Tag Archives: Gallery

This features recent work and exceptional images for display and discussion.

Russian Ore train

On my July 2015 visit to Finland, my host Markku Pulkkinen did an excellent job of finding interesting railway subjects.

Early in the morning on July 26, 2015, we set up on the outskirts of Oulu to catch VR T5220, a freight forwarding iron ore mined in Russia to a Finnish plant. The freight wagons were Russian, the locomotive is a VR Group class Sr2 electric of Swiss design.

I had just purchased my first Adobe Lightroom for my then-new Apple MacBook Pro and was beginning to learn how to use this tool to make the most of my Fuji RAW files.

This was a revelation as the programs sliders made it easy to make adjustments to shadow and highlight detail, as well as color temperature and color balance corrections, which help make for much better photos when used judiciously.

I’m now working with a more advanced version of Lightroom with this I created two JPGs created from the Fuji RAW file. The top was scaled without any adjustements; the bottom reflects adjustments to color temperature, saturation, plus highlight and shadow area changes. Notice the difference in the detail to the sky.

No changes to the Fuji RAW file except for scaling.
Adjusted with Adobe Lightroom to better present the data captured by the Fuji RAW file.

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Soviet Electrics on July 25, 2015

Seven years ago I was visiting my friend Markku Pulkkinen in Oulu, Finland.

On the evening of July 25th, we stopped in at the VR station to witness the arrival of sleeping car train IC266 that paused on its way to Helsinki.

In the lead were a pair of 1970s era Sr1 electrics that were built in the Soviet Union and still carried their ‘USSR’ builder’s tags (notably in English, rather than Russian or Finnish).

I exposed these detail views using my new FujiFilm XT1 digital camera.

The Fuji’s built-in color profiles did a wonderful job of capturing the rich colors of the evening sun at northerly latitudes.

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Steam on the Conway Branch!

Yesterday morning (July 23, 2022), Kris and I timed our visit to Allens Siding Road to perfectly coincide with the operation of Conway Scenic Railroad steam locomotive 7470 on the 915am Conway train.

I’d scoped this location out the day before (featured in yesterday’s post) just make sure it was the best place to picture the steam locomotive working.

We arrived a minute before the eastbound train passed. (Conway Scenic timetable 34 predicates all movements on a east-west axis. Conway being the further station East and Hazens being the furthest west, without consideration for the compass).

After the eastward train passed, we had about a 20 minute wait for the return.

Engineer Wayne Duffett made a good show climbing the grade west from the Swift River Bridge.

All photos were exposed using my Nikon Z6 with a 24-70mm Z-series zoom and adjusted for contrast and color balance using Adobe Lightroom.

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Amtrak 449 on the eve of Change

May 4, 1997: I exposed this Fujichrome slide of Amtrak’s westward Lake Shore Limited (Boston section), train 449 rolling down the Quaboag River Valley near the former Boston & Albany station at West Brimfield, Massachusetts.

This was at a time when the train was carrying a fair amount of freight and mail on the head and tail ends of the passenger consist, and shortly before Amtrak replaced the old EMD F40PHs with new Genesis P42 diesels.

It was just about two years before Conail’s class 1 operations were divided and the old Boston & Albany was conveyed to CSX.

Exposed using a Nikon N90S with 80-200mm Nikon zoom.

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Turntable Survey

Yesterday, TEC Associates came to survey and measure Conway Scenic Railroad’s North Conway turntable and the table’s ring rail in preparation for repairs to the vintage equipment.

The former Boston & Maine North Conway turntable is a rare surviving example of a pneumatically actuated turntable and is equipped with air reservoirs that are designed to be filled from the locomotive’s airbrake system.

I made the top three images with my Nikon Z6 fitted with an old Nikkor AI f1.8 105mm lens; the fourth image was exposed with using an f4.0 24-70mm Series Z zoom fitted to the the Z6.

f1.8 105mm
f1.8 105mm
f1.8 105mm
24-70mm Z-Series zoom lens.

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Rainbow and the Morning Sun

Sometimes it helps just to be there.

Yesterday morning I arrived at North Conway early to open the station and serve as ‘Manager on Duty’ (Station Master, Yard Master and Train Dispatcher).

When I pulled up to the station a rainbow was clinging to the sky above the building.

I grabbed by Nikon Z6 with 70-200mm lens, and made a sequence of images of the station building in morning light with prismatic colors above.

Minutes after I made this photo, the light had changed and the rainbow faded.

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Where is Everybody?

In June 2008, I visited San Diego, California for the day and traveled around on the famous San Diego Trolley.

I made this view of the Orange Line near downtown.

I can’t help but wonder, where is everybody?

I’ve photographed light rail in dozens of cities, and usually there’s lots of people about. This was a pleasantly warm weekday afternoon in San Diego and there’s virtually no one on the street. Bizarre!

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Late Number 5 at Gold Run.

Back in 1990, Amtrak’s westward California Zephyr, train No.5, typically traversed Donner Pass midday.

On this July 1990 afternoon, the train was several hours behind the advertised. I pictured it near Gold Run, California on the west slope of Donner.

I’ve been going through my Southern Pacific and Union Pacific photos searching for material for my next book on Union Pacific and its component railroads.


Although this is an old favorite photo, I’ll likely defer to images that show SP or UP freight trains for the final book selections.

Exposed on Kodachrome 25  using a Nikon F3T with 35mm PC (perspective control) lens.

Scanned with a Nikon LS 5000 slide scanner. Multipass scan.

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Canadian American at Onawa Bridge

In recent months, my Fiancée Kris and I have been revisiting Canadian Pacific’s Moosehead Sub across Maine.

Previously, I’d explored this remote railway on various occasions in the 1980s and 1990s.

On September 30, 1997, I accompanied photographers George Pitarys and Brian Jennison to the famed Onawa Bridge located west of Brownville Junction.

Here we waited for Canadian American eastward freight 902, seen here in a 24mm trailing view exposed on Kodachrome 25 slide film.

I scanned the slide last night using a Nikon LS 5000 scanner, making a multipass scan at high-resolution, and then scaling the TIF file using Adobe Lightroom.

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Holding Back the Best

Yesterday, I was discussing photography with my Fiancée, Kris as we drove through rural western Maine.

I explained that I rarely display the photos that I feel are my finest work.

Why? The reason is very simple. I made the best photos for me, and I can be selfish. I put a huge amount of work into some of these images and I’m holding them back for just the right moment.

In 1994, I spent months photographing Southern Pacific. One of my favorite lines was SP’s remote Modoc Line, especially the section built on the old Nevada-California-Oregon three-foot gauge alignment across the Modoc Plateau between Wendel and Alturas, California.

At the end of the day on May 21, 1994, I was poised near Indian Camp, waiting beneath a desert sky with chocolate clouds as a Wendel-bound freight worked across the desert floor. Beyond, the railroad twisted and turned through the Likely Loop and up toward the sinuous Indian Camp Loop.

For more than half and hour, I could hear the low harmonic pulsating exhaust of EMD 20-cylinder diesels as the train gradually drew closer.

Working with my Nikon F3T loaded with K25 slide film, I exposed a series of silhouettes as the long freight growled through Indian Camp.

In 1999, I published one of these images on page 11 of my book titled Narrow Gauge Locomotives.

The rest remain sequestered.

The best way to perceive this image is to view it projected from the original Kodachrome slide upon a reflective screen in a darkened room.

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New England Traveler at Conway Scenic Railroad

Earlier this week, Conway Scenic Railroad welcomed TV host-producer Greg Boghosian and his cameraman John at North Conway station and aboard the Mountaineer to Crawford Notch. Greg and John were filming for an upcoming episode of #NewEnglandTraveler that will appear on NESN.

I provided logistical support, historical context, arranged for tickets and interviews with employees, and suggested angles and locations for photography. Greg is a true professional with a couple of Emmys to his credit. It was a pleasure to work with him.

I made this selection of photographs for Conway Scenic’s social media platforms and future advertising.

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PCCs with John Gruber—July 11, 2016

On July 11, 2016, John E. Gruber collected me at Lake Forest, Illinois. I’d just recently arrived from the East Coast on Amtrak’s Cardinal.

After lunch, we drove to Kenosha, Wisconsin to photograph and travel on the historic PCC trolley cars that operate in a two-mile loop through the center of the town.

It was a beautiful afternoon for photography on the shore of Lake Michigan. I made this pair of images using my FujiFilm XT1 digital camera.

In 2016, I made this post to Tracking the Light:

http://briansolomon.com/trackingthelight/2016/07/15/kenosha-wisconsin-pccs-july-2016/

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Forest Lake, Palmer, Massachusetts—July 9, 2015.

In-camera JPG without adjustments (except scaling for internet presentation.)
Fuji RAW file adjusted using Lightroom and output as JPG, following nominal adjustments to color, contrast and exposure.

Seven years ago, I exposed this photo of the northward Mass Central freight near Forest Lake, Massachusetts.

At the time, Mass Central was operating on a late schedule, departing northbound from Palmer in the evening, to accommodate heavy track work on the line during the day.

In this view, I used my FujiFilm XT1, and exposed an in-camera JPG at the same time as a much larger RAW file.

For point of comparison, I’ve displayed both the in-camera JPG (without alteration) and a JPG that is the product of post processing—created from the Fuji RAW image.

Choosing to work with the camera-RAW instead of the in-camera JPG, depends on the photo and its application. If the image needs little to no adjustment the JPG will save a lot of time. However in situations where it is desirable to make adjustments, the RAW file provides significantly more data, giving more room to maneuver, and can result in a better image.

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Fujichrome at Köln—six track bridge over the Rhein.

In September 2015, I flew from Dublin to Köln, Germany with my Irish friends.

At the Köln Hbf (main station), we walked across the Rhein on the footpath along the six track multispan railrway bridge.

At the time this was covered in lover’s locks. So many that there were concerns about the excessive weight on the heavily-built bridge.

From the east bank, I made this Fujichrome Provia 100F color slide of the bridge and the famous cathedral. Back-lighting helped to illuminate the locks on the bridge.

I scanned the slide yesterday using our Nikon LS-5000 digital scanner driven with VueScan software. I made a multipass scan and imported the file into AdobeLightroom for final adjustment and scaling.

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Sunrise at Danville Junction

In October 1999, I was working for Great Train Escapes, a Seattle-based tour company that operated fall foliage rail excursions in New England in conjunction with its regional bus tours.

Part of the itinerary was to travel on a neo-streamliner from the Portland, Maine area to Gorham, New Hampshire. The train in 1999 was part of a leased set normally operated by the Copper Canyon Train in Mexico.

I made this sunrise view with an Nikon N90s loaded with Fujichrome at Danville Junction—where St. Lawrence & Atlantic crossed Guilford’s Maine Central. The tour buses were unloading the guests to board the train here for the journey to Gorham.

The leading locomotive was one of St. Lawrence & Atlantic’s former Canadian National M-420 diesels, behind it are a pair of Amtrak F40PHs, which had been made surplus from long distance survices, as the result recently delivered GE P42s.

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Northern Pacific Semaphores, Montana

In July 1994, I was on a grand adventure driving from California to Wisconsin to begin a new job at Pentrex Publishing.

I had several weeks to make the drive and plotted a course designed to inspect and photograph railways along the way.

Three years earlier my pal TSH and I had visited the Montana Rail Link where were spent a morning making photos on Winston Hill east of Helena. Movements on this former Northern Pacific line was still protected by General Railway Signal upper quadrant semaphores.

So on July 10, 1994, I revisited Montana’s Winston Hill. Among my photos that day was this one made as part of a sequence showing a westward BN freight descending toward Helena.

I was working with my Nikon F3T loaded with Kodachorme 25 and fitted with a Nikkor 35mm PC (perspective control lens) and a circular polarizing filter.

At the time, I would apply the polarizer to better balance the contrast between shadows and highlights in back-lit situations on bright sunny days. Notice the effects of the clouds and back lit foreground flowers.

Among the challanges of this arrangment is that it reduced the working ISO of the film from 25 to about 8 (which is extremely slow. Today, I typically work with ISO 200 or higher in digital format).

In this situation a motion blur benefits my illustration, as it shows a ‘clear’ signal ahead of the westward train.

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Steam on the Radio

Yesterday, July 1, 2022, I organized a broadcast at Conway Scenic Railroad by Lakes FM 101.5 and the Hawk 104.9 FM. In conjunction with this, I invited Ben and Danny of the band Eastwood Station to play some original music, and asked Conway Scenic general manager Dave Swirk if he could bring out steam locomotive 7470 to sound its whistle live on air.

It was a very successful day at North Conway!

In between radio spots, I made these photos with my Nikon Z6, some of which I put up on the railroad’s facebook, while recording the musicians and steam locomotive with digital video.

The railroad hopes to have the steam locomotive out of the roundhouse and under steam for display and training over the 4th of July weekend.

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Clearing Yard Silhouette.

Clearing Yard sunset

On July 1, 1995, I spent the day with Sean Graham-White who had organized a visit at Belt Railway of Chicago’s sprawling Clearing Yard on the southside of Chicago in order to research a detailed article for Pacific RailNews.

At the time, I was associate editor of the magazine and living in Waukesha, Wisconsin.

Toward the end of the day, I made this silhouette looking west using my Nikon F3T with 200mm f4.0 Nikkor telephoto. Kodachrome 200, was a grainy film that allowed me to use a faster shutter speed. Notice the plane on approach to Chicago’s Midway Airport.

The inspiration for this image was a photo exposed about 29 years earlier by John Gruber that had appeared on the cover of Trains Magazine.

I made a three-pass scan of this image last night using our recently refurbished Nikon LS-5000 slide scanner controlled by VueScan software.

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Union Pacific on the Oregon Trunk

Yesterday, I received back our Nikon Super Cool Scan 5000 slide scanner from CTS Services which had performed necessary servicing.

Among the first slides I scanned after taking the scanner out of the box was this June 30, 1994 view of Union Pacific’s Bend Turn on the Oregon Trunk near Gateway, Oregon.

I’d been following the freight on its northward run and this slide was among the final images of made of the train that day, exposed on Kodachrome 25 slide film using my Nikon F3T with 35mm PC (perspective control) lens.

I’ve been scouring my Union Pacific photos for consideration as illustrations for a book that I’m writing on Union Pacific and its Predecessors (CNW, DRGW, MP, SP, WP etc) for Kalmbach.

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Pan Am crosses the Connecticut-Five Years Ago.

On June 29, 2017, photographer Mike Gardner and I had chased Pan Am Railway’s EDPL (East Deerfield to Plainville, Connecticut) freight.

Our final set was of the train crossing the Connecticut River near Windsor Locks on the former New Haven Railroad bridge.

I was working with my first Fuji XT1 digital camera and a telephoto lens. By holding the camera close to the top of the water, I made this dramatic angle of the train.

Last night, I made some changes to contrast, color and exposure to the FujiFilm Raw file (RAF) using Adobe Lightroom aiming to compensate for the hazy evening light.

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Secaucus

For today’s Tracking the Light, I was looking for a photo I made on June 27, 1983 at Secaucus.

Instead, I found this photo at Secaucus, exposed nearly 32 years later.

In the interval, Secaucus had been completely transformed.

It was a hazy summer morning on June 26, 2015, when I exposed this view of a New Jersey Transit train on the former Erie using my first Lumix LX7. I had traveled on this train from Suffern. The engine is at the back of a push-pull set.

The photo I was looking for was of a former PRR GG1 crossing over the Erie. This one is more technically competent, if not as interesting. I’ll need to find my old Kodachrome slide.

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Shinjuku Station, Tokyo 1997

I made this view in the blue light of dusk on an April evening in April 1997 at Tokyo’s busy Shinjuku Station.

At the time it was the busiest railway junction station in the world, handling more daily passengers that even London’s famous Clapham Junction.

I have used this photograph and others from my 1997 visit in a variety of publications over the last 25 years.

I exposed the photo on Fujichrome with my Nikon N90S mounted on a tripod. I was emulating a style of railway photography popular in the the Japanese magazines at the time which used the extreme blurring of a train through a scene to infer motion.

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7470 Under Steam

For Father’s Day, Sunday June 19, 2022, Conway Scenic Railroad brought steam locomotive 7470 out of the roundhouse under steam for display and training.

Presently, Conway Scenic is training a new generation of firemen to help work on the locomotive.

More than 600 people came down last sunday to see the locomotive. This engine should be on display again today, Saturday June 25, 2022.

I made these photos with my Nikon Z6 digital camera for display on the company’s Facebook and Instagram pages and for distribution to the media.

The railroad hopes to operate this 101-year old 0-6-0 type locomotive this summer in exursion service.

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Kisvarda, May 2006

In May 2006, while traveling across Hungary by train, I leaned from the window during a station stop at Kisvarda and exposed this Fujichrome slide using my Contax G2 rangefinder.

In a moment, I captured a common scene, portraying a place I know almost nothing about, except that it is a small city served by an intercity railway service.

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CP Rail-I-94-and bombers

Twelve years ago, June 23, 2010, John Gruber and I were following a Canadian Pacific local freight on the former Milwaukee Road north of Madison, Wisconsin.

We were set up near where the railroad ducks under Interstate-94. While waiting for the train, some jet bombers soared overhead at relatively low altitude.

Six minutes later, I made a view of the freight ambling along on class 1 track with a truck roaring overhead on the Interstate.

Both photos were exposed with my then-new Canon 7D with a 200mm prime telephoto. These photos are scaled, but otherwise unadjusted camera JPGs.

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Jackman, Maine 1984 & 2022

In July 1984, I made a few black & white photos of the Canadian Pacific station at Jackman, Maine using my old Leica 3A with 50mm Canon lens. At that time, Jackman still hosted VIA Rail’s Atlantic and was an open train order station. I had a conversation with the operator before I made my photos.

On my recent visits Jackman earlier this month, I tried to recreat the angle of my earlier eastbound view.

In both photos, I am standing at the Route 201 grade crossing.

The purpose of this comparison is to demonstrate the degree of change at Jackman in the 38-year interval between them. Notice that the 1984 view is far more interesting to look at despite being a technically inferior photograph.

Canadian Pacific Railway/VIA Rail station at Jackman, Maine in July 1984.
Looking east at Jackman, Maine on June 11, 2022.

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June 21, 2011-Crew Change at Palmer, Mass.

Eleven years ago, I made this end of daylight view on the longest day of the year at CP83 in Palmer, Massachusetts.

CSX’s westward freight Q423 had stopped to change crews. In those days, Q423 ran from Worcester, Mass., to Selkirk, NY. I cannot recall why the crew was on short time.

I made the exposure using my Canon EOS-7D at 6400 ISO at 1/3 second, f3.5 using a prime 28mm lens.

The Canon 7D is an excellent camera. I’ve had mine for a dozen years and exposed thousands of digital photos with it. It’s higher ISO settings are weak compared with modern cameras. Here the 6400 ISO setting appears relatively pixelated. Yet at the time I was delighted to the ability to use such a fast ISO setting at the twist of a dial.

File adjusted in Lightroom from the Canon 7D camera RAW file. Color, contrast and exposure were modified during post processing.

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Travels on the Lake Shore Limited-June 2013

On this day nine years ago, I was traveling east from Chicago to Worcester, Massachusetts on Amtrak’s Lake Shore Limited (Train 48/448) and made these photos of the journey with my Lumix LX3 digital camera.

At the time I was working on a book about Chicago’s railroads with Mike Blaszak, Chris Guss and John Gruber.

CSX diesels at Collinwood shops, near Cleveland, Ohio.
My friend Otto Vondrak waves at Rochester, New York.
Amfleet II passenger car on Amtrak 448 near Post Road, NY.
My seat on Amtrak 448 with my old Apple laptop.
Self portrait with electronic flash having spent nearly 22 hours on the train.

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12 Years Ago-Glinty Grain Elevators

On June 18, 2010, I was traveling with John Gruber on the way back to Madison, Wisconsin from Minneapolis, where John had collected Wallace Abbey’s photographs recently donated to the Center for Photography & Art.

John wanted to take a look at a surviving portion of the old Green Bay & Western at Hixton Wisconsin. And I made this evening view of grain elevators catching the glinting sun with my Lumix LX3.

Years earlier, John had made a project of photographing GB&W and its people. This was among the smaller railroads melded into Wisconsin Central in the 1990s.

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Starlight at Tarratine!

On our last evening at Moosehead Lake, Kris and I made a strategic drive to Tarratine, Maine hoping to intercept Canadian Pacific’s westbound freight, #223, at the grade crossing with Route 6.

Within five minutes of our arrival, we could hear a whistle far to the east. Gradually the chug of General Electric diesels grew louder and more pronounced.

Kris set up her FujiFilm XT4, while I positioned my Nikon Z6 on my ancient Bogen tripod.

The moon was rising and the stars were glistening above. The time was approaching 11pm.

I made this sequence with the Z6 fitted with my 24-70mm zoom. The camera was set to ISO 400 and my exposures varied from 2.5 seconds to 30 seconds at f4.

After exposure, I made nominal adjustments to color and exposure in Adobe Lightroom.

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Irish Rail at Edgeworthstown-26 March 2005

Among the dozens of rolls of slides that I retrieved from storage at a friend’s house in Ireland was this one exposed of Irish Rail at Edgeworthstown, County Longford back on the 26th of March 2005.

On that day the down midday Connolly-Sligo passenger train terminated at Edgeworthstown and the passengers were transferred to a bus for the remainder of their journey west.

Locomotive 083 was hauling the train.

These were three of the photos I exposed on Fujichrome using a Contax G2 rangefinder.

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Tarratine—by Day!

A week ago Kris and I visited the crossing at Tarratine, west of Rockwood, Maine where we waited for the eastward Canadian Pacific freight number 132.

This remote crossing bisects the track in a sweeping curve in the forest. We waited here for quite some time. Finally, I heard the distant sound of laboring General Electric diesels. And then, finally, a distant whistle.

I set up with my Nikon Z6 fitted with a f2.8 70-200mm Z-series zoom. When the train came into view, I exposed a series of digital images and made a pair of color slides on Ektachrome.

The slides remain latent (unprocessed), but here are a few of my digital images.

Some my regular viewers on Tracking the Light have expressed interest in seeing more photos of the freight cars behind the locomotives. So I’ve included a few of those images too.

Later that night, Kris and I returned to this same crossing where we made a series of night photographs of the westward freight. Those will be featured in another posting.

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Fortuity at Brownville Junction.

Until Kris and I visited last week during our survey of Canadian Pacific’s Moosehead Sub, I had last made photos at Brownville Junction, Maine in 1997.

We arrived just in time to see a set of three nicely painted leased GATX Locomotive Group GP40s getting ready to depart the east end of the yard. These were operated by Irving Transportation’s NBM Railways, which runs the former Canadian Pacific east from Brownville Junction toward St. John, New Brunswick, Canada.

When I spotted these engines departing the yard, I acted quickly and pulled off to the side of the road, and framed up a view of the engines crossing a deck bridge.

Interestingly, it seems that GATX 3050 was originally Baltimore & Ohio GP40 3717. In 1984, on a visit to Brownville Junction with my late friend Robert A. Buck, we photographed a B&O GP40 in a consist on an eastward CP Rail freight at time the railroad had leased locomotives from Chessie System. Wouldn’t that be cool if this was the very same GP40! (I’ll need to find my photos from 1984 and check it out).

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