Last Saturday, September 5, 2020, the second of our Railfan photo freights operated from North Conway to Conway on the former Boston & Maine Conway Branch.
We stopped the freight at several locations during the journey, and made a pick up at Conway.
I exposed these photos using my FujiFilm XT1 with my 18-135mm Fujinon Zoom lens. Unfortunately, upon arriving back at the North Conway yard, my lens suffered a failure with the linkage inside the lens that controls the range of view, leaving me to work with my Canon EOS 3 film camera for the remainder of the evening.
In August 1985, on a drive through Holyoke, Massachusetts on my way from collecting film from Frantek (a local photographic supplier in South Hadley), I stopped at the old Boston & Maine station, where I photographed Boston & Maine SW1 1124 working the north-end of the yard.
Holyoke, Massachusetts in August 1985.
Holyoke was a fascinating post-industrial setting, where vast empty brick mill buildings told of time long gone.
The station hadn’t seen a passenger train in years.
Even the EMD SW1 was a relic of former times.
These diminutive switchers, rated at just 600 hp, were known as ‘Pups’.
I exposed this view using a Leica 3A fitted with a Canon f1.8 50mm lens.
I took a break from classes at Hampshire College and ventured to Boston & Maine’s East Deerfield yard (near Greenfield, Massachusetts) with some friends for a day of photography.
Among the many trains we saw that day was B&M’s EDSP (East Deerfield to Springfield) through freight that operated with a GP18/GP9/GP7 locomotive combination.
At the time this was a refreshing throwback, as more modern and often mixed lash-ups of B&M, Maine Central and Delaware & Hudson locomotives tended to predominate on the east-west Fitchburg route via the Hoosac Tunnel.
I was especially keen to picture GP7 1566, which was among the last to retain its vertical white nose stripe and harked back to an earlier era.
Photos were exposed on Kodak black & white film using my Leica 3A.
On the advice of Ed Beaudette My pal TSH and I started the day at White River Junction, Vermont, where we spent several hours photographing the parade of trains.
By midday, Boston & Maine’s CPED was headed south toward East Deerfield, Massachusetts and we followed it to make photos.
The sights and sounds of four Boston & Maine GP9s working in multiple will always stick with me.
At the time we weren’t well versed with the lay of the land, and did our best to follow the Connecticut River line with little more than a basic map.
At Claremont, New Hampshire we stumbled upon the famous high bridge, just moments before the southward CPED rolled across.
Working with my father’s Rollei Model T loaded with 120-size Kodak Verichrome Pan roll film, I exposed a single frame of the freight in silhouette crossing the bridge.
I processed this in Kodak D76. My processing skills were only slightly better than my ability to find locations on the fly. In retrospect, I should have used a different developer, or at least used a more dilute solution, because my resulting negative was over developed and lacking in broad tonality.
In later years, I refined my photographic skill, however I can’t go back to catch four B&M GP9s on the bridge, so I have to work with the existing negative.
For presentation here: after scanning the original negative, I imported the hi-res scan into Lightroom, where I implemented a variety of contrast and exposure adjustments to make for a more visually pleasing image and then outputted a scaled lo-res scan for internet presentation here.
On April 15, 2020, I made photos as I arrived and as I departed to show the light at the respective times of day.
In my recent article on the Conway Scenic Railroad in May 2020 TRAINS Magazine, I discussed the railroad’s North Conway station in detail, but didn’t picture the iconic structure.
This will be rectified in an upcoming issue, but I thought I’d present these recent photos on Tracking the Light.
I’ve always focused on my immediate surroundings, photographing the ordinary, the common as well as the unusual and the extraordinary.
Over time, the common scenes often have the best staying power.
Last week the lights were lit on Gertrude Emma—Conway Scenic Railroad’s 1898-built Pullman open-end observation car—when I made this early morning view at the North Conway station.
Exposed using a Lumix LX7 mounted on a Bogen tripod.
