Seven Years ago: on the evening of September 14, 2014, an inbound LUAS Red Line tram makes a stop at Museum on its way to the Dublin City center.
I made this photo by placing my Lumix LX7 on the footpath to steady the camera for a comparatively long-exposure, while proping up the lens with the lens cap to obtain the desired level.
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On August 4, 2016, I spent a little while at the Metrolink station in Santa Ana, California on the old Santa Fe photographing passenger trains coming and going.
As modern adapted stations go, Santa Ana is cool.
This view was made from the footbridge over the tracks. I was putting my FujiFilm XT1 digital camera through its paces.
Working with Lightroom, I made adjustements to color temperature, contrast and color saturation to improve this Fuji RAW file. I wanted to make the most of the California color palate.
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On the evening of August 2, 2015, I made these photos of Dublin’s LUAS trams gliding along Benburb Street near Heuston Station, just a short walk from my old apartment at Islandbridge.
These are unaltered JPGs scaled from larger JPGs made by my old Lumix LX7 digital camera. I set the white balance to ‘auto’ and let the camera make the color temperture adjustment internally.
One of the nice things about digital photos is that every file has a date stamp, so when I want to find a photo from exactly six years ago, the process of locating it is relatively straightforward.
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On this day, May 16, 2011, I exposed this telephoto image of a number 20 tram in Munich, Germany.
I was working with my Canon EOS7D with a fixed 200mm f2.8 telephoto.
Notice the unusual point-work on the tram track in the foreground.
Selective focus made possible by the relatively wide aperture with a long focal length lens helps direct the eye to the primary subject, allowing for other elements of the scene to remain slightly out of focus.
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I made a brief visit to Stuttgart during a trip to Germany and Switzerland in 1999.
On my first afternoon in Stuttgart, I exposed this Fujichrome Sensia II (ISO 100) color slide of a classic tram ascending away from the city center. Notice the effects of cross lighting. (The sun is to the left of the camera).
At the time I was working with an N90s with 80-200mm zoom lens, my standard camera combination for the period.
I’ve found that different types of equipment lend to different sorts of compositions. I wonder what images I would have made in Stuttgart if I could have carried the Nikon Z6 that I own today?
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It was a clear pleasant afternoon in Bordeaux, France on April 29, 2016, when I made this photo of a wireless Alstom tram using my first Lumix LX7 digital camera.
I was visiting this elegant French city on business with my father.
Bordeaux opted for a ground-based power supply for its modern tram system in historic areas of its city center.
Below are two variations of the same photo. The top is the camera produced JPG (scaled for internet without adjustment), the bottom is my interpretation of the camera RAW file with adjustments made using Adobe Lightroom.
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Five years ago I spent the day exploring the modern tram system centered on Valenciennes, France.
This is a model system that was built and equipped by Alstom.
This was my second visit to this moderately sized French town and its immediate suburbs.
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On this day (April 6th) 2014 I exposed a sequence of digital images of the Lisbon Metro (no, not Lisbon, New Hampshire) using my Lumix LX3.
Although I was soon to replace my trusty Panasonic Lumix LX3 with the more advanced and flexible LX7 model, I feel that in many ways the end-picture quality of the LX3 was preferable over the that from the LX7.
Recently, through the kindness of Tracking the Light reader Wm Keay, I now have in my possession my third LX7, which makes it my forth Lumix digital camera.
I’m looking forward to the next round of photos from the ‘wee Lumix’—long may it serve me!
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It was ten years ago today that I exposed this digital image of a Dublin LUAS tram gliding over the River Liffey on the Sean Heuston Bridge (formerly Kings Bridge).
At the time, I was working with my first, and only, digital camera, a Panasonic LX3 that I purchased primarily to use as a light meter to aid my film photography and to make social photos of my friends.
I soon learned that the Lumix was an exceptional image making machine and came to use it on almost a daily basis.
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In May, 2012, I made this Fujichrome slide of a Dublin LUAS Red Line tram covered in an Emirates advertising livery.
The in-bound tram had paused for its Suir Road station stop. This was located about a 10-12 minute walk from my old Dublin apartment.
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It was on the afternoon of 9 September 2008, when I made this image of the Wiener Lokalbahn tram sheds in Vienna.
At the time I had visions of writing a book about the lost Hapsburg Empire that once spanned much of central and eastern Europe.
Denis McCabe and I visited Vienna at the tale-end of a whirlwind trip that had taken us around the Czech and Slovak Republics.
I made this view on Fujichrome, which I scanned last night using my Epson V600 flatbed scanner.
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In June 2008, I traveled from Los Angeles to San Diego to research and photograph my book titled Railroads of California (Published by MBI-Voyageur Press in 2009).
I traveled over most of the San Diego Trolley system, during which time I made several dozen photos of the cars including this one near downtown San Diego.
I was working with a pair of Canon EOS 3s. This was was loaded with Fujichrome and fitted with a 200mm Canon lens.
Today, looking back on San Diego from frozen New Hampshire, it seems like a long way away and a long time ago.
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I exposed this color slide on a visit to Brussels with my father in May 1996.
I carried two cameras on that trip. My primary body was a Nikon F3T that I bought new from Nikon in 1990. My secondary camera was second hand Nikkormat FTN with an outer covering of red leather. I called it ‘my red Nikkormat’.
Back then, I’d usually load Kodachrome 25 in the F3T, and Fujichrome 100 in the Nikormat. I exposed film in both cameras manually using a handheld Sekonic Studio Deluxe light meter to calculate exposure.
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In August 1980, on the return from Los Angeles, my family and I visited Philadelphia for a few days.
This was the view from our hotel room.
Working with my vintage Leica 3A rangefinder, I exposed this photo of an inbound SEPTA PCC car working the No. 10 route as it approached the Trolley subway portal off 36th street.
I was working with Kodachrome 64 slide film. The window glass and summer haze contributed to a cyan tint.
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On this day seven years ago, a snow storm hit Philadelphia.
My brother and I went out into the snow to photograph SEPTA’s No. 15 trolley on Girard Avenue and run a few errands.
I made this image using my Canon EOS 7D with 200mm fixed Canon telephoto lens.
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Using my FujiFilm XT1, I made this photo on First Street when visiting Los Angeles in August 2016.
I was pleased to catch then-new cars working the Metro Rail Gold Line light rail line.
Below are two variations. The top is the in-camera JPG, using the ‘Velvia’ color profile. The second view I converted from Fuji RAW to DNG format with Iridient X-Transformer (a specialized 3rd party software aimed at producing superior results with Fuji RAW files) before importing into Lightroom for final adjustment.
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On a whirlwind trip around the Czech Republic in September 2008, I made hundreds of photos in dozens of places in just a few days. A dozen years later I’m still sorting and scanning them.
Catching railway vehicles on different levels makes for photos with added interest.
Which is the subject here? The tram in the foreground, the train in the distance, or perhaps the station itself?
It was the afternoon of September 5, 2008, when photographer Denis McCabe and I were photographing at Plzen hlavni nadrazi (Plzen main station) that exposed this Fujichrome slide using a Canon EOS-3.
Tracking the Light is a Daily Rail-Photography Blog.
In May, 2000, I made this photograph of a Tatra tram (advertising Kodak film) on the streets of Prague using a Nikon F3T that was fitted with a Nikkor 24mm lens and loaded with . . .
Fuji Sensia II!
Just for the record, on a visit to Fuji, Japan, I photographed a 1067mm gauge freight train on Kodachrome.
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On a visit to New York City in 1998, my father and I made a trip on the Flushing Line of the New York Subway.
I exposed these photos using Fuji Sensia II (100 speed slide film) with my Nikon N90S.
Last week I digitized the slides using a Nikon Super Coolscan5000 scanner powered by VueScan software.
To make the most of the dark contrasty images I opted for multiple pass scans—a feature offered by VueScan that is similar in concept to the HDR setting used my some modern digital cameras—that blend several scans of the same image at different exposure values into one file to maximize shadow and highlight detail.
After exposure, I adjusted the scans using Adobe Lightroom and outputted these images with watermark for internet presentation.
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Today’s random photo pick was literally sitting atop a stack of slides on my light table ‘to be scanned’.
So I scanned it. Just now.
Dark suits wait for an arriving train in the Tokyo subway in April 1997.
For me this seems like a world away.
And it is.
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I’ve always found railway maintenance equipment interesting: often functional antiques, no longer suitable for revenue work get cascaded into maintenance duties.
As a kid, I was fascinated by the Boston’s bright orange Type 3 streetcars that had been converted into snow plows. For me these were the relics of an earlier era.
So, I was delighted when on a visit to Poznan, Poland in 2000, I found a vintage four-wheel tram in maintenance service,. I made a few photos using my Nikon F3 loaded with Fujichrome Sensia II (100 ISO).
This fortuitous encounter was the only time I caught a four-wheel tram in Poznan.
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An afternoon rain in June 2001 had made for a bright gloss at the Leipzig, Germany Hauptbahnhof.
Working with my N90S, I’d exposed this Fujichrome view of a tram in front of the impressive façade of what was once Europe’s largest railway station.
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On September 16, 2009, I exposed this Fujifchrome slide using a Canon EOS-3 mounted on a tripod. I used a long shutter speed for motion blur.
A San Francisco Muni Breda Light rail car was rolling along the Embarcedero beneath the famous San Francisco-Oakland Bay Bridge, which once carried tracks as well as the highway.
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I made this view on Ektachrome during a March 2003 visit to New York City’s Flushing Line with photographer Pat Yough.
In 1968, my father brought me on a trip over the Flushing Line making it one of my earliest memories of railway travel.
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California Dreamin’—Working with Fujichrome late in the day on a Sunday afternoon in May 2008, I exposed this long telephoto view of a Valley Transportation Authority light rail train.
VTA Light Rail is the operator of the San Jose, California-area light rail system.
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I needed a topic for today’s Tracking the Light, so I reached in to a sorting file of un-scanned slides and found this photo: Surprise!
On October 13, 2004, photographer Mike Gardner and I chased New England Central Railroad’s 608 south from Palmer, through my hometown of Monson, Massachusetts.
This is a chase I’ve done countless times over the last 40 years, but just because you’ve done something before, doesn’t mean that you shouldn’t try to find a new angle on it.
At Robbins Road in Monson, I made this dramatic trailing view of the train’s locomotives. Here we have a selection of NECR GP38s roaring away in ‘Run-8’—maximum throttle on the tooth of the grade.
The train was moving 10-12 mph, producing a rush of engine exhaust along with traction motors blowers blowing to keep the motors cool. (And prevent them from over heating) These blasts of hot air, combined with the wind from the train’s approach and passage, plus and sand from the sanders to maintain adhesion all helped stir up the ballast and fallen leaves.
It was a good chase and I wish I was there now!
I scanned the photo using a Nikon Super Coolscan5000 and VueScan software. My initial scan produced a 4000 dpi TIF file, which I then imported to Lightroom in order to scale it for presentation here.
June 2020 Trains Magazine features my 8-page article on New England Central.
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In August 2014, I made a day trip to the famous Dutch port city of Rotterdam, where I made this view of an Alstom Citadis tram passing the famous Cube Houses-one of the city’s architectural icons.
Although many of photos I made in Rotterdam were exposed digitally, for this view I used my Canon EOS3 with 40mm lens to expose Fuji Provia100F color slide film.
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In April 2005, I visited the Czech city of Brno with Denis McCabe and the late Norman McAdams.
Working with a Nikon N90S with f2.8 180mm Nikkor lens, I exposed this Fujichrome Sensia II (ISO 100) slide of a tram as it approached the stop near the main railway station.
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On November 3, 1992, my brother Sean and I visited Baltimore, Maryland.
Working with my old Nikon F3T with an f4.0 200mm Nikkor lens, I exposed this Kodachrome slide of the Baltimore Light Rail .
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It was a gray December 1997 day when I exposed this telephoto view of a Washington DC Metro train and Union Station’s Tower K using my Nikon N90s with f2.8 80-200 Nikon zoom lens.
Really it was the rows of colored position light signals displaying ‘stop’ that caught my attention.
Although the f2.8 8-200 lens offered convenience, and was both fast and sharp, it had its failings. When used wide open it tended to vignette slightly (darker exposure in the corners), but more serious was that it made me visually lazy. Instead of seeking the best vantage point and an optimal composition, I could get a pretty good angle by merely adjusting the focal length of the zoom.
My film was Fujichrome Provia 100F.
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On a trip to the Ukraine in 2007, fellow photographer Denis McCabe and I spent several days around L’viv—the old Austrian city of Lemberg.
Working with Fujichrome I exposed this view of a tram on very ropey looking street trackage.
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On October 12, 1992, my father and I traveled on the Pittsburgh Light Rail, traversing both the 47 Shannon and Drake Shuttle routes where vintage PCC cars still roamed. Both lines are now defunct. Later in the day, my brother Sean and I revisited these lines by road to make a few more photos.
On that trip, I exposed this Kodachrome slide with my Nikon F3T fitted with a 35mm perspective control lens.
While I was aiming to fill the frame with the rarely photographed PCC car, in retrospect I wished that I’d allowed a little more space around the streetcar.
I’m happy to have made this photo, since it was my only photographic adventure with the Pittsburgh PCCs.
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It was a dreary wintery morning in January 2009, when I exposed this view of PCC-derived Tatras meeting on the streets of Olomouc, Czech Republic.
I was traveling with photographers Tim Doherty and Denis McCabe on a whirlwind post-Christmas tour of central Europe that began and ended in Prague.
I was working with Fujichrome color slide film using a Canon EOS-3 with a 100mm f2.0 lens
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In February 1999, I made a day trip from Brussels to Antwerp, Belgium.
While in Antwerp, I took the number 2 tram to its terminus at Hoboken.
You mean there’s another Hoboken Terminal? In a manner of speaking, yes. But no copper clad Bush train sheds at this one.
When I saw this PCC departing for central Antwerp, I was amused by the National Car Rental advertisement at the back of the car. That same day I expose a view of a similar tram advertising ‘Diesel’ apparel.
Exposed on Fujichrome Sensia II (100 ISO) with an Nikon N90S probably fitted with a 80-200 Nikon zoom.
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Here are two views made at the tram terminal in Schaerbeek/Schaarbeek in Brussels. The top was exposed on Fujichrome with my Nikon N90S in 1999, the bottom using a Lumix LX7 in April 2017.
The building in the background is the old SNCB railway station house, now part of the Train World railway museum complex.
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On 6 April 2015, I took Irish Rail’s DART service to Bray, and then I hiked around Bray Head.
On my return, I paused to photograph this DART electric train on its southward run toward Graystones using my Lumix LX7.
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