The two magnificent bridges at Safe Harbor, Pennsylvania are vestiges of the Pennsylvania Railroad from its days in the early 20th century as the busiest freight railroad in North America.
The line on top bridge was abandoned by Conrail c1990 no longer carries track. It is now used a by a trail system. This bridge originally carried PRR’s low-grade freight cutoff from Parkesburg via Shocks Mills to Marysville, PA. The bottom bridge is part of the Port Deposit route and still used by Norfolk Southern. The electrification was discontinued early in the Conrail era.
Last Friday evening (April 23, 2021), Kris Sabbatino & I made sunset photos at the Cape Cod Canal lift bridge.
Mass-Coastal’s freight was assembling its train at Canal Junction in Bourne, Massachusetts, giving us several opportunities for silhouettes of the train moving across the bridge.
Clear skies made for ideal sunset silhouette conditions.
Working with my Nikon Z6 digital camera with 24-70mm f4.0 lens I panned the train as it pulled north across the bridge. For this image, I had the ISO set to 100, aperture set to f4.0 (it’s widest setting), and the shutter at 3/5ths of a second to capture the motion.
The old Beechers Falls Branch was a vestige of Maine Central’s foray into Quebec that survived on Maine Central’s system in later years as a truncated appendage accessed by trackage rights over Boston & Maine and Grand Trunk lines.
After Maine Central gave up, various short lines had operated the trackage. Today the line to Beechers Falls, Vermont is a trail.
Beechers Falls itself is a curiosity on a narrow strip of land wedged tightly between New Hampshire and Quebec.
On Saturday (May 23, 2020) Kris Sabbatino and I explored this abandoned line.
I made these photos where the Branch crossed the upper reaches of the Connecticut River at Canaan, Vermont.
Working with a Nikkormat FT with an f2.8 24mm Nikkor lens, I exposed Ilford HP5 400 ISO black & white film.
Although I intended to process this in Ilford ID11, yesterday, I realized that I was all out of that developer, so instead I worked with Kodak HC110, which I mixed as ‘dilution B’ (1-32 with water). Before my primary process, I mixed a very weak ‘presoak’ (1-300 with water and Kodak Photoflo) and soaked the film for five minutes, then introduced my primary developer for 4 minutes 30 seconds.
Last night Kris and I scanned the negatives using an Epson V500 flatbed scanner with Epson’s provided software.
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