Just a few minutes after the westward freight pictured in yesterday’s TTL post passed Underpass Road in Mexico, Pa., when my Sixth Sense (common to veteran rail-photographers) tingled.
“There’s an eastbound.”
I walked across the crossing with my Z6 with 70-200mm in hand and ample time before this approaching train came around the bend. I set up from a safe distance while, Kris made photos from the south side of the tracks.
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The reverse curves on the old Main Line at Gap, Pennsylvania offer endless photo opportunities.
Amtrak Keystone train 649 is a regular subject for me in the afternoon.
A couple of weeks back, I suspected that train 649 would be worked by ACS-64 no. 642, which specially painted for American Veterans.
I surmised this correctly, however, the locomotive was working the back of the train rather than in the lead (as I would have preferred for photography).
That said, Amtrak doesn’t operate its trains for my amusement, so I made due with the configuration as I found it.
Images exposed using my Nikon Z7-II with 70-200mm zoom.
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Fortune was with us on Saturday.
After lunch, we drove the back way over to Christiana, Pa., where I hoped to catch Amtrak 670 in the afternoon sun.
The tracks are oriented on a south-north alignment at Christiana, which makes it a good place to photograph eastward train on a sunny day, if you mind the shadows.
Where Keystone 670 was pretty much ‘on the advertised,’ Amtrak 42, the eastward Pennsylvanian had fallen down a bit, and was just a few minutes behind.
So for the effort of one eastward train, we caught two! One electric and one diesel.
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Amtrak Keystone 656 departed Lancaster, PA on time.
We drove to intercept it along the Main Line at Gap.
This time of year evening trains at Gap are coming directly out of the sun. This can be a challenge or a feature, depending on how you make your photographs.
I like to work with contrasty evening light. In my black & white film days, I’d adjust the contrast in the processing and use a relatively weak (dilute) solution of a highly active developer at comparatively high temperature with minimal agitation.
With my Nikon Z cameras I can achieve similar results in color with post-processing adjustments of the RAW files in Lightroom.
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Last month, Kris and I paused at Bryn Mawr, that iconic place on the former Pennsy Main Line.
Here vestiges of the old order survive. The railroad is still comprised of directional four track. The old PRR catenary and support infrastructure is still being used as intended. Classic canopies cover the platforms. And the old PRR tower survives like a citadel from the days of yore.
An automated announcement advised passengers of late running trains.
Bad for them, but good for me. If SEPTA’s outbound train to Thorndale had been on time, I’d have missed my photograph!
I had just a few minutes before we had to leave to meet family in Ardmore for a dinner.
Photos exposed with my Nikon Z6 and processed digitally in Lightroom.
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Owing to its lineage along the route of Pennsylvania’s original Main Line of Public Works, the former Pennsylvania Railroad trunk is known as ‘The Main Line’. This historic route runs just a few blocks from our new home.
Last week our friend Wayne Duffett-TEC Associate’s Bridge Inspector and Conway Scenic Railroad steam locomotive engineer (and Tracking the Light reader) visited Kris and I in Lancaster, PA.
After dinner at the Outback Steakhouse, we brought Wayne on a short tour of the railroad, hitting several highlights of the old Main Line.
Using the ASM.transitdocs.com Amtrak realtime phone app, we were able to time the passage of an eastward Amtrak Keystone to just a few minutes, and watched the train zip by at nearly 90mph.
Photos exposed with a Lumix LX7.
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I often work with multiple cameras. Since purchasing my Nikon Z7-II at the end of last year, I now often work with both my Nikon mirrorless cameras in tandem. I’ve fitted my Z-series 70-200mm zoom to my Z6, and a Z-series 24-70mm to the Z7-II.
This arrangement gives me the flexibility to make a variety of different angles quickly, swaping back and forth between the two cameras as needed.
In addition to that, I’ll often have my Lumix LX7 at hand and sometimes an older Nikon loaded with film.
Last week, I was poised at Gap, Pennsylvania on the former Pennsylvania Railroad Main Line that is now operated by Amtrak. Most of Amtrak’s trains are Keystone corridor push-pull sets powered by Siemens-built ACS-64 electric locomotives. An exception is the New York-Pittsburgh Pennsylvanian that runs daily and its typically led by a GE-built P42 Genesis diesel.
I got a tip that the eastward Pennsylvanian (train 42) was running with a P42 wearing one of the heritage paint schemes and I was in position to make the most of that train, while waiting on its late-running westward counterpart (train 43). Watching a train tracking ap on my phone, I wondered which train would reach me first.
I heard a GE chugging to the east and turned to find train 43 working west led by P42 number 117 . First I made a few images with the Z6 and 70-200mm, then made a few close up photos with the Z7-II and 24-70mm, before making a couple more trailing views with the Z6. I’ve included six of these images here in order of exposure to provide a sense of how I made the most of these cameras in tandem.
Minutes after train 43 went by, I spotted train 42 in the distance with the aforementioned heritage-painted locomotive in the lead. Stay tuned for those photos!
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In the autumn, the sun swings around in the late afternoon at Cassandra, and neatly lines up with the rock cut to the west of the Railfans Overlook bridge.
We heard a westward freight approaching, so I took a position over the middle track to make for a dramatic telephoto view in the low autumn sun.
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Standing at the Railfan’s Overlook at Cassandra, Pennsylvania we could hear a heavy eastward train climbing the West Slope on Norfolk Southern’s former Pennsylvania Railroad Main Line.
Kris and I had arrived at this famous photo location on our drive east from Illinois last month. It was Kris’s first time at Cassandra, and my first visit here in more than a decade.
Finally after several minutes a headlight appeared on the long tangent looking west toward Johnstown. A slow-moving loaded unit coal train was clawing up grade towards us.
As the train approached and passed us, I made this series of photos using my Nikon Z6 mirrorless digital camera fitted with a Z-series f2.8 70-200mm zoom lens. A pair of NS SD70ACUs were working at the back of the train.
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