Tag Archives: #railroads

Hudson River Freight at Ft. Montgomery.

It helps to have good timing.On the afternoon of January 20, 2015, I arrived at the Mine Dock Road grade crossing on CSX’s former New York Central West Shore Route (now called ‘CSX’s River Line’)  This was at just the right time.

I found a location, and as I took my camera out the bag, I could hear a train approaching. This turned out to be a southward crude oil extra led by BNSF Railway 7500 in the lead. I had just enough time to change lenses, make a test exposure, before it got close enough to properly photograph.

When this train passed, the home signal located beyond the rock cut cleared to ‘approach’ (yellow-over-red-over-red), telling me there was a northward train lined, but that this would need to stop at the next signal. This was a pretty good sign that there might be a meet.

Over the next hour, I photographed three more freight trains on the old West Shore, two northbound CSX freights, followed by a southward ethanol extra led by a pair of Canadian Pacific General Electric diesels.

In addition, I made use of my telephoto lenses to photograph passenger trains working the old New York Central Hudson Division on the east bank of the river.

Just lucky! I hadn't been out the car five minutes when this train came into view. Exposed using my Canon EOS 7D with 40mm pancake lens. FIle adjusted in post processing to compensate for contrast and exposure.
Just lucky! I hadn’t been out the car five minutes when this train came into view. Exposed using my Canon EOS 7D with 40mm pancake lens. FIle adjusted in post processing to compensate for contrast and exposure.
While waiting for more freights on the West Shore, I made this view of a Metro-North commuter train on the old Hudson Division which hugs the east shore of the river.
While waiting for more freights on the West Shore, I made this view of a Metro-North commuter train on the old Hudson Division which hugs the east shore of the river.
CSX's CTC style signaling alerted me to this northward freight. I had ample time to select a location and get into position before I heard it roaring northward passed Iona Island. The famous Bear Mountain Bridge makes for a nice prop. Canon EOS 7D with 20mm lens.
CSX’s CTC style signaling alerted me to this northward freight. I had ample time to select a location and get into position before I heard it roaring northward past Iona Island. The famous Bear Mountain Bridge makes for a nice prop. Canon EOS 7D with 20mm lens.
Not far behind the first northward freight was this train, seen about to exit the Fort Montgomery Tunnel. I'm standing in the same place as I had been for the last photo but opted for a longer lens. Exposed using a Canon EOS 7D with 200mm lens.
Not far behind the first northward freight was this train, seen about to exit the Fort Montgomery Tunnel. I’m standing in the same place as I had been for the last photo but opted for a longer lens. Exposed using a Canon EOS 7D with 200mm lens.
CSX 7537 leads a northward mixed freight. The older cab style on this DASH-40C makes for a nice variation on the more modern 'Safety Cab' style that has come to dominate North American freight railroading.  Exposed using a Canon EOS 7D with 200mm lens.
CSX 7537 leads a northward mixed freight. The older cab style on this DASH-40C makes for a nice variation on the more modern ‘Safety Cab’ style that has come to dominate North American freight railroading. Exposed using a Canon EOS 7D with 200mm lens.
Not long after CSX 7537's train went north, I could hear this southward train accelerate. I was surprised, but delighted to catch a pair of CP Rail locomotives leading a loaded ethanol train. Exposed with a Canon EOS 7D with 100mm lens.
Not long after CSX 7537’s train went north, I could hear this southward train accelerate. I was surprised, but delighted to catch a pair of CP Rail locomotives leading a loaded ethanol train. Exposed with a Canon EOS 7D with 100mm lens.
All red. The signal now indicates that nothing else was lined in the northward direction. After photographing four freights in an hour on the West Shore, I opted to make a move and cross the Bear Mountain Bridge and try the other side of the river for a while.
All red. The signal now indicates that nothing else was lined in the northward direction. After photographing four freights in an hour on the West Shore, I opted to make a move and cross the Bear Mountain Bridge and try the other side of the river for a while.

While I was just lucky, it helps to be able to interpret the signals and have a keen ear for trains. My scanner might have helped me too, if I’d plugged in the correct frequencies. Or it might have distracted me. As it was I did well by sitting tight and waiting out the parade.

Tomorrow: more luck on the Hudson . . .

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Lots of Locomotives at East Brookfield Four Years Ago Today.

On this day in 2011 (January 31), I exposed this view of a CSX light-power move rolling westward through East Brookfield, Massachusetts on the former Boston & Albany mainline.

I used my trusty Lumix LX3, a camera with which I exposed many thousands of railway photos before it finally gave up the ghost.

ISO 200, f5.6 1/800th of a second.
ISO 200, f5.6 1/800th of a second. Notice that I’ve included the shadow of the lead locomotive at the far left of the frame. If cropped, this image would have less impact. 

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Furness and a Diesel; Wilmington, Delaware.

Finding a surprise in a sea of wires.

On January 16, 2015, my brother and I risked the perils of Interstate-95 and drove to Wilmington, Delaware so that I could make a few photos of the former Pennsylvania Railroad station.

I’d been working on a book on railway station architecture, and I wanted to make a few views of this iconic building credited to Frank Furness. Somewhere I’d seen a photo from the parking garage across the street that made me curious.

Completed in 1908, the former Pennsylvania Railroad station at Wilmington, Delaware was designed by Furness, Evans and Company, and is one of many railroad stations in the region attributed to the brilliance of architect Frank Furness. Exposed with a Canon EOS7D with 20mm lens.
Completed in 1908, the former Pennsylvania Railroad station at Wilmington, Delaware was designed by Furness, Evans and Company, and is one of many railroad stations in the region attributed to the brilliance of architect Frank Furness. Exposed with a Canon EOS7D with 20mm lens.
Close up of the Wilmington Station clock tower. This is a bit of Victorian elegance in a setting characterized by modern infrastructure consisting of steel and reinforced concrete. Canon EOS 7D.
Close up of the Wilmington Station clock tower. This is a bit of Victorian elegance in a setting characterized by modern infrastructure consisting of steel and reinforced concrete. Exposed using a Canon EOS 7D with 200mm lens; ISO 200 f5.0 1/500th of a second. Cross lighting helps show the detail in the clock tower brickwork.

Thanks to Sean’s navigation, we easily found the station and the parking garage. I drove to the top level and made my photos. As is often the situation on exploratory trips, I decided this might make a better image at another time of day. At some point, perhaps I’ll return on an August evening and try again.

While on the top of the garage, I photographed a northbound train. This was led by a General Electric P42 diesel-electric, which is not the Amtrak motive power I’d expect to see here in electrified territory!

Amtrak P42 number 60 leads an unknown train northward (eastward) on the North East Corridor. Using my 200mm lens, I focused on the gap in the wires and poles to frame up the locomotive. I rarely make photos along the NEC in Delaware, but I wasn't expecting a diesel powered Amtrak train. Canon EOS 7D with 200mm lens.
Amtrak P42 number 60 leads an unknown train northward (eastward) on the North East Corridor. Using my 200mm lens, I focused on the gap in the wires and poles to frame up the locomotive. I rarely make photos along the NEC in Delaware, but I wasn’t expecting a diesel powered Amtrak train. Canon EOS 7D with 200mm lens.

It was a brief visit to Delaware. Getting back to I-95 proved more difficult than finding the station, but in the end we were on our way. The light was getting good and I had visions of a sunset glint location . . .

 

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Tomorrow: glint on the North East Corridor

 

 

 

Northern Pacific 328 at Dawn.

It’s hard to beat steam in the glint light! Dick Gruber and I spent the weekend of August 17, 1996, photographing Northern Pacific 4-6-0 328 working Wisconsin Central trackage in northern Wisconsin and Minnesota.

While we made many fine images on that trip, for me the money-shot was this one I exposed of the locomotive steaming up at Dresser, Wisconsin as the sun rose.

Exposed on Fuji Provia 100F with a Nikon F3T.
Exposed on Fuji Provia 100F with a Nikon F3T.

There’s an old adage among photographers: ‘f5.6 and be there!’

I’ve said before, and it’s true. The best way to get great photos is to be there when it happens. And that’s the real secret.

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Hudson-Bergen Light Rail.

Seven photos of a reincarnated railway.

NJ Transit’s Hudson-Bergen Light Rail has been on my photo list for more than a decade. It’s one of those things that is close enough to be just out of reach.

When an operation is under threat, time is made—found—to photograph it. You know, before its gone. But when something isn’t going anywhere, its often easy to ignore.

Such was my failings in photographing the Hudson-Bergen Light Rail. Thanks to a detailed tour with Jack May on January 15, 2015, I’ve finally explored of this interesting operation.

Canon EOS 7D photo.
Canon EOS 7D photo.
This simplified map of the system is posted in all of the cars. Canon EOS 7D photo.
This simplified map of the system is posted in all of the cars. Canon EOS 7D photo.
Hoboken terminal, which the light rail serves via  stub-end spur.
Hoboken terminal, which the light rail serves via stub-end spur.

This compact modern passenger railway operates on a selection of former heavy-rail railroad rights of way, including through the old New York, West Shore & Buffalo tunnel at Weekhawken.

The day was ideal; sunny and bright with clear skies. We first rode north from Hoboken to Tonnelle Avenue, then worked our way back south through Jersey City to Bayonne visiting a variety of stations along the way.

All along the line are modern buildings. I was pleased to find that ridership was very good, even during midday. This follows the idiom of: 'Build and they will come.'
All along the line are modern buildings. I was pleased to find that ridership was very good, even during midday. This follows the maxim of: ‘Build and they will come.’
A view looking back toward Weekhawken. As a kid I was fascinated by the Palisades.
A view looking back toward Weekhawken. As a kid I was fascinated by the Palisades.

Much of the route passed through places that I recalled from adventures with my father in the 1970s and early 1980s. The Jersey waterfront was different place back then.

What had been rotting wharves, badly maintained freight trackage, and post-industrial squalor is now all up-scale housing, modern office towers, and otherwise new construction. It was familiar, yet different—like some weird vision of the future.

The 8th Street Station is located at the south end of the system in Bayonne. Canon EOS 7D photo.
The 8th Street Station is located at the south end of the system in Bayonne. Canon EOS 7D photo.
A portion of the line running toward 8th Street runs along the right of way of the old Central Railroad of New Jersey  four track mainline—once the route of the Queen of the Valley, Reading's Crusader, and Baltimore & Ohio's Royal Blue and Capitol Limited. I may have missed all of that, but my father has a few choice photos from those days. Canon EOS 7D photo.
A portion of the line running toward 8th Street usesgthe right of way of the old Central Railroad of New Jersey four track mainline—once the route of the Queen of the Valley, Reading’s Crusader, and Baltimore & Ohio’s Royal Blue and Capitol Limited. I may have missed all of that, but my father has a few choice photos from those days. Canon EOS 7D photo.

In addition to these digital photos made with my Canon EOS 7D, I also exposed many color slides on Provia 100F with my EOS 3 for review at later date.

The Katyn massacre memorial is located near Exchange Place across from lower Manhattan. Many years ago, Pennsylvania Railroad operated an extensive terminal near this very location with a cavernous balloon style shed patterned after London St. Pancras.
The Katyn massacre memorial is located near Exchange Place across from lower Manhattan and a short walk from the light rail line. Many years ago, Pennsylvania Railroad operated an extensive terminal near this location that featured a cavernous balloon style shed patterned after London St. Pancras. My father brought us to the site of the old terminal in the early 1980s-even then there wasn’t much to remind us of the glory days.

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Hoboken Terminal in Five Photos.

My new book Railway Depots, Stations & Terminals will feature New Jersey’s Hoboken Terminal. This will be published by Voyageur Press in a few months time. Below is an excerpt of my text along with a few photos I exposed with Jack May on January 15, 2015.

William H. Truesdale assumed control of the anthracite hauling Delaware, Lackawanna & Western in 1899. During the early twentieth century he transformed DL&W into a modern railroad with state of the art infrastructure. His skillful management and massive capital improvements were designed to lower the railroad’s costs and make it more competitive. During this Lackawanna renaissance Kenneth M. Murchison was hired to design the railroad’s finest passenger facilities. Murchison, was a respected New York architect who earned several important commissions for railroad stations in the early twentieth century. Murchison had studied in Paris and made prominent use of the Beaux-Arts style in his railway architecture. Among his significant early projects was Delaware, Lackawanna & Western’s new Hoboken Terminal on the west shore of the Hudson River across from New York City.

Hoboken_Terminal_IMG_0113

Hoboken_Terminal_IMG_0129

Hoboken_Terminal_IMG_0117

Bush style sheds were first developed for Hoboken and survive to the present day.
Bush style sheds were first developed for Hoboken and survive to the present day.
Main waiting room at Hoboken.
Main waiting room at Hoboken.

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Tracking the Light Extra Post: February Railfan & Railroad feature Brian Solomon’s B&A article.

If you haven’t seen it, check it out! My eight-page exclusive Boston & Albany photo feature graces the pages of February 2015 Railfan & Railroad magazine.

B&A Solomon_col_899818

Special thanks to Otto Vondrak for facilitating this article which features some of personal favorite photographs!

See: http://railfan.com/

and on Facebook: https://www.facebook.com/railfanmag?fref=nf

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Newark Broad Street

Five photos of an Architectural Gem on the old Lackawanna.

On January 15, 2015, Jack May and I visited this grand old railroad station on our exploration of NJ Transit lines in the area.

The station building was designed by DL&W’s Frank J. Niles and completed in 1903.

Newark Broad Street Station on January 15, 2015. Exposed with a Canon EOS 7D with 20mm lens.
Newark Broad Street Station on January 15, 2015. Exposed with a Canon EOS 7D with 20mm lens.
Newark Broad Street Station on January 15, 2015. Exposed with a Canon EOS 7D with 20mm lens.
The Italianate style clock tower is a classic element of Newark’s Broad Street Station on January 15, 2015. Exposed with a Canon EOS 7D with 20mm lens.

Although the days when long distance trains paused here on their way to and from Buffalo have long since past, the triple track former Delaware, Lackawanna & Western mainline was alive with suburban traffic.

On going maintenance on track 1 improved our photographs of inbound trains, but confused passengers as to which platform to stand on.

An informative plaque at Broad Street makes for its own caption.
An informative plaque at Broad Street makes for its own caption.
An NJT ALP46 shoves at the back of an inbound train: next stop, Hoboken. Canon EOS 7D with 20mm lens.
An NJT ALP46 shoves at the back of an inbound train: next stop, Hoboken. Canon EOS 7D with 20mm lens.
An outbound NJ Transit commuter train approaches Broad Street. On the left you can see the Empire State Building. Canon EOS 7D with 100mm lens.
An outbound NJ Transit commuter train approaches Broad Street. On the left you can see the Empire State Building. Canon EOS 7D with 100mm lens.

I’ve just completed text for a book on railroad stations to be published by Voyageur Press. This among the many stations that I may choose to illustrate.

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Lost Treasure of the Golden Swoosh.

I’ve been prevailed upon to tell this tale:

Was it January 11th 2015, when word came over the wire?

Fellow photographer Pat Yough said to me, and I repeat, ‘the Golden Swoosh has been sighted at Buffalo and is heading this way.’

‘The what?’ said I.

‘The Golden Swoosh! It’s all the rage. Something about the black swoosh is yellow on one of the BNSF GE’s.’

‘Whoa. Back the trolley up. What’s all this about?’

So far as I can determine, sometime ago a four-lettered shoe company produced a special runner (that’s an ‘athletic shoe’ in American parlence). And, this deluxe edition shoe carried a yellow tinted zinger on the side and was known as ‘the Golden Swoosh’.

This curious term, it seems, was then transferred to a BNSF Railway General Electric Evolution-Series locomotive painted in a one of a kind variation of the company’s livery.

Instead of black lettering with angled underline (a ‘swoosh’ as it were), the ‘BNSF’ lettering and corporate underline logo was painted yellow thus creating a unique adaptation of the BNSF image on locomotive 7695.

And this curious painted variation was eastbound on CSX leading a laden oil train destined for Philadelphia.

The wire was live with reports. It was seen south of Selkirk and rolling down along the Hudson on CSX’s River Line.

But then, just as it seemed that this locomotive note-worthy for its yellow underline, was nearly upon us, word came in that it was at Kearny Yard where it was tied down and without a crew.

And so, another day passed, swooshless.

Finally, after long last, on the evening of January 13th the famed ‘golden swoosh’ was again on the move.

The weather was cold and the sky was dark. Pat and I visited Neshaminy Falls on the old Reading Company. No swoosh. Then to Langhorne where CSX’s Q417 passed in the gloom (144 axles led by engines CSX 8768 and 8836). This was followed by CSX’s Q191 led by 5359 and 509 followed by containers.

CSX Q191 rolls though Langhorne, Pennsylvania on the old Reading Company Trenton Line on January 13, 2015. Canon EOS 7D photo.
CSX Q191 rolls though Langhorne, Pennsylvania on the old Reading Company Trenton Line on January 13, 2015. Canon EOS 7D photo.

In the end we went to Woodbourne: finally a headlight appeared on the horizon. The catenary glistened. and the low chug of a GE engine shook the ground.

And there, leading a mighty train of oil, was the ‘Golden Swoosh.’

I racked up the ISO to make some effort to mark its passing.

‘There it is!’

My Canon captured this view of the famed 'Golden"Swoosh.'
My Canon captured this view of the famed ‘Golden”Swoosh.’

BNSF_golden_swoosh_IMG_9954BNSF_golden_swoosh_IMG_9955

And there it goes.

Sort of reminded me of the time Britain’s Queen Elizabeth waved to me on one of her trips through Dublin in 2011.

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CSX Noir.

It was a dark and rainy night on January 2015. Pat Yough and I were watching the railroad roll. I made these views of CSX freights moving along the Trenton Line (former Reading) at Neshaminy Falls, Pennsylvania.

CSX crude oil train K138 glides through Neshaminy Falls, Pennsylvania. Canon EOS 7D with 20mm lens. ISO 4000 f2.8 1/10th of second.
CSX crude oil train K138 glides through Neshaminy Falls, Pennsylvania. Canon EOS 7D with 20mm lens. ISO 4000 f2.8 1/10th of second.
CSX Q438-10 approaches Neshaminy Falls, Pennsylvania. Canon EOS 7D with 40mm pancake lens. ISO 4000 f2.8 1/10th of second.
CSX Q438-10 approaches Neshaminy Falls, Pennsylvania. Canon EOS 7D with 40mm pancake lens. ISO 4000 f2.8 1/10th of second.
CSX Q438-10 approaches Neshaminy Falls, Pennsylvania. Canon EOS 7D with 40mm pancake lens. ISO 4000 f2.8 1/10th of second.
CSX Q438-10 approaches Neshaminy Falls, Pennsylvania. Canon EOS 7D with 40mm pancake lens. ISO 3200 f2.8 1/60th of second.
CSX Q438-10 passes Neshaminy Falls, Pennsylvania. Canon EOS 7D with 40mm pancake lens. ISO 3200 f2.8 1//25th of second.
CSX Q438-10 passes Neshaminy Falls, Pennsylvania. Canon EOS 7D with 40mm pancake lens. ISO 3200 f2.8 1//25th of second.

SEPTA_station_sign_Neshaminy_Falls_PA_IMG_9863

I exposed these images handheld using my Canon EOS 7D set at high ISO for greater sensitivity in low light. The images have a gritty high-noise look to them. Let’s just say, it wasn’t Kodachrome weather. But then, there isn’t any Kodachrome anymore.

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Amtrak’s Acela Express catches the glint at Eddystone.

The late Baldwin Locomotive Works was famous for its factory in this Philadelphia suburb.

What may seem hard to believe is that it’s been nearly six decades since Baldwin’s last new locomotive.

On January 11, 2015, Pat Yough and I set up here for a sunset photograph of Amtrak’s Acela Express.

SEPTA Eddystone station sign. January 11, 2015.
SEPTA Eddystone station sign. January 11, 2015.
Amtrak's Acela Express catches the glint at Eddystone, Pennsylvania.
Amtrak’s Acela Express catches the glint at Eddystone, Pennsylvania.
The local fire department had been tending to an incident nearby.
The local fire department had been tending to an incident nearby.

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Amtrak Silver Meteor at Torresdale.

A well-timed visit trackside to the SEPTA station at Torresdale, Pennsylvania allowed for photography of several Amtrak trains on the North East Corridor in rapid succession.

The new ACS-64 ‘City Sprinter’ electrics are become more common and its nice to get them while they are still clean.

Mural on the bridge depicting more pastoral times.
Mural on the bridge depicting more pastoral times.
Clean Amtrak ACS-64 leads train 91, the Silver Meteor at Torresdale, PA. Canon EOS 7D with 100mm lens.
Clean Amtrak ACS-64 leads train 91, the Silver Meteor at Torresdale, PA. Canon EOS 7D with 100mm lens.
Heritage dinner and Viewliners glide along on the Corridor; how much longer will the old cars linger?
Heritage diner and Viewliners glide along on the Corridor; how much longer will the old cars linger?
Amtrak ACS-64 with the Crescent, train 20 blitzes Torresdale, Pennsylvania. Canon EOS7D with 200mm lens.
Amtrak ACS-64 with the Crescent, train 20 blitzes Torresdale, Pennsylvania. Canon EOS7D with 200mm lens. I like the contrast between the new locomotive and the old cars; Amtrak in transition.

I was especially pleased to catch Amtrak’s Silver Meteor with one of the new electrics.

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Electric 611, Branford, Connecticut.

There’s something catchy about certain engine numbers. Norfolk & Western’s streamlined J-Class 4-8-4 611 is world famous.

A few months back I featured Chicago Metra’s 611, which is an EMD F40C diesel-electric.

So how about an electric with the number 611. Here’s one of Amtrak’s shiny new Siemens-built ACS-64 electrics, number 611, with train 161 at Branford, Connecticut.

It was noon at the Shore Line East station on January 10, 2015 when I exposed a rapid sequence of this modern locomotive.

Amtrak 611 leads train 161 westbound at Branford, Connecticut on January 10, 2015.
Amtrak 611 leads train 161 westbound at Branford, Connecticut on January 10, 2015.

The tricky part of making the photo was selecting the correct exposure for the window of sun between the overhead bridge and the platform. The sun was bright, but lighting from the side. I made several test photos before the train burst into the scene.

Exposed with a Canon EOS 7D with 200mm lens; f4.5 1/1000th of a second, ISO 200.

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Tomorrow: New Haven Railroad reincarnated.

Trailing view of 161 at Branford, CT. 200mm lens.
Trailing view of 161 at Branford, CT. 200mm lens.

West Haven, Amtrak Acela Express

On January 10, 2015, it was a roasting 15 degrees F when I exposed an image burst with my Canon EOS 7D of the passing Acela Express train 2251 (Boston-Washington DC).

West Haven is a relatively new station on Metro-North. It features easy access from Interstate I-95 (Exit 42) and on weekends offers free parking.

Was able to drive right up to the east end of the station platform.

Amtrak's Acela Express train 2251 at West Haven. It was cold but clear. Exposed using a Canon EOS 7D with 20mm lens. Part of a burst of exposures made with the camera's motordrive.
Amtrak’s Acela Express train 2251 at West Haven. It was cold but clear. Exposed using a Canon EOS 7D with 20mm lens. Part of a burst of exposures made with the camera’s motor-drive.
Trailing view at West Haven.
Trailing view at West Haven.
Metro-North's West Haven station opened in 2013.
Metro-North’s West Haven station opened in 2013.

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Kodachrome File: Crazy Weather in Warsaw . . .

New York.

On the old Erie Railroad.

On May 7, 1989, I awoke to find more than 6 inches of snow on the ground at Scottsville, New York. The previous day, people had been mowing lawns.

By 11:42 am, I’d caught up with Delaware & Hudson’s DHT-4, a double stack train that was working its way east from Buffalo on Conrail’s former Erie Railroad mainline

At the time New York, Susquehanna & Western was D&H’s designated operator.

 NYS&W SD45 3614 (former Burlington Northern) leads Delaware & Hudson DHT-4 on Conrail’s former Erie Railroad mainline to Buffalo near milepost 374 (measured from Jersey City).

NYS&W SD45 3614 (former Burlington Northern) leads Delaware & Hudson DHT-4 on Conrail’s former Erie Railroad mainline to Buffalo near milepost 374 (measured from Jersey City).

More to the point, the late season snow had contributed to a signal failure, and the freight was stopped at red signal near Warsaw, and awaiting instructions from the dispatcher. I made this photograph using my Leica M2 loaded with Kodachrome 25. I had the camera fitted with a Visoflex and 200mm Telyt (which was a combination I was using a lot back then).

Since DHT-4 wasn’t moving, I opted to play around with some non-standard compositions. This slide was in my ‘Seconds box’ (not to be projected to an audience) for 25 years. I also have some more conventional views as well.

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Kodachrome Classic: Amador Central March 1997

After WinterRail 1997, Mel Patrick, John Gruber and I spent a day photographing the Amador Central, a short line that was rumored to be making one of its final revenue runs.

Amador Central number 11 works a short freight in March 1997.
Amador Central number 11 works a short freight in March 1997.

I exposed this Kodachrome 25 slide using my Nikon F3T. It was a clear Spring day in the Sierra foothills and a nice time to be outside making photographs. For me K25 and California sun were always a winning combination.

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Tomorrow: ten years earlier with another EMD locomotive!

Conrail from the Archives: Along the Erie Railroad November 1988.

From Common to Classic.

I made this square-format black & white photograph on the morning of November 6, 1988 using my father’s old Rollei Model T.

Conrail C30-7A 6595 leads ELOI eastbound along the Allegheny River west of Allegany, New York at 11:58am on November 6, 1988. Exposed on ISO 400 Kodak Tri-X with a Rollei Model T with 75mm Zeiss Tessar, f5.6 1/250th of a second.
Conrail C30-7A 6595 leads ELOI eastbound along the Allegheny River west of Allegany, New York at 11:58am on November 6, 1988. Exposed on ISO 400 Kodak Tri-X with a Rollei Model T with 75mm Zeiss Tessar, f5.6 1/250th of a second.

At the time, I was traveling with Pete Swanson in his 1980s-era Renault Encore. We’d driven down from the Rochester area, and at 11:11 am we intercepted Conrail’s ELOI (Elkhart, Indiana to Oak Island freight) working east on the former Erie Railroad mainline west of Salamanca.

Track conditions made this a fairly easy chase, and we made several images around Salamanca, New York.

A few weeks earlier, I’d made some photo copies of USGS topo maps for the Salamanca area, and on a previous trip scoped out this location, located between Carrollton and Allegany, New York.

Although only a short distance from old highway 17 (at that time I don’t think the grade separate Route 17 had been completed), this location require a little fore-knowledge as it wasn’t obvious from the road.

Conrail had recently performed some work along this section of old Erie route which opened up photo locations such as this one. Today, the line is operated by the Western New York & Pennsylvania.

A tightly cropped portion of the above photo. I scanned my old negatives using an Epson V600 flatbed scanner.
A tightly cropped portion of the above photo. I scanned my old negatives using an Epson V600 flatbed scanner.

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The Least Photographed High Speed Train in Europe

Spain’s Elusive Broad Gauge TGV.

We’ve all seen photos of the French TGV, and the German ICE. Yet, Spain also operates a high-speed railway network. While it’s AVE system uses the European gauge, its rarely photographed Euromed rolls along on Iberian broad gauge tracks.

Back in September 2001, I was traveling in eastern Spain with Denis McCabe and we made a project of seeking out this curious and elusive speedster.

Exposed on Fujichrome Sensia 100 using  a Nikon F3T with 180mm lens.
Exposed on Fujichrome Sensia 100 using a Nikon F3T with 180mm lens.

I made this image of the Euromed westbound at Sagunt, where it was overtaking a local all-stops train. Before I made photographs of the EuroMed, I’d never before seen an image of the train in print. Even today I’d argue it is Europe’s least photographed high-speed train! Any wagers?

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Pennsylvania Railroad Signals on the Main Line.

A descriptive sequence of photos at Bryn Mawr.

Pennsylvania Railroad’s chief signal engineer A.H. Rudd developed the position light signal during the World War I years and the railroad refined the type into its classic form in the 1920s. There after, the railroad installed large numbers of this unusual type of signal along its lines.

While in recent years this type of hardware has fallen out of favor, or been adapted into a form of colored position light, there are a few places where classic PRR-style position lights survive.

The former Pennsylvania Railroad Main Line west of Philadelphia is one of the last bastions for these traditional signals.

In December, Pat Yough and I spent several evenings photographing the old PRR position lights at work.

Pennsylvania Railroad Position Light signal at Bryn Mawr, Pennsylvania. Time exposure made with a Canon EOS 7D 100mm lens mounted firmly on a Bogen tripod. ISO400 f4 at 3.2 seconds.
Pennsylvania Railroad Position Light signal at Bryn Mawr, Pennsylvania. Time exposure made with a Canon EOS 7D 100mm lens mounted firmly on a Bogen tripod. ISO400 f4 at 3.2 seconds.

Bryn_Mawr_Rule_291_Restricted_Proceed_with_train_IMG_8679

Bryn_Mawr_Rule_291_Restricted_Proceed_with_train_IMG_8680 1

Approach.
Approach.
Proceed.
Proceed.

I made this sequence of images near the now-closed tower at Bryn Mawr, Pennsylvania. Interested in learning more about signals? My book, Railroad Signaling is available from Voyageur Press. My new book, Classic Railroad Signals is anticipated for publication later this year.

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35 Years for the AEM-7

In January 1980, I made my first photographs of Amtrak AEM-7s. They were then brand new. I didn’t much care for them then because the represented the end for my favorite GG1s. Nothing lasts forever, and now Amtrak AEM-7s are rolling off their final miles.

I made this photo of Amtrak 945 at South Station last year on the day before the first official run of Amtrak ACS-64 number 600. The new ACS-64 are locomotives that will ultimately supplant the AEM-7s on the North East Corridor.

Amtrak AEM-7 945 at South Station, Boston. Exposed on Fuji Acros 100 black & white film using a Leica M3 with 21mm Super Angulon. Processed in Kodak HC100.
Amtrak AEM-7 945 at South Station, Boston. Exposed on Fuji Acros 100 black & white film using a Leica M3 with 21mm Super Angulon. Processed in Kodak HC110.

And what of my first AEM-7 photos? I processed my film using oxidized Microdol-X and the negatives were exceptionally thin. (under processed). Perhaps, if I can locate them, I can fix them in post-processing, but that’s a project for another day.

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Tracking the Light Wishes You a Happy New Year!

A Chicago, South Shore & South Bend electric races east away from the setting sun in October 1994. Exposed on Fujichrome using a Nikkormat FTN with 28mm lens.
A Chicago, South Shore & South Bend electric races east away from the setting sun in October 1994. Exposed on Fujichrome using a Nikkormat FTN with 28mm lens.

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Blue Pacific Under Steam

Reading & Northern’s 425.

On Saturday December 13, 2014, Pat Yough and I made a pilgrimage to Port Clinton, Pennsylvania to photograph Reading & Northern 425 working Christmas specials.

I’ve found that one of the best times to photograph steam at work is on cold days. This makes for spectacular shows of effluence from the locomotive.

So, do you expose for the steam or the steam locomotive?

Reading & Northern 425 made a stunning display of steam at Port Clinton on December 13, 2014. Exposed with a Fuji X-T1 with 55-200mm lens.
Reading & Northern 425 made a stunning display of steam at Port Clinton on December 13, 2014. Exposed with a Fuji X-T1 with 55-200mm lens.
Blue Pacific Under Steam: R&N 425 at Port Clinton, exposed with a Canon EOS 7D with 200mm lens.
Blue Pacific Under Steam: R&N 425 at Port Clinton, exposed with a Canon EOS 7D with 200mm lens.
Running gear;  valve gear and drivers. Exposed with a Fuji X-T1 with 18-55mm lens.
Running gear; valve gear and drivers. Exposed with a Fuji X-T1 with 18-55mm lens.
On the dead-head run from Port Clinton to Schuylkill Haven, R&N operated an SD40-2 ahead of the Pacific. The SD40-2 was removed for the revenue passenger trips. Personally, I can complain about photographing an old SD40-2, and honestly I'd rather see a diesel leading that hiding behind the steam locomotive as 'protection power'. Exposed with a Canon EOS 7D with 200mm lens.
On the dead-head run from Port Clinton to Schuylkill Haven, R&N operated an SD40-2 ahead of the Pacific. The SD40-2 was removed for the revenue passenger trips. Personally, I can’t complain about photographing an old SD40-2, and honestly I’d rather see a diesel leading that hiding behind the steam locomotive as ‘protection power’. Exposed with a Canon EOS 7D with 200mm lens.
I made this view at Landingville with Pat Yough's Fuji X-T1. This would be an ideal camera to photograph and extra move with R&N's ex Reading 2102!
I made this view at Landingville with Pat Yough’s Fuji X-T1. Now, this would be an ideal camera to photograph an extra move with R&N’s ex-Reading 4-8-4 number 2102!
Reading & Northern 425 approaches Schuylkill Haven, Pennsylvania on the old Reading Company line. Exposed using a Canon 7D with 200mm lens.
Reading & Northern 425 approaches Schuylkill Haven, Pennsylvania on the old Reading Company line. Exposed using a Canon 7D with 200mm lens.
Reading & Northern 425 pauses at the old station in Schuylkill Haven. Lumix LX7 photo.
Reading & Northern 425 pauses at the old station in Schuylkill Haven. Lumix LX7 photo.
Crossing the Schuylkill River near Landingville, Pennsylvania. Canon EOS 7D with 100mm lens.
Crossing the Schuylkill River near Landingville, Pennsylvania. Canon EOS 7D with 100mm lens.
The old Pennsylvania Railroad crossed the Reading on a truss span near Auburn, Pennsylvania. More than 35 years have passed since a train last used the old PRR. Canon EOS 7D with 200mm lens.
The old Pennsylvania Railroad crossed the Reading on a truss span near Auburn, Pennsylvania. More than 35 years have passed since a train last used the old PRR. Canon EOS 7D with 200mm lens.
There are not many places in North America where you can photograph a steam locomotive working upgrade at speed unassisted. (Where's that SD40-2 now?). Canon EOS 7D.
There are not many places in North America where you can photograph a steam locomotive working upgrade at speed unassisted. (Where’s that SD40-2 now?). Canon EOS 7D.
Reading & Northern 425 near Auburn, Pennsylvania. Fuji X-T1 with 18-55mm lens.
Reading & Northern 425 near Auburn, Pennsylvania. Fuji X-T1 with 18-55mm lens.

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Tracking the Light SPECIAL POST: Knowledge Corridor Specials, December 22, 2014.

Amtrak Extra and Pan Am’s Office Cars on the Move.

8 digital photos and more!

Today, in preparation for the opening of the Knowledge Corridor next week, special trains converged on Greenfield, Massachusetts.

Amtrak_104_at_Holyoke_P1120203
Amtrak’s special was ahead of schedule departing Holyoke with officials on board. Lumix LX7 photo. (You’ll need to be patient to see the color slide exposed here.)

 

Paul Goewey and I intercepted the northward Amtrak special at Holyoke—where we made use of a location recently opened up by brush clearing in conjunction with work on the line.

Amtrak's special crosses the Deerfield River on the Cheapside Bridge. Back in the day there was a canal harbor near here. Lumix LX7 photo, December 22, 2014.
Amtrak’s special crosses the Deerfield River on the Cheapside Bridge. Back in the day there was a canal harbor near here. Lumix LX7 photo, December 22, 2014.
Pan Am's Office Car train with F-unit at Greenfield, Massachusetts on December 22, 2014. Canon EOS 7D with 200mm lens.
Pan Am’s Office Car train with F-unit at Greenfield, Massachusetts on December 22, 2014. Canon EOS 7D with 200mm lens.
A convergence of passenger trains at Greenfield. Soon, Amtrak will call here everyday! Canon EOS 7D with 200mm lens.
A convergence of passenger trains at Greenfield. Soon, Amtrak will call here everyday! Canon EOS 7D with 200mm lens.

We followed the train northward. Pan Am posed its Office Car train, complete with vintage F-unit at Greenfield.

Later, we waited patiently at East Deerfield Yard to catch the Pan Am train reversing back. This was my first opportunity to catch one Pan Am F-units on the move.

It wasn’t the brightest day for photography, but we made the best of it with digital cameras. (And I exposed a few slides for posterity!)

Nose to nose at Greenfield. Canon EOS 7D with 200mm lens.
Nose to nose at Greenfield. Canon EOS 7D with 200mm lens.
An added bonus were these two Pan Am locomotives at East Deerfield Yard.
An added bonus were these two Pan Am locomotives at East Deerfield Yard.
Pan Am's Office Cars reverse toward East Deerfield in the fading light of evening. Canon EOS 7D with 100mm lens.
Pan Am’s Office Cars reverse toward East Deerfield in the fading light of evening. Canon EOS 7D with 100mm lens.
Pan photo of PAR-1 at East Deerfield. Lumix LX7 photo.
Pan photo of PAR-1 at East Deerfield. Lumix LX7 photo.

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Tracking the Light SPECIAL POST: Knowledge Corridor Test Train—December 19, 2014

Today (Dec 19, 2014) Amtrak operated a test train north from Springfield, Massachusetts on Pan Am Southern’s recently rehabilitated  Boston & Maine Connecticut River Line in preparation for re-routed Vermonter service (expected to begin at the end of this month).

My father and I went out to document this special move, then went over to the New England Central route to photograph the Vermonter on its present route.

Amtrak 111 leads the northward test train at Old Ferry Road in Holyoke (south of Mt Tom) on December 19, 2014. Exposed with a Canon EOS 7D with 200mm lens. ISO 800.
Amtrak 111 leads the northward test train at Old Ferry Road in Holyoke (south of Mt Tom) on December 19, 2014. Exposed with a Canon EOS 7D with 200mm lens. ISO 800.
Amtrak's southward test train at Old Ferry Road in Holyoke (south of Mt Tom) on December 19, 2014. Exposed with a Canon EOS 7D with 200mm lens. ISO 800.
Amtrak’s southward test train at Old Ferry Road in Holyoke (south of Mt Tom) on December 19, 2014. Exposed with a Canon EOS 7D with 200mm lens. ISO 800. Brush cutting efforts have opened up numerous photo locations along the line.

Tracking the Light posts new material EVERY DAY!

Exploring Philadelphia on SEPTA.

Friday December 5, 2014.

SEPTA’s Independence Pass offers great value for the $12 price and more importantly gives you the freedom to jump from train to train and one mode to another without worrying about buying individual tickets.

We started at Overbrook, where the agent in the station sold us our Independance Passes. Of the tens of thousands of railway stations that once dotted the North American network, how many still have open ticket windows and waiting rooms for passengers? Lumix LX7 photo.
We started at Overbrook, where the agent in the station sold us our Independance Passes. Of the tens of thousands of railway stations that once dotted the North American network, how many still have open ticket windows and waiting rooms for passengers? Lumix LX7 photo.
Outbound SEPTA multiple unit at Overbrook, Pennsylvania. Lumix LX7 photo.
Outbound SEPTA multiple unit at Overbrook, Pennsylvania. Lumix LX7 photo.
SEPTA logo. Lumix LX7 photo.
SEPTA logo. Lumix LX7 photo.

My brother Sean set out on a wandering tour that included SEPTA’s commuter rail, Broad Street Subway and Market-Frankford rapid transit, and light rail lines.

Part of our quest was to find the elusive Oak Lane station on the former Reading Company lines.

Modern maps won’t show this station, and I had a special interest in finding it, which I’ll explain in tomorrow’s post! Stay tuned!

Inbound SEPTA train at Jenkintown on the former Reading. Lumix LX7 photo.
Inbound SEPTA train at Jenkintown on the former Reading. Lumix LX7 photo.
This sign was at the old Oak Lane Station. Mystery revealed tomorrow!
This sign was at the old Oak Lane Station. Mystery revealed tomorrow!
SEPTA trains at Fern Rock. Lumix LX7 photo.
SEPTA trains at Fern Rock. Lumix LX7 photo.
SEPTA 2304 was built in Graz, Austria. Lumix LX7 photo.
SEPTA 2304 was built in Graz, Austria. Lumix LX7 photo.
SEPTA's Broad Street Subway must be the region's least photographed railway line. Why, I don't know. Lumix LX7 photo.
SEPTA’s Broad Street Subway must be the region’s least photographed railway line. Why, I don’t know? Lumix LX7 photo.
Indeed!
Indeed!
Kowasaki cars on the Broad Street line.
Kowasaki cars on the Broad Street line.
Just so you know!
Just so you know!
Girard and Broad Street. Lumix LX7 photo.
Girard and Broad Street. Lumix LX7 photo.
Route 15 PCC's at the new Northern Liberties loop near the new Casino. Lumix LX7 photo.
Route 15 PCC’s at the new Northern Liberties loop near the new Casino. Lumix LX7 photo.
SEPTA PCC 2328 up close. Exposed using a Canon EOS 7D with 40mm Pancake lens.
SEPTA PCC 2328 up close. Exposed using a Canon EOS 7D with 40mm Pancake lens.
PCC 2324 at the Northern Liberties loop. Lumix LX7 photo.
PCC 2324 at the Northern Liberties loop. Lumix LX7 photo.
PCC at dusk on Frankford Street near The Handle Bar. LX7 Photo.
PCC at dusk on Frankford Street near The Handle Bar. LX7 Photo.
SEPTA's Market-Frankford El at dusk. Lumix LX7 photo.
SEPTA’s Market-Frankford El at dusk. Lumix LX7 photo.
Market-Frankford El at Girard Ave. Lumix LX7 photo.
Market-Frankford El at Girard Ave. Lumix LX7 photo.
SEPTA's celebrathing 50 years. Our passes were valid on the buses, but we opted for an all-rail journey. Lumix LX7 photo.
SEPTA’s celebrathing 50 years. Our passes were valid on the buses, but we opted for an all-rail journey. Lumix LX7 photo.
Philadelphia City Hall at night. Lumix LX7 photo.
Philadelphia City Hall at night. Lumix LX7 photo.
A Silverliner V dressed for the Philadelphia Eagles at Suburban Station.
A Silverliner V dressed for the Philadelphia Eagles at Suburban Station.
And, finally, back to Overbrook. LX7 photo.
And, finally, back to Overbrook. LX7 photo.

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Tomorrow; Oak Lane, revisited.

 

Along the Main Line—December 4, 2014.

Tracking the Light presents 14 recent images—a work in progress.

Not any old mainline, but The Main Line—the former Pennsylvania Railroad west of Philadelphia. This is hallowed ground in the eyes of PRR enthusiasts.

My brother and I spent several hours examining various locations from Overbook to Bryn Mawr.

A training special (not listed in the public timetable) approaches Narberth on December 4, 2014. Lumix LX7 photo.
A training special (not listed in the public timetable) approaches Narberth on December 4, 2014. Lumix LX7 photo.
A training special at Narberth on December 4, 2014. Lumix LX7 photo.
A training special at Narberth on December 4, 2014. Lumix LX7 photo.
A SEPTA training special departs Narberth on December 4, 2014. Lumix LX7 photo.
A SEPTA training special departs Narberth on December 4, 2014. Lumix LX7 photo.

We were rewarded by a training special operating in midday with SEPTA AEM-7 2306 and a push-pull train. These trains are typically only used at rush hours, so it was nice to catch one off peak.

Narberth. Lumix LX7 photo.
Narberth. Lumix LX7 photo.

SEPTA_Narberth_PA_sign_P1100450

The Main Line loves its trees.
The Main Line loves its trees.

The Main Line is a throwback to another time. The line still retains many of its visual cues from year’s gone by, including classic Pennsylvania Railroad position light signal hardware.

SEPTA locals pass at Narberth. Classic postion light signaling still protects the mainline.
SEPTA locals pass at Narberth. Classic postion light signaling still protects the mainline.
SEPTA local approaching Wynnewood. Lumix LX7 photo.
SEPTA local approaching Wynnewood. Lumix LX7 photo.
SEPTA training special inbound near Wynnewood. Lumix LX7 photo.
SEPTA training special inbound near Wynnewood. Lumix LX7 photo.

Among the challenges to photographing this line is the proliferation of trees along the right of way. While these can make for nice props, they also cast shadows which complicate photography.

From an operations standpoint, I would think that having so many line-side trees would be a serious problem. Not only will these cause wheel-slip in the autumn that will result in difficulties for suburban trains trying to meet tight schedules, but falling branches and trunks will interfere with the catenary.

Would the PRR have tolerated so many trees along its primary east-west trunk?

 

SEPTA local at Wynnewood.
SEPTA local at Wynnewood.
Advertising on a Silverliner V. Lumix LX7 photo.
Advertising on a Silverliner V. Lumix LX7 photo.
Old PRR-era station at Haverford. Lumix LX7 photo.
Old PRR-era station at Haverford. Lumix LX7 photo.
An Amtrak Keystone blitzes Bryn Mawr. Lumix LX7 photo.
An Amtrak Keystone blitzes Bryn Mawr. Lumix LX7 photo.
Bryn Mawr. Lumix LX7 photo.
Bryn Mawr. Lumix LX7 photo.

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Tomorrow exploring Philadelphia by rail!

 

Rainbow Consist in the Missouri Valley.

Tracking the Light remembers the Chicago, Central & Pacific.

 On April 23, 1995, Howard Ande and I chased this westward CC&P freight through the Missouri Valley to Council Bluffs, Iowa.

CC&P was a short-lived 1980s-era Illinois Central Gulf spin-off.

This mixed consist of former Illinois Central Gulf Geeps, a former Chessie System unit, and one of the few CC&P painted locomotives seems to sum up the state of affairs.

Chicago Central & Pacific westward freight near Woodbine, on April 23, 1995.
Chicago Central & Pacific westward freight near Woodbine, on April 23, 1995.
Chicago Central & Pacific westward freight near Woodbine, on April 23, 1995. Exposed with a Nikkormat FTN on Fujichrome Provia 100.
Chicago Central & Pacific westward freight near Woodbine, on April 23, 1995. Exposed with a Nikkormat FTN on Fujichrome Provia 100.

In my book North American Railroad Family Trees (published by Voyageur Press in 2013) I described Illinois Central’s tree pruning:

 Among the most unusual 1980s-de-constructions was the result of Illinois Central Gulf’s compulsive trimming of most of its network outside the former IC principal north-south core. Among the new regional railroads created were: Chicago, Central & Pacific in 1985 on the old IC Chicago-Omaha route; Mississippi-based MidSouth in 1986; and the former Alton network spun off as Chicago, Missouri & Western in 1987. All were short-lived creations, and within a decade had been absorbed by other major carriers. In 1996, IC (having dropped ‘Gulf’ from its name in 1988) bought back the CC&P, MidSouth went to KCS, while C&MW routes were divided between Southern Pacific and Gateway Western (which was later absorbed by KCS). Also created from the ICG network was Paducah & Louisville in 1986, which continues to operate as a independent railroad in 2013.

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Southern Pacific Weso, Nevada.

Tracking the Light Daily Post:

Weso is a contraction implying ‘Western Pacific Southern Pacific’. This is the control point at the western end of the famed ‘paired track’ where SP’s and WP’s single track mainlines were coordinated during World War I to function as directional double track to ease operations.

Weso, Nevada on July 21, 1991. Exposed on Kodachrome 25 using a Nikon F3T fitted with a f1.8 105mm Nikkon lens, mounted on a Bogen 3021 tripod.
Weso, Nevada on July 21, 1991. Exposed on Kodachrome 25 using a Nikon F3T fitted with a f1.8 105mm Nikkon lens, mounted on a Bogen 3021 tripod.

My long-time photo pal TSH and I camped here in July 1991 and made a promising morning exposing Kodachrome of the parade of trains that passed after sunrise.

This view is of an eastward SP Modoc Line freight on Union Pacific’s former WP line just east of the crossovers at Weso, mile post 537. Weso is near Winnemucca. The parallel SP line is off camera to the left.

Weso, Nevada on July 21, 1991. Exposed on Kodachrome 25 using a Nikon F3T fitted with a f1.8 105mm Nikkon lens, mounted on a Bogen 3021 tripod.

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Brian Solomon’s Night Photo Challenge-Part 4.

Misty Night in the Old Moravian Capital.

Trams pause in the fog at the Olomouc main station. This former provincial capital is now in the Czech Republic, located about three and one half hours east of Prague. It enjoys an excellent passenger service with direct trains to many Czech cities. Exposed on Fujichrome with a Canon EOS 3 fitted with a 100mm lens. Contrast and colour adjusted in post processing.
Trams pause in the fog at the Olomouc main station. This former provincial capital is now in the Czech Republic, located about three and one half hours east of Prague. It enjoys an excellent passenger service with direct trains to many Czech cities. Exposed on Fujichrome with a Canon EOS 3 fitted with a 100mm lens. Contrast and colour adjusted in post processing.

Olomouc—known as Olmütz in the day of the old Hapsburg Empire when it was the capital of Moravia—is an ancient city dating back to Roman times. I found it an exceptionally photogenic small city.

In January 2009, Denis McCabe and Tim Doherty visited Olomouc on a week-long photographic trip to central Europe. On the evening of our arrival from Prague, a heavy fog had settled across the city, making its eclectic architecture, Soviet Era trams, and well worn cobblestone street even more evocative.

We spent several hours walking around in the mist.

Olomouc, Czech Republic, January 2009. Exposed on Fujichrome with a Canon EOS 3.
Olomouc, Czech Republic, January 2009. Exposed on Fujichrome with a Canon EOS 3.

Czech Republic 50201 Czech Republic 50199 Czech Republic 50179 Czech Republic 50147 Czech Republic 50155 Czech Republic 50112 Czech Republic 50103

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Stay tuned for the final episode  in my ‘Night Photo Challenge’
For tomorrow’s image, I’ve used  atypical techniques.
I wonder if anyone will notice what I’ve done?

 

 

Alcos in Scranton: Brian Solomon’s Night Photo Challenge-Part 3.

Delaware-Lackawanna shops, Scranton, Pennsylvania, October 13, 2005.

Beauty is in the eye of the beholder: I was researching and photographing for my book Working on the Railroad, when I made this image in the rain at Scranton.

Exposed on Fujichrome Provia 100F with a Nikon F3T fitted with a 24mm f2.8Nikkor lens fitted to a Manfrotto tripod. Exposure calculated with a Minolta Mark IV light meter. (Note the code lines.)
Exposed on Fujichrome Provia 100F with a Nikon F3T fitted with a 24mm f2.8Nikkor lens fitted to a Manfrotto tripod. Exposure calculated with a Minolta Mark IV light meter. (Note the code lines.)

The former British Columbia Railroad Alco Century was my primary subject. Here the combination of raw unpleasant weather, harsh sodium lighting, and a scene festooned with junk, litter and tired look side tracks meets all the aesthetical requirements for a great photo. No?

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Stay tuned for more ‘Night Photo Challenge’ images . . .  

 

MBTA 2001 works west at the Willows

Fall Foliage and an HSP46.

A clear blue dome prevailed on November 3, 2014. Although I was saddled with errands, I took the time to set up a few photos along MBTA’s recently re-doubletracked line at the Willows east of Ayer, Massachusetts.

The schedule shows two trains through this location within a few minutes of each other. My interest was with the bright foliage on the far side of the tracks.

I’ve always preferred late autumn foliage when many of the leaves have fallen, the remaining trees are rusty and almost all the green leaves have turned.

MBTA 2001 works west at the Willows. Exposed with a Canon EOS 7D fitted with 40mm pancake lens. F5.0 1/1000 at ISO 200.
MBTA 2001 works west at the Willows. Exposed with a Canon EOS 7D fitted with 40mm pancake lens. F5.0 1/1000 at ISO 200.

I was rewarded with MBTA’s new HSP46 2001 working westward toward Fitchburg. Although some of these new locomotives have been lurking around for about a year, this was my opportunity to photograph one. It was great to get one on the move in bright sun with foliage, I was delighted.

The new design of the HSP46 is unlikely to be confused with anything else. Not, as of yet, anyway. These are being built by Motive Power Inc at Boise, Idaho. Inside are General Electric mechanical and electrical components.

MBTA 2001 works west at the Willows. Exposed with a Canon EOS 7D fitted with 40mm pancake lens. F5.0 1/1000 at ISO 200.
MBTA 2001 works west at the Willows. Exposed with a Canon EOS 7D fitted with 40mm pancake lens. F5.0 1/1000 at ISO 200.

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Spirit of the Mississippi—Part 2

Savanna, Illinois.

On April 2, 1995, I spent the afternoon with Tom and Mike Danneman perched atop a bluff photographing trains along the Mississippi River. With three SD40-2s, you just know that this westbound was making a great sound along the river! Exposed on Kodachrome 25 with a Nikon F3T.
On April 2, 1995, I spent the afternoon with Tom and Mike Danneman perched atop a bluff photographing trains along the Mississippi River. With three SD40-2s, you just know that this westbound was making a great sound along the river! Exposed on Kodachrome 25 with a Nikon F3T.

A favorite location along the river was the Mississippi Palisades Park a few miles north of Savanna. Back in the mid-1990s, Mike and Tom Danneman and I would park at the public lot near river level and follow a designated hiking trail to one of several overlooks.

There standing on a plateau a top a river bluff made from millions of years of sediment, we command grand views of the river.

At the time, Burlington Northern would run a parade of trains in the afternoon and we’d photograph these roaring up and down the old Chicago, Burlington & Quincy line. This was a versatile location, good for photos at all times of the day. I don’t know that we ever tired of it.

At other times, we’d try angles from river level as well.

I often looked for angles that put the railroad in context with the river. Burlington Northern's well-polished rails glint in the evening sun on April 2, 1995.
I often looked for angles that put the railroad in context with the river. Burlington Northern’s well-polished rails glint in the evening sun on April 2, 1995.
Sunset over the Mississippi on April 21, 1996. Rock climbers make for a curious silhouette. Exposed on Fujichrome Provia 100 with a Nikkormatt FTN.
Sunset over the Mississippi on April 21, 1996. Rock climbers make for a curious silhouette. Exposed on Fujichrome Provia 100 with a Nikkormatt FTN.

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Spirit of the Mississippi—Part 1

Belleview, Iowa, March 31, 1996.

My old boss at Pentrex Publishing, Don Gulbrandsen, encouraged my photography along the Mississippi by describing the whole experience as the ‘Spirit of the River.’ While for me the main attraction was the railroads; the towns, scenery, boats and barges, locks and wild life (mostly birds of the feathered variety), which made for added interest.

Between 1994 and 1996, I made numerous trips to the Mississippi River Valley, largely working between Savanna, Illinois and La Crosse, Wisconsin and the corresponding towns on the Iowa-side.

I often traveled with Tom and Mike Danneman, Dean Sauvola, Tim Hensch and others, who added their perspective to the Mississippi Valley. While Burlington Northern (BNSF after September 1995) was the busiest line, whenever possible, I focused on the other railroads, namely Canadian Pacific’s Soo Line and Chicago, Central & Pacific.

The vast majority of my photography from these trips has never been seen, save for the occasional slide show in the 1990s. The other day, on request from a regular Tracking the Light reader, I opened a blue Logan Box filled with cardboard-mounted chromes that is labeled ‘Midwest 1990s,’ and contains some of my Mississippi River highlights.

Some of the photos are classic views, others are more interpretive. At the time, I was aiming to expose scenes that captured the railroad in its environment, often with a greater emphasis on the environment than the trains.

CP_freight_Belleview_IA_Mar31_1996_MOD1_Fujichrome©Brian Solomon 899086
A northward Soo Line freight on the former Milwaukee Road negotiates street trackage at Belleview, Iowa on March 31, 1996. Exposed with a Nikkormat FTN with f4.0 200mm Nikkor lens. Here I was working with selective focus to make the most of the scene. If I’m successful, your interest should bounce back and forth between the train and the car parked on the side of the road.

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Canadian National near Stratford, Illinois.

April 21, 1995.

It was a clear Spring day; Mike and Tom Danneman and I had departed Waukesha, Wisconsin before sunrise aiming for Rochelle, Illinois where Chicago & North Western crossed Burlington Northern’s C&I Line.

At 7:46 am we photographed our first train, a C&NW eastbound crossing the diamonds at Rochelle.  By 10 am we’d caught six trains between the two lines and had worked our way east on BN.

At 10:47, we picked up a Canadian National freight working westbound on BN. At the time CN was routing 4-5 trains each way daily over BN between the Twin Cities and Chicago.

We followed this CN freight led by a pair of General Electric cowl type diesels (model DASH8-40CM numbers 2416 and 2440). At 11:57 am it met an eastward CN freight near Stratford, Illinois.

Exposed on Kodachrome 25 at f5.6 1/250 with a Nikon F3T fitted with 35mm PC lens.
Exposed on Kodachrome 25 at f5.6 1/250 with a Nikon F3T fitted with 35mm PC lens.

I was working with two cameras. In my Nikormat FTN I had Fuji Provia 100, and in my Nikon F3T Kodachrome 25.

We continued our chase went toward Savanna, catching this train again at 1:36pm near Burke, Illinois. By the end of the day we’d photographed 21 freights. Not bad for a day out.

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Brian’s “Black and White challenge”—Part II

Tracking the Light presents: Palmer, Massachusetts February 24, 1988.

In keeping with the spirit of Otto Vondrak’s Facebook challenge, I’ve dug into my scanned black & white negative file and found this old black & white photograph from the days or yore.

A Conrail crew welds the Palmer, Massachusetts diamond on February 24, 1988. A Central Vermont freight waits in the distance. Photo by Brian Solomon ©1988.
A Conrail crew welds the Palmer, Massachusetts diamond on February 24, 1988. A Central Vermont freight waits in the distance. Photo by Brian Solomon ©1988.

I exposed this using my father’s Rolleiflex Model T that was fitted with a ‘super slide’ 645 insert. I processed the film in Kodak D76 at the Rochester Institute of technology. Back in 1988, I made prints from the negative back, but the full-frame image presented here is from a scan of the negative made in more recent times.

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New England Central 3015, Monson, Massachusetts

Making the Most of Low Autumn Sun.

On Monday, October 27, 2014, I made several photographs of New England Central GP40-2L 3015 on job 610 working south on the former Central Vermont through Monson, Massachusetts.

New England Central’s 610 starts its day at Willimantic, Connecticut and works its way north to Palmer, usually arriving around midday. At Palmer, it collects freight destined for Connecticut and then begins its climb over State Line Hill.

New England Central 3015 leads job 610 across Route 32 at South Monson. Lumix LX7 photo.
New England Central 3015 leads job 610 across Route 32 at South Monson. Lumix LX7 photo.

For me this is a traditional chase. I’ve been making photos on State Line hill since my bicycle riding days, when consists of Central Vermont GP9s in run-8 made for real drama.

Lately, photographing this run has been challenging because 610 often doesn’t begin its ascent of State Line until early evening, by which time the sun no longer reaches the tracks. Complicating matters are trees and undergrowth that even during the day leave relatively few windows of light.

Working with two cameras, I made the most of shafts of afternoon sunlight. The ability to make a burst of exposures with my Canon 7D allowed me to get satisfactory images as the bright orange front of 3015 was briefly flashed by patches of sunlight.

With 21 cars in tow, 610 claws its way upgrade at Smiths Bridge at Stafford Hollow Road on October 27, 2014. Canon EOS 7D with 100mm lens.
With 21 cars in tow, 610 claws its way upgrade at Smiths Bridge at Stafford Hollow Road on October 27, 2014. Canon EOS 7D with 100mm lens.
The view from Smiths Bridge was one of an open field; today it's a window into a forested scene. Lumix LX7 photo.
The view from Smiths Bridge was once abutted by open fields; today it’s a window into a forested scene. Lumix LX7 photo.
Near the summit, NECR 610 passes milepost 56. Canon EOS 7D with 200mm lens.
Near the summit, NECR 610 passes milepost 56. Canon EOS 7D with 200mm lens.

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