Yesterday (3 September 2018), sunny skies greeted Great Northern Railway Ireland 85, a 4-4-0 three-cylinder compound locomotive operated by Railway Preservation Society of Ireland, when it paused at Portarlington, County Laois to take water.
This classic Irish express passenger locomotive was working a chartered train from Dublin Connolly to Killarney.
I exposed these images using my FujiFilm XT1 fitted with 12mm Zeiss Touit lens.
The photos here were scaled without modification from camera JPG files using the Velvia color profile.
I also made a few colour slides on real FujiFilm: Provia 100F.
Working in low light, exposed these photos on Fomapan 100 Classic using my battle worn Nikon F3 with an old non-AI f1.4 50mm lens.
My exposure times ranged from 1/30th to 1/8th of a second, and all photos were made handheld. I processed the film in Ilford Perceptol stock solution for 5 minutes 45 seconds at 71 degrees F.
By using the lens wide open, I was working with shallow depth of field and a comparatively soft overall view. While the slow shutter speed allowed for motion blur. These are not conditions conductive to making razor sharp images. So I had no intentions of doing so.
Sometimes making softer, more interpretive images better conveys the spirit of the scene than clinically sharp images with over the shoulder light.
Lisburn is a surviving gem among old Great Northern Railway stations in Northern Ireland.
RPSI’s steam crew apologized for the weather, but there was no need. Steam locomotives make for excellent subjects when photographed at dusk in the rain.
This was my reunion with Railway Preservation Society of Ireland’s engine 85, a Great Northern compound 4-4-0.
Honer Travers arranged my visit to Lisburn to witness the arrival of the scheduled Steam & Jazz special from Belfast, and introduced me to members of the crew (some of whom I’d met on previous occasions).
Working with three cameras, I made dozens of atmospheric images in the course of about 15 minutes. These photos were made digitally with my FujiFilm XT1 and Panasonic Lumic LX7. In addition, I exposed a handful of black & white photos using a Nikon loaded with Fomapan Classic.