Author of more than 70 books on railways, photography, and Ireland, Brian lives with his wife, Kris, in Lancaster County, Pennsylvania. Brian holds a BFA in Photographic Illustration from the Rochester Institute of Technology. In 2022, he was presented with the Railway & Locomotive Historical Society’s prestigious Fred A.& Jane R. Stindt Photography Award for his lifetime achievements in railroad photography.
On 21 April 2016, I had my First Class France Rail Pass Flexi validated at Basel, Switzerland.
My goal was by the first evening to reach Valenciennes (a city in northern France near the Belgian border) using only regional trains, rather than the TGV (plenty of opportunity for high speed travel later in my trip).
I found the challenge as in making local connections since these days SNCF focuses long-distance passengers onto high-speed routes. All very well, unless you want to experience secondary lines and ride trains off-the well-beaten path.
Thanks to Stephen Hirsch and Denis McCabe who helped with my planning, I traveled on a series of TER trains.
After four train-changes reached my destination 15 hours after I boarded the first train on the French side of Basel’s main station.
My first SNCF train was a loco-hauled push-pull service from Basel to Strasbourg. Exposed with my Lumix LX7.Among the benefits of SNCF’s secondary trains are large windows, ample space for luggage, and no requirement for advanced reservations which allows for spontaneous travel.I made good use of my pass, and proved a much better value than buying single tickets.Old school comfort. Proper 1st class railway travel. Lumix LX7 photo.Lumix LX7 photo; focus setting on ‘manual’.A rolling panorama of the French landscape.Plenty of locomotives and trains to be viewed from the window of the train.
Germany’s traditional large railway stations offer endless opportunities for photographic composition.
Over the years, I’ve made several visits to the Karlsruhe Hauptbahnhof (main station) and have always found it photographically rewarding. I made these photos a couple of weeks ago (April 2016.)
The train-shed lends to making geometric images while providing a visually intriguing setting for train photos. I like the sense of scale that the shed offers.
Any favorites?
An InterCity train pauses for passengers. FujiFilm X-T1 photo.When I first visited Karlsruhe in the late-1990s, DB’s 101 class were the latest in new motive power. Now these are battle worn veterans.The curves of this class 146 electric complement the train shed while the bright red livery makes for a stunning contrast with the monotones of the station environs.At the south end of the shed.Pay attention!
Irish Rail has painted 201-class General Motors diesel number 231 into an interim version of the latest Enterprise livery.
This is yet to feature the pink swooshes that now characterize the Enterprise scheme.
This morning (4 May 2016) the clean locomotive worked the scheduled 11am service from Dublin Heuston Station to Cork. I made this image at Islandbridge Junction using my Lumix LX7.
Annoying me was a line of cloud that was just covering the sun. While this appeared to be moving, in fact the cloud was forming as it moved. Bright sun was so close, yet elusive.
This phenomenon is probably explainable by the effects of condensation, wind currents and cool air; but irksome when you are anticipating the sun emerging from nature’s diffusion screen.
Irish Rail 231 on the 11am to Cork at Islandbridge Junction at 1103 on Wednesday 4 May 2016.Irish Rail 231 on the 11am to Cork at Islandbridge Junction at 1103 on Wednesday 4 May 2016. Lumix LX7 photo.
Ultimately, the sun came out. About 45 minutes after the train went by. Poor show.
I’ve made minor adjustments to the RAW file to improve contrast.
Tracking the Light posts every day, don’t miss it!
Exposed on Kodachrome 64 with a Leica 3A and 50mm Summitar lens.
My brother and I were changing trains at Washington D.C. on December 18, 1984. I had time to stealthily wander down the platforms and make photos of the Alco RS-1s that worked the station. I was pleased to feature three of the enigines in one image.
Several lines come together at Rastatt, Germany, which is an historic city south of Karlsruhe.
Since most through traffic is focused on to a short double track section immediately south of Rastatt , the station serves as a holding area for southward trains queued up to pass through this bottleneck.
In addition to DB’s trains, freight is run by a of variety open-access and private operators. Freights share tracks with passenger trains including high-speed TGV and ICE services and the famous Karlsruhe tram-trains.
I made this selection of images on 19 April 2016 using my FujiFilm X-T1.
A Crossrail container train passes Rastatt on the morning of 19 April 2016.A DB electric leads at train of swap-bodies at Rastatt.An SBB Cargo electric waits for a signal to proceed south.The driver of a Crossrail electric cleans his windscreen while waiting for traffic to pass at Rastatt.A northward BLS freight crosses the double track bridge as it approaches the Rastatt station.Lines at Rastatt host a mix of freight and passenger trains including Regional Expresses.An electric hauled chemical train glides into Rastatt in the evening.Open access operators are plentiful in Germany.Four trains at Rastatt station, including a stopping Tram Train from Karlsruhe.Catching antique SBB Re 4/4s at work was a prize.SBB Re 4/4 electrics up close.A diesel leads a local freight from a nearby automotive factory.A northward SBB freight glides through Rastatt.Trailing view of the same train.A regional passenger train passes a freight.Once common, old DB class 151 electrics are now relatively rare on through freights.
I’ll offer Freiburg as one of Europe’s most colourful tram cities.
The combination of variety of cars, a range of paint liveries (advertising and otherwise), interesting trackage plus varied and interesting historic backdrops makes Freiburg hard to top.
Any suggested contenders?
Photos below exposed in April 2016 using my FujiFilm X-T1 digital camera.
Evening sun with a textured fair-weather sky combined with well maintained paving stones and a healthy tree at left made for a visually compelling setting.
Freiburg, Germany still operates some of its vintage Duewag trams that feature a streamlined body and rounded front-end.
To make the most of the svelte classic tram I opted for a low angle and favored the angle of sun for reflective glint. The bicyclist was a fortuitous subject that makes for a more interesting photograph by introducing a human element.
To expose this image I worked my FujiFilm X-T1 digital camera with the rear live-view display tilted upward, which allowed me to compose the photo while holding the camera relatively low to the ground.
I adjusted my 18-135mm zoom lens to near its widest angle.
Duewag tram in Freiburg, exposed using a FujiFilm X-T1. RAW file modified to improve contrast and exposure.
Notice the effect of the bicycle’s double shadow?
The real trick was keeping the composition interesting as the action rapidly unfolded.
In post-processing I darkened the sky and lightened the shadow areas to improve overall contrast.
Which of the three images is your favorite?
(This essay was composed while transiting the Channel Tunnel between Calais and Folkstone on 30 April 2016).
On 20 April 2016, I made this image of a Swiss BLS Cargo (Bern Lötschberg Simplon) electric leading a northward freight on DB’s (German Railways) heavily traveled double-track line north of Freiburg, Germany.
Although clear and sunny, the direction of the light was directly behind the locomotive, which is anything but ideal.
To make the most of this awkward lighting situation, I opted to feature the flowering tree that was well-lit by the angle of the sun, and work with the locomotive in silhouette, while taking a low angle to minimize distracting elements on the far side of the line.
In post processing, I’ve lightened the shadow areas of the RAW file to restore detail and improve the overall contrast to the locomotive.
Below are both the unimproved RAW file (only scaled for presentation) and my modified file.
This is a Jpg made from FujiFilm X-T1 camera RAW file (scaled for internet presentation). No contrast adjustments.Using Lightroom, I’ve lightened the shadow areas and made an overall contrast adjustment with the ‘clarity’ slider. My aim was to produce a more graphic and interesting illustration of the BLS electric and flowering tree. Exposed on 20 April 2016.
Among my favorite German locomotives are the old ‘Rabbits’ (classes 215-218 and rebuilds), so-called because of their rabbit-ear shaped exhaust stacks.
On Monday, 18 April 2016, Gerry Conmy, Dennis McCabe, Stephen Hirsch and I made a project photographing this declining class of diesel on the line running east from Lindau.
Rabbit down grade racing toward Lindau.Double headed rabbit climbing east from Lindau with a Zurich-Munich IC train. Note the exhaust stacks.FujiFilm X-T1 photo.
The Zurich-Munich long distance trains are still worked with these vintage machines. Several years earlier, Dennis and I had explored locations on this scenic non-electrified double track line.
Soft morning light aided the effect of the pastoral setting.
I exposed these views using my FujiFilm X-T1 digital camera.
The railways around Karlsruhe, Germany are some of the most versatile and most thoroughly integrated in the world.
Karlsruhe was the pioneer of the ‘Tram-train concept,’ which enabled trams to utilize the heavy rail network.
As a result, trams can travel on city streets and reach beyond using the DB network.
Rastatt, south of Karlsruhe is a busy place where you can see high-speed passenger trains, Intercity and Regional Express passenger trains, freights, and Karlsruhe tram-trains using the same rails.
An SNCF TGV approaches Rastatt on DB rails.
I made these views of a French TGV and tram-trains in April 2016 using my FujiFilm X-T1 digital camera. It was a bright morning and nearly ideal for photography.
The imaging challenge at Rastatt is making the shadows work for you and not against you. The curve of line, platform canopies and shadows cast by catenary masts and wires all result in visual elements that can make or break an image.
You have to love it: the TGV and a freight were both ‘looped’ (over taken) by a Tram Train at Restatt.
On the morning of 21 April 2016, I had a few minutes to make photos of Basel’s trams using my Lumix LX7.
Low clear morning sun helped make my brief efforts a photographic success.
Perhaps on future visit, it would be nice to re-explore the Basel network to a greater extent.
This side-lit view favors the tram’s modern profile.Sun and shadows in Basel on 21 April 21, 2016.A modern tram waits for passengers at Basel’s SBB Bahnhof.Here I was aiming to feature the Swiss flag.
This shadowed view offers different contrast than images in direct sun.
The boards at Andermatt indicated that an unscheduled train was due to arrive.
Our curiosity was piqued.
This turned out to be a charter using a Glacier Express train set.
I’ve augmented the views of the train descending to Andermatt with a few images of another Glacier Express set parked in Matterhorn Gotthard Bahn’s sidings at Andermatt.
In mid-April, my friends and I visited Andermatt and were fortunate to catch this charter of Glacier Express equipment descending the rack railway grade toward Andermatt.Express is a relative term. The train isn’t very fast; but the views available from its windows are stunning.Looking toward Andermatt, Switzerland in April 2016.I made this view of Glacier Express equipment resting static on sidings in Andermatt. Can equipment stored out of service be called a ‘train?’
Below are two versions of an image I made of a Matterhorn Gotthard Bahn narrow-gauge train engaging the Abt rack system on its steep ascent from Göschenen to Andermatt.
These were made with my FujiFilm X-T1 digital camera on my visit to the Alps with Stephen Hirsch, Gerry Conmy and Denis McCabe in mid April 2016.
The first is the unadjusted (except for scaling) Jpg produced in camera. Notice that the sky is washed out and lacking in detail.
Camera produced Jpg exposed at Göschenen, Switzerland where the MGB meets the standard gauge line over the Gotthard Pass.
The second image is a Jpg that I produced from the camera RAW file by making nominal contrast and saturation adjustments in Lightroom.
Improved image; this was made from the RAW file by adjusting contrast and saturation .
The aim of the second image was to hold the sky and highlight detail that was lost by the camera Jpg. This demonstrates the ability of the RAW file to retain greater detail than the Jpg.
Instead of using an external graduated neutral density filter, as I had with some previous images displayed on Tracking the Light, I used the equivalent graduated neutral density filter in the Lightroom program.
Why not use the external filter in this situation? Two reasons:
The external filter is cumbersome and takes time to set up.
I wanted to improve the appearance of the sky without darkening the mountains. Using the electronic filter gives me the ability to selectively control highlights and shadows in the graduated area selected by the filter, while the external graduated filter would have covered the top of the image and darkened the mountains as well as the sky.
Both are valuable tools for improving a photograph.
I remember seeing open auto racks on American railroads. One of my few pre-Conrail images is of a former Pennsylvania Railroad tri-level.
Open car trains are still common in Europe. I made this view last week of a train load of new cars climbing southward on the Gotthard route heading for Italy.
Its nice to see the cars out in the open instead of sequestered inside full-enclosed multi-levels.
Exposed with a FujiFilm X-T1 digital camera.Exposed with a FujiFilm X-T1 digital camera. Notice the effect of backlighting which adds depth to the image and detail in the grass.
On the weekend of April 23, 1995, Howard Ande and I followed Chicago & North Western’s east-west mainline from Chicago to Council Bluffs, Iowa and back making hundreds of images in anticipation of the Union Pacific take over.
I exposed this color slide of a relatively new C&NW GE-built DASH9-44CW near Missouri Valley, Iowa on the evening of April 23, 1995.
Exposed on Fujichrome Provia100 using a Nikormatt FTN with 35mm PC (perspective control—shift lens).
Using my FujiFilm X-T1, I exposed this image last week looking across a field of dandelions near Erstfeld, Switzerland.
By using the tilting live-view display screen, I was able to hold the camera very low to the ground which allows for this exaggerated perspective of the foreground greenery and flowers.
The technique for both photos is essentially the same, however with the photo below of the Swiss ICN passenger train I used a slight telephoto and opted to crop the sky, rather than use a graduated neutral density filter to balance the contrast/retain detail.
An SBB ICN train glides along near Erstfeld in April 2016.
Below is another view from the same location near Erstfeld. Same camera, same lens, but I’ve set the zoom to a wide-angle view and I’m not as low to the ground.
The result is that the flowers remain in relative focus to the train and distant scenery. (Also I’m using the graduated neutral density filter to retain highlight detail at the top of the image).
A northward SBB freight approaches Erstfeld on the Gotthard route.
The train is a bit small, but this photograph is more about the whole scene rather than being focused on the train.
On October 14, 1995, Dick Gruber and I were visiting the Mid-Continent museum at North Freedom, Wisconsin when I exposed this unusual view of engine 1385.
Instead of focusing on the engine, I set my focus point on the window. Using my Nikon F3T, I exposed this image with an f1.8 105mm lens wide open for minimum depth of field. This is a personal favorite of mine and over the years I’ve reproduced it in various places.
Tracking the Light is on auto pilot while Brian is Traveling!
It was 20 years ago that my brother and I explored the setting of the abandoned former Illinois Central tunnel at Belleville, Wisconsin.
I made this image on Fujichrome Provia100 using my Nikon F3T mounted on a Bogen 3021 tripod near the north portal. Outside it was a dull afternoon, which helped provide more even lighting inside the old bore.
Does the mist and rain add a sense of mystique to one of the great railway wonders of the world?
At Biaschina, SBB’s route on the south slope of the Gottard Pass navigates a complete double spiral (or double helix).
The line passes through several tunnels and appears the viewer on three distinct levels, each hundreds of feet above each other.
I made these images from the Ticino riverbed using my Lumix LX7 on Saturday 16 April 2016.
Denis McCabe, Gerry Conmy, Stephen Hirsch and I were visiting the line to make photographs before the new base tunnel diverts traffic at the end of the year.
A southward passenger train on the top level of Biaschina loops.A few minutes later the same train appears on the middle level. Lumix LX7 photo.Finally, with little warning, the train emerges from the tunnel on the lowest level of the Double Helix. Lumix LX7 photo.
On the morning of April 18, 1993, I made this Kodachrome slide of an eastward Amtrak train on the shore of San Pablo Bay at Pinole, California.
Exposed using a Nikon F3T with 35mm PC (Perspective Control lens). Note the level horizon.
Compare my use of foreground of the image below with that featured in this morning’s post at Gurtnellen, Switzerland. In both situations I’ve held the camera close to the ground, while standing on a hill side above the train.
En route to Milan, this Italian State Railway ETR610 high-speed tilting train was ascending the Gotthard Pass just south of Gurtnellen, Switzerland.
For this image I blended several techniques.
To emphasize the wild flowers in the foreground, I’ve held the camera low to the ground and used the tilting back screen to compose the angle. (Aiding this approach is the FujiFilm X-T1’s built in line-level which appears as a ‘heads up’ display on the screen.)
By applying a Lee graduated neutral density filter to the front of the lens, I’ve maintained highlight detail in the sky.
My adjustments the RAW file in post processing lightened shadow density and increased color saturation to help make for a lush scene.
Notice the four layers: foreground, middle ground (the train), near background (the village of Gurtnellen), and the far background (snow crested peaks).
Once the new Gotthard Base tunnel is open to traffic at the end of this year, scenes such as this one of the Italian tilting train on the old route may be rare.
In the last three days, I’ve exposed more than 1000 digital images of the railway over Switzerland’s Gotthard Pass.
Although, I haven’t had time to thoroughly examine all my files, this image struck me as capturing the sprit of Swiss mainline mountain railroading in Spring.
Iridescent green grass and distant snow crested peaks, with modern electric locomotives humming upgrade with an intermodal train.
Railpool electrics lead an intermodal train upgrade at the middle-level of the Wassen Loops. In a few months time most freight will be diverted from the traditional Gotthard route to a new long tunnel beneath the Alps.
If you haven’t visited the Gotthard Pass, here’s my advice to you: don’t wait.
At the end of this year the Gotthard base tunnel opens and most of the traffic will be diverted away from this classic Alpine crossing.
At one time the wig wag signal was the standard grade crossing protection. Now the type is all but extinct.
I learned a few weeks ago that Wisconsin & Southern had finally removed the last of these classic American signals on its former Chicago & North Western line to Reedsburg, which had survived at Baraboo, Wisconsin.
Over the years, I’d photographed wig wags at various locations in Wisconsin.
I made these photographs at Baraboo with John Gruber in February 2008.
Using a Canon EOS3 with 20mm lens, I used a relatively slow shutter speed to help convey the classic motion of the wig wag signal. Fujichrome slide film.Fujichrome slide film.
Brian is Traveling, so Tracking the light is on Autopilot!
Thursday, 7 April 2016, Irish Rail’s IWT Liner was blocked at Islandbridge Junction. This gave me the opportunity to work some less common angles in addition to my common viewing point (often featured on Tracking the Light).
Irish Rail 219 with Dublin to Ballina IWT liner.
By holding my FujiFilm X-T1 above my head at arm’s length and tilting the camera’s live-view panel screen downward, I was able to make this view looking over the wall at the St. John’s Road roundabout in Dublin.
Why not try this more often? Simply because I’m not tall enough to see over the wall, so to make this view I’m actually using the camera to view the scene. It’s tiring work to hold a camera above your head while waiting for trains to appear.
The other day I was at the St. John’s Road roundabout. A Mark4 set was blocked as an in-bound ICR (intercity railcar) bound for Dublin’s Heuston Station over took it on the middle road.
The Gullet is the three track section in a cutting on approach to Islandbridge Junction in Dublin.
Using my Lumix LX-7, I made this photo by holding the camera over the wall and gauging composition from the live-view digital display at the back of the camera.
I lightened the shadows in post-processing to improve contrast.
For the next couple of weeks Tracking the Light will be on auto-pilot while Brian is on the road. Posts should appear daily having been pre-programmed into the holding queue.
Last weekends Irish Railway Record Society 071 trip offered countless opportunities to make detailed views of the trains, stations and other equipment.
When I wasn’t focusing on the people or on scenes with the special train, I looked for iconic images of Irish Rail closeup.
These were exposed using my FujiFilm X-T1.
Signals at Limerick.Locomotive 076 cab detail.Irish Rail 076 with 40 year plate.Signs at Mallow, Co. Cork.Kent Station, Cork with signal cabin.Irish Rail 076 at Kent Station, Cork.Driver Fox on locomotive 076.Great Southern & Western Railway chairs at Tralee.Irish Rail locomotive 077 at Waterford.Irish Rail station sign.Carlow Station.
I will be on the road beginning 14 April; Tracking the Light posts should continue to appear daily for the duration of this trip.
Below are a selection of views I made from last weekend’s Irish Railway Record Society 071 Anniversary tour.
In earlier posts, I’ve covered other elements of this excellent railway trip across Ireland on 9-10 April 2016.
All photos were exposed digitally from the train’s windows.
Enjoy!
Irish Rail’s Inchicore works as photographed on Saturday morning. This view offers a great cross section of active and stored General Motors diesel locomotives. Note the old 201s still in orange paint. Will they every run again? FujiFilm X-T1 photo.Cows in rural Co. Tipperary as view along the Nenagh Branch on Saturday.Approaching Cloughjordan on the Nenagh Branch.Stormy weather viewed from the Nenagh Branch.Fixed semaphore near Birdhill, on the Nenagh Branch.Irish Rail’s Limerick shed.
Irish Rail 076 at Limerick. This engine will take our train to Cork and Kerry.Sunset near Killarney dropping down the Bower.Killarney, County Kerry.On the Sunday morning run from Tralee to Killarney, approaching Farranfore. It was cold and beginning to snow.Climbing the Bower out of Killarney. There was some snow to be seen. And this was April. For real.
Limerick Junction cross the Cork line at grade. Note the Dublin to Cork Mark4 set heading down road.Approaching Tipperary town, one of the few places where semaphores survive.View near Clonmel, County Tipperary.Waterford West on the way toward Kilkenny. Semaphores remain here too! Long may they last.Old 2700 railcars stored at Inchicore. Old. Hmm, I seem to recall these cars being delivered ‘new’. Hmm.One of kind livery; Irish Rail 216 in a green primer at Inchicore (as seen from the train).Irish Rail 227 in the new Enterprise livery at Connolly shed.
The trains are the excuse to travel, but for me many of the most interesting photos are the portraits.
In the end, it’s the cast of characters that make the trip worthwhile.
Here are just a few from the dozens of images I exposed on Saturday and Sunday 9-10 April 2016.
IRRS tour organizer Shane Roberts at Connolly on the morning of the tour.Platform self portraits at Connolly.Fixing a tail lamp.Green flag to proceed at Connolly.Discussing logistics in the crew van.On the platform at Kildare.RPSI’s bar staff.At Ballybrophy.Ed came all the way from America for this trip.Sometimes the routine makes for an interesting photograph. Seen at Limerick.Cup of tea in the van.Irish Rail staff are key to operations.Driver Ken Fox at Charleville.Catching up on the platform at Mallow.Inspection of the equipment.Crossing the viaduct at Mallow.
Cast of characters at Rathmore.Going for spin in the snow, like.Buffet car staff.
Photographers at Rathmore.Photographers vying for position at Waterford.Reviewing results.Product placement; Noel Enright holds my new book Railway Depots, Stations and Terminals.Watching the passing greenery.People wave at the train.
Irish Railway Record Society’s ‘071 class two-day 40th anniversary railtour‘ covered a lot of ground in just two days.
The trip represented a mastery of coordination; special to thanks to everyone at Irish Railway Record Society, Railway Preservation Society of Ireland, and Irish Rail!
This a selection of 20 new images I made with my Lumix LX7. (I’m still down-loading the photos made with my FujiFilm X-T1).
The train was comprised of Railway Preservation Society of Ireland’s Cravens, seen here at Dublin’s Connolly Station. Lumix LX7 photo.
We started and finished at Dublin’s Connolly Station, running to Ballybrophy (with train continuing ‘empty carriages’ to Lisduff sidings to change direction, then via the Nenagh Branch to Limerick.
Limerick to Cork, Cork back to Mallow, then to Killarney for an overnight stay. In the morning to Tralee (my visit there since I bought a digital camera!) then back to Kilarney.
Back via Mallow to Limerick Junction, then down my favorite line to Waterford via Carrick-on-Suir. From Waterford to Killkenny and via Cherryville Junction back up to Dublin.
There were lots of intermediate photographic stops along the way.
Engine 083 brought us from Dublin to Limerick via Nenagh. Viewed in a rare moment of sun at Connolly Station in Dublin.
In the bay at Ballybrophy.Change of locos at Limerick; here 076 took over.083 at Limerick under the train shed.
Ken Fox at the throttle after arriving in Cork.
Kent Station in Cork features an unusual curved train shed, which I’ve featured in my recent book Railway Depots, Stations and Terminals (published by Voyageur Press).Amoung our numerous photo stops included a brief visit to Rathmore on the line from Mallow to Killarney.A wink of sun on arrival in Killarney. It wasn’t so nice the following morning.Killarney town is a popular tourist destination. I made this view on a wander after checking in to the hotel.Sunday morning in Killarney was cold and dark; but atmospheric. I made some of my most memorable images, if not the sunniest.Cold rain greeted us at Farranfore. It has been 18 years and some months since I first visited this classic Irish station. I wouldn’t expect that 076 in gray paint has been here very often. Except for rail tours and the infrequent per way train, the Kerry Road is a locomotive free zone.Is that an authentic Irish spelling for ‘Tralee’? I noted no less than three variations on official signage.This was a bit of a shock; tracks lifted in front of the old cabin at Tralee. I remember sitting up in the cabin chatting with the signalman back in the late 1990s.Palisade fencing in the old goods yard complicated photography at Tralee. Thankfully my Lumix LX7 is very thin.Another change of engine at Waterford. Here 077 took over from 076. A view across the Suir toward the old Viking town.A plaque to William Dargan at Carlow on the Kilkenny to Cherryville line.Local folks were bemused by the disgorging of passengers at Athy and frantic efforts to make photos in the 7 minutes allowed for the stop. (engine 079 took over at Kilkenny).
I’ll be posting more photos from the popular trip soon!
Yesterday morning, Saturday 9 April 2016, I made this panoramic composite image at Connolly Station featuring the Irish Railway Record Society ‘071 class two-day 40th anniversary railtour.‘
(If you are not viewing Tracking the Light directly, you may need to click the link to the site to get the full effect of the panorama.)
I traveled on this epic and ambitious diesel-hauled special and I’m presently downloading the hundreds of digital photos I exposed of the trains and the people involved with it.
More soon!
Panoramic composite exposed using a Lumix LX-7 digital camera.
