I made this panned view of Irish Rail class 201 number 212 working up-road at Cherryville Junction on 11 January 2003.
Panning is an effective technique for conveying motion. For this view I used a short telephoto lens and a comparatively slow shutter speed, probably about 1/60thof a second, while moving the camera in tandem with the locomotive.
Key to making an effective pan is maintaining constant speed and smooth motion.
Novice panners may make the mistake of stopping panning as they release the shutter. This results in a jarring complete blur that produces something less than the intended effect.
Tracking the Light Publishes New Material Each and Every Day.
After four years out of traffic, Irish Rail class 071 number 087 is back! A visit to Cherryville Junction resulted in these sunlit photographs of the classic locomotive leading the DFDS Liner (a container that runs from Waterford to Ballina).
I exposed this sequence of images using my Fuji Film X-T1. In addition, I made a colour slide using Fuji Provia 100F in my old Nikon F3 with 50mm.
Here’s a dozen images: On Monday May 5, 2014, I traveled to Kildare, and spent the day making photos of Irish Rail’s operations.
The goal was to photograph the Up and Down IWT (International Warehousing and Transport) Liners (running to and from Dublin from Ballina), with a hope that the elusive timber trains might operate.
Irish Rail’s timber is elusive enough, so far as I’m concerned. It only operates two or three days a week, and often seems to get canceled when I’m out for it.
The weather was mixed; a bit of rain in the morning, a few bursts of sun in the afternoon. In other words, a typical May day in Ireland, if a bit on the cold side. The foliage was lush and green.
The down IWT liner (Dublin-Ballina) ran later than I anticipated, while the up IWT was more or less as expected.
Timber trains made their appearance as hoped. Since the timber must run around at Kildare station to change direction (it runs from Waterford to county Mayo, and there’s no direct chord at Cherryville Junction to facilitate a move for trains moving from the Waterford Line to the West), this allows opportunity to catch the timber train twice.
All in all, it was a productive day photographically.
Since most of Irish Rail’s passenger services are now provided by common 22000 series Rotem-built InterCity Railcars (ICRs), I’ve only included at few of the many passenger trains that passed that day.
In 2003, Irish Rail operated its sugar beet trains via Kildare because the normal routing between Waterford and Limerick Junction was closed as result of a bridge collapse at Cahir, County Tipperary. On December 6, 2003, I was in place at Cherryville Junction (where the Waterford Road joins the Cork Road—a few miles west of Kildare Station) to catch a laden sugar beet train on its way from Wellingtonbridge, County Wexford to Mallow, County Cork. (Since there is no direct chord at Cherryville to allow a movement from the Waterford Road onto the Cork Road in the down direction, this sugar beet train would continue up to Kildare where the locomotive would run around, thus allowing the train to reverse direction for its onward journey to Mallow.)
It was a characteristically dull day. I was working with a Rollei Model T (120 size roll film fitted with a f3.5 Zeiss Tessar) and Fuji Neopan™ 400 film. Key to obtaining the desired tonality was my process. For developer I used Agfa Rodinal Special™ 1:32 with water for 7 minutes, then after dual fixing baths, Perma Wash™ for 3 minutes, and 10 minutes in running water, I toned the negatives in selenium solution (mixed 1:9 with water) for 9 minutes, then re-washed for 20 minutes in running water. (Warning: selenium is poisonous and should be handled with extreme care in a well-ventilated room). See: Installment 6: Black & White revisited; Old Tech for a New Era part 2—Secrets Revealed!.
Today, Tuesday 6 November 2012, was another day of main-line trials with Railway Preservation Society Ireland locomotive 461; the locomotive departed from Inchicore and made its run to Portlaoise and return under mixed skies. Hugh Dempsey & I made a very productive day out catching the locomotive, IWT Liner and other trains at various locations. My Canon 7D was very active; its card is nearly full! Made use of the Lumix LX3, and exposed more than a roll of Provia 100F with the EOS-3. (What? Only one roll?! Yes yes, I know, but the digital cameras filled it where the film camera left off, or vice versa.) Here is just one of many photos from today’s very productive outing.
Brian Solomon will be giving an illustrated talk titled “Ireland from an American Perspective 1998-2003” at the Irish Railway Record Society’s Heuston Station premises in Dublin at 7:30pm on Thursday November 8, 2012. Admission free.