Tag Archives: Transportation and Logistics

Daily Post: Erie Signals at Rock Glen

Making Meaningful Signal Photos.

 As a photographer working from the ground (as opposed from the locomotive cab), finding situations that illustrate some of the less common aspects in the rule book can take lots patience.

Looking railroad timetable east at Rock Glen, New York. Exposed on Fujichrome with a Canon EOS 3 with 100-400mm lens.
Looking railroad timetable east at Rock Glen, New York. Exposed on Fujichrome with a Canon EOS 3 with 100-400mm lens.

Study this image, there’s a lot going on here: Norfolk Southern’s westward symbol freight 23K holds the mainline at Rock Glen, New York where it will meet the eastward 38T. The dispatcher has lined 38T through the siding, and as a result the home signal displays a red-over-yellow-over-green aspect—‘Medium Approach Medium’ (rule 283a).

The ‘Medium Approach Medium’ aspect effectively tells the engineer  of train 38T, that the train is lined and has a favorable signal (clear) for both this crossover as well as the next crossover, and that both are ‘medium speed’ (not exceeding 30mph) crossovers.

At the far left is the old Erie milepost that tells use we are 371 miles from Jersey City (the traditional eastern end of the line). The named location on the timetable conveniently coincides with the map and so the western end of the siding is called ‘Rock Glen’ for the western New York town of the same name. On many modern railroads, the timetable might simply refer to this control point as ‘CP371’.

At one time this was a traditional double track mainline with directional running in the current of traffic. Erie converted the route to single track with passing sidings and centralized traffic control-style signaling.

I don’t know for certain, but based on the current siding arrangement that is slewed around the home signal, I would guess that at some point after the time of original installation the siding was lengthened. Take note of the siding signal.

Among the peculiarities of Erie’s CTC style signaling was the use of home signals at sidings with the lower head located much lower than the top head. In effect this is an exaggerated arrangement that omits the center light featured on signals with three lights, such as on the signal on the right.

Erie wasn’t alone in this style of signaling, Southern Pacific also used low signals like this, although unlike the Erie, SP didn’t assign speed aspects.

In modern times, re-signaling by Conrail and Norfolk Southern has resulted in changes to traditional signaling practices. In some locations the lower light was raised to a point just below the main light. While more recent re-signaling has resulted in the outright replacement of searchlight hardware with modern color lights.

When I made this view, Rock Glen was among last places on the west end of the old Erie route that still featured this classic signaling arrangement. I was eager to make an image that featured the signals set up for a meet.

Presently I’m working on a book called ‘Classic Railroad Signaling’ (to be published by Voyageur Press) that will focus on traditional hardware including semaphores, searchlights, position lights & etc. This is a work in progress and comments are welcome!

Click below to see previous signaling posts including:

New Book, Classic Signaling;

Searchlight Signal near Pownal, Vermont;

Susquehanna SD45 and an Erie Semaphore, Canaseraga, New York;

and Curiously Seeking Erie Semaphores.

 

Tracking the Light posts new material every morning.

Tomorrow: Deconstructionist exercise.

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DAILY POST: Focused on the Details

 Irish Rail Close-up and Real.

Footbridge at Clonmel, County Tipperary on November 19, 2004. Exposed with a Nikon F3 on Fujichrome slide film.
Footbridge at Clonmel, County Tipperary on November 19, 2004. Exposed with a Nikon F3 on Fujichrome slide film.

It would be something else if it were unreal, no?

I’ve always liked to make macro views of railways. Examining the texture, colors, and shape of the equipment, track and structures allows for better appreciation of the subject.

One of the best times to make close ups and detail photographs is under dramatic lighting; low sun or stormy light, where richer qualities make for more pleasing tones. Even the most mundane and ordinary subjects seem more interesting with great light.

Yet, detailed views can also make use of dull days when by focusing on texture and using extreme focus can compensate for flat lighting.

Irish Rail made for an especially good subject for detailed images, in part because there was so much antique equipment to photograph. Well-worn infrastructure is inherently fascinating. Here out in the open metal has been doing a job for decades and often it shows the scars from years of hard work, like an old weaver’s time weathered hands.

I’ve made hundreds of Irish Rail close-ups over the years. Here a just a few. Look around railways near you and see what you find! Sometimes the most interesting photographs can be made while waiting for trains.

Distant signal for Nicholastown gates. Nikon F3 with 180mm lens, Fujichrome slide film.
Distant signal for Nicholastown gates. Nikon F3 with 180mm lens, Fujichrome slide film.
Signal cabin interior at Rathmore. I like lever 23 the most.
Signal cabin interior at Rathmore. I like lever 23 the most. Exposed with a Contax G2 fitted with a 16mm Hologon, focused manually.
Crows congregate on the Carrick on Suir footbridge on December 11, 2004. I made this image with my Nikon F3 with a 180mm Nikkor telephoto while waiting for an empty sugar beet train. Do you think the crows care about blue NIR diesels?
Crows congregate on the Carrick on Suir footbridge on December 11, 2004. I made this image with my Nikon F3 with a 180mm Nikkor telephoto while waiting for an empty sugar beet train. Do you think the crows care about blue NIR diesels?
On Spring evening, Enfield cabin catches a fading wink of sunlight.
On Spring evening, Enfield cabin catches a fading wink of sunlight.
Irish Rail.
Irish Rail 175 basks in the November sunlight at Mallow, County Cork. Canon EOS 3 with 24-70mm zoom lens.

Also see: Irish Rail at Ballybrophy, June 2006Irish Rail Freight April 25-26, 2013 and Looking Back on Irish Railways 1998-2003

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Daily Post: Twenty Cylinders in 2013

Finding an old EMD Locomotive at Work Near its Birth Place.

Followers of Tracking the Light may have noticed that I have a penchant for Electro-Motive Division 20-Cylinder diesels. Not only have I featured these in many of my books, but also they have made regular appearances in my Daily posts.

In 2013, true 20-cylinder EMD locomotives have become really rare machines. Many of the surviving SD45/SD45-2 locomotives have been ‘de-rated’ and are now actually powered by variations of the 16-cylinder 645 engine.

Not that this difference really affects the photos, but for the purest, a true 20-cylinder locomotive has no match. For me, it’s the sound that makes the difference.

When I lived in California, Southern Pacific and Santa Fe both still had substantial fleets or 20 cylinder diesels. These days there are probably more old EMD F units in daily service than 20-cylinder 645s. (Maybe? Anyone know?)

Last week (Tuesday November 12, 2013), John Gruber and I were driving from Madison, Wisconsin toward Chicago to meet Chris Guss and Pat Yough. Chris rang me before lunch to say that an Illinois Railnet freight was ready to depart BNSF’s Eola Yard and had an old SP SD45 in the lead. A real SD45.

EMD SD45 7440
While not the prettiest locomotive, Illinois Railnet’s ex SP SD45 was worth the drive.
I even exposed a slide with my dad’s Leica M4. This photo was made with my Canon EOS 7D with 20mm lens. I was balanced on a rock in the Fox River to get just the right angle. Nice to have the sun too!

I stepped up the pace, and with creative driving and some vital landing instructions from Chris and Pat, John and I arrived at the old Burlington bridge over the Fox River west of Aurora just in time to catch this relatively obscure Chicago-land freight railroad at work. I owe this image to teamwork and the ability to react quickly. Hurray!

Tracking the Light posts new material every morning.

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Irish Rail Intercity Railcar Panned; February 18, 2013

Irish Rail ICR near Islandbridge, Dublin, February 18, 2013. Canon 7D with 40mm pancake lens; ISO 200, f11 at 1/30th second.
Irish Rail ICR near Islandbridge, Dublin, February 18, 2013. Canon 7D with 40mm pancake lens; ISO 200, f11 at 1/30th second.

Here’s a panned view of an Irish Rail intercity railcar near Islandbridge, Dublin that I exposed a little while ago (February 18, 2013). A pan of a 22K-series ICR? No, this isn’t a litany of complaint regarding the common Rotem-built Irish Rail intercity vehicle. Rather, it’s an example of one of my favorite techniques for showing motion. I learned to pan from my father, who used the technique to compensate for slow speed Kodachrome film. In the early 1960s, he made some stunning rainy-day images of Pennsylvania Railroad’s Baldwin ‘Sharknose’ diesels working the New York & Long Branch. Check my Vintage Diesel Power by Voyageur Press to view some of these photos.

The trick to making a successful pan is to manually select a moderately slow shutter speed (1/15th to 1/60th of a second), then follow a train with the camera, gently releasing the shutter at an appropriate moment. I find that pivoting my whole body helps makes for smoother motion. Key to this exercise is planning to continue the panning motion after the shutter is released. Stopping too soon may result in unplanned blurring of the main subject. Also, I usually pick a fixed point in the frame to follow the front of the train. My Canon 7D has lines on the viewfinder screen that aids this effort. I’ll discuss the panning technique in greater detail in a future post.

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