Tag Archives: #signals

Announcements, photography, Rail transit marathon, Tips and Technique

Amtrak 650 at Gap

In recent years, many of the lineside signals that once governed train movements on Amtrak’s Harrisburg line have been removed.

The old signal bridge at Gap is now devoid of the Position Light signaling hardware that had controlled train movements since the days of the Pennsylvania Railroad.

Last week, I framed up Amtrak Keystone 650 as it passed beneath the old signal bridge. In the lead was a former Metroliner car, now one of Amtrak’s cab control cars. Like the signal bridge, this is a surviving vestige of the late, great Pennsylvania Railroad. And like the signal bridge, this car is a shadow of something greater.

I exposed this view using my FujiFilm XT1 with 16-55mm Fujinon lens. To achieve a low angle, I was working with the camera’s adjustible rear-display panel and held the camera near to the ground to make the most of foreground detail.

A former Metroliner car leads Amtrak Keystone 650 eastbound at Gap, Pa.,
Amtrak Cities Sprinter 639 was situated at the back of the consist.

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Announcements, photography, Rail transit marathon, Tips and Technique

Sunset and a Clear aspect at Greenfield

The days are getting shorter. You can see it in the evening sky.

Yet, the sunsets are vivid.

I’ve been looking for ways to better feature the color position light signal at milepost 64.5 near Greenfield in Lancaster, Pennsylvania.

I made this view with my Nikon Z7-II and Nikkor Z-series 70-200mm lens of Amtrak Keystone train 653 racing west by the signal. This train had Amtrak’s ACS-64 electrics at both ends; locomotive 621 was leading westbound; and 668 was at the back.

I’d guess that something was amiss with the former Metroliner cab car at the westend of the train.

In this instance because the signal is the subject, I picked a trailing angle and selected a slower ISO setting and comparatively slow shutter speed to allow the train a little bit of motion blur, while keeping the signal sharp.

When I try this again, I may zoom in tighter on the signal.

ISO 200, f3.5 at 1/160th second. 70-200mm lens set to 98mm.
ISO 200, f3.5 at 1/320th second. 70-200mm lens set to 98mm.

This is just a cropped and adjusted view of the photo at center above. However, it approximates how large I’d like to frame the signal in a future image.

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Rainy Night at CP83 in Palmer, Massachusetts

Saturday night, July 17, 2021, I revisited Palmer, Massachusetts with Kris Sabbatino and Pat Yough, where we made night photos of the CSX signals at CP83.

For me photographing at Palmer at night is an old tradition that began in the 1980s.

Where I used to make time exposures with a Leica IIIA loaded with Kodak Tri-X, on this visit I worked with my modern Nikon Z6 mirrorless digital camera mounted on my father’s Gitzo carbon fiber tripod.

My own tripod had remained in New Hampshire, so needed a loan of my dad’s legs.

A westward CSX highrail truck passes CP83.

I made minor adjustements to color temperature and contrast using Adobe Lightroom.

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photography

Conrail Stacks in the Canisteo—Running Against the CUrrent.

The 316 signals were situated immediately east of milepost 317 (as measured from Jersey City).

These twin semaphores were located near milepost 317 on Conrail’s former Erie Railroad in the Canisteo River Valley east of Hornell, New York. 

Although visible from the Canisteo River Road, to reach them required a short walk across a farmer’s field.

The difficulty of capturing this pair of signals with a train was the tight angle on a tangent during normal operations.

My solution to this visual problem was to photograph the signals with a train moving against the current of traffic.

The challenge was finding a train running ‘wrong main’ at the right time of day.

In January 1988, I had my opportunity. A Conrail double-stack had been given a Form-D to run against the current of traffic on the No. 1 track from Hornell to Gang Mills. I raced ahead in time to jog through the field and set up east of the signals.

Working with my Leica M2 and my dad’s 135mm Elmarit lens, I made a series of Kodachrome slides. This image was first the in the sequence and nicely shows the signals and stacks in the scenic valley.

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