car glides through downtown Buffalo on May 4, 1989. The brown strip along the side of the car compares nicely with the tint of the stone on St Paul’s beyond. Since this image was exposed, NFTA has dressed the cars in a more modern livery.
I’d argue that the Buffalo light rail line is one of America’s least photographed railways. It’s certainly not something I’ve often seen pictured.
The system has several peculiarities. One of the strangest is its route, which runs in a subway through the northern Buffalo suburbs but on the street in the historic downtown.
I’ve made several visits to photograph and ride this unusual railway. I had an especially clear morning on May 4, 1989 when I exposed this pan on Kodachrome with my Leica M2. The car is on Main Street and passing St Paul’s Cathedral (located just a few blocks from Buffalo City Hall).
When seeking out railways to document, I’m always on the lookout for those operations that appear to elude other photographers. Admittedly, while the Buffalo light rail isn’t the most exciting railway in western New York, it can be photogenic and is thus worthy of pictures.
On April 7, 1989, I exposed this Kodachrome slide at f4.0 1/125th of a second using my Leica M2 with 35mm Summicron lens. Today, if I visited the same location, I’d make a completely different image because all the elements that encouraged this composition are gone. This slide is a little bit of history.
Three elements of this image interested me when I exposed it on April 7, 1989.
The Union & Switch & Signal Style S upper quadrant former Erie Railroad semaphore; New York, Susquehanna & Western’s former Burlington Northern SD45; and the unusual grade separated mainline, where the eastward track is on a higher level than the westward line.
I could write in detail about anyone of these three things. And someday I will. But not now.
Instead, I’ll examine the composition in a effort to offer a lesson on observing change.
The reason I made this photo in the way I did was specifically to juxtapose the signal with the locomotive. The grade separation not only offered added interest, but facilitated the over all composition because it allowed the locomotive to be relatively higher in the frame while enabling me to include the entire signal (complete with base of mast mechanism and subsidiary boxes/equipment) without producing an unbalanced image.
Today, none of the main elements in the photo are in place. If you were to visit Canaseraga, New York (located about 10 miles railroad-west of Hornell on the former Erie Buffalo mainline) you would find that the semaphore is gone; as is the old eastward main track. If by chance there’s an SD45 in the photo (unlikely, but not inconceivable) it would be on the close track.
In other words, the essential components of the image have changed to such a degree that there is little reason to consider making a photo at this location. And that’s the point!
When photographers (myself included) make railway images, they consciously and unconsciously include (and exclude) line side infrastructure which helps define and structure the photographs.
Changes to railway infrastructure alter the way we see the railroad, and thus the very way we compose and plan photographs. By anticipating change, we can make more interesting images and preserve the way things look for future viewers.
When trackside make careful consideration for those elements you may include or deliberately exclude. Might you be missing a potentially great image by trying to avoid some wires or litter along the line? Is an old fence potentially a graphic element that not only will help located the photo in the future but also key to a dramatic composition?
It is these types of thoughts than can make the difference when trying to compose great (or at least, relevant) railway photos.
In the mid-1990s, I made numerous trips to California’s remote and desolate Modoc County in the far northeastern portion of the state. Here Southern Pacific’s rolling Modoc Line hosted big trains which made for a stunning, but difficult, subject.
Not only was the line exceptionally far away, but also traffic was unusually sparse and often erratic. SP had built the route in the late-1920s, piecing together the old Nevada-California-Oregon 3-foot gauge with bits of new construction and other trackage.
Southern Pacific’s EUCH-Q works through the Indian Camp Loop on the Modoc Line. I exposed this photograph at 2:35 pm on February 11, 1994 using my Nikon F3T with 105mm Nikkor lens. I’d scoped out this spot on a previous trip and Brian Jennison drove us here ahead of the train which we’d been following from Alturas, California. Variations of this image have been published in several places and SP had retained a copy in their company files. Union Pacific abandoned and lifted this section of the Modoc Line after it acquired SP.
My favorite part of the Modoc was the old narrow gauge N-C-O section, where it looked as if tracks had been laid down on the desert floor with little concern for heavy grading.
This raw construction was evident at the Indian Camp Loop (compass south from Alturas) where SP’s line curved around to gain elevation.
In the second week of February 1994, Brian Jennison and I set out from Verdi, Nevada making the lonely drive up to the Modoc Line where we spent two rare days photographing trains.
We scored big with an EUCH-Q (Eugene-Chicago Quality) manifest freight that was led by a pair of brand new EMD GP60s.
Here’s a tip: when working sparse or erratic lines it really helps to have an inside track on operations, yet all the information in the world can’t help you if you’re not trackside! When you are trackside it’s helpful to know where the best locations are in advance of trains. In this case we had both the needed operational knowledge as well as prior location knowledge, and made the time to be trackside to take full advantage of it.
The head-end of Santa Fe’s second 199 works Southern Pacific rails in the Tehachapis between tunnel 1 and 2 near Bealville, California at 7:45am on April 3, 1993. I exposed this photo on Kodachrome 25 slide film using a Nikon F3T with 35mm lens at f4.5 1/125 second. Here’s a secret: the F3T has a removable prism; and to make this image, I pre-focused then took the prism off and held the camera close to the ground. Incidentally this means I composed the image in reverse. At the time, my camera didn’t have a motor drive, so this was a one shot effort. Take careful notice of the lighting and focus points.
California’s rolling Tehachapi mountains south of Bakersfield is one of the West’s great places to watch and photograph trains. Here through creative use of scale, depth-of-field and backlighting, I’ve made a real railroad look like a model!
In the early 1990s, I made several productive trips there. In Spring 1993, Brian Jennison and spent a few great days making images of SP and Santa Fe trains. On this morning we were joined by local photographers Bruce Perry and the late David Burton.
On the morning of April 3, 1993, I climbed a grassy hill near Bealeville to make this image of Santa Fe’s westward second 199 winding its way downgrade between tunnels 1 and 2.
Working with my Nikon F3T and 35mm PC lens, I played with focus and scale to make an image that looks like one exposed on a model railway. This was my way to cope with some difficult lighting on a photogenic subject and following in the California tradition, I’ve micturated on established ‘rules’ of conventional railroad photography.
I’ve always liked the purple lupin in the foreground.
Boston & Maine GP9 on the Connecticut River Line, December 1985.
Digging through my older photographs, occasionally I come across something really interesting.
Boston & Maine GP9 1736 leads local freight ED-4 southward across the stone arch bridge at Bernardston, Massachusetts at 12:03pm on December 28, 1985. I exposed this using a Rollei Model T with a ‘Superslide’ insert that gave me a 645-size rectangle rather than a 2 1/4 inch square image.
I’d exposed this black & white photograph using my father’s Rollei Model T at Bernardston, Massachusetts, where the railroad crossed an old mill dam on a classic stone arch bridge.
Brandon Delaney and I had gone up to Brattleboro, Vermont, where we found a pair of Boston & Maine GP9s working local freight ED-4. I made a number of images of engine 1736 working in the snow. Then we followed the train south into Massachusetts.
Brandon had previously explored this location at Bernardston and so we set up and waited.
For me this is a lesson in balance and composition: By placing the locomotive over the first pier of the bridge rather than allowing it to move further onto the bridge, I’ve created both visual tension and compositional balance.
The GP9 plays off the old mill at the bottom of the bridge to the left, while de-emphasizing the locomotive allows the eye to focus more on the bridge but never so long as to ignore the engine altogether. The bridge, after all, is the main subject, while the locomotive and mill are secondary to the scene.
I’ve been back here several times over the years and the scene has changed. The old mill and mill dam are history. I don’t know if they were washed away in a flood or were deliberately demolished. At the time they offered links to New England’s faded small-scale industrial past.
Today, because the dam is gone the bridge appears taller since the full length of the piers can be followed right in to the river-bed. Trees have encroached on both sides of the bridge, and even in winter, it can be difficult to get more than one locomotive on the structure. Yet, it can still be a great place to pose a train.
This detail is a very tight crop from my original negative.
The BIG CHASE: Pan American Southern’s EDRJ, November 2013.
Pan Am 618 roars west at Wisdom Way on November 21, 2013.
In yesterday’s post, I waxed nostalgic about the old Boston & Maine, illustrating it with images made around East Deerfield on November 21, 2013.
The big chase! Pan Am’s EDRJ (East Deerfield to Rotterdam Junction, New York) roars west at Wisdom Way in Greenfield. As we’d say, “To the River!”
One of the highlights of the day was midday westbound freight, train symbol EDRJ (East Deerfield to Rotterdam Junction) that departed the yard on the Hoosac Tunnel route.
One of my favorite railway activities in the 1980s was a good westward chase on the old B&M. Nothing made this better than a good consist of locomotives. Last Wednesday was like stepping back 30 years. (Sort of).
As we’d say, ‘To the River’ (meaning ‘to the Hudson’).
Although we only got as far as the Vermont-New York state line before the light faded, the spirit of the chase (and chases from year’s gone by) was with us.
Old Boston & Maine 3-bay hoppers.Roaring through the valley at Charlemont, Massachusetts.Easing up to the grade crossing at ‘Florida Station’ near Soapstone, on approach to the east portal of the Hoosac Tunnel.North Adams, Massachusetts.Norfolk Southern 206 eastbound.
Hoosic River Bridge.
The light was fading at North Pownal, Vermont.Pan of Pan Am at Petersburg, NY.
Thinking up new ideas everyday takes a lot of effort, so today, I’ll rely on clichés and old ideas with a new twist to fill the gap.
Pan Am’s EDPL (East Deerfield, Massachusetts to Plainville, Connecticut) rolls south on the Conn River Line near Hatfield on November 21, 2013.
Back in the day, in the 1980s, I’d wander up to the Boston & Maine at East Deerfield where I’d photograph trains on well-worn rights-of-way led by first and second generation EMDs. I was thrilled to find freight trains on the move!
The poor ‘ol B&M had seen better days. New England had been in industrial decline since World War I. It was my understanding that the old phrase ‘it’s gone south,’—meaning ‘it’s gone to the dogs’—originated when New England’s textile industries began closing and heading to the Carolinas and Georgia. (Never mind Southeast Asia, China and what not).
Guilford Transportation came about and melded Maine Central with B&M and briefly with D&H. For a few years the railroad was really busy. Traffic was on the upswing, new intermodal trains were introduced, and run-through locomotives from D&H, Maine Central, as well as Norfolk & Western/Norfolk Southern became common.
Then a souring passed over the scene. ‘All that glitters is not gold’, as they say (paraphrasing an English poet), and the well-trodden paths to the Hoosac Tunnel and along the Connecticut quieted for a time.
Things changed again with the dissolution of Conrail. Now Guilford is Pan American Railways and Pan Am Southern. Metallic blue paint has begun to replace charcoal and orange. And traffic is on the rise.
Yet to me, while there’s been some changes, the old B&M is a throwback to another time.
Yes, there’s a few new signals, some new welded rail here and there, and some nice fresh ties. Many of the old searchlight signals and signal bridges are gone and here and there the tracks have been trimmed back. But the B&M has the appearance of retro railroad. It’s like classic rock with spin.
Last week, on November 21, 2013, my old friend Paul Goewey and I went up to East Deerfield. It was like old times. First and second generation EMD diesels were moving freight in every direction while decaying vestiges of New England industry could still be found at every turn.
Just sayin’ it seems to me that at the end of the day, it is what it is, and MORE!
Paul Goewey snaps Pan Am’s MOED (Mohawk Yard to East Deerfield) crossing an early 20th century span in Greenfield, Massachusetts. Lumix LX3 photo.Greenfield, Massachusetts. Canon EOS 7D with 100mm lens.These old diesels are the same age as me! (more or less). MOED crawls through Greenfield. The old signal bridges are fading fast.I find the sound of 645 diesels, old bridges and vine-covered bricks in low autumnal light stirs nostalgia within me.Back in the day I was delighted to find old B&M EMD diesels wearing pre-McGinnis maroon and yellow paint. That was 30 years ago!The East Deerfield hump set on the Connecticut River Bridge, November 21, 2013.Maine Central 507 leads a short eastward freight across the Connecticut River.Pan Am’s ED2 departs East Deerfield for points north on the Connecticut River Line.North of Greenfield, ED2 grinds along on its northward plod. New rail and ties are being installed on this line and soon trains will be zipping along. Just like the old days when ‘the Boot’ (for Bootlegger) connected Washington D.C. and Montreal. (Amtrak’s Montrealer). Like, man, its all coming back!The big chase! Pan Am’s EDRJ (East Deerfield to Rotterdam Junction, New York) roars west at Wisdom Way in Greenfield. As we’d say, “To the River!” Stay tuned tomorrow for photos of the BIG EDRJ chase west. (What!? All this in one day?)
Along the old Boston & Maine’s Fitchburg Mainline.
At Millers Falls, New England Central and Pan Am Southern run parallel for a short distance. In this view Pan Am’s westward freight symbol 190ED with a pair of leased SD40-2s (wearing old Burlington Northern paint) has just passed the junction with New England Central. (NECR’s mainline is immediately to the left.
Pan Am Southern symbol freight 190ED passes Millers Falls, Massachusetts on October 22, 2013. Canon 7D with 40mm pancake lens.
Bright overcast autumn days can be one of the most rewarding times to photograph trains. Soft warm light accentuates the fading foliage, while the lack of directional sun allows more freedom to select angles that favor railway operations.
Had the sky been completely clear, I’d have been fighting the sun, which would have shadowed the train and put harsh light on the colored trees in the distance.
I’m often asked, “How do I find trains to photograph?”
CSX’s former Boston & Albany mainline at West Warren on Sunday October 20, 2013. Canon EOS 7D photo.
The short (and not especially enlightening answer) is that I pay close attention to the railway. (Whichever railway I’m photographing). Here are some basic tips:
1) Always pay attention.
2) Carefully study the details of the operation you wish to photograph: Learn when crews are called, how far they normally work, and what is expected of them en route. How long does it take to make a brake test? How long to make a station stop? How long to make a set-out or pick-up? Where are passing sidings and what are the distances between them. Learn about train weights, locomotive performance, and rates of acceleration and braking. Learn grade profiles and how these can affect train speeds. Find out about slow orders (both temporary and those in the timetable). Keep in mind, a scanner can only help you when you understand the information it provides.
3) Use these details to find out how they may affect when trains run.
4) Learn to distinguish good information from poor information.
5) Never assume anything without good solid information.
6) Don’t assume that everyday is the same (but always learn from the passage of trains, make careful notes as to the times trains pass and how long it takes for them to get between stations, and why.).
7) When interpreting schedules, find out how a specific schedule is to be used by the railway in question.
8) Know what questions to ask, and find the right people to ask.
9) Don’t assume that because someone works for a railroad that they are up to date on operations. Railroaders are like photographers, if three of them answer a question, you’ll get four answers.
10) Don’t expect railroaders to: ‘tell you when the train is coming.’ (see number 9).
11) Remember: on a railway plans will change, trains may be delayed, and no day is ever exactly the same (except in Switzerland).
12) Never assume there isn’t a train coming; you’ll be surprised.
13) When a train passes take the time to learn about it. Was it a regularly scheduled move? Was it an unscheduled extra? Was it running to schedule or was it hours late? Is it scheduled to run daily, three times a week or once a year? IF it runs daily, is it scheduled for the same time every day? If it doesn’t run at the same time, find out why.
14) When nearby a railway always use your ears. LISTEN! One of the best tip-offs that a train is approaching are the sounds it makes. Listen for whistles, engines working upgrade, as well as the sounds of braking, and cars clattering. Listen for switch points being moved or other tips that something may be about to happen.
15) Learn a railroad’s signaling and how its signals are expected to normally work. No two signaling systems are exactly the same. Learn when ‘red’ means a train is coming and ‘green’ means one is not (and vice versa!) Also, when ‘yellow’ means you just missed the train you were hoping to see.
16) Remember, a train is coming (but so is Christmas).
17) Put all of the pieces to puzzle into play.
18) Be patient.
19) Be persistent.
20) Take notes.
21) Accept that everyday is a learning experience.
CSX eastward intermodal freight (probably Q012) passes West Warren, Massachusetts on Sunday morning October 20, 2013. Canon EOS 7D with 40mm Pancake lens. A scanner, detailed knowledge of CSX operations, and patience all helped in executing this image.
More on finding Passenger and Freight trains in future posts.
Finding an old EMD Locomotive at Work Near its Birth Place.
Followers of Tracking the Light may have noticed that I have a penchant for Electro-Motive Division 20-Cylinder diesels. Not only have I featured these in many of my books, but also they have made regular appearances in my Daily posts.
In 2013, true 20-cylinder EMD locomotives have become really rare machines. Many of the surviving SD45/SD45-2 locomotives have been ‘de-rated’ and are now actually powered by variations of the 16-cylinder 645 engine.
Not that this difference really affects the photos, but for the purest, a true 20-cylinder locomotive has no match. For me, it’s the sound that makes the difference.
When I lived in California, Southern Pacific and Santa Fe both still had substantial fleets or 20 cylinder diesels. These days there are probably more old EMD F units in daily service than 20-cylinder 645s. (Maybe? Anyone know?)
Last week (Tuesday November 12, 2013), John Gruber and I were driving from Madison, Wisconsin toward Chicago to meet Chris Guss and Pat Yough. Chris rang me before lunch to say that an Illinois Railnet freight was ready to depart BNSF’s Eola Yard and had an old SP SD45 in the lead. A real SD45.
While not the prettiest locomotive, Illinois Railnet’s ex SP SD45 was worth the drive. I even exposed a slide with my dad’s Leica M4. This photo was made with my Canon EOS 7D with 20mm lens. I was balanced on a rock in the Fox River to get just the right angle. Nice to have the sun too!
I stepped up the pace, and with creative driving and some vital landing instructions from Chris and Pat, John and I arrived at the old Burlington bridge over the Fox River west of Aurora just in time to catch this relatively obscure Chicago-land freight railroad at work. I owe this image to teamwork and the ability to react quickly. Hurray!
November Views of a Station; Get Your Photos Soon, Before its Too Late!
Brookfield, Massachusetts; Brookfield, Illinois, and now Brookfield, Wisconsin—Have you noticed a theme?
Classic old wooden station at Brookfield, Wisconsin. Exposed with a Canon EOS 7D with 40mm pancake lens.
The former Milwaukee Road passenger station at Brookfield, Wisconsin is located between Canadian Pacific’s main tracks at the west end of a grade separation. This unusually situated station has provided a visual link to the railroad’s past for many years, and is one of the last structures of the old order along this line.
Today, Canadian Pacific’s former Milwaukee Road mainline between Chicago and the Twin Cities is largely free from historical infrastructure. The days of an agent working at Brookfield have long since passed. Neither passenger trains nor freights have stopped here in decades. Yet, as of today, the old building survives at its traditional location.
Here’s some advice: get your photos NOW. Don’t wait. Word on the street is that the station will soon be either moved or demolished.
Looking east at Brookfield, Wisconsin. Lumix LX3 photo.
And even if the street gossip changes its tune, the reality is that old wooden railroad stations are ephemeral structures: Never assume the old station that has always stood there, will be there the next time you return.
I made these photos last week while re-exploring southern Wisconsin with Pat Yough and Chris Guss . Back in the 1990s, I made a number of photos of this old station, but I’ve learned you can never have too many images of something (or someone) once its gone.
Might the old station be preserved? Quite possibly, but it won’t be trackside, and thus will have lost its context. This location without the station will just be another characterless wide-spot along the line. Someone might call this ‘progress’; I call it ‘change’.
On Saturday November 9, 2013, I worked with three cameras and photographed the Brookfield station from a variety of angles as the sun came in and out of the clouds. Two eastward Canadian Pacific freights passed giving me ample opportunity to put the old station in context.
A wink of sun illuminates the former Milwaukee Road station at Brookfield, Wisconsin. Lumix LX3 photo.Canadian Pacific eastward freight 484-08 led by Norfolk Southern 9189 passes Brookfield, Wisconsin. Canon EOS 7D photo.The sun catches eastward Canadian Pacific freight 248-408 at Brookfield, Wisconsin on November 9, 2013. Canon EOS 7D with 20mm lens.
Southbound CN Stacks work the old Soo Line, November 8, 2013.
CN’s Q11651-04 at Waukesha at 10:50 am on November 8, 2013. I exposed this photo using my Canon EOS 7D with 100mm lens. To gain a bit of elevation, I stood on Chris Guss’s Toyota 4Runner that is specially equipped with a roof rack for photography.
Between July 1994 and October 1996, I lived within walking distance of the former Soo Line station at Waukesha, Wisconsin.
At that time the railroad was owned and operated by Ed Burkhardt’s Wisconsin Central Limited (a 1980s regional carved from the old Soo Line after Soo Line merged with the largely parallel Milwaukee Road)
I’ve long since moved to new horizons and in the meantime, the ever-expanding Canadian National empire assimilated the WCL. The line through Waukesha that had once been part of the Canadian Pacific family is now a CN route.
Today’s CN has a very different operating style than that of WCL in mid-1990s.
Where WCL ran a tightly scheduled railroad with frequent but relatively short freights connecting Shops Yard at North Fond du Lac with various Chicago-land terminals, CN leans toward enormous rolling land-barges, many of which now take an Elgin, Joliet & Eastern routing around Chicago to reach the former Illinois Central or other connections.
Like the WCL, EJ&E and IC are now part of the CN empire.
On November 8, 2013, Chris Guss, Pat Yough and I photographed CN’s southward intermodal train symbol Q11651-04 led by SD70M-2 8800 passing the old Waukesha Soo Line station. At the back of the train was a modern General Electric working as a ‘distributed power unit’ (a radio-controlled remote locomotive controlled from the head-end).
This is a big change from the pairs of SD45 leading strings of 50 foot box cars or Duluth, Missabe & Iron Range ore jennies that I regularly saw in the 1990s. And, by the way, DM&IR is also another of CN’s railroads.
Vertical view at Waukesha. CN rolls right along and passes through the town much faster than WC did in the mid-1990s.The DPU at the back of Q11651-04 crosses East Broadway in Waukesha. Chris Guss is in position on the roof of his Toyota. Canon EOS 7D with 100mm lens
On the afternoon of December 3, 1994, Mike Danneman and I were following a southward Wisconsin Central freight up the 1 percent grade south of Fond du Lac known on the railroad as Byron Hill.
Wisconsin Central as viewed from across a cornfield at Byron, Wisconsin on December 3, 1994. Exposed with a Nikon F3T with a 28mm wide angle lens on Kodachrome 25 color slide film. Scanned with a Epson V600 scanner. No post processing except as necessary to scale image for internet use and insert byline tag.
Here, heavy freights would slow to a crawl for several minutes as they laboured to reach the summit at Byron. With a bit of swift driving we were able to make several images of the train in the low evening light.
The best part of the experience was listening to the 20-cylinder throbbing roar pulsing into the rural Wisconsin countryside as the SD45s clawed their way up the hill.
Ten years later, I returned to Byron Hill with a DAT recorder to make stereo sound records of SD45s at work.
Tomorrow, Tracking the Light looks at CN on Wisconsin Central.
Detail of Amtrak number 42. Canon EOS 7D photograph.Detail of Amtrak number 42.Detail of Amtrak 42.Amtrak 42 in Chicago, November 2013. Canon EOS 7D photo.
And there are still six tracks, but now it is in effect two parallel lines; a four-track electric suburban route run by Chicago’s Metra, and a double track line run by Canadian National.
On November 7, 2013, Chris Guss gave me a whirlwind tour of Canadian National operations in Chicago, largely focused on former Illinois Central lines.
Canadian National’s 33891 rolls southward on the former Illinois Central at East Pershing Street in Chicago on November 7, 2013. Exposed with a Canon EOS 7D fitted with an f2.0 100mm lens.
We scoped this location on East Pershing Street south of downtown, knowing that Canadian National’s southbound freight from Waterloo, Iowa (symbol 33891) was on its way. We didn’t wait long before it came into view.
In the course of about 25 minutes, we caught the freight followed by a wave of passenger trains run by Metra, South Shore and Amtrak.
The old Illinois Central catenary adds an element of intrigue to the gritty atmosphere of this line.
While waiting for trains, an enthusiastic baker came by and offered us butter cookies. Tasty too!
I exposed photos with three cameras, working with both my Canon EOS 7 and Lumix LX3, plus my Dad’s Leica M4.
During out short visit the sky over Lake Michigan quickly changed from blue to gray, a weather condition all to typical of Chicago.
One of Metra’s 1970s-era Illinois Central electric EMUs comes zipping along under wire. Chicago’s distinctive skyline looms in the distance. This view was made from East Pershing Street, Chicago on November 7, 2013. Exposed with a Canon EOS 7D fitted with an f2.0 100mm lens.South Shore train on the former Illinois Central at East Pershing Street in Chicago on November 7, 2013. Exposed with a Canon EOS 7D fitted with an f2.0 100mm lens.Amtrak 390 roars northward on the former Illinois Central at East Pershing Street in Chicago on November 7, 2013. Exposed with a Canon EOS 7D fitted with an f2.0 100mm lens.
What happened to Illinois Central? See my new book North American Railroad Family Trees for evolutionary discussion of the North America rail network.
A westward Southern Pacific freight led by SD45 7422 negotiates the curves on the west slope of California’s Donner Pass at the railroad location known on the timetable as Yuba Pass (and on Interstate-80 as ‘Yuba Gap’). This was exposed on a Kodachrome 25 slide film at 4:25 pm October 4, 1992.
On October 4, 1992, Brian Jennison and I gave a Donner Pass tour to a pair of Union Pacific officials visiting from Omaha.
We started the morning early and drove to Andover on fire roads to witness a westward freight climbing through the curves in Cold Stream Canyon west of Truckee. Later we went up to Troy on the west slope and made an inspection of the Cascade Bridges.
Southern Pacific was busy that day. My notes indicate that we photographed nine trains, including Amtrak 5 and 6 (California Zephyrs).
At 3:40pm we caught this westward freight near Donner Summit at the snow sheds in Norden, California, then followed it west to Yuba Pass.
I climbed to the top of a hill over looking the line and exposed a sequence of Kodachrome slides with my Nikon F3T fitted with a f4.0 200mm lens mounted on a Bogan 3021 tripod. This slide was exposed at f4.5 1/250th of a second. (I bracketed up and down 1/3 stops to insure I made an optimally exposed slide).
The Industrial Designer Famed for his Steamlined Locomotives was Born November 5, 1893.
I’ve rearranged my postings to honor Raymond Loewy, whose streamlined industrial designs greatly impressed me during my formative days in railway photography.
Pennsylvania Railroad GG1 Electric 4935 is displayed in Strasburg at the Railroad Museum of Pennsylvania. Exposed on 120-size Fujichrome 100F using a Rolleiflex Model T fitted with a 75mm Zeiss Tessar lens mounted on a tripod.
As a youngster, I was thrilled by former Pennsylvania Railroad GG1s and made many photographs of these electrics in service on Amtrak and NJ Transit.
Today, I’ve chosen a relatively modern image of preserved and beautifully restored PRR Electric 4935 that is displayed at the Railroad Museum of Pennsylvania. I exposed this photograph in June 2007 while working on my book Railroads of Pennsylvania.
Among Loewy’s early assignments for Pennsylvania Railroad was to refine the styling on its new GG1 electric. Loewy suggest using a welded body instead of a traditional riveted design, while providing the classic ‘cat’s whiskers’ livery and tidying up marker light housings, cab windows and other body details.
The GG1 remains one of Loewy’s best known designs and an American classic.
Just over 30 years ago, on October 29, 1983, I was among the faithful that rode New Jersey Transit’s ‘Farewell to the GG1’ excursion.
Thanks to Stephen Hirsch for reminding me of today’s significance!
A Broadside Pan of Modern Locomotives with Autumn Foliage.
CSX Q422 rolls east at CP64 in East Brookfield, Massachusetts on October 22, 2013. Exposed using a Canon EOS 7D with 40mm pancake lens at 1/125th of a second at f2.8, ISO 800.
Early in the morning of October 22, 2013, I noticed that CSX’s Q422-22 was working the east end of Palmer yard. It was too dark to make a conventional image, and the location of the train not suited to make a night photograph, so I headed east.
CSX’s Q422 is not a train I often see. This is a carload train that runs from Selkirk Yard (near Albany) over the former Boston & Albany main line to Worcester. It is one of many symbol freights on the B&A route that tends to be nocturnal.
When I was photographing in the 1980s, Conrail operated a similar train which carried the symbol SEPW (Selkirk to Providence & Worcester). This tended to run in the mid-morning and normally followed the intermodal parade.
I made many images of the old SEPW, which back in 1984 typically operated with sets of four GE B23-7s (rated at 2,250 hp each).
Memories of those days flashed through my mind as I drove east toward daylight. I followed the line up the Quaboag River Valley, as I have many times in the past. At West Warren, there was a glow in the eastern sky, but it was still pretty dark, so after a few test shots I continued eastward.
I considered a favorite location at Brookfield, near milepost 67, but decided against it because it was too head on (stay tuned for an image at this location in an upcoming post).
I’ve found that in very low light, it helps to photograph trains off-axis to minimize the effect of locomotive headlights. When ambient light levels are low (at dawn, dusk, and very dull days) the relative brightness of headlights can result in undesirable flare which can be especially annoying with digital photography.
Recent undercutting work at East Brookfield resulted in clearing of a small hill that has made for a great broad-side photo location. This is set back from the tracks and provides good elevation. Here, I set up and waited.
Before long I could here the chug of General Electric diesels across the Brookfield flats and then my scanner chirped something to the effect of: “CSXT Q422-22, Clear Signal CP64.”
To get the effect of speed and set the locomotives off from the background foliage, I exposed this image at 1/125th of a second at f2.8, ISO 800.
As CSX’s Q422 ascended Charlton Hill on it last leg of the trip to Worcester, I headed in a north-westerly direction toward Millers Falls. I’ve learned that make the most of a New England autumn, it helps to keep moving.
On the Morning of October 25, 2009, I brought my brand new Lumix LX3 out for a test run. I had just received my first digital camera and this was a trial to see if it was any good.
I’d bought it on the recommendation of Eric Rosenthal. My initial hope for the camera was to use as a light meter and to make photos of friends.
East Brookfield, Massachusetts looking west on October 25, 2009—four years ago.
That morning I drove to East Brookfield and made this image of the old Boston & Albany station. Two eastward trains came by and I photographed those on film, not trusting the new purchase for anything important.
I later drove around making photos of local architecture in the autumn color. I soon found that the LX3 was an extremely powerful tool capable of very sharp images and useful for making a great variety of railway photos.
Approximately 11 months later, I received a phone call from Dennis LeBeau of the East Brookfield Historic Society: the station had been torched by vandals and gutted. For another year or so the skeletal remains of the building remained trackside as a sad reminder of what had been.
This Lumix image is exactly four years old today. In the interval, since I made this image I’ve released the LX3’s shutter more than 15,000 times.
Trains Converge on Palmer; 2 Hours of Non-stop Action.
At 2:02 pm, New England Central GP38 3855 works CSX’s Palmer yard. Canon EOS 7D photo.
In the 1980s, Trains Magazine occasionally ran articles that featured ‘hot spots’ illustrated by sequences of photos showing different trains passing the same place over the course of hours.
These always caught my attention. While the individual images ranged from pedestrian to interpretive, the collective effect produced an understanding of how a busy spot worked.
Trains tend to arrive in clusters. Hours may pass where nothing goes by except a track car, then trains arrive from every direction. The astute photographer has learned when to make the most of these situations.
Palmer, Massachusetts can be a busy place, if you’re there at the right time. CSX’s east-west former Boston & Albany mainline crosses New England Central’s (NECR) former Central Vermont line at grade. An interchange track connects the two routes and serves as connection to the former B&A Ware River Branch operated by Massachusetts Central.
Afternoon tends to be busy. Among the moves through Palmer are Amtrak’s Vermonters that use CSX’s line between Springfield and Palmer, and NECR’s line north of Palmer toward Vermont. There isn’t a direct connection to allow an eastward train on the CSX route to directly access the NECR’s line.
To compensate for this, Amtrak’s trains must use CSX’s controlled siding to access the interchange track, and this to reach the NECR. This requires trains to reverse direction. As a result, Amtrak trains either have locomotives on each end or run with a push-pull cab control car.
On the afternoon of October 17, 2013, the interchange track proved one of the busiest lines in Palmer and was used by a succession of NECR, Mass-Central, and Amtrak trains.
Complicating matters was Amtrak 57 (southward Vermonter) which was running more than an hour behind its scheduled time, and so met its northward counterpart at Palmer. New England Central was also busy with no less than three trains working around Palmer about the same time.
I’ve put the following photos in sequence with the approximate times of exposure. I stress ‘approximate’, since my digital camera’s clocks not only didn’t agree on the minutes passed the hour, but were set for different time zones as a function of recent travel.
It was a nice bright day too. Patrons at Palmer’s ever popular Steaming Tender restaurant (located in the restored former Palmer Union Station) were entertained with a succession of trains passing on both sides of the building.
A southbound New England Central local approaches the Palmer diamond at 2:33 pm. Canon EOS 7D photo.At 2:49 pm Mass Central’s freight from South Barre looks to work the interchange track to reach the CSX yard. Canon EOS 7D photo.New England Central 3809 has gone across the diamond to collect southbound train 611 and is now returning with the train and looking to re-cross CSX . Canon EOS 7D photo.Having dropped its interchange and collected its cars from CSX’s yard, Mass-Central 960 returns west on the interchange track at 3:23 pm. A New England Central local with engine 3855 can be seen in the distance working the yard. Canon EOS 7D photo.Photographer Paul Goewey focuses on Mass-Central as the train passes over the interchange. Lumix LX3 photo.Paul inspects his results.At 3:37pm Amtrak 56, the northward Vermonter crosses the Palmer diamond and enters the controlled siding at CSX’s CP83. Its locomotive, P42 153 is shoving at the back. The Steaming Tender is in the old station building on the left. Canon EOS 7D photo.With Amtrak 56 tucked in on the controlled siding, New England Central’s local passes on the interchange track at 3:40 pm. Lumix LX3 photo.Amtrak 56 has pulled forward onto the interchange and then reversed back again to make room for its southward counterpart to access the switch that connects the interchange track with CSX’s controlled siding. Lumix LX3 photo.Amtrak’s southward (left) and northward (right) Vemonters are nose to nose at Palmer. Lumix LX3 photo.At 408pm, both Vermonters depart Palmer. The train on the left, leading with P42 number 153, is heading north to St Albans, Vermont, while on the right the southward train will exit CSX’s controlled siding and head west toward Springfield before continuing south to New York, Philadelphia and Washington DC. Lumix LX3 photo.
Not bad for one afternoon! Yet, not a CSX train in sight. These days much of CSX’s business passes Palmer in darkness.
Applying an Old Technique with Today’s Technology.
The other day I arrived at Pan Am Southern’s Boston & Maine East Deerfield Yard shortly after sunrise. Although not a wheel was turning, there was some nice light and I made a selection of images.
My challenge was in the great contrast between the ground and sky. With my Lumix LX3, I found that if I exposed for the track area, the dramatic sky was washed out (too light), and if I exposed for the sky the tracks area was nearly opaque.
East Deerfield Yard, Massachusetts at Sunrise. Unmodified ‘in camera Jpg’. Lumix LX3 photo exposed using the ‘V’ (for Vivid) setting.
With black & white film, I would have compensated my exposure and film development to maximize the information on the negative, then dodged and burned critical areas on the easel in the dark room to produce a nicely balanced print. I’d done this thousands of times and had my system down to fine art.
I applied this same basic philosophy the other morning at East Deerfield. I made several exposures from different angles. In one of these I slightly overexposed the sky to retain some detail in the track area.
The in-camera Jpg from this still appears both too dark and too contrasty (from my perspective having witnessed the scene). Rather than be content with this inadequate photograph, I took a copy of RAW file that I exposed simultaneously (one the benefits of the LX3 is it allows both a Jpg and a RAW to be exposed at the same time) and imported it into Photoshop. (I always work from a copy and I NEVER manipulate or alter the original file).
Under the ‘Image’ menu, I selected ‘Adjustments’ and then ‘Curves’; I then adjusted the curve to produce a more balanced over all exposure. This is possible because the RAW file has more information (detail) in it than is visually apparent.
While this improved the image, I still wasn’t satisfied. So I selected the ‘Dodge and Burn tool’ (which appears in the tool bar as a angled gray lollipop). Using the ‘Dodge’ function, I very slightly and selectively lightened track areas and foliage that I felt appeared too dark.
Then I used the ‘Burn’ function to selectively adjust the sky areas. If I’ve done this successfully, the scene should appear very close to the way I saw it. Similar techniques can be used to make for surreal and unnatural spectacular landscapes. While I may do that later, that’s not my intent today.
The same image as above, but from a modified RAW file using Photoshop to adjust contrast (both across the entire image and locally). Lumix LX3 photograph.
While modern tools, like those of the traditional darkroom, allow for improvement over in-camera images, the effort does take time. I estimate I spent 10-15 minutes adjusting this photograph.
Because this adds time to the work on the photograph, I don’t want to have to do this any more often than necessary. Most of my photographs are ready to go ‘in-camera’ (as it were).
It was 16 years ago that Mike Gardner and I drove to New Hampshire to photograph Guilford Rail System’s WJED (White River Junction, Vt., to East Deerfield, Mass.) freight. It was a clear October day and the foliage was nearing its peak.
Boston & Maine 340 leads WJED at North Walpole, New Hampshire on October 21, 1997. Exposed with an Nikon N90S with f1.4 50mm lens. Slight back lighting accentuates the autumn leaves and nicely illuminates the side of the locomotive.
We found the train near Claremont Junction and followed it south to North Walpole, where I exposed this color slide.
Leading the train was GP40 340 lettered for Guilford’s Boston & Maine component. I like this trailing view because the color of the tree above the train mimics the orange band on the engine. Also the three-head General Railway Signal searchlight at the left offers a hint of the Boston & Maine from an earlier era.
Here, Autumn offers multiple connotations. At one time the White River Junction to Springfield, Massachusetts Connecticut River Line was a busy Boston & Maine route, handling more than a half dozen passenger moves and several freights daily, plus those of Central Vermont Railway. By 1997, Guilford’s operations on was limited to just a few weekly trains.
View of a Line 40 Years after Closure; Abandoned but not Lifted.
Pennsylvania’s East Broad Top is among the most fascinating railways in the eastern United States. Largely built in the 1870s to tap coal fields in the Broad Top region, it was constructed to the three-foot gauge standard and remained that way until closed to traffic in 1956.
I exposed this photograph with my Nikon F3T on Fujichrome Provia 100F near East Broad Top’s Sideling Hill Tunnel.
A short segment at Orbisonia operated steam excursions from 1960 until 2011, but the remaining portions of the railroad have sat derelict in the mountains since it closed as a common carrier. Although unused, much of the track remained in place. Especially interesting were the tunnels at Sideling Hill and Wray’s Hill.
In September 1996, Thomas M. Hoover and I made a project of exploring EBT’s disused lines and facilities. I also made several trips to photograph the railroad’s excursions.
CSX L022 rolls west near Edwards Park, New York. Exposed at ISO 640 with a Canon EOS 7 with 28-135mm lens set at 53mm f5.6 at 1/200th second. To accentuate the autumn foliage, I manually set the white balance for a warmer setting rather than use the auto white balance that I find to be too cool for autumn trees.
On the morning of October 14, 2011, I crossed the Berkshires on the Mass-Pike as I drove west to meet with accomplished railway photographer John Pickett.
I had a few hours before our meeting, so despite low cloud and mist, I exited the highway at the Massachusetts-New York state line and drove toward Boston & Albany’s State Line Tunnel. While on Tunnel Hill Road in Canaan, New York, I noticed this colorful scene from the road side.
As I got out of the car, I heard the unmistakable sound of a train roaring west. I had just enough time to get out my Canon EOS 7 and make a test image before the train passed.
Another case of just being at the right place at the right time, and being ready to act.
Low Sun at a Hackneyed Location—Nine Years Ago Today.
On the evening of October 12, 2004, I exposed this photograph from the popular ‘waste too much film bridge’ at the west-end of Guilford’s East Deerfield, Massachusetts yard. I’ve made hundreds, if not thousands of images over the years from this spot. I’m not alone.
I exposed this on Fujichrome with a Nikon F3 fitted with a Nikkor f2.8 24mm lens.
I’d followed a local freight (ED-4?) from the Hoosac Tunnel east on the old Boston & Maine Fitchburg line. This was the locomotive from the local. Having dropped its train in the yard, it has come to the west end and will reverse into the engine house tracks.
The shaft of light of the setting sun made for an opportunity. Rather than make a standard view, I opted for this wide angle image that features the locomotive’s high short -hood. This was one of the railroad’s second-hand GP35s noted for this arrangement. (short/long are used to describe the hood length, while high/low the height, thus the contradictory sounding description).
The low angle of the sun allowed for light across the front of the locomotive, while the rest of the scene is draped in shadow. You can see the shadow of the bridge I’m standing upon in the distance.
On October 9, 2004, Vermont Rail System freight 263 is near the summit of the old Rutland Railroad near Mt Holly, Vermont.
Nine years ago today, I exposed this photograph of Vermont Rail System train 263 at Mt. Holly, Vermont while traveling with Pat Yough and a guest visiting from England.
Compare this view with that as presented in an early Tracking the Light post titled Red Locomotives in the Snow; Mt Holly, Vermont.
Finding peak autumn color is always a challenge, and finding it with a train moving can be even more difficult. It always seems that the best color isn’t anywhere near the tracks. On this day in 2004, the view at Mt. Holly was an exception to the rule.
Canadian Pacific SD40-2s roar west on Guilford Rail System’s former Boston & Maine Fitchburg main line at Zoar, Massachusetts on October 7, 2003.
It was a brilliant clear afternoon ten years ago, when Tim Doherty, Pat Yough and I followed Guilford Rail System’s EDMO (East Deerfield, Massachusetts to Mohawk Yard, Schenectady, New York) freight westward into the Berkshires of western Massachusetts.
Rich blue skies, rusty foliage and a great sunlight make October a great time to photograph in New England.
I exposed this image on Fujichrome using a Contax G2 rangefinder with 28mm Biogon lens. At the time Canadian Pacific Railway EMD SD40-2s were commonly assigned to this run, which made it a popular photographic choice.
I spent a lot of time exploring Southern Pacific’s Donner Pass in 1990. Among my favorite locations was ‘Old Gorge’, sometimes referred to as ‘American,’ where SP’s line rides briefly on an open shelf some 2,000 feet above the American River.
Southern Pacific SD45 7418 is downgrade on Donner Pass between Midas and Towle, California at the American River overlook in July 1990. Exposed on Kodachrome 25 with a Nikon F3T and 35mm PC ‘Shift’ lens.
This offers a stunning view of the American River Canyon, but can be a pretty challenging place to effectively portray a train on film.
On this day in July 1990, I’d been following a westward SP freight downgrade, and driven as close to my location as was practical, and then walked to this ledge overlooking the line.
The classic whine of dynamic brakes preceded the train by several minutes. I made several exposures as the train came into view.
In this situation, I used the camera and lens handheld, and made a slight adjustment to the shifting element front element. Instead of aiming the camera down toward the front of the locomotive, as I would with a conventional 35mm lens, I aimed toward to the far rim of the canyon, while lowering the front element downward to take in the tracks.
As the train passed, I panned the nose of the leading SD45, exposing this frame when it was roughly parallel with the film plane.
Since I didn’t have the camera completely level there is still a bit of line convergence, yet the overall view helps put the magnitude of the canyon in perspective with the train without the locomotive appearing too small or seriously distorted.
In October 2007, I was working on my Railroad’s of Pennsylvania book, when Pat Yough and I made a very productive chase of Tioga Central’s excursion train, which operated, from Wellsboro Junction, Pennsylvania compass north along the old New York Central Fallbrook route (including over a Penn-Central-era line relocation).
An RS-1 wearing a Lehigh Valley-like livery leads a Tioga Central excursion north of Wellsboro Junction on October 7, 2007. I’d just bought a second-hand 24mm Canon lens from Thom Kinard, and this was a good opportunity to try it out on my Canon EOS 3 loaded with Fujichrome.
Back in the mid-1980s, I failed to take the opportunity to chase an empty Conrail coal train down the line south of Gang Mills Yard (near Corning, New York). At the time the line still went all the way to Newberry Junction, near Williamsport, Pennsylvania.
Conrail operated ENSY/SYEN (Enola-Syracuse) manifest trains on this route three days a week, plus unit coal trains.
I’d been standing at the bridge (now gone) at the east end of Conrail’s Gang Mills Yard. There were two trains coming. A westward double stack on the former Erie route, and a southward unit coal train heading down the Fallbrook. I opted to follow the stack train because I didn’t have a good map of Pennsylvania.
Six months later Conrail abandoned the Fallbrook as a through route, and lifted the line south of Wellsboro through the super-scenic Grand Canyon of Pennsylvania.
While, I’ve since chased Wellsboro & Corning freights and the Tioga Central excursion, I’ve always regretted my poor decision that day. A map, a map, my kingdom for a map!
An RS-1 wearing a Lehigh Valley-inspired livery leads a Tioga Central excursion north of Wellsboro Junction on October 7, 2007. I’d just bought a second-hand 24mm Canon lens from Thom Kinard, and this was a good opportunity to try it out on Canon EOS 3 loaded with Fujichrome.
It was a cold and snowy day when I drove from Rochester to Binghamton, New York in December 1986. I photographed several trains along the former Erie Southern Tier route.
In the afternoon, I made this study of a New York, Susquehanna & Western Alco RS-1 at the railroad’s Binghamton yard.
Exposed on 120 size Kodachrome 64 roll film with a Rollei Model T featuring an f3.5 75mm Zeiss Tessar lens.
I was using my dad’s Rollei Model T loaded with 120 Kodachrome 64. I had the camera fitted with a ‘Super Slide’ insert that gave me 16 rectangular frames per roll, roughly in the 645 format. Pop had bought the camera in Germany back in 1960.
I think its neat that my father had photographed Susquehanna’s RS-1s in passenger service more than 25 years earlier with the same camera. Since I was only 20 then, it seemed to me that the locomotives (and the Rollei) had been around since the dawn of time!
This batch of Kodak 120 Kodachrome had a tendency to color shift red, so after scanning I made some corrections in post processing. Other than that the image is extremely sharp. Scanned at 4800 dpi as TIF file this is nearly 250 MB. That’s an enormous amount of information.
I’ve always liked locomotive details. Some of my earliest efforts focused on engine shapes.
HAPPY BIRTHDAY POP!
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Looking south at Central Vermont’s Palmer, Massachusetts Yard in spring 1979. The Rocket was loaded circus style using a ramp in the yard. RS-11s were typically assigned to this train.
In spring 1979, my dad and I visited Central Vermont’s Palmer, Massachusetts yard. At the time Palmer activity tended to be nocturnal. A lone RS-11 for The Rocket (Palmer-St Albans, Vermont piggyback) was the only locomotive in town.
I made a few exposures on Kodachrome 64 with my Leica 3A. At the time I was in 7th grade at Monson Junior-Senior High School. Admittedly my photographic skills were rudimentary. The photos are passable, but a decent record of the scene.
I wish I’d made more photos of CV’s piggyback trains. By the time I understood what it was about, it had stopped running. I have a few images of The Rocket on the road, but not very many.
Detail view of CV RS-11 3611 at Palmer in spring 1979. RS-11s were among my favorite diesels and I’d see them regularly at Palmer.
Fortuitous Encounter with the Highest Numbered P42.
On June 26, 2012, I was changing trains at New Haven, Connecticut while on my way to Philadelphia. I’d come in on the Springfield-New Haven shuttle. This was a push-pull set consisting of a former Metroliner cab car and an Amfleet coach pushed by Amtrak 207.
While on the platform I made a few images of this General Electric locomotive using my Lumix LX3 and my dad’s Leica M4 (loaded with Fuji Acros 100 black & white film).
Amtrak P42 Genesis diesel 207 at New Haven, Connecticut on June 26, 2012. Lumix LX3 photo.
It was only later that it occurred to me that 207 is the highest numbered Amtrak Genesis P42.This nominal fact doesn’t make the photos any better, but I thought it was interesting and significant. Firsts and lasts have been long be marked by railway photographers.
What impressed me about 207 was that it was relatively clean and the paint was in good shape. This is a contrast with many of Amtrak’s P42s that have a battle-worn appearance.
Amtrak’s Springfield, Massachusetts—New Haven, Connecticut shuttle on the platform at New Haven on June 26, 2012. Lumix LX3 photo.
