Category Archives: photography

Conrail TV5, Springfield, Massachusetts.

It’s hard for me to believe these photos are nearly 30 years old!

Bob Buck and I were at Springfield Union Station on December 30, 1985, watching trains, as we often did back then.

Conrail TV5 pulled up and stopped. I used this opportunity to make a few black & white photos using my father’s Rollei Model T and Metz hand-held electronic flash.

I’d worked out a technique of blending existing light with electronic flash that retained the essential lighting of the scene.

TV5 was a rarely photographed train that carried intermodal trailers from Boston to St. Louis. It was one of several piggyback trains that rolled over the B&A route in darkness.

Scan of my original negatives.
Scan of my original negatives.

At the time, these seemingly mysterious night-time piggy back trains fascinated me, and I was very pleased to have captured this one on film

I made two exposures. The first is pretty good. The second suffered from a knock to the camera or tripod. Today, I’d have the opportunity to check my exposure and focus on site, back then all I could do was hope for the best.

I processed the film by hand.

Tracking the Light Posts Daily!

Tracking the Light Bonus: Virgin LUAS Sees the Light!

I’ve written before: always have a camera at the ready. I live by this rule.

Minutes ago (8:20 am, 7 October 2015), I was hastily making my way to the Dublin airport bus, when I spotted LUAS tram 4012 dressed in Virgin advertising making its Heuston Station stop. (Tram featured yesterday in ‘Extra: Virgin Luas . . .’).

With one hand on my suitcase, I grabbed my Lumix LX7, adjusted the exposure dial, and put myself in position on Sean Heuston Bridge to catch the tram in the window of morning sun. After exposing photos, I jumped on the 747  bus, where I am presently.

Dublin bus has free wi-fi, which facilitates extra posts such as this one.

Virgin LUAS at Heuston Station.
Virgin LUAS at Heuston Station.
Exposed with a Lumix LX7.
Exposed with a Lumix LX7.
The trailing view has my shadow. Can't win everything.
The trailing view has my shadow. Can’t win everything.

Tracking the Light Posts Daily!

Lumix LX7 view from the 747 bus. Contrast adjusted using Lightroom. Posted from the the bus.
Lumix LX7 view from the 747 bus. Contrast adjusted using Lightroom. Posted from the the bus.
Lumix LX7 view from the 747 bus. Contrast adjusted using Lightroom. Posted from the the bus. (That's not a Virgin tram, so I'm told.)
Lumix LX7 view from the 747 bus. Contrast adjusted using Lightroom. Posted from the the bus. (That’s not a Virgin tram, so I’m told.)

Brussels Trams Catch the Sun

Light makes all the difference. The current livery used by Brussels trams is silver and bronze. This tends to look sedate on dull days, and makes photographing the trams challenging, as they too readily blend in with the city’s architecture.

However, this silvery livery catches the sun nicely, especially when slightly backlit.

Exposure isn’t exactly intuitive.

Are you better to overexpose (allow more light) to capture detail in the deepest shadows and risk blowing out the silvery highlights? Or, instead, underexpose slight to retain highlight detail and let the shadows go dark.

STIB PCCs on the 39/44 Route in Brussels. Here I'm shading the lens with an overhead bridge to minimize flare. Lumix LX7 photo.
STIB PCCs on the 39/44 Route in Brussels. Here I’m shading the lens with an overhead bridge to minimize flare. Lumix LX7 photo.
A similar view exposed of a Bombardier Flexity Tram using my FujiFilm X-T1. File carefully adjusted in post processing.
A similar view exposed of a Bombardier Flexity Tram using my FujiFilm X-T1. File carefully adjusted in post processing.
Bright sun finds three variety of Brussels trams.
Bright sun finds three variety of Brussels trams.
Silver and bronze is a distinctive combination of colours but can require very careful exposure. FujiFilm X-T1 photo.
Silver and bronze is a distinctive combination of colours but can require very careful exposure. FujiFilm X-T1 photo.
A STIB T2000 tram. in bright sun.
A STIB T2000 tram. in bright sun.
A PCC pauses at the Route 39 terminus at Ban-Eik. If you only had time to ride one tram route in Brussels, this might be a good one. It has interurban characteristics in addition to street running and heads a good distance out of the city. Lumix LX7 photo.
A PCC pauses at the Route 39 terminus at Ban-Eik. If you only had time to ride one tram route in Brussels, this might be a good one. It has interurban characteristics in addition to street running and heads a good distance out of the city. Lumix LX7 photo.

I’ve chosen the latter course. With the caveat, that from the moment of exposure I intended to work the digital files in post-processing using Lightroom to control contrast for final presentation.

I’ve treated each of the files slightly differently, but in general, I’ve reduced the highlight exposure and boosted the shadow areas to allow for a more pleasing rendition.

I also made a few colour slides.

What do you think?

Route 39 PCC at the Montgomery terminus. I used my LX7 to make this subway view. Notice how the tram's livery looks very different when viewed by artificial light.
Route 39 PCC at the Montgomery terminus. I used my LX7 to make this subway view. Notice how the tram’s livery looks very different when viewed by artificial light.
A Bombardier Flexity catches the noon-time sun near the Brussels Tram Museum. (I'd hoped to visit the museum inside, but it was closed. Maybe next time . . . ).
A Bombardier Flexity catches the noon-time sun near the Brussels Tram Museum. (I’d hoped to visit the museum inside, but it was closed. Maybe next time . . . ).

Tracking the Light Posts Daily!

Tracking the Light EXTRA: VIRGIN LUAS on Dublin’s Streets.

To quote the phrase, Just Sayin’.

Twice over the last 24 hours, LUAS tram 4012 has caught my attention. This wears the latest of recent advertising liveries.

The red lettering helps makes for more interesting photos, although the lighting was pretty poor. I’ve had to make a variety of contrast adjustments in LightRoom to put a bit of zest into otherwise flat street photos. Silver trams on a dull day.

My opportunities to photograph 4012 are relatively limited. Maybe the sun will shine tomorrow, but then again if doesn’t I have my ‘safety shots’.

Abbey Street Dublin. Lumix LX7 photo, contrast adjusted in post processing.
Abbey Street Dublin. Lumix LX7 photo, contrast adjusted in post processing.
Abbey Street Dublin. Lumix LX7 photo, contrast adjusted in post processing.
Abbey Street Dublin. Lumix LX7 photo, contrast adjusted in post processing.

Virgin_Luas_Abbey_St_P1330083

Tracking the Light Posts Daily!

SNCB at Villers Abbey, 2 October 2015

Riding in the eerie glow of dusk from Charleroi to Ottignies, my SNCB (Belgian Railways) train passes the romantic ruins of a medieval abbey.

I looked this location up on line and learned that it was called the Villers Abbey, and is a popular attraction in the Wallonia region of Belgium.

The next day, I returned by road with some friends who lived nearby to expose these photographs.

The old abbey makes for a fascinating subject, while the railway provides added interest.

Villers Abbey, FujiFilm X-T1 photo.
Villers Abbey, FujiFilm X-T1 photo.
Villers Abbey, FujiFilm X-T1 photo.
Villers Abbey, FujiFilm X-T1 photo.
Villers Abbey, FujiFilm X-T1 photo.
Villers Abbey, FujiFilm X-T1 photo.

Perhaps I’d been living under a rock, but I’d never heard of this place before. It’s certainly one of the more interesting places to photograph trains in Belgium.

Elevation is available on the east side.

Low evening sun suited the environment. Yet, I think a foggy morning might offer an even more evocative atmosphere. Someday, I’ll have to try it again!

Villers Abbey, FujiFilm X-T1 photo.
Villers Abbey, FujiFilm X-T1 photo
Which is a more compelling image? The train in distance, or up close?
Which is a more compelling image? The train in the distance, or up close?

SNCB_train_Railway_Line_Villers_Abbey_2_DSCF3457

Tracking the Light posts Daily!

 

Charleroi—40 Minutes of Nice Light

I’ve passed through Charleroi, Belgium at various occasions over the years. For me it is a place similar to Newark, New Jersey.

Like Newark: Charleroi offers connections between transportation modes and is the location of an important secondary airport and  has a light rail-subway that blends an historic network with modern construction.
Also, both city’s environments are characterized by post-industrial backdrops.

On Thursday, October 1st, a change of trains at Charleroi afforded me a 40-minute window to make photos. Rich polarized sun at the end of the day made for some nice lighting to capture the city’s trams and SNCB trains.

SNCB station at  Charleroi  Sud. Lumix LX7 photo.
SNCB station at Charleroi Sud. Lumix LX7 photo.
TEX Tram at Charleroi Sud. Lumix LX7 photo.
TEX Tram at Charleroi Sud. Lumix LX7 photo.
TEC tram catches a wink of sun on 1 October 2015. FujiFilm X-T1 photo.
TEC tram catches a wink of sun on 1 October 2015. FujiFilm X-T1 photo.
SNCB station at Charleroi Sud. Lumix LX7 photo.
SNCB station at Charleroi Sud. Lumix LX7 photo.
SNCB station at Charleroi Sud. Lumix LX7 photo.
SNCB station at Charleroi Sud. Lumix LX7 photo.
My train to Ottignie at the SNCB station at Charleroi Sud. Lumix LX7 photo.
My train to Ottignie at the SNCB station at Charleroi Sud. Lumix LX7 photo.

Low sun offers contrast and rich lighting that is well suited to making dramatic railway images.

Tracking the Light Posts Daily!

Alstom Trams at Valenciennes, France—1 October 2015

For me it was like the LUAS transplanted. The trams at Valenciennes are variations of Alstom’s Citadis trams that have worked Dublin’s Green and Red Lines since 2004.

While, visiting Valenciennes, my host Mauno Pajunen and I went for spin on the light rail, and I made a variety of images using my Fuji X-T1 and Lumix LX7 digital cameras.

We benefitted from rich polarized autumn sun. Trams operated on a ten minute frequency on each of the two routes.

Tram_valenciences_DSCF3331 Tram_valenciences_DSCF3321 Tram_valenciences_DSCF3317 Tram_valenciences_DSCF3303 Tram_valenciences_DSCF3290

Tram_w_Bridge_valenciences_P1320760

LX7 Photo.
LX7 Photo.

Trams_at_valenciences_P1320752

Tracking the Light

 

SNCF Gare de Valenciennes, France.

October 1, 2015 was a beautifully clear autumn day in northern France. Following my talk to the European Railway Agency, my host Mauno Pajunen gave me a guided tour of the Gare de Valenciennes.

Historically this region had been rich with coal, and this made for a busy railway. Today, the coal business is all but extinct, and SNCF appeared to be largely focused on passengers, although we saw a unit grain train, and a Vossloh diesel shunting the goods yard.

The station was built in 1906 by Chemin de fer du Nord (the northern railway of France) and has a handsome period exterior. Inside the station has been stripped of much of its traditional décor.

SNCF's Gare de Valenciennes. Exposed with mu Lumix LX7, contrast adjusted globally in post processing.
SNCF’s Gare de Valenciennes. Exposed with my Lumix LX7, contrast adjusted globally in post processing.
SNCF's Gare de Valenciennes. Lumix LX7 photo.
SNCF’s Gare de Valenciennes. Lumix LX7 photo.
SNCF's Gare de Valenciennes. Lumix LX7 photo.
SNCF’s Gare de Valenciennes. Lumix LX7 photo.
An old TGV PSE set at SNCF's Gare de Valenciennes. Lumix LX7 photo.
An old TGV PSE set at SNCF’s Gare de Valenciennes. Lumix LX7 photo.

I was pleased to find one of the original TGV PSE high-speed sets outside. These trains defined France’s innovative high-speed rail in the early 1980s, but the design is now 35 years old, and the train itself was exhibiting the signs of heavy use.

In addition to these digital photos, I also exposed several 35mm colour slides. Although, I’ve visited France on various occasions, I have comparatively few images of SNCF.

Local SNCF railcar at Gare de Valenciennes. Lumix LX7 photo.
Local SNCF railcar at Gare de Valenciennes. Lumix LX7 photo.
I was set my Lumix LX7 in HDR mode to reduce contrast and improve shadow detail. HDR stands for 'high dynamic range' and effectively blends three photographs exposed at different settings. These images are made in rapid succession and combined in-camera. It is useful for static scenes such as these standing SNCF diesels, but not much help for photos of moving trains.
I  set my Lumix LX7 in HDR mode to reduce contrast and improve shadow detail. HDR stands for ‘high dynamic range’ and effectively blends three photographs exposed at different settings. These images are made in rapid succession and combined in-camera. It is useful for static scenes such as these standing SNCF diesels, but not much help for photos of moving trains.
Another HDR view of the SNCF grain train. The diesels were build by Alstom and Siemens.
Another HDR view of the SNCF grain train. The diesels were built by Alstom and Siemens.

Tracking the Light posts daily!

A Visit to the European Railway Agency—October 1, 2015.

Yesterday I traveled by SNCB (Belgian Railways) train from La Hulpe in suburban Brussels to Mons near the French frontier where I was collected by Mauno Pajunen. We drove to the European Railway Agency’s HQ at Valenciennes where I presented my illustrated talk on railway photography.

I made a few final adjustments to my program in Power Point on the train to Mons. Lumix LX7 photo (Photo on the computer is an image of the Southern Pacific on Donner Pass exposed with my old Leica M2).
I made a few final adjustments to my program in Power Point while traveling on the train to Mons. Lumix LX7 photo (Photo on the computer is an image of the Southern Pacific on Donner Pass exposed with my old Leica M2).
ERA's offices at Valenciennes.
ERA’s offices at Valenciennes.
Here I am at the ERA in Valenciennes, France.
Here I am at the ERA in Valenciennes, France. Photo by Mauno Pajunen with my Lumix LX7.

I had an enthusiastic and receptive audience. In addition to displaying about 90 images from my lap top using a digital projection system, I showed off the demonstration copy of my new book Railway Depots, Stations and Terminals and explained the virtues of my three primary cameras.

My audience had some excellent questions, which I did my best to answer.

It was a bright clear afternoon, and after the talk my host  Mauno Pajunen gave me a tour of railways in Valenciennes.

Tracking the Light Posts Daily!

Rails through the Street at Mainz at Dusk—8 photos!

During my Rhein travels in September, I had the opportunity to make a few photographs of the narrow gauge tram network at Mainz.

In the fading light of that day, I exposed these photos using my FujiFilm X-T1 and Lumix LX-7.

Mainz is one of dozens of German cities with an active tram network. Someday, I hope to be able explore it fully.

Panning and low angles a nice trick from making more dramatic tram pictures.

Lumix LX7 of a tram in Mainz. Here I've composed the photo to emphasize the track work and street paving. LX7 photo.
Lumix LX7 of a tram in Mainz. Here I’ve composed the photo to emphasize the track work and street paving. LX7 photo.
A slight pan sets the tram apart from the background. LX7 photo.
A slight pan sets the tram apart from the background. LX7 photo.
Spot the subject. LX7 photo.
Spot the subject. LX7 photo.
Narrow gauge for narrow streets. Fuji film X-T1 photo.
Narrow gauge for narrow streets. Fuji film X-T1 photo.
Tram with fountain. LX7 photo.
Tram with fountain. LX7 photo.
Panning helps compensate for a slower shutter speed while conveying motion.
Panning helps compensate for a slower shutter speed while conveying motion. LX7 photo.
Passengers are part of the scene. LX7 photo.
Passengers are part of the scene. LX7 photo.
LX7 photo.
LX7 photo.

Tracking the Light Posts Daily!

 

Tracking the Light Extra—IWT crosses in front of my bus to the airport

Posted live from Dublin Bus. I’m on the 747 bus on the way to the airport. The Wednesday-only second IWT liner (Ballina to Dublin Port) just crossed the road. I had a perfect vantage point from my  seat on the top deck.

I using my Lumix LX7, I exposed these views.

What fantastic luck!

IWT at the North Wall waiting to cross the road. 3:15 Pm September 30, 2015.
IWT at the North Wall waiting to cross the road. 3:15 Pm September 30, 2015.
View from the 747. 3:15 Pm September 30, 2015.
View from the 747. 3:15 Pm September 30, 2015.
3:15 Pm September 30, 2015. Dublin Port.
3:15 Pm September 30, 2015. Dublin Port.
View from Dublin Bus. 3:15 Pm September 30, 2015.
View from Dublin Bus. 3:15 Pm September 30, 2015.

Tracking the Light Posts Daily (but rarely from a bus)

Tracking the Light EXTRA: Brian Solomon to present a talk to the European Railway Agency

Tomorrow, Thursday 1 October 2015,  I will give a lunchtime presentation to the European Railway Agency’s CME unit at Valenciennes, France on the subject of Railway Photography.

A Paris-Amsterdam Thalys high-speed train glides through Schaerbeek in suburban Brussels. Exposed on Fuji variable ISO color slide film rated at 200 ISO using a Nikon F2 with Tokina 400mm lens.
A Paris-Amsterdam Thalys high-speed train glides through Schaerbeek in suburban Brussels. Exposed on Fuji variable ISO color slide film rated at 200 ISO using a Nikon F2 with Tokina 400mm lens.

Below is an outline for my presentation:

Outline

1] Introduction

A] Historical Role of Photography and Railroads

B] Brian’s Background experience: photographer, author and railway scholar

Projects: Southern Pacific 4449 and Donner Pass;

Magazine Work

Book—Stations, Signals, Locomotives, Journeys

2] Approach and Technique

A] Composition:

—Working with depth of field, perspective, elevation

B] Importance of Lighting

C] Context and informed perspectives:

D] Location and Subject

E] Documentation versus Illustration

F] Interpretation

G] People and Machines

H] Architecture

I] Scenery and Environment

—Conclusion

—Questions.

Tracking the Light posts daily.

Tracking the Light Daily Photo: Amtrak’s Vermonter at Greenfield, Massachusetts.

Since December 2014, Amtrak’s Vermonter has called daily at Greenfield, Massachusetts.

Have you gone for a spin yet?

Amtrak train 55, the southward Vermonter at Greenfield, Massachusetts. Exposed with a FujiFilm X-T1 digital camera.
Amtrak train 55, the southward Vermonter at Greenfield, Massachusett in July 2015. Exposed with a FujiFilm X-T1 digital camera.

Tracking the Light posts photographs daily!

Emerald Isle Express Crosses the Rarely Used South Wexford—September 28, 2015.

Empty carriages cross a dormant railway.

A decade ago, David Hegarty and I made a project of photographing Irish Rail’s South Wexford line between Rosslare Strand and Waterford.

Sugar Beet traffic ended in January 2006, and regular passenger services were withdrawn five years ago in September 2010.

Irish Rail 087 near Robbinstown, County, Wexford on the South Wexford line. 28 September 2015.
Irish Rail 087 near Robbinstown, County, Wexford on the South Wexford line. 28 September 2015.
Irish Rail 087 near Robbinstown, County, Wexford on the South Wexford line. 28 September 2015.
Irish Rail 087 near Robbinstown, County, Wexford on the South Wexford line. 28 September 2015.
Irish Rail 087 with Emerald Isle Explorer's empty carriages at Taylorstown, County, Wexford on the South Wexford line. 28 September 2015.
Irish Rail 087 with Emerald Isle Express’s empty carriages at Taylorstown, County, Wexford on the South Wexford line. 28 September 2015.
West of Campile, South Wexford line. 28 September 2015.
West of Campile, South Wexford line. 28 September 2015.

Yesterday, RailTours Ireland’s Emerald Isle Express (operated in cooperation with the Railway Preservation Society Ireland and Irish Rail) ran as a train of empty carriages across the line. This was probably the first train in months to use the scenic route.

Maximum speed was 15 mph.

Mark Healy and I were among the photographers on site to witness this very unusual move.

In addition to these digital photos, I exposed a handful of colour slides, you know, for posterity.

Tracking the Light posts Regularly!

Making ‘Before Photos’ while there’s still time.

In Dublin, LUAS Cross City works are underway. Ultimately, these new tram lines will link Red Line and Green Line routes (presently isolated from one another) and run all the way to Broombridge for an interface with Irish Rail’s line to Maynooth.

Back when the first two LUAS lines were under construction, I missed the opportunity to make lots of ‘before’ photos. I did make some, but not nearly enough.

The other morning was clear and bright, so I walked the route of the new tram line from the Midland Great Western terminus at Broadstone to O’Connell Bridge.

Excavation and track laying works are underway in several places along with detailed signs about the project. These photos probably won’t win prizes for artistic achievement, but I’m sure that they will age well, and make for excellent ‘before’ scenes in a few years time.

Map of LUAs Cross City works and plan. Lumix LX7 photo.
Map of LUAs Cross City works and plan. Lumix LX7 photo.
Detail of the old Midland Great Western terminal at Broadstone. The shed remains as an active bus depot (repair/storage facility), but passenger trains vacated the old terminus in the 1930s. Soon the LUAS will have a stop nearby. Lumix LX7 photo.
Detail of the old Midland Great Western terminal at Broadstone. The shed remains as an active bus depot (repair/storage facility), but passenger trains vacated the old terminus in the 1930s. Soon the LUAS will have a stop nearby. Unfortunately, while LUAS works are underway, it is difficult to make views of this historic building. Lumix LX7 photo.
View looking toward Dominic Street Upper from Broadstone. Dominic Street will carry the tracks from the city centre. Lumix LX7 photo.
View looking toward Dominic Street Upper from Broadstone. Dominic Street will carry the tracks from the city centre. Lumix LX7 photo.
View from Dominic Street Upper looking toward Broadstone. Lumix LX7 photo.
View from Dominic Street Upper looking toward Broadstone. Lumix LX7 photo.
Dominic Street Upper looking north.
Dominic Street Upper looking north.
LUAS works on Parnell Street. Lumix LX7 photo.
LUAS works on Parnell Street. Lumix LX7 photo.
LUAS works on Parnell Street. Lumix LX7 photo.
LUAS works on Parnell Street. Lumix LX7 photo.
LUAS works on Parnell Street. Lumix LX7 photo.
LUAS works on Parnell Street. Lumix LX7 photo.
O'Connell Street looking south.
O’Connell Street looking south.
O'Connell Street looking south. Lumix LX7 Photo.
O’Connell Street looking south. Lumix LX7 Photo.
O'Connell Street looking south. Lumix LX7 Photo.
O’Connell Street looking south. Lumix LX7 Photo.
O'Connell Street. Lumix LX7 Photo.
O’Connell Street. Lumix LX7 Photo.
FujiFilm XT-1 digital photo.
FujiFilm XT-1 digital photo.
LUAS Red Line tram at Blackhall Place. I wish I'd made a photo at this corner prior to 2004!
LUAS Red Line tram at Blackhall Place. I wish I’d made a photo at this corner prior to 2004! (That’s my point). FujiFilm X-T1.

Tracking the Light post daily!

Tracking the Light Extra: Emerald Isle Express at Gorey—28 September 2014

Today, the Emerald Isle Express began its second annual run working from Dublin Connolly Station to Rosslare Strand, and then empty carriages across the rarely used South Wexford line via Wellingtonbridge to Waterford.

The train was sponsored by Rail Tours Ireland in cooperation with the Railway Preservation Society Ireland and Irish Rail.

It was a beautiful day, and I made dozens of fine photographs. I’ll post more tomorrow! Stay tuned.

Irish Rail 087 leads the Emerald Isle Express at Gorey on the Dublin & South Eastern route. FujiFilm X-T1 photo.
Irish Rail 087 leads the Emerald Isle Express at Gorey on the Dublin & South Eastern route. FujiFilm X-T1 photo.

DSCF3067

 

Tracking the Light Posts Daily!

Classic Chrome: Southern Pacific 4449 Silhouette

It’s rare that I’ll display one of my all-time favorite photos (if you are not viewing this on Tracking the Light, you’ll need to click the link to get the full image).

This has been published several times. It’s a simple image, but it wasn’t easy to make.

Exposed on Kodachrome 25. This is one of my personal favorite images of all time.
Exposed on Kodachrome 25. This is one of my personal favorite images of all time.

I exposed it in September 1991. As I’ve previously told, Southern Pacific’s Bob Hoppe had hired me for the weekend to document an event involving engine 4449.

Following a serious derailment at the Cantera Loop, where the railroad spilled toxins into the Sacramento River above Dunsmuir, California, SP organized the historic streamlined engine and train to make public appearances in the Sacramento River Canyon as a goodwill gesture.

Brian Jennison and I made the most of the three days of Daylight steam specials. Over the years, I made great use of these photos.

My choice image is this one. It clearly shows SP’s famous engine, yet captures it in motion and in silhouette.

I had two frames left on my roll of Kodachrome 25 (actually I thought had had only one left, but I also managed a photo of the tail car).

I opted for a ‘wrong side’ view of the engine, in order to make this silhouette with the oaks that characterize the rolling valley along Hooker Creek north (railroad timetable east) of Tehama, California.

To insure I kept a hint of rail in view, I needed to gain a vantage point slightly above rail level. Rather than pan the locomotive, I set my F3T on a tripod and used my Nikkor f1.8 105mm lens nearly wide open.

The locomotive approached at speed; I had only one shot at this, and timing was everything. I wasn’t quite ready when I could hear the distinctive exhaust of the locomotive rolling up the valley. Some last second fumbling with my meter, convinced me to lower my shutter speed. Thus the hint of motion blur.

Five minutes later, it would have been too dark to capture this scene on Kodachrome 25, which was the only imaging medium I had that day.

Tracking the Light posts Every Day!

Hanging Viaduct—Bullay—Eight Views.

Among the distinctive features of Germany’s Mosel Valley route is the Hanging Viaduct southwest of Bullay.

To avoid a circuitous loop in the Mosel, this double track electrified line crosses the river on a combined road/rail bridge and punches through a ridge. Upon exiting the tunnel, the line clings to a steep hillside populated with vineyards supported by an unusual curved Hangviadukt, a ‘hanging viaduct.’ (A sort of half-bridge, whereby half the structure is built into the hillside.)

Earlier this month, Denis McCabe, Gerry Conmy, Stephen Hirsch and I made a visit to this famous structure, photographing it from a variety of angles.

The railway cooperated by running a variety of trains. Footpaths through the vineyards and surrounding areas offer many vantage points.

In addition to mainline trains, a branch railcar traversed the viaduct in each direction hourly.

The famous Hanging Viaduct looms above the vineyards like some ancient wall. Lumix LX7 photo.
The famous Hanging Viaduct looms above the vineyards like some ancient wall. Lumix LX7 photo.
A freight bound for France rolls westward over the Hanging Viaduct. FujiFilm X-T1 photo.
A freight bound for France rolls westward over the Hanging Viaduct. FujiFilm X-T1 photo.
DB electrics about enter the tunnel at the east end of the Hanging Viaduct near Bullay. FujiFilm X-T1 photo.
DB electrics about enter the tunnel at the east end of the Hanging Viaduct near Bullay. FujiFilm X-T1 photo.
A branch railcar meets a DB regional local train on the Hanging Viaduct. FujiFilm X-T1 photo.
A branch railcar meets a DB regional local train on the Hanging Viaduct. FujiFilm X-T1 photo.
Signs offer location advice.
Signs offer location advice.
A viewing platform at the westend of the viaduct offers this view. FujiFilm X-T1 photo.
A viewing platform at the westend of the viaduct offers this view. FujiFilm X-T1 photo.
Sun and clouds made for dappled light. FujiFilm X-T1 photo.
Sun and clouds made for dappled light. FujiFilm X-T1 photo.
An express passenger train to Luxembourg catches the sun. FujiFilm X-T1 photo.
An express passenger train from Luxembourg catches the sun. FujiFilm X-T1 photo.

Tracking the Light Posts Daily

TRACKING THE LIGHT SPECIAL: New Book, Majesty of Big Steam

A little while ago, Fed Ex delivered my author’s advance copy of my latest book: Majesty of Big Steam, published by Voyageur Press.

Thanks to my editor Todd Berger for getting this to me!

I’ve dedicated this luxurious volume to memory of my friend John E. Pickett who passed away as the book was nearing completion. It features many of his photographs, as well as images by a host of other talented photographers.

John Gruber authored sidebars.

Special thanks to Pat Yough who helped with the cover image and opened many doors during the book’s production. I exposed the cover photo using Pat’s FujiFilm  X-T1, and this adventure was one among the experiences that helped convince me that I needed to invest in the Fuji camera.

Brian Solomon book Cover005

This new book will soon be available for purchase.

See: http://www.amazon.com/The-Majesty-Steam-Brian-Solomon/dp/0760348928

Tracking the Light posts daily!

Scenery Supreme with MittlerheinBahn

MittlerheinBahn operates modern Siemens-built electric multiple units on all-stops local trains on the picturesque Left Bank route between Köln and Mainz, Germany.

Trains operate on an hourly basis throughout the day, with more frequent services at peak times.

The service is affordable, comfortable and the scenery provides an unending tapestry of wonder.

These trains come at such regular intervals, it would be easy enough to let their passage go undocumented while waiting for more unusual movements, such as freights with colourful engines. But I always try to make the most of all trains.

Over the course of a week I exposed dozens of images of MittlerheinBahn’s trains, often using them as a catalyst for complex scenic compositions. Would these views work if there were no trains in them?

Köln Hbf. FujiFilm X-T1 photo.
Köln Hbf. FujiFilm X-T1 photo.
Take a spin! These trains offer a smooth ride at a reasonable price. Large windows provide a great view of the scenery. Lumix LX7 photo.
Take a spin! These trains offer a smooth ride at a reasonable price. Large windows provide a great view of the scenery. Lumix LX7 photo.
A view from a vineyard near Boppard. FujiFilm X-T1 photo.
A view from a vineyard near Boppard. FujiFilm X-T1 photo.
Two ways to see the Rhein; by train and by ship. A view south of Boppard. FujiFilm X-T1 photo.
Two ways to see the Rhein; by train and by ship. A view south of Boppard. FujiFilm X-T1 photo.
At Oberwesel, where castle towers and walls make for a Medieval setting. FujiFilm X-T1 photo.
At Oberwesel, where castle towers and walls make for a Medieval setting. FujiFilm X-T1 photo.
Climb a tower for a better view. (Really I was waiting for a freight, but we'll get to that in a later post.) FujiFilm X-T1 photo.
Climb a tower for a better view. (Really I was waiting for a freight, but we’ll get to that in a later post.) FujiFilm X-T1 photo.
Local trains pass on opposite sides of the Rhein, both were in motion. (as were the clouds!)
Local trains pass on opposite sides of the Rhein, both were in motion. (as were the clouds!)
A wink of sun north of Bingen. Would this be a more interesting image if the train was closer, but bathed in shadow?
A wink of sun north of Bingen. Would this be a more interesting image if the train were closer, but bathed in shadow?

Tracking the Light posts Daily!

 

 

LUAS at Dusk—Silvery Trams in Silhouette

The other evening, rain had cleared, and clear skies prevailed for a little while before sunset.

Yet, heavy clouds were encroaching from the west, making for some interesting evening light.

I made the opportunity to take a spin on Dublin’s LUAS Green Line.

Pausing at Dundrum, I  made photos of the trams crossing the Dargan Bridge.

The far end of the line at Brides Glen (I saw no brides) was a convenient place to make some portraits of the 5000-series LUAS Citadis tram that I’d traveled on.

I was one of two passengers to board on the return trip. It took the tram 39 minutes to make the run to St. Stephens Green. By time I arrived, the rain had closed in again.

The LUAS trams are a silver-tinted with lilac, with large plate windows, which makes them ideal for photos at dusk. The trams reflect the hues of the evening light.

I exposed these images using my Lumix LX7.

Inbound LUAS tram glides across the Dargan Bridge at Dundrum. Exposed as a RAW file with my Lumix LX7, white balance set to 'daylight', contrast adjusted in post processing.
Inbound LUAS tram glides across the Dargan Bridge at Dundrum. Exposed as a RAW file with my Lumix LX7, ISO 200, white balance set to ‘daylight’, contrast adjusted in post processing.
Outbound LUAS tram glides across the Dargan Bridge at Dundrum. Exposed as a RAW file with my Lumix LX7, ISO 80, white balance set to 'daylight', contrast adjusted in post processing.
Outbound LUAS tram glides across the Dargan Bridge at Dundrum. Exposed as a RAW file with my Lumix LX7, ISO 80, white balance set to ‘daylight’, contrast adjusted in post processing.
End of the line: Brides Glen at dusk. Exposed with a Lumix LX7 as a RAW file. No modification (except for scaling).
End of the line: Brides Glen at dusk. Exposed with a Lumix LX7 as a RAW file. No modification (except for scaling).
End of the line: Brides Glen at dusk. Exposed with a Lumix LX7 as a RAW file. Slight contrast adjustment in post processing.
End of the line: Brides Glen at dusk. Exposed with a Lumix LX7 as a RAW file. Slight contrast adjustment in post processing.
End of the line: Brides Glen at dusk. Exposed with a Lumix LX7 as a RAW file. No modification (except for scaling).
End of the line: Brides Glen at dusk. Exposed with a Lumix LX7 as a RAW file. No modification (except for scaling).
Interior of a LUAS tram at Brides Glen.
Interior of a LUAS tram at Brides Glen.

Tracking the Light posts every day.

Tracking the light EXTRA: Irish Rail 233 works IWT on evening path

Most days Irish Rail’s Dublin-Ballina IWT Liner (International Warehousing and Transport; see: http://iwt-irl.com) departs the North Wall in the morning, typically between 9:20 and 11 am.

Today, it was set back to an evening path, much like the traditional liners that ran nightly up until mid-2005.

An added bonus was Enterprise painted Irish Rail 201 number 233.

This was like turning the clock back ten years or more.

5:54 pm, 23 September 2015.  Irish Rail 233 on the IWT Liner at the North Wall in Dublin. Exposed with a FujiFilm X-T1 digital camera.
5:54 pm, 23 September 2015. Irish Rail 233 on the IWT Liner at the North Wall in Dublin. Exposed with a FujiFilm X-T1 digital camera.
7:08pm, 23 September 2015.  Irish Rail 233 on the IWT Liner at the Gullet in Dublin.
7:08pm, 23 September 2015. Irish Rail 233 on the IWT Liner at the Gullet in Dublin. Lumix LX7 photo
Containers into the sunset! 7:08pm, 23 September 2015. Irish Rail 233 on the IWT Liner at the Gullet in Dublin. Lumix LX7 photo
Containers into the sunset! 7:08pm, 23 September 2015. Irish Rail 233 on the IWT Liner at the Gullet in Dublin. Lumix LX7 photo

Tracking the Light posts new material Daily!

Please share this post!

Double-headed Empty Coal Trains

Pairs of red electrics leading more or less uniform consists of coal cars make for great subjects as they wind their way along the supremely scenic Rhein Valley.

Most locomotive-hauled trains traversing Germany’s Rhein Valley work with just a single locomotive, and an ever-greater number of passenger trains use electric multiple units.

By comparison to continual parade of these more common trains, dual-red electrics on coal trains/and empties are relatively rare, and only make an appearance every few hours (often just after you move to change locations).

Here I display two empty trains train, both exposed on 10 September 2015. The first is a morning view on the Left Bank with a pair of DB class 185 electrics, the second is in the evening on the Right Bank across from Oberwesel.

Both feature scenery and sunlight.

Glorious clear morning sun makes for a post card view of DB 185s passing Boppard-Hertenach on the Left Bank. Exposed with a FujiFilm X-T1.
Glorious clear morning sun makes for a post card view of DB 185s passing Boppard-Hertenach on the Left Bank. Exposed with a FujiFilm X-T1.
Late in the day, a pair of elderly class 151 Co-Co electrics lead empties exiting a tunnel opposite Oberwesel. Within half and hour the sun had dropped below the ridge line, leaving this scene in shadow. Exposed with a FujiFilm X-T1 digital camera.
Late in the day, a pair of elderly class 151 Co-Co electrics lead empties exiting a tunnel opposite Oberwesel. Within half an hour the sun had dropped below the ridge line, leaving this scene in shadow. Exposed with a FujiFilm X-T1 digital camera.

Tracking the Light posts daily!

 

 

Real versus Surreal

I have no doubt that punchy delicious colours and heavily altered contrast can grab the attention of viewers. I saw Fantasia, I look at Facebook.

It’s not a matter of right or wrong, or right or left. With modern software, tweaking colour and contrast has never been easier.

Below are three versions of an image I exposed digitally in the Rhein Valley. Not necessarily in order: One image is RAW (straight out of the camera, only reduced in size for internet), the other two have been altered.

Of these latter two images, one is my interpretation of how the scene appeared at the time I exposed the photo, the other is pure fantasy.

DSCF1013-Photo_by_BrianSolomon4
I’m calling this version Image A.
DSCF1013_Photo_by_BrianSolomon3
This one is Image B.
DSCF1013Photo_by_BrianSolomon2
Image C.

I’ll let you sort out which is which. Of the three, which do you like the most?

Tracking the Light Posts Daily!

 

Downright Awful Railroad Photos

 

Who says?

Me. I’m not picking on anyone. I’m not highlighting lack of talent. These are my photos, and I say they’re awful.

Beauty is in the eye of the beholder. So if you find joy in these pictures, that’s up to you. But these are not the images I would normally display. In fact, typically I’d erase them.

Today, I’m showing them for several reasons.

  • They are not what I intended to achieve.
  • They offer good learning examples of what to avoid.
  • They might aid novice photographers recognize flaws in their own technique.
  • I think you might find them amusing.
  • Someone might get rattled and write me a diatribe (for free!)
  • They disprove a fallacy that every image I make is suitable for publication.

So what went wrong?
Read the captions an find out:

This was part of a panning sequence. To achieve the effect of a train in motion, I’d selected a relatively slow shutter speed and panned the Flirt railcar as it passed at speed. This image was exposed too late. The train is too far away, and instead of capturing the train in motion, all I managed to do was blur the entire image. That’s one for the trash!
This was part of a panning sequence. To achieve the effect of a train in motion, I’d selected a relatively slow shutter speed and panned the Flirt railcar as it passed at speed. This image was exposed too late. The train is too far away, and instead of capturing the train in motion, all I managed to do was blur the entire image. That’s one for the trash!
Another example of a Stadler Flirt photo gone amiss: The bright white train momentarily confused the autofocus system on my FujiFilm X-T1. Instead of selecting an appropriate focus point, the system was  hunting for focus when I released the shutter. The result is totally out of focus. Compare the effect of being out focus with that of the above image, which is suffering from motion blur. These are distinct characteristics. While I often use selective focus and motion blur to positive advantage, here they’ve ruined other wise fine images. If you want to see nicer photos of Stadler Flirts, I featured these in a post last week. See: http://wp.me/p2BVuC-3f7
Another example of a Stadler Flirt photo gone amiss: The bright white train momentarily confused the autofocus system on my FujiFilm X-T1. Instead of selecting an appropriate focus point, the system was hunting for focus when I released the shutter. The result is totally out of focus. Compare the effect of being out focus with that of the above image, which is suffering from motion blur. These are distinct characteristics. While I often use selective focus and motion blur to positive advantage, here they’ve ruined otherwise fine images. If you want to see nicer photos of Stadler Flirts, see: http://wp.me/p2BVuC-3f7
We were getting ready to depart for another location when I heard a diesel working northward. I grabbed my Lumix LX7 and went to make a photo, except the train was too close by the time I released the shutter. What’s wrong with this photo? Practically everything! I had the camera set wrong so the shutter speed was too slow. My angle was too tight to the tracks. The train is too close. I cut the top off the engine. The lighting angle is completely wrong (looking into hard mid-morning sun). And to make matters worse, I shook the camera adding extra motion blur to an already bad image. Also, I’m positioned under a roadway that cast a shadow on the front of the train. (Despite all these flaws, I actually was delighted with the photo. It’s so bad, its funny!)
We were getting ready to depart for another location when I heard a diesel working northward. I grabbed my Lumix LX7 and went to make a photo, except the train was too close by the time I released the shutter. What’s wrong with this photo? Practically everything! I had the camera set wrong so the shutter speed was too slow. My angle was too tight to the tracks. The train is too close. I cut the top off the engine. The lighting angle is completely wrong (looking into hard mid-morning sun). And to make matters worse, I shook the camera adding extra motion blur to an already bad image. Also, I’m positioned under a roadway that cast a shadow on the front of the train. (Despite all these flaws, I actually was delighted with the photo. It’s so bad, its funny!)

Tracking the Light normally publishes quality images on a daily basis,

today’s is the exception to the rule.

Tracking the Light Extra: Culture Night Dublin—September 18, 2015.

Friday night was the 10th Annual Culture Night Event. I walked for miles around town observing and photographing the city on this special night.

Last year my friends and I focused on the North Side, this year we explored the South Side.

To keep things simple I just worked with my Lumix LX7.

A bit of music at Meeting House Square, Temple Bar.
A bit of music at Meeting House Square, Temple Bar.
Dublin City Hall.
Dublin City Hall.
Dublin City Hall.
Dublin City Hall.

P1310943

Galery Zozimus, Francis Street.
Galery Zozimus, Francis Street.
Sword fight, er yeah.
Sword fight, er yeah.
Organ at St. Audeons Church.
Organ at St. Audeons Church.
St. Audeons Church.
St. Audeons Church.
Sunset on Cornmarket Street.
Sunset on Cornmarket Street.
Hillybilly music at Christ Church.
Hillybilly music at Christ Church.
Tuk tuks at Dublin Castle gate.
Tuk tuks at Dublin Castle gate.

P1310998

Merrion Square.
Merrion Square.
Georgian House, Merrion Square.
Georgian House, Merrion Square.
Merrion Square.
Merrion Square.
Eeek!
Eeek!
Merrion Square.
Merrion Square.
Display of lights Merrion Square.
Display of lights Merrion Square.
Art Museum.
Art Museum.
Sweny's Chemist.
Sweny’s Chemist.
Molly Malone.
Molly Malone.

Tracking the Light Posts EVERY Day!

Freight with Castle, Rudesheim

There’re some locations that just jump out at you. This view of the Rhein’s Right Bank is one of them. The combination of the river with vineyards rising above punctuated by the ruins of a medieval castle make for a postcard view.

The railway is an added bonus. Red Die Bahn locomotives are a nice touch. It helps to have bright afternoon sun.

DB_Doubleheaded_Chemicals_train_w_Castle_near-Rudesheim_DSCF2152

DB_185_Freight_across_Rhein_w_Castle_near-Rudesheim_DSCF2165Exposed near Rudesheim, Germany using my FujiFilm X-T1

 

Tracking the Light Posts Daily!

 

TRACKING THE LIGHT EXTRA: LUAS Red Line Ad Tram-17 September 2015.

Yesterday, Dublin’s LUAS Red Line made news when a horse went for a spin. Sorry, I don’t have a photo of that escapade.

I did make a few photos of tram 3001 that was traversing Dublin streets in the latest advertising livery.

The evening started off bright, but gradually clouds rolled in from the west and rain followed.

LUAS 3001 approaches Sean Heuston Bridge. 17 September 2015. Lumix LX7 photo.
LUAS 3001 approaches Sean Heuston Bridge. 17 September 2015. Lumix LX7 photo.
LUAS 3001 crosses Queen Street, Dublin. 17 September 2015. Lumix LX7 photo.
LUAS 3001 crosses Queen Street, Dublin. 17 September 2015. Lumix LX7 photo.
LUAS 3001 crosses Queen Street, Dublin. 17 September 2015. Lumix LX7 photo.
LUAS 3001 crosses Queen Street, Dublin. 17 September 2015. Lumix LX7 photo.

LUAS_3001_ad_tram_pan_Queen_St_P1310913

LUAS 3001 on Benburb Street, Dublin. 17 September 2015. Lumix LX7 photo.
In the rain: LUAS 3001 on Benburb Street, Dublin. 17 September 2015. Lumix LX7 photo.
In the rain: LUAS 3001 on Benburb Street, Dublin. 17 September 2015. Lumix LX7 photo.
In the rain: LUAS 3001 on Benburb Street, Dublin. 17 September 2015. Lumix LX7 photo.

Which weather conditions do you think made for the most interesting images?

 

Tracking the Light Posts Daily

Heavy Load Rolls Along the Rhein—You don’t see this every day!

Four photos!

There we were, poised at Filsen on the Right Bank line anticipating a northward train, but not knowing what would come around the bend next.

Previously, my attention to the signals, had revealed that once the signal cleared to green, a train would pass within 3-5 minutes. However, more than 8 minutes had passed. I wondered what was the cause of the delay.

Then, we were surprised by a lone DB class 145 electric hauling an exceptional load: twenty axles distributed the weight of this Schnabel railcar.

Exposed on September 11, 2015 using a FujiFilm X-T1 digital camera.
Exposed on September 11, 2015 using a FujiFilm X-T1 digital camera.

DB_transformer_car_at_Filsen_close_DSCF2342

Exposed on September 11, 2015 using a FujiFilm X-T1 digital camera.
Exposed on September 11, 2015 using a FujiFilm X-T1 digital camera.
Exposed on September 11, 2015 using a FujiFilm X-T1 digital camera.
Exposed on September 11, 2015 using a FujiFilm X-T1 digital camera.

While this was not what I expected to see on the move, my cameras were ready to record what passed. In addition to these digital images, I exposed a 35mm colour slide for posterity.

Tracking the Light Posts Daily!

Flirts along the Rhein

 

Flirt at Kaub, Germany. Exposed with a FujiFilm X-T1 digital camera from platform level using the positionable rear display.
Flirt at Kaub, Germany. Exposed with a FujiFilm X-T1 digital camera from platform level using the positionable rear display.

Right Bank passenger services are largely provided by Rhein-Main-Verkehrsverbahn. Trains are operated by VIAS Gmbh as Stadt-Expresses use Stadler Flirt electric multiple units and make local stops between the Koblenz Hbf (on the Left Bank) and the Frankfurt area.

Every hour all day long (with half hourly intervals at peak times) these modern Flirts glide along the supremely scenic Rhein Valley, working between the seemingly continuous parade of freights on the same line.

The cars stand out nicely against lush back drops and make for interesting photographic subjects. The tricky part is selecting the correct exposure to avoid over-exposing the lightly coloured trains.

A northward Flirt approaches Filsen. This early morning service catches the glint of the rising sun. Mist is the air makes for added atmosphere, but complicates the exposure. Here I've opted to set the exposure manually to retain highlight-detail on the side of the train. FujiFilm X-T1 photo.
A northward Flirt approaches Filsen. This early morning service catches the glint of the rising sun. Mist in the air makes for added atmosphere, but complicates the exposure. Here I’ve opted to set the exposure manually to retain highlight-detail on the side of the train. FujiFilm X-T1 photo.
A grab shot of a Flirt exposed with my Lumix south of the famous Loreley Rocks.
A grab shot of a Flirt exposed with my Lumix south of the famous Loreley Rocks.
I was focused on the tug boat when this Flirt emerged from the tunnel at Oberwesel. FujiFilm X-T1 photo.
I was focused on the tug boat when this Flirt emerged from the tunnel at Oberwesel. FujiFilm X-T1 photo.
Another angle from Oberwesel, this view from the top of an old stone tower that was part of the city walls. FujiFilm X-T1 photo.
Another angle from Oberwesel, this view from the top of an old stone tower that was part of the city walls. FujiFilm X-T1 photo.
View from the Right Bank opposite Oberwesel. Lumix LX7 photo.
View from the Right Bank opposite Oberwesel. Lumix LX7 photo.
Flirt near Bingen. Exposed with my Lumix LX7.
Flirt near Bingen. Exposed with my Lumix LX7.
Glinty Flirt reflects in the Rhein near Kaub. FujiFilm X-T1 photo.
Glinty Flirt reflects in the Rhein near Kaub. FujiFilm X-T1 photo.

Tracking the Light Posts Daily!

Tracking the Light Special Post: Refugee Train in Germany—September 2015.

Every so often, events in the news play a role in my daily photography. Last week, I was waiting with my friends for a Regional Express on the platform at Mainz, Germany, when an unscheduled train of InterCity carriages arrived.

There was no destination given on the depart boards.

The doors did not open.

No announcement was made.

Exposed hand-held with FujiFilm X-T1 and 27mm lens.
Exposed hand-held with FujiFilm X-T1 and 27mm lens.

DB_Special_at_Mainz_DSCF6830 DB_Special_at_Mainz_DSCF6822

A glance at the passengers on-board told the story. This was a trainload of refugees operated by DB AG as part of a greater humanitarian effort in Germany.

Seeing the people on board, appearing weary and exhausted, I thought of my own ancestors, who more than a century ago fled their home countries to seek a better life.

In the case of last week’s passengers, DB provided a nice comfortable train for this portion of their journey.

After a few minutes pause, the nameless service was on its way again.

Tracking the Light Posts Daily.

The International Railway Journal featured an article on the refugee trains.

See: http://www.railjournal.com/index.php/europe/db-uses-100-trains-to-transport-22000-refugees.html?channel=