Tag Archives: Irish railway

Irish Rail, Cork, September 2013

Kent Station and Cobh and Midleton Lines.

Irish Rail
Kent Station, Cork. Lumix LX3 photo.

Last week, I traveled by train from Dublin to Cork to make photographs and visit with friends. I was traveling light and only brought two cameras, my Lumix LX3 and Canon EOS 3. In addition to some Velvia 100F, I also played around with some Fuji 400 color print film I had stored in the refrigerator.

Initially I focused my attention on Kent Station, which features a unique curved train-shed that make it one of the most interesting railway structures in Ireland. Signaling at the Cobh-end still retains a few mechanical semaphores.

Kent Station, Cork. Lumix LX3 photo.
Kent Station, Cork. Lumix LX3 photo.
New Irish Rail logo.
New Irish Rail logo.

 

Later, I worked east making a variety of images at Glounthuane (Cobh Junction) where Cobh and Midleton lines come together. The Midleton line had been closed for decades and was only reopened for passenger service in 2009. Years earlier, I’d explored the then derelict line.

Earlier this year, I featured a series of posts on Irish Railway Record Society’s locomotive hauled Dublin-Cobh-Midleton excursion. See: Irish Railway Record Society Trip to County Cork, 20 July 2013; Sun Scorched Irish Extravaganza—Part 4.

Where that visit was blessed with bright sun through out the day, on this recent trip I experienced more ordinary Irish weather.

Irish Rail signs at Glounthaune, Cork. Lumix LX3 photo.
Irish Rail signs at Glounthaune, Cork. Lumix LX3 photo.
Irish Rail
Irish Rail 2600-series rail car at Glounthaune, Cork. Lumix LX3 photo.
Irish Rail
Irish Rail train to Cobh near Fota, Cork. Lumix LX3 photo.
Irish Rail
Irish rail train departing Midleton, Co. Cork. Lumix LX3 photo.
Irish Rail
Irish Rail 2600s passing North Esk, Co. Cork. Lumix LX3 photo.

 

Here are a few views from the two cameras. Special thanks to Ken and Janet Fox and Donncha Cronin for location advice and local transportation. Also thanks to John Gunn Camera shop on Wexford Street in Dublin for color negative film processing and prints.

Cork
Kent Station, Cork. September 2013. Lumix LX3 photo.

 

Irish Rail Mark 4 at Kent Station, Cork. Exposed on Fuji 400 ISO color negative film (C41 process) using a Canon EOS 3 with 28-135 mm lens.
Irish Rail Mark 4 at Kent Station, Cork. Exposed on Fuji 400 ISO color negative film (C41 process) using a Canon EOS 3 with 28-135 mm lens.

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Irish Rail—Cherryville Junction, 6 December 2003

In 2003, Irish Rail operated its sugar beet trains via Kildare because the normal routing between Waterford and Limerick Junction was closed as result of a bridge collapse at Cahir, County Tipperary. On December 6, 2003, I was in place at Cherryville Junction (where the Waterford Road joins the Cork Road—a few miles west of Kildare Station) to catch a laden sugar beet train on its way from Wellingtonbridge, County Wexford to Mallow, County Cork. (Since there is no direct chord at Cherryville to allow a movement from the Waterford Road onto the Cork Road in the down direction, this sugar beet train would continue up to Kildare where the locomotive would run around, thus allowing the train to reverse direction for its onward journey to Mallow.)

 

General Motors diesel locomotive in Ireland
Irish Rail laden sugar beet train at Cherryville, Junction 6 December 2003.
That same day, I was also fortunate to intercept locomotive 124 and a three-piece Mark3 push-pull, normally assigned to the Limerick-Limerick Junction shuttle, on its way to Dublin for servicing.
That same day, I was also fortunate to intercept locomotive 124 and a three-piece Mark3 push-pull, normally assigned to the Limerick-Limerick Junction shuttle, returning from Dublin after working a ‘relief’ from Limerick Junction. 

It was a characteristically dull day. I was working with a Rollei Model T (120 size roll film fitted with a f3.5 Zeiss Tessar) and Fuji Neopan™ 400 film. Key to obtaining the desired tonality was my process. For developer I used Agfa Rodinal Special™ 1:32 with water for 7 minutes, then after dual fixing baths, Perma Wash™ for 3 minutes, and 10 minutes in running water, I toned the negatives in selenium solution (mixed 1:9 with water) for 9 minutes, then re-washed for 20 minutes in running water. (Warning: selenium is poisonous and should be handled with extreme care in a well-ventilated room). See: Installment 6: Black & White revisited; Old Tech for a New Era part 2—Secrets Revealed!.

For comparison, I’ve scanned the entire 120 size negative strip. This is in color, unmodified during scanning. The slightly purple tone is a result of the selenium toner. The two primary benefits from toning negatives with selenium solution are improved highlight density and better archival quality. While the effect is subtle, it adds snap to photographs exposed on a dull day.
For comparison, I’ve scanned the entire 120 size negative strip. This is in color and unmodified during scanning. The slightly purple tone is a result of the selenium toner. The two primary benefits from toning negatives with selenium solution are improved highlight density and better archival quality. While the effect is subtle, it adds snap to photographs exposed on a dull day.

 

Cherryville Junction
Irish Rail class 141 diesels 160 and 148 lead empty beet wagons at Cherryville Junction on 6 December 2003. The train has taken the switch and is headed toward Waterford.
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