During my Rhein travels in September, I had the opportunity to make a few photographs of the narrow gauge tram network at Mainz.
In the fading light of that day, I exposed these photos using my FujiFilm X-T1 and Lumix LX-7.
Mainz is one of dozens of German cities with an active tram network. Someday, I hope to be able explore it fully.
Panning and low angles a nice trick from making more dramatic tram pictures.
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Among the distinctive features of Germany’s Mosel Valley route is the Hanging Viaduct southwest of Bullay.
To avoid a circuitous loop in the Mosel, this double track electrified line crosses the river on a combined road/rail bridge and punches through a ridge. Upon exiting the tunnel, the line clings to a steep hillside populated with vineyards supported by an unusual curved Hangviadukt, a ‘hanging viaduct.’ (A sort of half-bridge, whereby half the structure is built into the hillside.)
Earlier this month, Denis McCabe, Gerry Conmy, Stephen Hirsch and I made a visit to this famous structure, photographing it from a variety of angles.
The railway cooperated by running a variety of trains. Footpaths through the vineyards and surrounding areas offer many vantage points.
In addition to mainline trains, a branch railcar traversed the viaduct in each direction hourly.
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MittlerheinBahn operates modern Siemens-built electric multiple units on all-stops local trains on the picturesque Left Bank route between Köln and Mainz, Germany.
Trains operate on an hourly basis throughout the day, with more frequent services at peak times.
The service is affordable, comfortable and the scenery provides an unending tapestry of wonder.
These trains come at such regular intervals, it would be easy enough to let their passage go undocumented while waiting for more unusual movements, such as freights with colourful engines. But I always try to make the most of all trains.
Over the course of a week I exposed dozens of images of MittlerheinBahn’s trains, often using them as a catalyst for complex scenic compositions. Would these views work if there were no trains in them?
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Pairs of red electrics leading more or less uniform consists of coal cars make for great subjects as they wind their way along the supremely scenic Rhein Valley.
Most locomotive-hauled trains traversing Germany’s Rhein Valley work with just a single locomotive, and an ever-greater number of passenger trains use electric multiple units.
By comparison to continual parade of these more common trains, dual-red electrics on coal trains/and empties are relatively rare, and only make an appearance every few hours (often just after you move to change locations).
Here I display two empty trains train, both exposed on 10 September 2015. The first is a morning view on the Left Bank with a pair of DB class 185 electrics, the second is in the evening on the Right Bank across from Oberwesel.
Both feature scenery and sunlight.
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There’re some locations that just jump out at you. This view of the Rhein’s Right Bank is one of them. The combination of the river with vineyards rising above punctuated by the ruins of a medieval castle make for a postcard view.
The railway is an added bonus. Red Die Bahn locomotives are a nice touch. It helps to have bright afternoon sun.
Exposed near Rudesheim, Germany using my FujiFilm X-T1
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There we were, poised at Filsen on the Right Bank line anticipating a northward train, but not knowing what would come around the bend next.
Previously, my attention to the signals, had revealed that once the signal cleared to green, a train would pass within 3-5 minutes. However, more than 8 minutes had passed. I wondered what was the cause of the delay.
Then, we were surprised by a lone DB class 145 electric hauling an exceptional load: twenty axles distributed the weight of this Schnabel railcar.
While this was not what I expected to see on the move, my cameras were ready to record what passed. In addition to these digital images, I exposed a 35mm colour slide for posterity.
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Right Bank passenger services are largely provided by Rhein-Main-Verkehrsverbahn. Trains are operated by VIAS Gmbh as Stadt-Expresses use Stadler Flirt electric multiple units and make local stops between the Koblenz Hbf (on the Left Bank) and the Frankfurt area.
Every hour all day long (with half hourly intervals at peak times) these modern Flirts glide along the supremely scenic Rhein Valley, working between the seemingly continuous parade of freights on the same line.
The cars stand out nicely against lush back drops and make for interesting photographic subjects. The tricky part is selecting the correct exposure to avoid over-exposing the lightly coloured trains.
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Every so often, events in the news play a role in my daily photography. Last week, I was waiting with my friends for a Regional Express on the platform at Mainz, Germany, when an unscheduled train of InterCity carriages arrived.
There was no destination given on the depart boards.
The doors did not open.
No announcement was made.
A glance at the passengers on-board told the story. This was a trainload of refugees operated by DB AG as part of a greater humanitarian effort in Germany.
Seeing the people on board, appearing weary and exhausted, I thought of my own ancestors, who more than a century ago fled their home countries to seek a better life.
In the case of last week’s passengers, DB provided a nice comfortable train for this portion of their journey.
After a few minutes pause, the nameless service was on its way again.
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The International Railway Journal featured an article on the refugee trains.
Die Bahn/Deutsche Bahn (German Railways) operates an intensive nation-wide railway network. The traffic on many lines is impressive.
Conveying volume in photographs is perhaps best done with image sequences.
On the morning of September 12, 2015, Stephen Hirsch, Denis McCabe, Gerry Conmy and I arrived at the Bonn-Beuel station (located on the Right Bank line between Koln and Koblenz) to make a few photographs.
Our choice of locations was fortuitous. As it turned out, planned line works at the Bonn Hauptbahnhof on the Left Bank line had resulted in diversions, and this normally busy line was pushed to its potential capacity.
In addition to the normal half-hourly passenger service and parade of freights, the line was also handling InterCity and EuroCity long distance express trains, plus a mix of freights that might ordinarily use the Left Bank route.
In addition to the two main tracks, Bonn-Beuel has passing loops (passing sidings), which were well used this day. In several instances, a train was held on the main track, while higher priority traffic was routed via the loops around it.
This selection of images is intended to demonstrate how DB handled a mix of traffic on a double track mainline; keep in mind that stopping passenger trains and freights coexisted on the same route.
I’ve included the time that each photograph was exposed, and organized them in chronological order.
I decided to relocate to the island platform, as this offered a better angle for the sun.
To avoid getting blocked again, I walked further south along the platform.
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The Right Bank of the Rhein is a busy freight corridor. Trains run in waves, and often follow each other several minutes apart on their north-south journey across Germany.
Kaub station sits wedged into a hillside with a castle above, and a sweeping curve to the south. In the afternoon, the sun swings around, which makes it a great place to photograph trains on the move.
Bombardier’s TRAXX locomotives family includes several classes of electrics. While the DB red class 185s may seen repetitive, open access operations make for a bit of variety. It seems that there’s always another freight working its way up or down the Rhein Valley. And this provides an opportunity to refine photographic angles and technique.
I made this selection using my FujiFilm X-T1 digital camera.
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The wonders of technology! I’m writing and posting this from a bus on the roll. The bus offers better WiFi than I have in my apartment.
Anyway, here’s a view I made from the Rhein ferry looking down river toward the famous Loreley Rock on Wednesday September 9, 2015.
Exposed with my FujiFilm X-T1. One of the great features of this camera is the active level in the viewfinder. Such a tool aids making level images from a boat!
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The fine art of the pacing shot was perfected many years ago. In the steam era, Jim Shaughnessy and others paced big steam across the prairies and grasslands in a quest for dramatic images.
I was traveling along the west bank of the Rhein a couple of days ago with Denis McCabe, Stephen Hirsch and Gerry Conmy.
The railway here is exceptionally busy. The sun was bright and we were searching for photographic locations.
‘Green signal. Southbound.’
A minute later, ‘there’s a train overtaking us!’
I unrolled the window, switched my Lumix on, set it to ISO 80 at f8 and used the ‘A’ (aperture priority) mode, and exposed this series of images in rapid succession.
By using the settings described above, I allowed the camera meter to adjust the exposure to compensate for changing lighting conditions, while insuring the slowest possible shutter speed to maximize the effect of background blur.
Complicating the exposure was the reflective silver paint.
Other than scaling for internet presentation, I have not altered these images in post processing.
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Yesterday (September 10, 2015) was an exceptionally clear and bright day in the Rhein Valley.
The conditions were ideal for photographing across the river, which opened up numerous photo locations.
Gerry Conmy, Dennis McCabe, Stephen Hirsch and I selected this view near St. Goarhausen. Behind us is the double track west bank (or ‘Left Bank’) line.
In addition to DB (Deutsche Bahn—Germany Railways), there a great variety of private and open access operators on the Rhein Valley lines.
I used my Lumix LX7 to capture a southward freight led by a Siemens Taurus electric against an impressive cliff-face as intermodal ships pass in the river. There’s always something interesting to watch alone the Rhein. This was just one of dozens of trains we photographed yesterday.
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Germany’s Rhein valley is one of my favorite places to photograph railways.
Here dual double track lines operate on either side of the river, and wind among stunning scenery, with castles and medieval architecture.
The variety of trains makes it even better. I never know what to expect next.
How about a a yellow rabbit in work train service?
(Germany’s class 215, 216, 217, and 218 diesels have become known as ‘rabbits’ because of their unusual exhaust stacks.)
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Way back in August 1998, I was visiting a friend in Bonn for a few days. One warm evening I took the tram across the Rhein to Bonn-Beuel bahnhof on the heavily used right bank (east bank) line.
Fast forward 17 years: Along with my friends Denis McCabe, Gerry Conmy and Stephen Hirsch, I revisited this location.
The trams still stop in front of the DB railway station, and it looks much the way I remember it.
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Terraced vineyards and stunning scenery make for a picturesque setting to photograph trains.
Using my Lumix LX7, I framed up the all-stops DB local train with some grapes in the foreground and an 18th century church in the distance.
The Lumix lens offers excellent depth of field, camera controls permit precision focusing.
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On September 3, 2015, I made this photo of an interurban electric from Bonn gliding along the streets of Köln.
The Bonn and Köln tram systems are linked via interurban connections.
One hundred years ago the Bay State Electric Railway was one of the most extensive interurban electric networks in the world. Today it is all but unknown. Yet, Interurban lines survive in Germany.
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The KölnTriangle building in Köln Deutz on the east bank of the Rhein offers a magnificent view of the railway bridge and the famous Dom.
A few days ago, Gerry Conmy, Stephen Hirsch, Denis McCabe and I spent about an hour watching the trains here. To the northeast is the Köln Deutz Bahnhof and a maze of related trackage. Beyond is a junction and a yard.
From above, it’s like an enormous model railway.
Photography is challenging because of the plate glass barricades in the roof garden. I largely overcame difficulties with reflections and dirt by using a very wide aperture and holding the camera lens as close as possible to the glass, while shading the camera with my hand.
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The sun low on the horizon often provides the most colorful light of the day. It had rained and above the clouds were just thinning, and the sun dropped under for a few minutes.
Denis McCabe and I went down the west bank of the Rhein in Köln, and I made this view of a tram crossing with a fleeting rainbow in the eastern sky.
Yes, there’s a bit of luck involved, but also it helps to recognize when the light is about to get interesting.
The six track railway bridge over the Rhein at Koln offers a continuous parade of trains.
In just a few minutes I made many interesting photos.
In this image, on of DB’s Class 120 electrics whirrs over the massive bridge. This electric was among the earliest commercially-built locomotives using a modern three-phase traction system. It was among the more unusual trains I photographed on the evening of September 2, 2015.
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It’s been a few years since I last visited the Köln Hauptbahnhof.
For the railway photographer it is total sensory overload! Trains come and ago in parallel. There’s almost always something on the move.
Even as I write this the bells of the Dom are chiming.
Lx7 photos exposed September 2, 2015.
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Some Irish friends and I spent a week in the Mosel and Rhein Valley regions to photograph special trips organized for the 175th anniversary of German railways.
On this day, April 7, 2010, I exposed this view of a double-headed iron ore train crossing the Mosel on the big bridge at Bullay.
Sometimes, as photos age, the ordinary train you caught while waiting, seems more interesting than the extraordinary train that you’d set out to capture in the first place!
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On the evening of May 13, 2011, I was along the shores of Lake Constance (Bodensee)at Radolfzell, Germany, where I made this evocative photograph of a Stadler Flirt electric railcar catching the soft setting sunlight as it approached the station.
Did my title sound like something else? Somehow ‘Backlit Railcar’ just didn’t cut it.
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April 10, 2010.
Germany’s Rhein valley is one of my favorite places to make railway photographs. The combination of great scenery, a fantastic variety of locations, the historic architecture, and a continuous parade of freight and passenger trains on both sides of the river make it hard to beat.
And, at the end of the day (in the most literal use of the cliché), the beer is great!
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Playing with Aspect Ratios.
April 9, 2010; a group of my Irish friends and I were on a week long trip to the Rhein and Mosel Valleys.
The Rhein is great place to experiment with equipment and technique. Busy double track mainlines occupy both sides of the river amid stunning scenery and historic architecture.
I was set up at the south end of the station platform at Kaub on the Right Bank. This is the busier freight line, with trains passing in fleets. Rarely ten minutes would pass without something clattering along.
My vantage point also gave me a good view of the Left Bank and the Pfalzgrafenstein—a colorful castle situated on an island in the middle of the river. Working with my Lumix LX3, I played with the camera’s aspect ratios as an exercise in composition.
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Karlsruhe, Germany, May 2011.
Dawn and dusk are great times to make urban images where there’s a mix of natural and artificial light.
The reduced amount of daylight and the change in color temperature helps control contrast, simplifies exposure, while making for a more dramatic image.
I exposed this view of a tram train under the shed at Karlsruhe on the evening of May 11, 2011 using my Lumix LX-3.
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Tomorrow: Dusk and an annoying cone!
May 14, 2011—on this day Three Years Ago.
SBB express trains to and from Basel approach the station in Gottmadingen, Germany (west of Singen) near the Swiss frontier.
Later in the day, I visited the Zeppelin museum at Friedrichshafen on Lake Constance.
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Views from the East Side of the Rhein—September 2013.
For me the Right Bank (east side) of the Rhein has always been more challenging and more intriguing. This side has more freight, but the vistas are more difficult to access. Certainly getting the viewpoints that I envision take a little more work.
On this trip, with the help of maps and some advice from local photographers, I found several satisfactory spots to work from.
Where the Left Bank (west side) remains dominated by passenger traffic (with the occasional freight slotted in), the Right Bank is primarily a freight route, with the requisite hourly (half-hourly at peak times) stopping passenger train.
Since my last visit to the Right Bank in 2010, the passenger service has been upgraded with modern Stadler three and four piece Flirt-model railcars. The tide of freight ebbs and flows, but its not difficult to get four or five freights at one location in a relatively short span of time.
It seems that no sooner than one train has clattered out of sight when the next is on its way. If action on the east side ebbs too much, there are plenty of boats and barges on the Rhein as well as trains on the left side. Regardless of what happens, I find it easy to expose lots of images.
The Left Bank at Oberwesel—September 2013.
Oberwesel is south of Boppard and also on an elbow-bend in the river. It’s spectacularly set along the river and against steeply rising hills while featuring castles and a medieval city wall.
The old city wall is set up as a tourist attraction and can be easily used as a platform for photography. Not only does this provide great views of the line on the Left Bank, but gives superb angles of the dual tunnels on the line serving the Right Bank.
I visited Oberwesel in April 2010, but the light was a bit dull, so I’ve been aching for another try at it on a clear day.
While there are some good angles in the morning, I found the best light angles were obtained after about 2 pm. September is a great time to photograph because the light is good throughout the day and it’s past the peak tourist season. Jostling elbows with the masses while trying to focus on a IC train might be challenging.
The parade of trains is unceasing. If one side of the river starts to lag, the other will seem to make up the difference. It was only during the lunch that traffic seemed to lull. Certainly the passenger trains kept coming, but the freights must of all paused for a snack.
Not far from the south edge of city wall in Oberwesel, we found a suitable restaurant with outdoor seating, a choice of beer, and a view of the tracks
A few hours at Oberwesel gave me more great images than I knew what to do with. I could make this a multi-installment post. Will you still be there for Oberwesel Left Bank Northward Views Part 12? Hmm?
The Left Bank at Boppard and Vicinity—September 2013.
Germany’s Rhein offers one of the World’s great railway experiences. Here busy double track railways occupy both sides of the river, largely in sight of one another. This narrow picturesque valley is dotted with old villages, castles, churches and blanketed with vineyards which adds to its charm and make for more interesting photographs.
For the all the challenges of wandering down lightly travel rural branch lines, or seeking out unusual, peculiar and elusive railway operations, sometimes it’s nice to get ‘a fix’ and go to a place where you will see a great volume and variety of trains in a comfortable setting.
The Rhein in early September hit the spot. The weather was perfect; a mix of sun and mist made for great lighting conditions, while temperatures were comfortable. No rain, no heavy wind. And best of all every few minutes a train comes rolling up or down the river.
Historically, the line on the west side of the river, the ‘Left Bank,’ was almost exclusively a passenger line and featured a continuous parade of Regional, IC, EC, and ICE trains, while the ‘Right Bank’ carried freight and an hourly local service.
Today, there are fewer IC/EC/ICE trains on the Rhein as many through services run on the high-speed line between Köln and Frankfurt. While IC/EC/ICE trains still operate about once an hour in each direction (plus local stopping services) now there are more paths for freights on the Left Bank which makes the line more interesting and more varied.
Boppard is located south of Koblenz on a elbow bend and allows for a variety of angles as the sun swings around. I’ve found from previous trips that Boppard is best in the morning. These photos are a selection from three days of photography based around Boppard.
I worked with three cameras; a Lumix LX3, Canon EOS 7D and Canon EOS 3 with Provia 100F film. Only the digital results are displayed here.
RWE Power: Coal trains, power plants and wires.
Continuing to explore RWE Power’s coal network brought us to the company’s Nord-Sud-Bahn. Although much of the line is sequestered by trees or inaccessible, we found some recommended locations toward the north-end of the route near the Neurath Power Station.
Our second afternoon proved pleasant weather-wise, and the continuous parade of trains, including a diesel-hauled limestone run, made for a successful photo adventure.
Among the advantages of the North-Sud-Bahn as stated in the May 2013 article in Today’s Railways, is a greater variety of trains.
Although it’s difficult to convey in photographs, what we found interesting was that many of the northward trains reversed up the line, with the locomotive at the back and the rear hopper making a loud beeping to provide warning.
It seemed that all of RWE’s trains moved a gentle speeds which eases the photographic process.
I mostly worked with my Canon EOS 7D, but also exposed some color slides with my Canon EOS 3. In addition to the trains, I made a few photos of the related power infrastructure—impressive because of its enormous scale.
RWE Power’s Intensive Rail Network—September 2013.
German coal railway? 60 million tones annually? An article in May 2013 Today’s Railways Europe peaked my curiosity. Taking advantage of cheap fares on Ryan Air from Dublin to Maastricht, then into a Hertz rental car for the drive over the border brought an Irish friend and me trackside by early afternoon.
While I’ve long been aware of a heavy coal railway near Köln, despite regular trips to Germany over the last 20 years, until last week I’d never bothered to investigate it.
RWE Power (formerly Rheinbraun) operates an unusual railway. This is a largely electrified network which on its main stems primarily carries lignite coal from enormous open pits to nearby power stations. It is built to a very heavy standard and tracks are separated wider than normal to allow for larger than normal loading gauge.
Complicating matters, we’d forgotten to bring the Today’s Railways article with us. But we managed to find the tracks anyway. Our first glimpse of the RWE Power mainline was of the old Hambachbahn double track line serving the Tagebau Hambach coalfield. This line is soon to be removed to allow expansion of the coalfield.
Finding nothing moving on this section we decided to relocate and accidentally stumbled upon the ‘new’ Hambachbahn double track line located a couple of miles south of the old line, and parallel to Deutsche Bahn’s east-west Aachen and Köln main line at the village of Buir.
RWE Power is presently undertaking a massive relocation of railway, A4 autobahn, and town to develop the coal beneath. The newly built railway is extremely impressive and could easily be mistaken for a high-speed line.
At Buir, we met a local railway photographer named Björn who gave us lots of advice and assisted our further photography. As it turned out, the new line was only being used for loaded trains (which passed about every 20 minutes), while the old line was handling empties.
We spent a full 24 hours studying the railway and its operations. More to come!
175th Anniversary Plandampf:
Three years ago, four of my Irish friends and I flew to Germany to witness 175th anniversary of German railway celebrations and excursions. This was truly spectacular and featured an ambitious excursion schedule focused on Trier in the Mosel Valley. While we were up early every morning it was impossible to catch all of the more than 100 special trains operated over the six day period in early April. The lines covered by excursions were all new to me, so prior to our arrival, I’d spent more than a week pouring over maps and satellite views.
Among the lines intensively worked was the heavily graded single track route east of Gerolstein toward Daun. Here, my map-work paid off, as I’d picked out this spot never having been there before. Our means of obtaining the location was a bit unorthodox; we drove up a lightly traveled unpaved trail, then uphill across a field to reach a fire-road then further up hill. Upon reaching the ridge, we found there was actually an easier means of getting here. Some German enthusiasts already on-site were bemused by our bold arrival. ‘You must have a great faith in God to come here that way,’ they said to me.
Using my Lumix LX-3, I made this image of Deutche Bahn Class 52 8134-0 working up the valley toward Daun. I also exposed a series of color slides on Fujichrome with my Canon EOS-3.
In April 2002, I made this image of a railfan’s excursion led by PKP (Polish National Railways) 2-10-0 Ty3-2 gingerly negotiating a disused line at Kozuchow. This trip covered a variety of closed lines southwest of the steam depot (shop) at Wolsztyn. For me, there is something romantic and compelling about old locomotives plying decaying infrastructure. Perhaps it’s a Byronesque inspiration, or an influence from 18th and 19th century art; paintings that depict vestiges of Roman ruins dotting pastoral landscapes which convey a nagging reminder of the great empire—centuries gone. Here we have the leviathan of another era, plying track barely visible through the grass.
Of course in Poland, there’s layers of complicated history behind such scenes. Railways in this part of western Poland are a legacy of the old Prussian state; while locomotives such as this one stem from 1940s German design. Following World War II, political boundaries were redrawn to reflect the desires of the victors, which placed this part of Germany back in Polish-territory. Cold war politics and economic stagnation combined with large supplies of Silesian coal, compelled Poland to sustain regular steam operations for decades later than most European railways. Following the collapse of Soviet control in the late-1980s, Poland re-adopted a capitalist system. As a result Poland’s railways, especially lightly used lines, such as the secondary route pictured here, suffered. Many lines fell into disuse. Like the fortresses, aqueducts, and amphitheatres of the old Roman Empire, disused Polish railways survived as vestiges of the earlier eras.
The process continues. While Poland has invested in its mainlines, its rural lines continue to fade. Recently, I learned that thousands of miles of lightly used Polish railways may be abandoned. I question the wisdom and shortsighted rational of such a transportation policy, but I cannot help but imagine the pictorial possibilities.
Watch this space for more Polish images!
Railway tracks; classic converging lines aimed toward distant horizons, a symbol of progress and travel, and often the primary subject of for my camera’s lens. Here I’ve presented just two images of railway tracks. One is of the throat to DB‘s Frankfurt Hauptbahnhof (Frankfurt am Main, Germany) the other is yard trackage on Pennsylvania’s narrow gauge East Broad Top Railroad at Orbisonia. The German photograph portrays well-maintained, heavily used infrastructure with ladders of double slip switches designed to maximize route flexibility. This was made on a sunny summer evening and exposed to retain detail in ballast and avoiding a harsh silhouette (although that can be an effective imaging technique). By contrast, the East Broad Top image shows a preserved three-way stub switch, representing a vestige of lightly built 19th century-style infrastructure, and exposed in the soft light of a foggy autumn morning. In both images railway tracks lead the viewer’s eye out of the frame to unseen horizons. To allow for a level of intrigue. I’ve deliberately masked where the tracks lead.
Both images were exposed on Fujichrome slide film with my Nikon N90S.
In August 1998, I was visiting a friend in Bonn, Germany. I’d wandered down the Rhein by train with a promise to return by dinner at 8 in the evening. At Mainz, I bought a ticket for an IC (Intercity) train that scheduled to arrive in Bonn that would have just barely got me back in time. However, EC (Euro City) train 8 Tiziano (Milano Centrale—Hannover) arrived on the platform six minutes ahead of the IC train. I boarded this instead (and was required to pay a 7 DM supplement for the privilege) and after being whisked up the Rhein’s left bank arrived at Bonn with a few minutes spare. I was immediately distracted by the amazing red sunset that illuminated trains heading out of the station toward Köln. I decided to wait on the IC train that I would have taken. Working with my Nikon F3T and Fuji Sensia II (100 ISO) I made a sequence of glint photos from the platforms and I over stayed my time at the railway station and so arrived a few minutes late. Not a problem: Understanding too well my predilection for low-light photography my host had anticipated my delay; she smiled, “Oh, when I saw the nice light, I assumed you’d be late.”
