One of MBTA’s HSP-46 diesels leads a mid-morning westward commuter train approaching its station stop in Ayer.
Making effective Midday backlit shots requires challenging photographic techniques.
In this instance, I took an elevated view, slightly over exposed Kodak Tri-X to allow for greater shadow detail while completely cropping the sky to avoid the visual distraction from excessive highlight brightness.
Processing the film was my key for achieving better balance and rich tonality.
Working with Ilford ID-11, I used a 1 to 1 mix with water and lowered the recommended process time for Tri-X from 11 minutes to 7 minutes 45 seconds (at 68.5 degrees F). This lowered the contrast and prevented excessive processing in the highlight areas.
After processing, I toned the negatives with a selenium solution, which give the highlights a slight silvery snap, just enough to make for richer tonality without blowing out all the detail.
My goal was to make the most of the reflections off the rails and the top of the train.
Tracking the Light Posts something new every day!