Last week, Wednesday 27 March 2019, photographer Denis McCabe and I set up at a rural level crossing south of Pampilhosa, Portugal on the double-track electrified Lisbon-Porto mainline.
Several minutes before a train, warning bells would ring and lights would flash, giving us ample time to prepare for photographs.
The crossing is conveniently situated near the apex of curve in an S-bend.
Working with my FujiFilm XT1 with 27mm pancake lens, I exposed these photos of a Medway electric leading an empty cement train as it passed the crossing.
On May 16, 2001, I was on my way from Dublin to Kilarney by train. Rather than take the most efficient route, I aimed to wander a bit on the way down.
I changed trains at Ballybrophy for the Nenagh Branch to Limerick, then traveled from Limerick to Limerick Junction where I’d time my arrival to intercept the weekday 10:34 Waterford to Limerick cement train.
At the time I was making good use of my Rolleiflex Model T to document Ireland and Irish railways in black & white.
I’d process my negatives in my Dublin apartment and make 5×7 proofing prints at the Gallery of Photography’s darkrooms at Meeting House Square, Temple Bar. Often, I schedule one day a week for printing.
Over the course of a half dozen years, I exposed several thousand black & white images, and made hundreds of prints. Sometimes I’d give prints to friends on the railroad. On more than one occasion I’d later visit a station or signal cabin and find my work displayed on the wall.
However, most of the prints remain stored in boxes. While this may help in their preservation, it doesn’t allow people to enjoy the images.
Here I’ve displayed just a few photos, where instead of scanning the negatives, I’ve scanned prints and this shows both my cropping of the image and the borders. I developed a distinctive border style for my square images that I felt worked well with the format.
In the dozen years that have passed since I exposed these photos, Limerick Junction and the trains that serve it have changed dramatically. The semaphores, cement trains and Class 121 diesels are all gone.
As a kid, I’d travel with my family to coastal Maine for visits with grandparents who owned a summer home south of Newcastle. At that time, Maine Central operated freights on the Rockland Branch on a weekday basis.
On rare occasions as we were driving, I’d see a train wandering up or down the branch. I recall my exceptional frustration when passing the Rockland roundhouse a group of Maine Central GP7s and GP38s basked in evening sun, but family priorities precluded even a short stop for photography (I think we were going to dinner).
By the time I made visits to Maine in the mid-1980s with aims at making railroad photographs, the old Rockland Branch was all but dormant.
The line experienced a revival in the 1990s and 2000s. Today it hosts freight and passenger trains operated by Maine Eastern. This greatly pleased my late-friend Bob Buck, who had experienced the line in steam days and had watched its gradual decline during the diesel era.
It was a great thrill for him to be able to board a passenger train again at Rockland and ride along the coast inlets toward Brunswick.
In August 2004, I was among several friends visiting with Bob at his summer home on the Maine Coast. During this trip, Neal Gage and I spent a productive morning photographing Maine Eastern’s cement train, which made a series of short turns between the cement factory at Thomaston and a pier in Rockland.
This included photographing the short spur (branch) to the pier that had been rebuilt during the revival period to facilitate movement of cement by barge. This line winds through back yards of Rockland and curls around to the waterfront.
Caption: In August 2004, a Morristown & Erie C-424 leads a short empty cement train up from the Rockland Pier on the rebuilt former Maine Central spur running between the pier and the Rockland yard. Exposed on Fujichrome with a Nikon F3T and 24mm lens.