Tag Archives: #Port Deposit

TOME Interlocking JPGs.

TOME Interlocking in Port Deposit, Maryland offered a photographic opportunity.

The moon was rising in the southeastern sky—two days short of being full—and there was ample ambient light from streetlights and local businesses.

I set up my Nikon Z6-III on a tripod and made a series of exposures.

Normally, for my night photos, I work from the camera’s NEF files and make a variety of cosmetic post-processing adjustments to extract as much detail as possible from my exposures. With these images, however, I worked from the in-camera JPGs, simply scaling them for the internet without any visual adjustments. What you see is what you get.

TOME may seem like an unusual name for a railroad control point; however, it is aptly applied to this remote-control switch. Jacob Tome was the big man around Port Deposit in the latter 19th century. Among his many important roles in local business, he served as a director of the Columbia & Port Deposit Railroad—later a component of the Pennsylvania Railroad.

Although we waited for about half an hour for the train to pass, we gave up before it arrived at Port Deposit. On the way home, however, we caught a glimpse of it from Maryland 222. Some other night, we may return to photograph a train, by night or by day, passing the Tome memorial interlocking.

The moon was rising in the southeastern sky—two days short of being full—and there was ample ambient light from streetlights and local businesses.

Tracking the Light Explores Railroad Photography!

Palindromes at Port Deposit

We were driving along Rt 222 and started to overtake a stopped freight on Norfolk Southern’s Port Road Branch near Port Deposit, Maryland.

Upon arriving in the village, we turned into a local parking lot adjacent to where the head-end of the train had tied up. This was an opportunity.

In the lead was NS AC44C6M 4334.

Kris and I made a few photos of the train. I like the number of the locomotive, which is a palindrome—a number (or word) that reads the same backwards and forwards.

I made a series of photos with my Nikon Z mirrorless digital cameras. The shadows were a bit harsh, so working with Adobe Lightroom, I lightened them appropriately to make for better (or at least more pleasing) images.

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