Tag Archives: train shed

Cork’s train shed in black & white—plus travel notice.

Tracking the Light will be on autopilot for a week while Brian is traveling. New material will continue to post everyday, but notices will be delayed. See the Tracking the Light home page at: http://briansolomon.com/trackingthelight.

Kent Station Cork:

For me there’s something about a Victorian train-shed that begs for black & white. I made this photo on my most recent trip to Kent Station in Cork on Kodak Tri-X using a Leica IIIA with 35mm Nikkor lens.

Kodak Tri-X processed in Agfa Rodinal Special (not to be confused with ordinary Ordinal) mixed 1:30 with water, 68 degrees F, at 3 minutes 15 seconds with 2 minute pre-soak (with a trace quantity of developer). After initial processing (dev, stop, 1st fix, 2nd fix, hypo clear, 10 minute wash), negatives were treated with Selenium toner for 7 minutes, then carefully rewashed in running water for 15 minutes). Scanned using Epson V500 flatbed scanner, and digitally processed using Lightroom.

Tracking the Light normally posts new material daily.

York Train Shed—Tracking the Light Daily Post

4 July, 1999.

A funny way to spend American Independence Day: I was on my way from London to Scotland, and I stopped over at York to intercept Britain’s most famous steam locomotive, engine 4472, better known as Flying Scotsman.

This was my first visit to York, and I was fascinated by the Victorian train shed. Using my Nikon N90S, I exposed a variety of images on Fujichrome.

 The unusual curved York train shed was built between 1871 and 1877. A Virgin Cross Country HST pauses at York on 4 July 1999. This was led by one of the less-common varieties of the Class 43 power units that featured buffers. Exposed on Fujichrome Sensia using a Nikon N90S with 24mm lens.

The unusual curved York train shed was built between 1871 and 1877. A Virgin Cross Country HST pauses at York on 4 July 1999. This was led by one of the less-common varieties of the Class 43 power units that featured buffers. Exposed on Fujichrome Sensia using a Nikon N90S with 24mm lens.
Looking like the ribs of some ancient beast, I made this study of the cast iron members of York’s Victorian train shed. Fujichrome Sensia using a Nikon N90S with 80-200mm zoom lens.
Looking like the ribs of some ancient beast, I made this study of the cast iron members of York’s Victorian train shed. Fujichrome Sensia using a Nikon N90S with 80-200mm zoom lens.

Five months later, I returned with my Rolleiflex to document the shed on medium format film. Both those photos and the images of Flying Scotsman may be the topics of future posts.

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Railway Cathedral Antwerpen Centraal, March 22, 2013

 

Belgium’s jewel is among Europe’s most magnificent railway terminals.

Antwerpen Centraal, Belgium on March 22, 2013. Lumix LX-3.
Antwerpen Centraal, Belgium on March 22, 2013. Author Carroll Meeks (The Railroad Station, 1956), credits architect Louis de la Censerie with the station’s Art Nouveau style. Censerie’s ornate decoration and exceptional use of light makes Antwerpten Centraal one of Europe’s finest railway terminals. Photo exposed with a Panasonic Lumix LX-3.

 

On the morning of Friday March 22, 2013, I rode an SNCB (Société National des Chemins de fer Belges—Belgian National Railways) train from Brussels to Antwerpen Centraal (Antwerp Central Station). It was bright and sunny, a real contrast to my experience in Dublin on the previous day where it was cloudy, windy and raining.

I first visited Antwerpen Centraal in May 1996. Since that time this classic stub-end terminal has been transformed into a three-level railway intermodal center. Tracks on the lowest level permit through services without the need for trains to reverse direction as was previously required.

Looking straight up at the domed roof in Antwerpen Centraal, Belgium on March 22, 2013. Lumix LX-3.
Looking straight up at the domed roof in Antwerpen Centraal, Belgium on March 22, 2013. Lumix LX-3.

The station head-house is among the most opulent and best kept anywhere in Europe, while the steeply pitched balloon train shed makes for a wonderful venue to photograph trains, its glass windows acting as enormous soft-box.

On Friday March 22nd, I had about 45 minutes at Antwerpen Centraal between trains. I used my time to good advantage and exposed a variety of digital images with my Lumix LX-3, and some Fuji Provia 100F with my Canon EOS-3. The film will be processed at a later time.

New SNCB electric multple-unit at Antwerpen Centraal, Belgium on March 22, 2013. Lumix LX-3.
New SNCB electric multple-unit at Antwerpen Centraal, Belgium on March 22, 2013. Lumix LX-3.
Station at Antwerp, Belgium.
New SNCB electric multple-unit at Antwerpen Centraal, Belgium on March 22, 2013. Lumix LX-3.

The terminal is well-suited to the city center and connected to myriad destinations through an excellent public transport system operated by De Lijn. This includes a 1000mm gauge tram network that still hosts vintage President Conference Committee (PCC) streetcars.

PCC Streetcar near Antwerpen Centraal on March 22, 2013.
PCC Streetcar near Antwerpen Centraal on March 22, 2013.

Antwerpen_Centraal_Tram_P1450097

My layover at Antwerpen Centraal was a sideshow to my main effort: I was on my way to a location near Antwerp port where I was aiming to photograph freight trains. Keep your eye on this space for those images!

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