Tag Archives: Lisburn

Steam and Rain—shallow focus and black & white.

It’s undoubtedly all wrong. It was nearly dark and raining steadily when I exposed these photos of former Great Northern Railway (of Ireland) V-Class 4-4-0 number 85 Merlin at Lisburn.

This is a follow up post from my digital views of the same evening titled Steam in the Rain: RPSI Steam & Jazz at Lisburn—25 August, 2017 that appeared on Tracking the Light a couple of weeks ago. Honer Travers had brought me down to Lisburn to watch 85 arrive and introduce me to the crew.

Working in low light, exposed these photos on Fomapan 100 Classic using my battle worn Nikon F3 with an old non-AI f1.4 50mm lens.

My exposure times ranged from 1/30th to 1/8th of a second, and all photos were made handheld. I processed the film in Ilford Perceptol stock solution for 5 minutes 45 seconds at 71 degrees F.

By panning vertically I aimed to convey a sense of motion. Notice that the buffer beam on 85 is sharp.
Trailing view at the footbridge in Lisburn.

1/8th of second at f2.

By using the lens wide open, I was working with shallow depth of field and a comparatively soft overall view. While the slow shutter speed allowed for motion blur. These are not conditions conductive to making razor sharp images. So I had no intentions of doing so.

Sometimes making softer, more interpretive images better conveys the spirit of the scene than clinically sharp images with over the shoulder light.

Tracking the Light Posts Daily

 

Steam in the Rain: RPSI Steam & Jazz at Lisburn—25 August, 2017.

Lisburn is a surviving gem among old Great Northern Railway stations in Northern Ireland.

RPSI’s steam crew apologized for the weather, but there was no need. Steam locomotives make for excellent subjects when photographed at dusk in the rain.

This was my reunion with Railway Preservation Society of Ireland’s engine 85, a Great Northern compound 4-4-0.

Great Northern Railway (of Ireland) engine 85 is named Merlin. It was one of five V-class compounds, all of which were named for birds of prey.

Honer Travers arranged my visit to Lisburn to witness the arrival of the scheduled Steam & Jazz special from Belfast, and introduced me to members of the crew (some of whom I’d met on previous occasions).

Working with three cameras, I made dozens of atmospheric images in the course of about 15 minutes. These photos were made digitally with my FujiFilm XT1 and Panasonic Lumic LX7. In addition, I exposed a handful of black & white photos using a Nikon loaded with Fomapan Classic.

RPSI’s Steam & Jazz excursion arrives from Belfast in a steadily drizzling rain.
Cold, windy, wet and dark, but great for atmospheric photos. It helps to have a FAST lens, in this case an f2.0 90mm Fujinon telephoto.
Number 85 runs around at Lisburn. Fuji XT1 photo.
Exposed with a FujiFilm XT1, notice the effect of shallow depth of field and selective focus.
Lumix LX7 photo at Lisburn.

Tracking the Light Posts Daily.

 

Lisburn Station in Black & White.

It was raining.

I had the Leica IIIa fitted with a vintage Nikkor f3.5 35mm screw-mount lens and loaded with Kodak Tri-X.

And yes, I had a digital camera with me. Two, really. And I also made some colour views. I’ll tend to cover my bases when at a special location.

Honer Travers and I traveled down from Dublin on the Enterprise, having changed at Portadown to an NIR (Northern Ireland Railways) 4000-series CAF built railcar. Arriving at Lisburn, I paused to make these two black & photos of our train.

Fine grain in the rain. Lisburn station exposed on black & white film.
This a view from the footbridge. Both images were exposed with a Leica fitted with a vintage f3.5 Nikkor 35mm wide-angle lens.

In Dublin, I processed the film using Agfa-mix Rodinal Special (not to be confused for bog-standard Agfa-mix Rodinal) mixed with water 1 to 31 at 68F for 3 minutes.

I like to play with developer to see what I can get with different combinations of chemistry. Agfa Rodinal Special with short development time allows for fine grain and a metallic tonality. While not as rich as Kodak HC110 (dilution B), the grain appears finer with Rodinal Special.

Tracking the Light Posts Daily!