In the hustle to get to where you going, don’t forget to take in the finer points of traveling.
The week around Christmas is one of the busy travel seasons for Amtrak and can be an interesting time to make photographs.
Amtrak’s former Pennsylvania Railroad Station at 30th Street in Philadelphia is one of the nicest large terminals in North America.
Lumix LX7 photo.
I made these photos at 30th St. the other day with my Lumix LX7 while waiting for Amtrak train 148, which connects Washington D.C. with Springfield, Massachusetts. (This is a direct train, and one of the few that still changes from electric to diesel at New Haven.)
ACS-64 number 649 leads train 148 on track 4 at 30th Street Station. I boarded the Quiet Car.
After exposure I made nominal adjustments to the RAW files using Lightroom. To clean up the images and make them more pleasing to the eye I adjusted contrast and color saturation.
Slight adjustments can make a photo ‘snap’ which gives that extra something special that helps grab your attention. Extreme adjustments can alter the image and produce far-fetched fantasy images. (Which at Christmas in Philadelphia could be a good thing, right?)
In the spirit of the season, I made this image of Black River & Western’s 2-8-0 number 60 leading the North Pole Express across the Copper Hill Viaduct west of Flemington, New Jersey.
Black River & Western, former Great Western 2-8-0 number 60. Exposed on December 19, 2015 using a FujiFilm X-T1 digital camera fitted with a Zeiss 12mm Touit lens. File adjusted using Lightroom to control contrast and color balance.
I made my first photographs at the old Lackawanna Hoboken Terminal with my father back in 1976. He made his first photos there about 20 years earlier.
Today, Hoboken Terminal survives as one of the last great waterfront railroad terminals. Perhaps, the last great American waterfront terminal.
There’s no longer a Lackawanna Limited for Buffalo, nor any of the Lackawanna EMD F3s or F-M Trainmasters that my dad saw, but New Jersey Transit’s Hoboken Terminal remains as one of the most atmospheric locations in the New York City area to make railway images.
Hints of the old order; the Delaware, Lackawanna & Western was one of the great railway companies of the early 20th century.
While I’ve featured Hoboken Terminal previously on Tracking the Light, (see: Hoboken?!) I exposed all of these photos in one morning about ten days ago using my Lumix LX7.
My intent here was no to make one photo, but rather a group of images that capture the character of the place.
I arrived in Jersey City on NJ Transit’s Hudson-Bergen Light Rail a few days ago. While I was checking out some comparative ‘now and then’ locations, I made these photos of the modern cars with my Lumix LX7.
(for those viewing via Facebook or other sites, you’ll need to click the link to Tracking the Light for the full effect.)
Then and Now, I think.
Back in 1983, I was fascinated by the Pennsylvania Railroad’s waterfront operations in Jersey City, especially at Exchange Place.
On a family trip, we spent an hour or so exploring the decay around Jersey City so that I could make photos that I’d ultimately planned to use to build a diorama/model railroad.
23 years previously, my father had made photos at the old Exchange Place Terminal. We had difficulties locating anything definable at the site of the once massive station, but made a few photos around the Conrail former PRR yards.
In February 1983, my father exposed this view of Conrail locomotives at Jersey City on Kodachrome 64 using his Leica. I made some similar views that are less impressive as stand alone photographs, by proved useful in trying to relocate this place last week.
Over the last year, I’ve taken a few trips through Jersey City on the Hudson-Bergen Light Rail and found the place totally transformed from my mental images of the place stemming from the early 1980s.
So, I decided to try to recreate some of our 1983 angles, and last week armed with maps and photos in-hand I went exploring.
This USGS topo map shows the way Jersey City would have been c1950. I’ve placed a blue arrow to show my photo location. (Manhattan Island is located at the far right).
When a cityscape changes beyond recognition, it can be difficult to produce practical ‘now and then images.
These photos are part my work in progress.
I made some cheap copies of the 1983 photos and started exploring Jersey City. While I’d expected to find the 1983 site covered with modern development, I was surprise that the nearest location of our locomotive photo remained undeveloped, albeit surrounded by modern buildings.Is this the exact spot where we made our photos in 1983? I’m not sure, but when I climbed up the embankment it seemed very familiar, although the setting has been transformed. Sorry, no vintage EMD NW2 switchers in December 2015! Exposed with my Lumix LX7.
I’ll call this, Flushing Line Revisited. My first visit was with my dad about 1968. They’ve changed the cars since then
The New York metro-area generates its own quality of light. By afternoon on this day a mix of high cloud and four flavors of atmospheric pollution had tinted the skylight grayish orange with hints of smoggy yellow.
I’ve adjusted contrast in post-processing with the use of a digitally applied gradated neutral density filter to help balance the sky detail.A slightly closer view of the same train. Note the inbound train on the lower level of the elevated structure. Both are moving.
I made these views with my Lumix LX7 from the Manhattan-end of the double-deck Queenboro Plaza station. The Manhattan skyline looms in the distance.
My Lumix LX7 is a great tool for photographing the subway. It has a fast lens (f1.4) while the camera body is light, compact, flexible, and discrete.
For my New York City Subway photography exercise; I set the ISO to 200, the white balance to ‘auto’, set the exposure to dial to ‘A’ (for aperture priority, meaning I manually select the f-stop and the camera selects the appropriate corresponding shutter speed for optimal exposure ) and open the f-stop to near it’s widest setting.
The Lumix LX7 allows me turn off all the sounds and lights, so when I release the shutter nothing beeps or flashes.
I exposed both RAW and Jpeg files simultaneously. While the camera’s automatic exposure was close, I needed made minor adjustments to contrast and white balance in post-processing using Lightroom.
Typically this is necessary to bring the highlights under control while opening up (lightening) the shadow areas to make detail more visible.
Tracking the Light post Original Material, please share with your friends!
On Thursday December 10, 2015, my father and I traveled on Metro-North to Grand Central Terminal.
West Haven, Connecticut is a modern station with long high-level platforms that opened just a few years ago.
Grand Central remains as impressive as always.
Our train was well-patronized and nearly at standing room by the time we departed Stamford.
This is impressive ridership, considering Metro-North operates a half-hourly inbound service from New Haven, with even more frequent rush-hour service from Bridgeport, and additional trains from Stamford. Not to mention Amtrak’s long distance trains to Penn-Station.
As always, there’s always opportunities for photography
I exposed these photos using my Lumix LX7 digital camera.
The sky was clearing when we arrived at West Haven. Check yesterday’s post for views of a train of antique Metropolitan cars.Amtrak ACS-64 618 leads an eastward Regional train at West Haven.My MetroCard that was good on Metro-North, the New York City Subway and PATH.Metro North train 1541 glides to a stop at West Haven. A good few passengers were ready to board.In the bowels of Grand Central.America’s most famous railway terminal!New Haven Line departure boards.
Would you like to learn more about Grand Central? Consider my new book Railway Depots, Stations & Terminalspublished this year by Voyageur Press! I cover GCT and many other great stations. Don’t miss out order a copy today. Available via Amazon and other outlets.
Sometime last summer, I read a press release proclaiming something to effect that Metro-North’s New Haven Line electric service was now completely operated with the new Kawasaki M8 multiple units, and that all of old Metropolitan cars had been withdrawn.
I thought I did.
Recent trips along the old New Haven seemed to have confirmed this transformation.
So, I was quite surprised the other day when a ghost train arrived at Metro-North’s West Haven Station!
This is great contrast: old Metropolitan cars at the new station. Notice that I carefully included the date in the sign. Lumix LX7 photograph.
Real passengers boarded and it whizzed away toward Grand Central.
Fascinating!
My father and I were supposed to have boarded, as we were on our way to New York. ‘Why didn’t you get on?’
‘What? Ride a ghost train?!’ I’ll wait for the M-8.’ (In truth I was so surprised, my primary thought was to take a photo.)
For my next trick, I’m heading out the Boston & Albany west-end to catch some of the A1 Berkshires on the move. I’ll report back.
This latest effort is a window into many lands. I’ve dedicated the book to the members of the Irish Railway Record Society. It features the work of a variety of accomplished travelers.
Cover photo by Scott Lothes.
It is the product of John Beaufoy Publishing.
It is available on Amazon among other popular outlets.
Every so often I like to stir up the muck, open a few eyes, raise a few fists, and perhaps invoke a couple of smiles.
I made this digital photograph using a recently devised camera technique. I created the image ‘in-camera’ using my mirror-less FujiFilm X-T1 with the electronic shutter; I did this without unusual external attachments, filters or complicated post-processing manipulation.
So, how did I do it? And why?
Shocking railroad photograph? Sometimes a technique is so raw, so radical, or so non-conventional, your eyes will grip the results, while your brain tries to add up the dots.
At one time the Boston & Maine was a poster child for the General Railway Signal Company.
These days some of the old GRS searchlight signals remain but they are rapidly disappearing.
Here’s a railroad photography tip: catch the old signals while you can, they are fading fast, and soon they will be gone.
I’ve issued this signal warning before, and I’ll do it again.
Over the last month, I exposed these photos along the old B&M in the vicinity of Ayer, Massachusetts. These railroad photos are intended as more of a record, than as active illustrations of the old signals.
Looking east at Ayer, Massachusetts.In many places B&M searchlights are approach lit, in others they are continuously lit, such as here in Ayer.
B&M was among railroads that used staggered heads for intermediate signals. Notice the use of both the traditional ‘G’ plate and the more recent ‘D’ plate.
The searchlight style of signal was developed more than 90 years ago. It has been out of favor for new installations for more than two decades.High green! (There’s a train coming).Fallen soldiers.
Railroad photography isn’t necessarily aided by a windswept empty car park, a host lighting poles, catenary masts, fences, not to mention the metal monstrosity posing as a footbridge.
This was the scene at Readville, Massachusetts on Sunday, Morning, December 6, 2015.
An MBTA train heading for Boston was due shortly. Since locomotives operate on the south-end of consists, I set up for a trailing pan photo. I focused on the new engine and allowed the setting to settle into a sea of blur.
An MBTA HSP46 passes Readville, Massachusetts on Sunday December 6, 2015.
This is one means of making the ugliness more interesting.
Exposed at 1/60th of a second using my FujiFilm X-T1 digital camera. Contrast controlled in post processing using Lightroom.
One hundred and thirty five years ago, the railway station was key to many communities commerce and communications. It offered the connection to the world.
My 1880 Official Guide is a window on the past. The Boston, Barre & Gardner Railroad (among the companies later melded into the Boston & Maine network) schedule lists three trains a day in each direction stopping at Holden, Massachusetts.
Trains ran from Worcester to Winchendon stopping at Holden at 8:28 am, 4:15 pm, and 7 pm, and Winchendon to Worcester at 9:06 am, 1:22 pm, and 7 pm.
Obviously based on this schedule, there was a planned meet between northward and southward trains at the station.
In its heyday, back in 1880 Holden was an important station. It served as a telegraph office and as a transfer point for stagecoaches to Rutland (Massachusetts).
Today the old station is but a relic, the vestige of another time. Its train order signal is no longer part of the rules of operation; and the last passenger train passed in 1953. Yet the railroad remains active.
The old Boston & Maine station at Holden is a reminder of earlier times. Exposed with a FujiFilm X-T1 digital camera.
Providence & Worcester’s freights connect with Pan Am Railways/Pan Am Southern at Gardner and this has developed as a route for the movement of new automobiles and ethanol moving via the port of Providence, Rhode Island.
Providence & Worcester’s southward freight symbol GRWO shakes the walls of the old station. Don’t wait here for a 4-4-0 with combine coach on the 4:15 pm train to Winchendon. (It doesn’t run any more).
My book, Railway Depots, Stations & Terminals features a variety of railway stations in New England, across America and around the world. It was published by Voyageur Press this year and is available from Amazon and other outlets.
Here we have two forms of railway transport in an active image.
I’ve always liked photos that show transport on two levels (or more). This photo worked out well. I caught a tram passing below a steeple-cab electric in suburban Prague in early June 2000.
What makes the whole image more interesting is the tram passenger flagging the car to stop. This puts a bit life in the photo.
Incidentally, if you haven’t been there, Prague is one of the great tram cities, and offers endless opportunities for photography.
Exposed on Fujichrome Sensia 100 with a Nikon F3T with 24mm lens. Slide scanned using an Epson Perfection 600, file adjusted for contrast using Lightroom.
Back in the day it wasn’t always easy to obtain a satisfactory exposure. Sometimes we got it wrong.
Such was the case on February 6, 1959, when my father made a very dark slide of a New Haven Railroad EP-3 electric leading a long distance train at 204th street in The Bronx.
Did a cloud block the sun at just the wrong moment? Did he simply use the wrong setting? Who knows. But the other day, I rescued this very dark slide from his ‘doubles file’ long stored out of sight.
By my estimate I’d say it is about 2-3 stops underexposed.
Slide Scanning in three 3.5 parts
I made three scans of this slide, from which I produced four variations of the image.
This is the first scan: I exposed it normally using my Epson V600 with the Epson software set for ‘auto exposure’. The result pretty dark, yet still lighter than the original.For my second scan, I optimized the exposure and manually set the highlights and shadows using a histogram graph. Using Lightroom I exported two variations. This is the first, which is unmodified from the scan.My second variation of the second scan required a bit of work in Lightroom in order to adjust contrast, highlight and shadow detail, while boosting the saturation, clarity and other controls. The result offers better exposure, color and contrast, but it is too grainy.For my third scan I opted for a different approach. I used VueScan and opted for a multiple pass scan (which in effect scans the slide 3 times to obtain the greatest amount data from the slide). I imported this scan into Lightroom and made my corrections for color, contrast (local and global), saturation and etc, but also used the noise suppression feature. Since this results in an over-all softening of the image, afterwards I locally sharpened key areas of the image.
My question: all of this scanning and correction required about 45 minutes of my time. While it was neat to rescue this long forgotten image of an EP3 electric, would my time be better spent making less labor-intensive scans of properly exposed slides from the same period?
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For me this one image of the Bangor & Aroostook really conveys the spirit of a railroad in motion and captures the lay of the land of coastal Maine.
What makes a great railroad photo? It has to be more than just a picture of an interesting train.
Brandon Delaney was driving his Toyota sports car and I was leaning out the window with my Leica as we paced the northward Searsport Turn. I made this image as we passed a grade crossing at Prospect, Maine.
Exposed on August 5, 1986 on Kodachrome color slide film.
The great rolling ribbon of Highway 174 is one of several visual threads that helps tie the photo together and makes for added interest. The electric poles and grade crossing signals are cool elements too.
This isn’t just a railroad photo of a GP9 on the move, but an image showing a train in motion crossing a distinctive landscape.
It was a week before September 11, 2001. I’d taken the ferry from Helsinki to Tallinn. During my first couple of days I rode around on the tram exploring the city.
Comfort class on a Tatra. Exposed with my Contax G2 rangefinder on Sensia 100 slide film.
In short 2001 was a very intensive year photographically. A week after ‘9-11’, I’d headed off to Spain in search of General Motors diesels and TALGO trains.
When my Estonian slides came back from the processing labs, I’d quickly picked out key images and the rest were filed away, largely unedited along with a host of other trips from the same year.
For years, I wondered what had happened to the Tallinn tram photos. I recalled riding the trams, but the slides were not mixed in with my other Estonian photos.
Trams by the Baltic sea at the Kopli terminus. Contax G2 rangefinder photo exposed on Sensia 100 slide film.
Complicating matters, I returned to Estonia a year later for an even more extensive trip and many of my photos of railway operations around Tallinn were exposed in 2002.
Last week, I found these images along with the photos I made in Spain, Finland, and Ireland, plus those along New York’s Southern Tier, northern and central Pennsylvania, the Berkshires of Massachusetts, Philadelphia, Washington DC, Charlottesville, Virginia and Vermont, all of which were exposed over an 8 week span.
They didn’t paint cars like this in Soviet times! Contax G2 rangefinder photo exposed on Sensia 100 slide film.Near the main railway station. Contax G2 rangefinder photo exposed on Sensia 100 slide film.Contax G2 rangefinder photo exposed on Sensia 100 slide film.
I’m glad I kept notes to sort it all out!
Tracking the Light Takes Many Angles on Photography!
It was on the evening of August 5, 1984 that I exposed this photo in the tradition of Richard Steinheimer, Jim Shaughnessy and the legendary Mr. Link.
I’d admit it was a long day, but that never stopped me. Bob Buck and I had set out from Tenants Harbor, Maine in the morning. As per tradition, we’d called into Northern Maine Junction and signed releases with the Bangor & Aroostook.
The railroad was very friendly and advised us of a northward freight heading to Millinocket. This had an F-unit in consist (number 42, just in case you needed to know).
We spent our daylight hours making photos along the way.
Then in the evening we returned to Northern Maine Junction.
My father had lent me a large Metz electronic photo strobe. I was perfecting my night flash technique, where I’d carefully blend existing light with strategically placed strobe bursts.
I was particularly interested in Bangor & Aroostook’s rare BL2 diesels.
This view focuses on engine 54, while the famed American Railfan, engine 557 that had been repainted into its as-built scheme, lurked in the darkness beyond.
A few key pops with the flash sorted that out.
Exposed on Kodak Safety Film 5060 Panatomic X (ASA 32) using a Leica 3A with 50mm lens. Lighting is a mix of sodium vapor lamps and electronic strobe. Film processed in Kodak D76. Negatives scanned with an Epson Perfection V600, and digitally adjusted for contrast and exposure using Lightroom. Slow speed film was ideal for this type of night work because the existing light was less light to blow out the highlight detail during the prolonged exposure. I’d often have to leave my shutter open for several minutes while I walked around setting off flashes.
Did you know that Tracking the Light posts something different everymorning?
As I approached the Tenneyville bridge in Palmer (that’s the Route 32 bridge in modern parlance), I heard two CSX trains talking to each other. It was obvious a meet was in progress between CP79 and CP83 (east and west ends of the signaled dispatcher controlled siding).
When I crossed the bridge, CSX Q293 (westward empty autoracks) was easing along below me. The signals at CP83 had just cleared and the sun had just peaked above the horizon.
In a matter of moments, the engineer on Q293 would begin to accelerate. I needed to act quickly.
With my VW, I can accelerate faster than a long freight train, and I was lucky that the roads were clear of traffic.
I drove to a known photo location near the location of the old Boston & Albany freight house (demolished in 1989). This has the advantage of being open, while providing a long view on the tangent track through Palmer yard toward the rising sun.
I arrived with just enough time to set my FujiFilm X-T1 and expose a series of photos of the train rolling west out of sunrise. Soft morning clouds dampened the harshness of the direct light.
CSX Q293 rolls west against a backdrop of the rising sun at Palmer, Massachusetts on November 18, 2015. The Tenneyville Bridge is visible in the distance. My set up time: about 15 seconds.
Here I’ve included both a long telephoto view, and a wide angle to give you a sense for both the lighting and the location. The wide view required a bit of contrast control and exposure adjustment to make for a satisfactory final image.
The range of contrast of this wide angle view required a bit of post processing. I prefer the telephoto view, but this one gives a good lay of the land. Both were exposed using my FujiFilm X-T1 digital camera. If I had had time, I’d have exposed some color slides.
I consulted my notes from that year, and found that I’d photographed extensively on that day! (Hooray for my old notebook!)
At the time I was about a week away from completing my course work at the Rochester Institute of Technology, where I earned a BFA in Photographic Illustration, and I was making good use of the fine Spring weather in Western New York State.
That day I began my photography on the Water Level Route at East Rochester, and worked my way eastward toward Lyons, New York.
Conrail SD50 leads symbol freight PXSE (Pacific Express to Selkirk, New York) eastward on the number 1 track at CP342 near Newark, New York.
I was particularly fascinated by the abandoned truss bridge over the old New York Central west of Newark, New York. This had carried the Newark & Marion, which had served as part of the Pennsylvania Railroad. [See: AbandonedRails.com for more about this line. ]
Using my Leica M2 with a 35mm Summicron, I opted for a vertical format. Conrail’s CP342 near Newark, New York on 13 May1989.Another eastward freight with an SD50 in the lead. I wouldn’t complain today about seeing three freights with Conrail blue SD50s! Back then they were pretty common, but still nice to see.
On an earlier trip, I’d photographed this bridge on a dull day using a 4×5 camera.
On May 13th, I worked with my Leica M2 exposing Kodachrome 25 color slides, and featured Conrail trains passing below the bridge.At that time SD50s were standard locomotives on many of the railroad’s carload trains.
Later, I explored other vantage points along the busy Conrail east-west mainline.
Amtrak F40PH 362 leads train 68 along the former New York Central mainline east of Newark, New York. (Incidentally, Newark, New York should not be confused with the larger and better known Newark, New Jersey, that is on Amtrak’s Northeast Corridor).
Thanks to Ciarán for encouraging this foray into my slide archive!
On the day, steam locomotive 461 had done the honors for the paying passengers.
After the train arrived back at Connolly, freshly painted Irish Rail 071 (class leader) tied onto the empty carriages to bring them across to Inchicore.
Irish Rail class 071 at Connolly Station with the RPSI empty Cravens on 21 April 2014. Exposed on Fuji Acros 100 film.
I exposed this view at the end of the day using my Nikon F3 with 24mm lens. Using my perfected chemical recipe, I processed the Fuji Acros 100 film in Kodak HC110 then toned the negatives with selenium solution. Finally, I scanned them and made minor adjustments in Lightroom (mostly to remove dust spots).
Why black & white? Why film?
Why not?
I’ve always exposed film, and while digital photography tends to dominate my image making, I still expose the occasional roll of B&W or color slide film.
We were heading for Ayer. We’d heard some non-descript chatter on the radio about Pan Am’s POED (Portland to East Deerfield). I had the MBTA schedules on my lap. The sun was shining brightly.
Bob Arnold was driving, Paul Goewey was riding shotgun, and I was in the back.
“There’s freight cars moving west!”
“It’s the POED, turn around”.
“The new SD40-2s are in the lead!”
These were the coolest engines in New England as this moment in time, and they’d handily presented themselves in nice light.
Our opportunity was narrow and before long we were saddled with waddler (a slow moving car that impeded our forward progress). However, the freight was only ambling up the grade, and we began to overtake it.
I rolled down my window, set my FujiFilm X-T1 to ‘turbo flutter’ (continuous high) with a 1/60th of a second shutter speed to ensure the effect of movement, and made bursts of images of the shinny blue engines on the move.
Art of the pace: Bob was driving so I leaned from the rear passenger window and exposed a series of images. By selecting a slower shutter speed I was able to convey motion. Here’s a secret: although the pacing action resulted in most of the ground blur, I was also panning back to keep the locomotives sharp and had my camera’s image stabilization ‘on’. This takes practice.Both the locomotives and the car are moving, yet at different speeds, so compensation is necessary or everything will turn into a sea of blur.
Despite the frustrations caused by our less than quick progress, we were soon ahead of the freight. At Shirley, Massachusetts the road and the old Boston & Maine are parallel. Bob asked “where should we stop.”
“Pull in short of the new signal bridge. . . Here, it’s open and clear.”
It was a fire drill as we bailed and assumed photographic stance trackside. POED was bearing down with its diesels roaring. We only a few moments.
I set my camera’s focus position, readjusted my shutter speed (to stop the action), set my zoom to a wide position to allow for more broadside on the engines, and looked to minimize poles, wires and extraneous brush. My shutter setting was still in ‘turbo flutter’.
I waited until the locomotives were close and exposed a prolonged burst of images, while aiming to position the lead locomotive nose at the upper left of the frame for maximum visual impact.
Nice clean locomotives work west on heavily ballasted track at Shirley, Massachusetts on November 18, 2015.I turned for a trailing view looking toward the new signal bridge. Word of advice, get the old searchlights before their gone. (That was our next project).
Would you believe that 35 of 38 frames of this roll of 35mm film were exposed of the Köln Haubtbahnhof?
Back in August 1998, I was working with an old Nikon F2 and three lenses, I wandered the platforms of this great station to preserve it on black & white film.
I processed my film at the Gallery of Photography in Dublin and made a few proof prints at the time.
Köln Hbf in August 1998, exposed on Ilford HP5. Looming beyond the station is the famous Dom, Köln’s massive gothic cathedral.Köln Hbf in August 1998, exposed on Ilford HP5.
Köln Hbf in August 1998, exposed on Ilford HP5.
The images presented here were scanned digitally from my original negatives using an Epson Prefection V600 flatbed scanner and adjusted in post processing using Lightroom.
Among my favorite large railway station’s: The Köln Haubtbahnhof.
I’ve visited this great German railway palace on several occasions over the last 20 years and find that it always inspires my photography.
I made these images on a visit in August 1998. All were made on one roll of Ilford HP5 exposed using a Nikon F2.
Exposed on Ilford HP5 using a Nikon F2 with 50mm lens.Exposed on Ilford HP5 using a Nikon F2 with 24mm lens.Exposed on Ilford HP5 using a Nikon F2 with 24mm lens.
RJED—Rotterdam Junction to East Deerfield, a good ol’ fashioned carload freight.
Yesterday (Monday November 16, 2015), I heard the train working at Hoosick Junction and set up at Hoosick Falls. After a bit of a wait, I was rewarded by the roar of diesels.
Pan Am Railways 507 leads symbol freight RJED working east from the CSX interchange at Rotterdam Junction, New York. Seen here on the old B&M at Hoosick Falls, New York, just before noon on November 16, 2015. FujiFilm X-T1 photo.
The 3rd locomotive in consist was one of the former Quebec, North Shore & Labrador SD40-2 in fresh Pan Am Railways blue.
A batch of these handsome locomotives arrived on the property just last week, so I was keen to catch one, even if trailing.
North Pownal, Vermont. FujiFilm X-T1 digital photo.The drama of modern railroading isn’t always front lit. Image adjusted for contrast in post processing using Lightroom.
The Boston & Maine west end is an old stomping ground, and I’m well-versed with locations and the chase route, so I made the most of a clear sunny afternoon. It helps to know where to go, where to park, when to zip ahead, and when to relax.
North Adams, Massachusetts. FujiFilm X-T1 digital photo.
Along the Deerfield River east of Soapstone, Massachusetts. FujiFIlm X-T1 photos.
Fresh Pan blue paint, that’s pretty cool; and a freight with all EMD 645 diesels, sounded great!
Brian Solomon’s Tracking the Light Posts Every Day!
Sunday, November 8, 2015, I learned that an AEM-7 was working Amtrak train 163 from Boston to Washington DC.
A year ago this event wouldn’t have been noteworthy, but now it is. Amtrak’s AEM-7s are getting rare and engine 939 was the only one I saw working on that day. The last I heard there were just ten left in traffic.
Amtrak 939 leads train 163 on the former New Haven Railroad at Green’s Farms, Connecticut. Exposed using a FujiFilm X-T1 with 18-35mm zoom lens.
My philosophy is that every photo I make of an Amtrak AEM-7 on the move may be the last one.
Nothing lasts forever.
Amtrak 163 races into the evening sun at Green’s Farms, CT.
Last week I’d noted this locomotive at Cedar Hill Yard in New Haven, Connecticut as I was driving south on I-91.
‘What’s that?’ I wondered, having noticed the colorful paint livery, but not having the ability to inspect it.
As fortune would have it, I was able to inspect the locomotive a little while ago.
Yesterday, Tracking the Light follower and fellow photographer, Paul Goewey, alerted me to the fact that GMTX SD60 9000 had been interchanged by Providence & Worcester to New England Central at Willimantic, Connecticut.
Last night I was attending the photographic opening by Roger Ingraham at the Three Graces on Main Street in Stafford Springs, when New England Central freight 608 rolled north through town. Trailing was GMTX 9000.
Palmer, Massachusetts November 14, 2015. FujiFilm X-T1 photo.
This morning, I called into Palmer and made these photos. I expect, the locomotive will continue its northward journey on NECR 611, but that’s just an educated guess.
Palmer, Massachusetts November 14, 2015. FujiFilm X-T1 photo.Palmer, Massachusetts November 14, 2015. FujiFilm X-T1 photo.Palmer, Massachusetts November 14, 2015. FujiFilm X-T1 photo.Palmer, Massachusetts November 14, 2015. Panasonic Lumix LX7 photo.
On August 10, 2015, David Hegarty and I visited Drogheda, where Irish Rail’s Navan Branch meets the Northern Line.
It was our second visit in two days.
In recent years, I’d been dismissive of the Northern Line as being bland. But, I’ve seen the error of my ways.
In just a couple hours we were treated to a steady parade of trains, and this offered just about the best variety of equipment as anyone can expect to see in modern day Ireland.
The highlight of the day was the arrival of the weed-spraying train, which needed to run around, and the propel back to access the branch.
Shortly after we arrived, a laden Tara mines train pulled into view at the end of the branch. The electric DART cars were at the depot for servicing.29000-series railcars take the switch for platform 3.Hooray! The weed-spraying train as arrived from Dundalk.Engine 074 has cutoff and will run around its train in preparation for a run to Navan on the branch.A Dublin-bound set of 29000 railcars in the new livery has just departed the station.The sun came out as the weed-spraying train reversed.Irish Rail 233 leads the down Enterprise toward Belfast. The weedsprayer waits to crossover.The chevrons on the front of 074 have been a trademark of the weedspraying train for decades.The sprayer is doing its thing as it heads toward Navan.Fresh bit of sun on the railcar depot.Eventually that Tara train will have to move.
Our vantage point was the lightly travel road bridge south of the railway station. During our visit there were more dogs across the bridge than cars.
Drogheda is nicely oriented for sun-lit photography through out most of the day. This is the location of a railcar depot (maintenance facility), so in addition to mainline moves, there was considerable activity at the depot, which include the washing of trains.
As with many busy places, the action seemed to come in waves.
Watching the railcars get washed provided a bit of entertainment.I like the new green livery. What do you think?More fresh green 29000s on the move.Finally! The sounds of an EMD 645 engine, and here’s the laden Tara mines train on the move. It carries zinc ore to Dublin port.Some NIR CAF-built 3001 series railcars are on their way back to Belfast.
The Swedish State Railways (Staten Järnväger, SJ) class Rc4, built by Allmänna Svenska Elektriska Aktiebolag (ASEA), was the inspiration for Amtrak’s AEM-7 (assembled by EMD).
An advancement of the Rc4 is the Rc6 which was the pattern emulated in the ALP-44 used by NJ Transit.
In July, I made a study of SJ’s Rc6 electrics at Luleå, Sweden. These well maintained machines are a contrast to Amtrak’s surviving AEM-7s that are tired and battle-worn after three-decades of hard service racing up and down the Northeast Corridor.
Some months ago, an Amtrak engineer confided to me, “I understand why you like these electrics, but I hate them. They’re worn out. The suspension is shot. The cabs are drafty.”
Amtrak 915 has been preserved at the Railroad Museum of Pennsylvania. A few continue to work the Northeast Corridor. Most will end up as scrap. In the meantime, their Swedish cousins work electric lines across the country.
Amtrak 914 at Penn Station, New York in June 2015. Lumix LX7 photo.Rc6 in black; imagine a PC noodle on this!
This northern town is a port city on the Gulf of Bothnia where iron ore from mines north of the Arctic Circle is trans-loaded to ships. There’s a traditional passenger station that serves sleeping car trains that originate here for Stockholm and points south; a coach yard and sidings.
Markku Pulkkinen, Matti Mäntyvaara, Asko Räsänen and I arrived in early afternoon. We had lunch in the station restaurant and observed the action.
The combination of low-level platforms, ground-level switching activities to make up trains, and conventional locomotive hauled consists made for some proper old-school railroading! And that’s just the way we like it. Only the Kiruna-Narvik service appeared to be provided by a modern wedge-shaped electric multiple unit.
X-T1 panoramic composite of the second Stockholm sleeper at Luleå.X-T1 photo.Luleå is old school; traditional station building with restaurant, low level platforms, plus loco-hauled sleeping car trains with long consists of bogie carriages. All good. Long may it last.Lumix LX7 photo of a sleeping car.Since my visit in 2002, the local passenger service has been ‘improved’. (The improvement is the wedge-shaped EMU at left.)An empty iron train led by IORE electrics (the most powerful on the planet) rolls through the station on its way north.
The low northern sun provided some great light for photographs, and I made the most of our visit working with my FujiFilm X-T1 and Lumix LX7 to make digital photos.
I was bemused when a young British girl complained to her father when he went to make a photo of the Rc6 electric on a sleeping car train, ‘Daddy, don’t do that! Why do you make a photo of the train?’ Surely this child needs to be sent to camp for re-education! I blame the internet and/or television.
A track-level view of a Stockholm sleeper at Luleå. My FujiFilm X-T1’s flip down screen and heads-up display with level makes it easy to take low angle photos of trains.It’s a long way from Luleå to Stockholm by train.A second empty ore train rolls through Luleå. These big modern Bombardier-built electrics replaced the old Dm3 siderodders, but I’ll forgive them for that—they’re still pretty impressive!An Rc6 works the coach yard as the empty ore train heads northward to beyond the Arctic Circle.Modern high-capacity ore wagons are a contrast with the old six-wheel jennies from a century ago.One of the classics is on display near the station. Luleå respects its heritage.
In late July 2015, I traveled with Markku Pulkkinen, Matti Mäntyvaara and Asko Räsänen from Oulu, Finland to Luleå, Sweden. Among the goals of the trip was to visit the Norrbottens Järnvägsmuseum (Bothnia Railway Museum).
This has a great collection of preserved steam and electric locomotives, plus freight cars, passenger equipments and related displays. I made dozens of images of the historic equipment using my Lumix LX7.
I found it especially interesting to study the vintage electric locomotives up close. My favorites were the Dm3s, which I recall working iron ore trains to Narvik on my 2002 visit. I bought a Dm3 t-shirt at the museum’s gift shop.
Here’s a great concept that blends the conviviality of a pub with the rolling urban vistas provided by a streetcar.
Helsinki has a virtual maze of narrow-gauge tram tracks and the pub tram makes hourly circular tours. The car itself is one of the last non-articulated trams in regular service in the city and is painted a distinctive red.
Exposed in July 2015 with a Lumix LX7.
On an earlier visit to Helsinki in 2002, I photographed the car, but was unable to ride because it had been booked for a charter. In July 2015, Markku Pulkkinen and I took a spin on this unusual railway vehicle. I think it is the only city tram that I’ve ever seen with a loo.
The pub tram is great way to see Helsinki. Every city should have one!
I kept the cameras busy yesterday. I’ve altered the way I process my files. Rather than work from camera-shaped Jpgs, instead I’ve presented camera RAW files. With a few I applied a bit of contrast/exposure adjustment, but the others have just been scaled for internet presentation.
I exposed more than 500 images and haven’t, as of yet, had adequate time to digest this photographically intense experience.
Do you have any favorites among these photos?
Uproad near Near Mosney.
Downroad near Mosney.Dundalk.Tea!
Down Enterprise at Drogheda.Loco needs water, son.Clock at Dundalk.
I made these photos at 30th St. the other day with my Lumix LX7 while waiting for Amtrak train 148, which connects Washington D.C. with Springfield, Massachusetts. (This is a direct train, and one of the few that still changes from electric to diesel at New Haven.)
