In March 1987, I exposed this Kodachrome 25 color slide of Genesee & Wyoming GP38 number 51 leading an empty salt train arriving at P&L Junction (P&L infers Pittsburgh & Lehigh) near Caledonia, New York.
At that time Genesee & Wyoming was a New York state short line that had just recently expanded with the creation of the Rochester & Southern to operate the former Baltimore & Ohio (nee Buffalo, Rochester & Pittsburg) 4th Subdivision between Rochester and East Salamanca, New York via Ashford Junction. (R&S had trackage rights on CSX from Ashford Jct. to East Salamanca).
This train was arriving from interchange with the Delaware & Hudson at Silver Springs. (D&H had trackage rights over the former Erie Railroad line to Buffalo.) It would reverse direction at P&L Junction and head southward on G&W’s own line (seen in the immediate foreground) to Retsof, where G&W served a massive salt mine.
Back then G&W 51 had no special significance, but it does for me today.
Earlier this month I made a visit to Cork to present a program on railway photography to the Irish Railway Record Society.
Honer Travers and I spent an afternoon in Glounthaune where I made these photos on Kodak Tri-X using my Nikon N90S with f2.0 35mm lens.
My film processing was very traditional: Kodak D76 (mixed 1 to 1) for 7 minutes 15 seconds at 68F. I agitate very gently to minimize the effect of grain.
Routine operations, such as Irish Rail’s Cork suburban trains, offer great opportunity for creative railway photography. In both of these images, I’ve worked with foreground, middle-ground and background by using shallow depth of field to create a sense of depth.
I had the Leica IIIa fitted with a vintage Nikkor f3.5 35mm screw-mount lens and loaded with Kodak Tri-X.
And yes, I had a digital camera with me. Two, really. And I also made some colour views. I’ll tend to cover my bases when at a special location.
Honer Travers and I traveled down from Dublin on the Enterprise, having changed at Portadown to an NIR (Northern Ireland Railways) 4000-series CAF built railcar. Arriving at Lisburn, I paused to make these two black & photos of our train.
In Dublin, I processed the film using Agfa-mix Rodinal Special (not to be confused for bog-standard Agfa-mix Rodinal) mixed with water 1 to 31 at 68F for 3 minutes.
I like to play with developer to see what I can get with different combinations of chemistry. Agfa Rodinal Special with short development time allows for fine grain and a metallic tonality. While not as rich as Kodak HC110 (dilution B), the grain appears finer with Rodinal Special.
On August 21, 2010, some friends and I caught this loaded CSX ethanol train symbol K644 working eastward past the Amtrak station at Rochester. In the distance is the old Kodak tower.
This scene, exposed less than five years ago is now completely changed:
Amtrak is preparing for construction of its new Rochester Station.
Last week, my friend Otto Vondrak sent current images from Rochester of the old New York Central era canopies being dismantled; the classic cast iron ‘Rochester’ sign having been removed for safekeeping.
At the time I made this digital photo, I also exposed a single frame of Ektachrome slide film. It was my last roll of Ektachrome, and my last frame in the camera, and it seemed doubly apropos; to make my last Kodak slide in Rochester, and of a pair of Iowa, Chicago & Eastern/Dakota, Minnesota & eastern locomotives painted in colors remarkably similar to those use on the old Ektachrome film boxes.
I’m holding back that slide for future publication.
Here’s a view from my summer wanderings with TSH in July 1987. We’d camped along the Water Level Route at Lake City, Pennsylvania and spent the day watching and photographing trains.
The morning weather began heavy and damp, but as the day continued a thunderstorm rolled off Lake Erie and cleared the air.
Conrail was busy and presented an unceasing parade of trains. For this view, showing a pair of SD50s, I used my father’s Rollei Model T. I went low to emphasize the weedy grass, while using the old station to frame the train and provide historical context.
The combination of the grass, the thick white sky, and hazy light says ‘Summer’ to me.
In November 1986, Kodak supplied me with a free roll of TMax 100 black & white film as part of a ‘care package’ of new products for students in the Photographic Illustration programs at the Rochester Institute of Technology .
The T-Max black & white films were brand new at the time. They were significant because they used a new ‘T’ grain that featured flat silver halide grains that were supposed to reduce the visual granularity in the film (and lower the film’s silver content).
On this bright sunny morning, I went trackside in Rochester to expose my free film. I had Kodachrome 25 in my Leica M2, so I borrowed my roommate’s Canon A1 for the film test.
I photographed a variety of Conrail trains on the former New York Central Water Level Route. I made this image of Rochester & Southern’s Belt Line local crossing the former Buffalo, Rochester & Pittsburgh bridge over Water Level Route at Lincoln Park, west of downtown Rochester. (In 1986, Genesee & Wyoming’s Rochester & Southern assumed operation of the former BR&P 4th Sub-division from CSX’s Baltimore & Ohio.)
Leading R&S’s local was Alco RS-3m 211 leased from the recently formed Genesee Valley Transportation.
The locomotive has a long and colorful history. It featured both a large steam generator and dynamic brakes (thus the high short-hood) and was one of only five RS-3s were built this way: four served Western Maryland, while this one went to the Pennsylvania Railroad but later was traded to the Lehigh Valley, becoming its 211. After 1976, Conrail replaced 211’s original Alco-244 diesel with a recycled 12-cylinder EMD 567 engine.