Tag Archives: Boston and Albany Railroad

Massachusetts Central, July 10, 2014—Retro Views

Black & White in the Modern Age.

Here are a few views I made with my Rolleiflex Model T of Mass-Central’s former Boston & Albany branch on July 10, 2014.

Why black & white? Why film? Why in 2014?

Mass-Central GP38 1751 crosses the Route 32 bridge in Ware, Massachusetts on July 10, 2014. Exposed on Tri-X using a Rolleiflex Model T with Zeiss Tessar lens.
Mass-Central GP38 1751 crosses the Route 32 bridge in Ware, Massachusetts on July 10, 2014. Exposed on Tri-X using a Rolleiflex Model T with Zeiss Tessar lens.
Former Boston & Albany freight house at Gilbertville, Massachusetts along the Mass-Central's Ware River Branch on July 10, 2014.
Former Boston & Albany freight house at Gilbertville, Massachusetts along the Mass-Central’s Ware River Branch on July 10, 2014. Exposed on Tri-X using a Rolleiflex Model T with Zeiss Tessar lens.
Exposed on Tri-X using a Rolleiflex Model T with Zeiss Tessar lens. The film was processed in Kodak HC110, dilution B (1 part developer to 32 parts water) at 70 degrees F, for 6 minutes using three agitation inversions every 30-60 seconds.
Exposed on Tri-X using a Rolleiflex Model T with Zeiss Tessar lens. The film was processed in Kodak HC110, dilution B (1 part developer to 32 parts water) at 70 degrees F, for 6 minutes using three agitation inversions every 30-60 seconds.
Mass-Central 1751 works north of Gilbertville on July 10, 2014. Exposed on Tri-X using a Rolleiflex Model T with Zeiss Tessar lens.
Mass-Central 1751 works north of Gilbertville on July 10, 2014. Exposed on Tri-X using a Rolleiflex Model T with Zeiss Tessar lens.

There’s no question, digital photography is easier. If I desire a square black & white image, all I have to do is set my Lumix LX7 to a 1:1 aspect ratio using a switch on the camera, and set the ‘photo style’ to ‘monochrome’ using the function button.

This set up procedure takes just a few seconds, and I can switch back to color quickly and easily whenever I choose.

Working with the Rolleiflex is more cumbersome; the camera is klutzy to load, it only makes 12 frames per roll of film, and the film takes about an hour to process in the darkroom (dry to dry). Then I need to cut and sleeve the negatives and then scan them for presentation here.

Yet, I still do this. Not for every photograph, not on every outing, but I still go through the motions of using black & white film.

Why? I have five reasons:

1)    I like it.

2)    It gives me a subtle ‘retro’ quality that I can’t really get from digital.

3)    It allows me visual continuity: I’ve been making black & white railroad photos since the 1970s. Why stop now?

4)    I can still do it: I have the cameras, the film, the darkroom and the skills to get great results.

5)    The B&W film medium is known to be archival. I process my film using a two bath fixer, permawash and rinse for 15 minutes in clean running water. They are stored in archival sleeves. Barring the unforeseen, the negatives I processed should still be in good condition for viewing in 50 to 100 years, maybe longer. They will need no extra attention regarding ‘back up’, except to store them in a safe dry place.

This last point is not true with digital photos.  I make three backup copies of every digital image and store them in separate locations, but digital remains an ephemeral media. Hard drives, DVDs and all other existing means of commercially-available digital storage will, in time, go bad. Hard drives can fail, suddenly, completely and without warning. The information will be lost. The photos will vanish. Like the tide coming in on a child’s sandcastle, the images in their digital form will be washed away, forever.

Mass-Central at South Barre, Massachusetts. Exposed on Tri-X using a Rolleiflex Model T with Zeiss Tessar lens.
Mass-Central at South Barre, Massachusetts. Exposed on Tri-X using a Rolleiflex Model T with Zeiss Tessar lens.
A cropped section of the above photo, enlarged to show detail. One of the flaws with WordPress web media is that images are automatically compressed which lowers the quality for ease of display.
A cropped section of the above photo, enlarged to show detail. One of the flaws with WordPress web media is that images are automatically compressed which lowers the quality for ease of display.

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Tomorrow: Colorful consist on a bridge!

 

One Less Diamond, July 22, 1986

Palmer, Massachusetts.

I exposed this image using a Rolleiflex Model T with fixed f3.5 Zeiss Tessar lens.
I exposed this image using a Rolleiflex Model T with fixed f3.5 Zeiss Tessar lens.

Twenty-eight years ago I made this photo. It was the day after Conrail began single-tracking the Boston & Albany route. On July 21, 1986, track forces had cut in CP83 at Palmer, and CP92 in Springfield, removing the old number 1 (westward) track from service.

The remains of the second diamond crossing with Central Vermont are in the foreground. A westward empty autorack is taking the new switch at CP83 in front of the Palmer Union Station.

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Massachusetts Central, July 10, 2014

Palmer to South Barre, Massachusetts.

Trying to see the railroad differently; I’ve been photographing the former Boston & Albany Ware River branch for more than 30 years, so finding new angles is a bit of a challenge.

On July 10, 2014, I met Mike Gardner, Paul Goewey and Brian Jennison in Palmer with the expressed goal of following Mass-Central’s daily freight northbound.

It was a bright morning following a night of heavy rain and mist still clung to the valleys. Mass-Central was working with GP38 1751, one of two locomotives acquired last year and custom painted into a variation of the 1950s-era Boston & Maine ‘Bluebird’ livery.

Mass_Central_at_milepost2_Palmer_P1010002

Mass-Central switches at the Route 181 crossing north of Palmer. The morning mist clung to the valley but it soon burned away. Canon EOS 7D with 200mm lens.
Mass-Central switches at the Route 181 crossing north of Palmer. The morning mist clung to the valley but it soon burned away. Canon EOS 7D with 200mm lens.
Thorndike, Masschusetts on the morning of July 10, 2014. Lumix LX7 photo.
Thorndike, Masschusetts on the morning of July 10, 2014. Lumix LX7 photo.

After the train passed Thorndike, (a few miles from Palmer yard), it slowed to a craw then stopped unexpectedly. Trees had fallen on the line. This delayed it while crews cut the trees with chain saws. In the mean time, Paul showed me an angle near Forest Lake that I’d never seen before.

Track speed on the line is a casual 10 mph. The trick isn’t trying to keep up with the train, it’s trying to stay focused on the subject. In addition to the slow running, Mass-Central spends a lot of time switching freight cars, and often in places that aren’t conducive to summer-time photography.

A plow warning signal near a crossing at Forest Lake. Mass-Central still retains many of these simple steam-era signals. Canon EOS 7D with 200mm lens.
A plow warning signal near a crossing at Forest Lake. Mass-Central still retains many of these simple steam-era signals. Canon EOS 7D with 200mm lens.
Mass-Central at Forest Lake where the water is covered with lilly pads and other growth. Thanks to Paul Goewey for showing me this angle. Canon EOS 7D with 20mm lens.
Mass-Central at Forest Lake where the water is covered with lilly pads and other growth. Thanks to Paul Goewey for showing me this angle. Canon EOS 7D with 20mm lens.
Where? Ware. That's right. Mass-Central 1751 crosses the old bridge over Route 32. Lumix LX7 photo.
Where? Ware. That’s right. Mass-Central 1751 crosses the old bridge over Route 32. Lumix LX7 photo.
The Whistle Stop was closed so I opted to feature the station building that is often blocked with cars. Canon EOS 7D with 20mm lens.
The Whistle Stop at Gilbertville was closed so I opted to feature the station building that is often blocked with cars. Canon EOS 7D with 20mm lens.
Or, for an alternate view. . . .
Or, for an alternate view. . . .
Pastoral scene near Barre Plains. Canon EOS 7D with 20mm lens.
Pastoral scene near Barre Plains. Canon EOS 7D with 20mm lens.

South Barre is as far as the Mass-Central goes. Beyond that the old B&A branch is abandoned. Having done well with the northward run, we opted for lunch, then moved on to other lines.

I worked with three cameras; my Lumix LX7 and Canon 7D, plus my old Rolleiflex Model T. (This isn’t the same old Rollei, that I used back in the 1980s, but one similar to it.) Unfortunately, it wasn’t functioning perfectly in the morning, and I missed a few photos before I got it working. Now, to process the film!

South Barre, where Mass-Central reaches the old mills by way of a spur that crosses Route 32. Lumix LX7 photo.
South Barre, where Mass-Central reaches the old mills by way of a spur that crosses Route 32. Lumix LX7 photo.

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Daily Post: CSXT at Stateline.

Sunday Empties Kicking Snow.

On the morning of February 16, 2014, I anticipated a photo of a westward CSXT empty intermodal train on the former Boston & Albany at the Massachusetts-New York State Line.

Where B&A’s Lima 2-8-4 Berkshires once hauled freight, now CSXT’s modern GE Evolution-Series diesels do the job.

Today Stateline is just a wide spot on a curve, but there’s a lot of history here.

Lumix LX3 photo.
Lumix LX3 photo. Looking east at Stateline.

A trackside concrete marker identifies the border. B&A’s one-time multiple track mainline is now a single main track. A vestige of the old eastward main is buried beneath the snow.

New Haven had maintained an interchange with New York Central here; this was a carryover from the early years, when no less than four railroads operated to Stateline to interchange traffic. Their convergence on this spot was no coincidence as the state border defined original operating charters.

Waiting in my car near the grade crossing on this cold windy morning, I knew this train was close, so when the warning lights began to flash, I jumped into position.

CSXT Evolution-series locomotives.
To capture the effect of the locomotive enveloped in swirling snow, I used my Canon EOS 7D with a 200mm telephoto. Exposure: f5.6 1/800 ISO 200. (I’ve allowed the blowing snow to lose detail, while retaining detail in the crusted snow on the ground).

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Daily Post: Westward Freight in Wink of Sun

CSX Q427 Claws Upgrade at Chester, Massachusetts.

For me the old Boston & Albany West end is hallowed ground. This was the first true mountain mainline in the modern sense. The line was surveyed in the mid 1830s and by 1839 trains were working over Washington Summit.

Over the last 30 years I’ve made countless trips to photograph this line and it remains one of my favorites. Yet, I rarely come up here in the winter.

On Friday, February 7, 2014, my father and I went up to Huntington to catch Amtrak’s westward Lake Shore Limited, train 449. Not far behind was CSX’s Q427.

This freight runs daily between Portland, Maine and Selkirk, New York via Ayer and Worcester, Massachusetts. This day it had a pair of General Electric Evolution-Series diesels of the type that have come to characterize modern freight operations on the Boston & Albany route.

Since the train wasn’t making great speed, we pursued it on Route 20, stopping to make photos at opportune locations. At CP 123 (where the line goes from single track to two-main track) Q427 met an eastward freight holding at the signal. We continued upgrade ahead of the train.

I remembered that there’s a gap in the hills at Chester which allows for a window of sun on the line that lasts late in the day. So we zipped ahead of the train.

Working with my Canon EOS 7D and 200mm lens, I exposed a series of vertical images of CSX Q427 (Portland to Selkirk) as it passed through a window of afternoon sun.
Working with my Canon EOS 7D and 200mm lens, I exposed a series of vertical images of CSX Q427 (Portland to Selkirk) as it passed through a window of afternoon sun.
The dappled light on the trees and the dark shadowed hillside beyond made for a dramatic painterly back drop, while tree shadows on the foreground snow minimized the effects of glare and provided texture.
The dappled light on the trees and the dark shadowed hillside beyond made for a dramatic painterly back drop, while tree shadows on the foreground snow minimized the effects of glare and provided texture.

At Chester, Pop set up his tripod to make a hi-resolution video of the train climbing. I positioned myself with my Canon EOS 7D with a telephoto lens to make use of the window of sun against a dark background.

As the train grew closer I also exposed more conventional views with my Lumix LX3. The heavy train took more than two minutes to pass.

Lumix LX3 photo showing the whole scene.
Lumix LX3 photo showing the whole scene.

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 Tomorrow: step back 30 years with a visit to West Springfield.

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West Warren, Massachusetts, October 2000.

Another Exercise with 120 Size Transparency Film.

In yesterday’s post, I told about working with a Hasselblad and 120 Kodachrome. Although, 35mm slide film was my stable format for more than 25 years, I’ve periodically dabbled in larger formats.

CSX main line along the Quaboag River.
The former Boston & Albany mainline along the Quaboag River in October 2000, exposed with a Rolleiflex Model T on 120 Fujichrome Velvia 50.

I made this image of CSX’s former Boston & Albany mainline at West Warren, Massachusetts in October 2000 using a Rolleiflex Model T with f3.5 Zeiss Tessar lens to expose 120 size Fujichrome Velvia 50.

While I have many images of trains at West Warren, this remains among my favorite. The trees and brush had been cleared from the north side of the tracks, opening up a angle on the tracks not often possible here. I’ll like the stumps too. My grandfather would have approved.

The lack of train allows for good juxtaposition between the railway, waterfall, and old mill buildings on the far side of the Quaboag River. If I’d let a train into the scene, it would either cause a distraction or block the waterfall. One solution to this puzzle is to work from the other side of the tracks, but that loses the timeless quality offered by this angle.

Nearly peak autumn color is a nice touch, while soft overcast light adds to the autumnal atmosphere.

Caption: The former Boston & Albany mainline along the Quaboag River in October 2000, exposed with a Rolleiflex Model T on 120 Fujichrome Velvia 50.

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State Line Tunnel, Canaan, New York July 9, 2013

 

Brand New General Electric Locomotives at a Classic Location.

CSX at State Line Tunnel
CSX eastward Q012 at State Line Tunnel on the morning of July 9, 2013. Despite its name, the tunnel is actually several miles west of the New York-Massachusetts border. Canon EOS 7D with 40mm pancake lens.

On the morning of July 9, 2013, I visited State Line Tunnel on CSX’s former Boston & Albany mainline. This is a favorite place to catch trains in action on the line.

The air was heavy with moisture and as a result sound carried exceptionally well. I arrived at my location at 6:48 am. At 6:54, I could hear an eastward train blowing for a crossing near Chatham, New York, approximately 10 miles to the west (as per the timetable). At 6:56, the train reported a ‘clear’ signal aspect over the scanner.

Since the only signal in the area is located at CP 171 (the control point east end of the siding at East Chatham) I knew the train was about to cross the New York State Thruway. I then could trace the progress of the train as it sounded for various crossings in Canaan. By 7:04 am, I could cleared hear the engines working upgrade.

A 7:08, CSX’s intermodal train Q012 came into view. In the lead were three factory-clean General Electric ‘Evolution-Series’ diesel-electrics in the 3100-series (model ES44AC). As modelers might say, ‘right out of the box.’ Nice!

CSX at State Line Tunnel
A motor drive has its advantages. I made a sequence of images as the Q012 roared eastward. Canon EOS 7D with 40mm pancake lens.
New CSX GE-built ES44ACs.
This is my favorite of the three images. I like the foliage in the foreground which adds depth.

The train roared into the tunnel below me as I exposed a sequence of images with my Canon EOS 7D and 40mm pancake lens. I’d brought a tripod, but opted not to use it, as hand held gave me greater flexibility.

 

About 40 minutes later, I heard a westward train sounding for Stateline crossing. I relocated, and made images of CSX light engines exiting the west portal of the tunnel.

Until late-1988, this line had directional double track. Since then, just a single main track passes through the tunnel. The railroad uses the 1912-era bore, leaving the older 1840s-era bore void of track.

State Line Tunnel
Headlights gleam inside State Line Tunnel.
State Line Tunnel.
State Line Tunnel is a relatively short bore. The twin tunnels were built decades apart, and at one time both bores had twin tracks in them.
New CSX ES44AC at State Line Tunnel.
The tighter view gives a better view of the new engine but obscures the older tunnel portal. Why make one photo when three will do?
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Mass-Central on the Central Massachusetts, June 26, 2013

 

An Antique NW5 Works Obscure Trackage.

On June 26, 2013, a variety of errands that brought me to Ware, Massachusetts. I knew the Mass-Central’s daily freight ought to be in the area, but I wasn’t sure where it was. (Pardon pun).

I checked Ware yard; not there. So I drove north along the line. Since it is my understanding that the railroad is expected to acquire some nicely painted GP38s, I was curious to see what engines were working that day.

No sign of the train at Gilbertville, so I continued northward along Route 32 toward Creamery. My sixth sense was tingling. I knew the train was close.

 

Abandoned railroad.
Looking railroad east on the old Central Massachusetts line. This was once a through route from Boston to Northampton. Hush! Was that a whistle? Lumix LX3 photo.

At Creamery,  Boston & Maine’s Central Massachusetts line once had a grade separated crossing with Boston & Albany’s Ware River Branch, and when B&M retrenched in the early 1930s,  a connection was built between the two lines just to the north (east) of this crossing.  Further retrenchment over the following decades resulted in almost complete abandonment of the Central Massachusetts line in the area.

Today, a portion of the Central Mass route at Creamery is now a rail trail. I paused at the trail, inspected a bit of an old cross-tie and then listened. . .  wind rustled in the trees, then in the distance I heard a low air whistle. I turned my head. It was coming from the south. Had I overtaken the train, or had I missed it?

A second blast, confirmed my suspicions; I’d missed the train between Gilbertville and Creamery.  I jumped in my car and headed briskly back toward Ware. I overtook the train a mile north of town.

At Ware, Mass-Central had some work at Kanzaki Specialty Papers—a customer served by a short surviving section of the former B&M line that connects with the B&A route south of Ware Yard.

Mass-Central NW5 2100 at Ware.
Mass-Central 2100 and 960 shove boxcars toward Kanzaki Paper on a surviving segment of the Central Massachusetts line at Ware, Massachusetts. In the 1970s, Mass-Central was created as a switching railroad to operate Boston & Maine trackage at Ware. Later it expanded operations over the former Boston & Albany Ware River Branch between Palmer and South Barre. Canon EOS 7D with 28-135mm lens.

I caught the train shoving down, then waited a few minutes for the locomotives to return. In this way I executed several  photos of the rare NW5 (one of just 13 built by General Motors Electro-Motive Division) on rare track

NW5 diesel.
Mass-Central on the Central Mass; NW5 2100 works toward Ware yard on June 26, 2013. Lumix LX3 photo.
Mass-Central NW5 2100
At Ware, Boston & Maine’s Central Massachusetts line ran parallel to Boston & Albany’s Ware River Branch; both lines remain at this grade crossing south (west) of Ware Yard. Canon EOS 7D with 28-135mm lens.

I could tick off that errand for the day! Mass-Central NW5, check.

Mass-Central 960
Mass-Central 2100 and 960 work back toward Ware Yard. Notice the grade crossing warning in the distance for Mass-Central’s former B&A Ware River Line. Imagine the day, long ago, when you could have seen 4-4-0s with passenger trains on both lines. Canon EOS 7D with 28-135mm lens.

See more Tracking the Light on the Mass-Central:

Mass-Central: Monday May 13, 2013

Mass-Central: Monday November 19, 2012

Also see: my Mass-Central article in March 2010 Trains Magazine

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CSX at East Brookfield, Massachusetts, June 26, 2013

 

Ballast Train at Work

On the evening of June 26, 2013, I arrived at East Brookfield to find Dennis LeBeau observing CSX’s undercutting operations immediately east of CP64.

CSX ballast train.
CSX ballast train in the East Brookfield yard. Exposed with Canon 7D and 28-135mm lens. RAW file modified in post processing to adjust for contrast and exposure with mild sharpening.

Over the last few years, CSX has been improving its former Boston & Albany route between Selkirk Yards (near Albany, New York) and its Worcester, Massachusetts terminal.

Conrail improved clearances on the line in the mid-1980s and began running international containers on double-stack trains in 1989 (I first photographed an eastward Conrail double-stack in Spring 1989). However, CSX’s desire to run larger domestic containers on double stack trains has required further clearance improvement.

Once complete, the Boston & Albany route will be clearance compatible with most of CSX’s former Conrail mainline, which should allow for more traffic to be sent to Worcester. The clearance improvements are coincident with the recent closure of Beacon Park Yard at Alston, Massachusetts in favor of expanded facilities in Worcester.

On Wednesday evening, CSX had every track in East Brookfield occupied, as it cleared equipment from the mainline to allow east and westbound freight to pass (Amtrak had cancelled train 448 (Boston section of Lake Shore Limited). Once traffic had passed, work crews resumed their re-ballasting of the recently undercut mainline.

Three trains at East Brookfield, Massachusetts.
On the evening of June 26, 2013, East Brookfield was a hot bed of railway activity. Dennis downplayed the scene, ‘I’ve seen it like this before . . .with Conrail in the 1980s!’. Canon 7D with 200mm lens.
CSX intermodal train.
A General Electric Evolution-series diesel leads an eastward intermodal freight through the work-zone east of CP64 in East Brookfield, Massachusetts. Decades ago Boston & Albany had three main tracks between East Brookfield and Charlton. A tower near the location of today’s signals controlled the plant. Today, the line is dispatched remotely from Selkirk, New York. Canon EOS 7D with 200mm lens.
CSX Intermodal train East Brookfield_
Wide view: A General Electric Evolution-series diesel leads an eastward intermodal freight through the work-zone east of CP64 in East Brookfield, Massachusetts. The old B&A station once stood to the right of the mainline. This burned to the ground in 2010. Lumix LX3 photo.

I was one of a half-dozen civilians observing the activity. Late in the day, the sun emerged from a cloudbank to provide some soft lighting and I kept three cameras busy, documenting the changes.

East Brookfield, Mass.
Observing the on-going work at East Brookfield. Lumix LX3 photo.
Recording changes on CSX at East Brookfield, Massachusetts.
Recording changes on CSX at East Brookfield, Massachusetts.

 

CSX's westward Q427 eases over freshly ballasted track at a walking pace as it approaches CP 64 at East Brookfield. The signals showed 'red over flashing green' —Limited Clear. Canon EOS 7D with 200mm lens.
CSX’s westward Q427 eases over freshly ballasted track at a walking pace as it approaches CP 64 at East Brookfield. The signals showed ‘red over flashing green’ —Limited Clear. Canon EOS 7D with 200mm lens.
East Brookfield, Mass.
Dennis LeBeau rolls by Q427. Lumix LX3 photo.

 

CSX ballast train at East Brookfield. Lumix LX3 photo.
CSX ballast train at East Brookfield. Lumix LX3 photo.
Ballast train at work.
Discharging ballast on the former Boston & Albany at East Brookfield. Lumix LX3 photo.
Ballast train at work.
Discharging ballast on the former Boston & Albany at East Brookfield. Canon EOS 7D with 200mm lens.
SD40-2 detail.
CSX SD40-2 8854 works at ballast train at East Brookfield. Canon EOS 7D with 200mm lens.
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South Station, Boston, January 1982.

 

Monochrome exposed with a Leica 3A.

Boston
Leica 3A with 50mm Summitar lens.

Here’s an image from my early archives. I was wandering around Boston on a snowy day in January 1982. Among the other photos I made were views along the Green Line on Huntington Avenue. This one caught my eye the other day when I was reviewing my early work. It require a nominal crop. Many of my early photos tend to be off-level. This problem is easily fixed today.

South Station was the main passenger terminal for Boston & Albany and New Haven Railroads, and in the early years of the twentieth century was the busiest passenger station in the world (as measured in the number of daily train movements).

 

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Palmer, Massachusetts, ‘CP83’ on Friday evening, May 31, 2013.

 

The “C” Light is Lit.

CP83 Palmer MA
This entire five image sequence was exposed with a Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.

Going back to at least the 1980s, a group of us would convene in Palmer on Friday evenings. It used to be that after closing Tucker’s Hobbies on Fridays, Bob Buck would come down for dinner along with customers and friends from the store. Afterwards, we’d head over to ‘the station’ to watch the railroad.

I recall seeing Central Vermont’s old Alco RS-11s on sultry summer evenings, belching clouds of exhaust and sparks, while we waiting for the parade of westward Conrail trailvans (intermodal piggy-back trains); TV-5, TV-13, and etc. Back in the day, I’d make night shots with my Leica 3A. That seems like a long time ago.

This past Friday, a group of us convened at the usual spot; Doug and Janet Moore, Bill Keay, Rich Reed and myself. After a few trains, Doug and Janet were the ‘heroes’ as Bob would have called them; they headed home and a little while later the signals at CP83 lit up. To my astonishment, the ‘C’ light was flashing (the small lunar-white light between the main signal heads). I rushed for my cameras . . .

 Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.
Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.

The signals at CP83 are approach-lit. So, when the signals light, it means that something (usually a train) has shunted the circuit.  Among other things, CSX’s CP83 governs the switch at the west end of a controlled siding that begins at CP79 (about four miles to the east). When the signals light with a high green, it means a westward train has been cleared to continue past CP83.

Conrail installed the present signaling system back in 1986 when it converted the Boston & Albany route from directional double track under Automatic Block Signal rule 251 ( ‘signal indication will be the authority for trains to operate with the current of traffic’) to a largely single main track system with controlled sidings and governed by Centralized Traffic Control-style signals with cab signaling.

As a result there are now only wayside signals at dispatcher control points such as CP83. CSX assumed operations from Conrail 14 years ago.

It’s rare, but occasionally a locomotive suffers a cab-signal failure, or a locomotive that isn’t cab signal equipped leads a train. There is a provision with the signal system using the ‘C’ light, to allow a dispatcher to authorize a train to proceed without operative cab signal.

Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.
Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.

CSX rule CR-1280A names the ‘C’ light aspect as ‘Clear to Next Interlocking’. This gives the train permission to proceed the full distance to the next block ‘approaching next home signal prepared to stop’.

Why am I going into such specific operational details? Because, I’m fascinated by signals, but also in the 27 years since Conrail installed this signal system I’ve only witnessed a ‘C’ light lit, three times. And, I’d never before seen the C-light lit at CP83. I’ve been to CP83 more times that I can count, so for me, that is a really unusual event. (I saw a shooting star that night too, but those are common by comparison!)

Fortunately, I had cameras handy, and, perhaps more to the point, I had my dad’s Gitzo tripod, which made this sequence of images possible. (Other wise I would have trying to balance the camera with stacks of coins on the roof of my Golf, but, we’ll save that for another event . . .)

I just wish that Bob Buck could have been there with us to watch the train pass. He would have enjoyed that.

Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.
Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.

All images exposed with a Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.

Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.
Lumix LX3 set manually at f2.8 for 15 seconds, ISO 80.

To learn more about railroad signals, check out my book Railroad Signaling  available from Voyageur Press.

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CSX Freights on the former Boston & Albany in New York State.

Clear Blue Dome on May 17, 2013.

When possible I combine trips to take care of both business and errands, while leaving appropriate intervals for photography. Ideally, I’ll organizing my time so I can conduct business during the heat of the day, while leaving the mornings and evening free to make photos when light is the best.

Last Friday May 17, 2013 was a perfect execution of this philosophy. I’d arranged to meet my friend and fellow railway photographer, John Pickett at 10:30 am to review some material for up coming book projects. John lives near Albany, so I departed Massachusetts in the early hours and aimed to work the far-west end of CSX’s former B&A route west of the Massachusetts-New York State line.

My first location was State Line itself. This is conveniently accessed by a grade crossing within sight of the railroad’s state-line marker. I’d made a nice photograph of a Conrail eastbound here 25 years ago, and I wanted to repeat the effort with a CSX freight.

Mass Line
The former Boston & Albany mainline at the historic location on the Massachusetts-New York State Line on the morning of May 17, 2013.

Patience rewarded me with an eastward CSX intermodal freight, probably train Q022 (Columbus, Ohio to Worcester, Massachusetts), lead by former Conrail SD60M 8774. Since the line is a single main at this location, I moved west to Chatham, New York to wait for the westward Q019 (carries freight from Worcester to Chicago), and intermodal train that typically passes in the mid-morning. Along the way, I reviewed known locations, checking for places to photograph in the afternoon.

SD60M
I was happy to catch this Conrail-era EMD SD60M leading at State Line. Canon 7D fitted with 28-135mm lens.
CSX freight
Trailing view of the eastward freight passing the old State Line marker. Canon EOS 7D with 28-135mm lens.
Chatham, NY.
CSX Q019 passes the former Boston & Albany passenger station at Chatham, New York on May 17, 2013. Canon EOS 7D with 28-135mm lens.

 

Old B&A railroad station
Old Boston & Albany station at Chatham, New York. Lumix LX3 photo.

 

After 5pm, having finished my business with John (which incidentally included some photography along the Hudson River that will be featured in a later post), I returned to Chatham, picking a favorite location mid-way along the dispatchers controlled siding that extends east of town to the old ‘Bottleneck Bridge’ where the line crosses the New York State Thruway Extension. Here, I waited for the westward Q423 (Worcester to CSX’s yard at Selkirk, New York), which passed shortly after 6 pm.

CSX SD70ACe
An SD70ACe leads CSX’s Q423 at milepost QB173.7 east of Chatham, New York on May 17, 2013. Canon EOS 7D w 28-135mm lens set at 105mm. Exposed manually: ISO 200 f7.1 at 1/500th sec.

I consider myself very fortunate that in this situation my past experiences combined with an appreciation for CSX’s contemporary operations actually produced results. Not every effort yields ideal results; so despite planning and knowledge, I may have been skunked if trains didn’t show up when I anticipated them.

 

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Mass-Central, Monday May 13, 2013.

 

Blue GP15-2 and Spring Greenery.

GP15-2
Detail of the GATX GP15-2 operating on Mass-Central. The GP15 model features an unusual airflow pattern. Canon 7D.

My brief encounter with Mass-Central’s borrowed GP15-2 on May 10, 2013 (see Quaboag Valley in Fog and Sun, May 10, 2013  encouraged me to seek out this locomotive and spend some more time photographing it on the former Boston & Albany Ware River Branch.

This branch is one of my longest running projects. Back in 1981, I rode my 10-speed bicycle from Monson to Ware to make photographs of Mass-Central’s recently acquired EMD NW5, number 2100. Now, more than 30 years later, that old engine is still on the property, and I’ve been up and down the line by road (and rail) dozens of times.

Despite this familiarity, at least once a year (if not once a season) I’ll take a photo-trip along the line. So, having a nice freshly painted locomotive against fresh spring leaves is a good excuse to get out and the exercise cameras.

GP15-2
Northward Mass-Central freight near Creamery on May 13, 2013. Canon 7D with 20mm lens.
Mass-Central crosses Rt 67 at Barre, Massachusetts on May 13, 2013. Lumix LX-3 photo.
Mass-Central crosses Rt 67 at Barre, Massachusetts on May 13, 2013. Lumix LX-3 photo.
Mass_Central_w_GATX_499_Barre_w_stream_P1480619
Mass Central at Barre, Massachusetts on May 13, 2013. Lumix LX3 photo.

Much of the line is on a southwest-northeast angled alignment; and since trains tend depart northbound in the morning from Palmer  and return after midday, I’ve found that the southward return chase can be the most productive for making clean locomotive images.

On Monday May 13th, I spent the morning writing and running errands. Then in late morning, I followed Mass-Central’s line up to Gilbertville where I waited for the weekday freight to pass on its northbound run. (Just to clarify; the weekday freight is all I’d ever expect to see. The days of Boston & Albany’s steam hauled mixed train and milk specials have long since passed!)

Albany station at Gilbertville, Massachusetts on May 13, 2013.
Former Boston & Albany station at Gilbertville, Massachusetts on May 13, 2013.

My timing was good, and after a little while the GP15-2 rolled through northbound with two cars. Not much of a train, but it collected a few more cars near Creamery and continued to South Barre where it worked for about an hour delivering and collecting freight cars.

As expected, the southward chase offered better angles and nicer train. Not only did the southward train have a decent consist of cars, but the sun made some well-timed appearances.

Mass-Central working the spur at South Barre. This light industrial branch diverges near the end of track on Mass-Central's line at South Barre.
Mass-Central working the spur at South Barre. This light industrial branch diverges near the end of track on Mass-Central’s line at South Barre. Canon 7D.
Mass-Central freight
Mass-Central freight near Barre, Massachusetts on May 13, 2013. Canon 7D with 20mm lens.

I made photos with both film and digital Canon bodies as well as my Lumix LX-3, while following all the way south to Palmer  (where Mass-Central interchanges with both CSX and New England Central).

Canon 7D.
Canon 7D.
Mass-Central crossing Rt 32 near Creamery, Massachusetts.
Mass-Central crossing Rt 32 near Creamery, Massachusetts.
Canon 7D.
Mass-Central catches the sun at the Rt 181
Mass-Central catches the sun at the Rt 181 crossing near Palmer, Massachusetts. Canon 7D with 28-135 lens.

I’ve learned to take advantage of unusual or new motive power on the branch, as things can (and do) change quickly. To use a cliché; it’s best to strike when the iron is hot! I was pleased with my results featuring the GP15-2 and I wonder what motive power I’ll find next time I follow the line?

CP 83 Palmer, Massachusetts. Canon 7D photo.
CP 83 Palmer, Massachusetts. Canon 7D photo.
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