Over the years I’ve spent a lot of time studying railway imagery, observing and analyzing hundreds of thousands of individual photos.
Among the most striking are the works of Japanese photographers.
Some of their most successful photos cleverly use focus and depth of field to place the railway in its environment. In some situations this is accomplished with a single image; in others with a sequence of photos.
Last week, I emulatted the style embraced by my Japanese counterparts to produce this sequence of images at the Swift River Bridge on Conway Scenic Railroad’s Conway Branch.
![](https://i0.wp.com/briansolomon.com/trackingthelight/wp-content/uploads/2020/05/CSRR_RDC_Millie_at_Swift_River_Bridge_Conway_Focus_close_NH_DSCF1040-scaled.jpg?resize=474%2C316)
![](https://i0.wp.com/briansolomon.com/trackingthelight/wp-content/uploads/2020/05/CSRR_RDC_Millie_at_Swift_River_Bridge_Conway_Focus_distant_DSCF1042-scaled.jpg?fit=474%2C316)
![](https://i0.wp.com/briansolomon.com/trackingthelight/wp-content/uploads/2020/05/CSRR_RDC_Millie_at_Swift_River_Bridge_Conway_Medium_DSCF1046-scaled.jpg?resize=474%2C316)
![](https://i2.wp.com/briansolomon.com/trackingthelight/wp-content/uploads/2020/05/CSRR_RDC_Millie_at_Swift_River_Bridge_Conway_NH_DSCF1036-scaled.jpg?fit=474%2C316)
Here I’m working with three primary subjects; the truss bridge, Budd rail diesel car Millie and a flowering tree. All were exposed digitally using my FujiFilm XT1 with 18-135mm zoom lens.
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