Tag Archives: Eastman Kodak

Santa Fe Freight Cars on the Roll!

Free Film and a Borrowed Camera.

It was autumn 1986. As a photography student at the Rochester Institute of Technology, I’d receive an annual ‘care package’ of new, and sometimes experimental, Kodak products.

At the time I was a loyal Kodak film user, and dedicated to the careful exposure of Kodachrome 25. However, since I was on a shoe-string budget, I was happy to make use of the free roll of ‘Ektachrome du jour’—as we’d call whatever the latest flavor of Ektachrome was being peddled at the time.

Blessed with a rare bright day, and armed with my free roll of film, I wandered around Rochester documenting the railroads and the city. I had K25 in my Leica for the important photos, and loaded the free film into my roommate’s Canon A1 for experimental shots and comparison views.

I exposed this slide of Santa Fe freight cars on a westward Conrail freight with the Canon and 50mm lens. I panned using a 1/30th of second to convey a sense of motion.
I exposed this slide of Santa Fe freight cars on a westward Conrail freight using the Canon A1 fitted with a 50mm lens. I panned using a 1/30th of second to convey a sense of motion.

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Conrail, Kodak and the old Hojack.

Charlotte, New York, January 1989.

When I was studying at the Rochester Institute of Technology, Kodak would annually supply photo students with a gift package of examples of their latest products.

Although I was a confirmed Kodachrome customer, as a poor student, I always make use of the other films supplied. In January 1989, I had a role of ‘Ektachrome of the year’. This was the latest 100 speed slide film.

I loaded up the Leica M2, and drove my Dodge Dart around the Rochester area looking for suitable subjects with which to sample this new emulsion.

Exposed on Kodak Ektachrome with a Leica M2. Film processed by Kodak. The image was adjusted in post-processing to compensate for exposure, contrast, and color balance.
Exposed on Kodak Ektachrome with a Leica M2. Film processed by Kodak. The image was adjusted in post-processing to compensate for exposure, contrast, and color balance.

At Charlotte, where Conrail accessed a portion of the old Hojack route, I found this local working. Was this the local freight that served Kodak’s Rochester factories on the far side of the Genesee River? I can’t say for certain, but that really would be appropriate, wouldn’t it?

January 1989; Conrail had a full ten years left. At the end of May 1999, Conrail’s independent operations ended and CSX and NS took over.

 In 2004, Tim Doherty & I authored an illustrated book on Conrail for MBI.

Learn more about the evolution of the railroad network, see my book: North American Railroad Family Trees published by Voyageur Press.

 

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DAILY POST: Spirit of Summer, Lake City, Pennsylvania

Hazy Damp Morning, July 1987.

Here’s a view from my summer wanderings with TSH in July 1987. We’d camped along the Water Level Route at Lake City, Pennsylvania and spent the day watching and photographing trains.

The morning weather began heavy and damp, but as the day continued a thunderstorm rolled off Lake Erie and cleared the air.

Conrail
Conrail SD50 6793 leads a westward train on the former New York Central at Lake City, Pennsylvania at 8:05am on July 25, 1987. I exposed this with a Rollei Model T, using T-Max 400 black & white film. F5.6 1/125th of a second. Processed in Kodak D76 1:1. I calculated exposure with a Sekonic Studio Deluxe handheld photocell. The camera’s Carl Zeiss Tessar allows for an exceptionally sharp image. I’ve reduced the scan to just a fraction of its original size for internet display.

Conrail was busy and presented an unceasing parade of trains. For this view, showing a pair of SD50s, I used my father’s Rollei Model T. I went low to emphasize the weedy grass, while using the old station to frame the train and provide historical context.

The combination of the grass, the thick white sky, and hazy light says ‘Summer’ to me.

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DAILY POST: Lehigh Valley 211 at Lincoln Park, Rochester, New York

Free Film, a Borrowed Camera and a Bit of Luck!

In November 1986, Kodak supplied me with a free roll of TMax 100 black & white film as part of a ‘care package’ of new products for students in the Photographic Illustration programs at the Rochester Institute of Technology .

Alco RS-3M at Rochester, New York
The combination of Kodak’s recently released T-Max 100 ‘T’ grain black & white film and a Canon 50mm lens allowed for a very sharp image with exceptionally fine grain and broad tonality. I scanned this 35mm negative with my Epson V500 scanner.
Incidentally, at the left of the image is General Railway Signal’s Rochester plant.

The T-Max black & white films were brand new at the time. They were significant because they used a new ‘T’ grain that featured flat silver halide grains that were supposed to reduce the visual granularity in the film (and lower the film’s silver content).

On this bright sunny morning, I went trackside in Rochester to expose my free film. I had Kodachrome 25 in my Leica M2, so I borrowed my roommate’s Canon A1 for the film test.

I photographed a variety of Conrail trains on the former New York Central Water Level Route. I made this image of Rochester & Southern’s Belt Line local crossing the former Buffalo, Rochester & Pittsburgh bridge over Water Level Route at Lincoln Park, west of downtown Rochester. (In 1986, Genesee & Wyoming’s Rochester & Southern assumed operation of the former BR&P 4th Sub-division from CSX’s Baltimore & Ohio.)

Leading R&S’s local was Alco RS-3m 211 leased from the recently formed Genesee Valley Transportation.

The locomotive has a long and colorful history. It featured both a large steam generator and dynamic brakes (thus the high short-hood) and was one of only five RS-3s were built this way:  four served Western Maryland, while this one went to the Pennsylvania Railroad but later was traded to the Lehigh Valley, becoming its 211. After 1976, Conrail replaced 211’s original Alco-244 diesel with a recycled 12-cylinder EMD 567 engine.

Since I made this image, the locomotive has been preserved and restored at the Rochester & Genesee Valley Railroad Museum in Rush, New York.

This cropped detail gives a hint of the fine grain afforded by T-Max 100 film.
This cropped detail gives a hint of the exceptionally fine grain afforded by T-Max 100 film.

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