Last night Kris and I watched a Sci-Fi film about time travel.
Afterwards, I thought about how each of my slide binders offers a form of time travel.
Lately on Tracking the Light, I’ve been offering windows in time. Each that looks back through my photographs; one week, five years, etc.
I look at this photo and I think how much has changed since I exposed this frame of Fujichrome.
I was standing at ‘the box’ at the St John’s Road in Dublin on the evening of 29 April 2007. I made the image with a Nikon F3 with 24mm Nikkor lens.
Much of these scene has changed in the intervening years. The old baracks behind the train was demolished and replace by an upscale housing complex. The view of the tracks looking west has been obscured by brush and bushes (don’t ask which is which). And, these days I rarely exposed Fujichrome in Dublin with a Nikon F3.
Irish Rail’s Mark4 sets still work the Dublin-Cork run though. So that’s something.
A month ago—LUAS on Provia—18 Oct 2022—I made these photos of LUAS trams working the Green Line in the Dublin City Centre using a Nikon F3 with Provia 100F (RDPIII) color slide film.
During our trip to Ireland I exposed 7 rolls of film along with hundreds of digital photos. This is just a sampling of a few photos from our last day in Dublin.
Last night, I scanned the slides using a Nikon LS 5000 (Super Coolscan5000) slide scanner powered by VueScan software and then imported the scanner’s hi-res TIF files into Adobe Lightroom for minor color and exposure corrections.
I find that film offers a different quality of image, which is part of the attraction. But, I also find that working with my old Nikon F3s produces different compositions than I get when making photos digitally. So despite the inconvenience of carrying both film and digital cameras and the comparatively high cost of exposing color film, I continue to work with both film and digital media.