Tag Archives: Washington Union Station

Alco RS-1s at Washington Union Station.

Exposed on Kodachrome 64 with a Leica 3A and 50mm Summitar lens.
Exposed on Kodachrome 64 with a Leica 3A and 50mm Summitar lens.

My brother and I were changing trains at Washington D.C. on December 18, 1984. I had time to stealthily wander down the platforms and make photos of the Alco RS-1s that worked the station.  I was pleased to feature three of the enigines in one image.

Tracking the Light posts every day.

On this Day, January 15, 1953, Pennsylvania Railroad’s Federal Express Crashed at Washington Union Station.

In the lead was GG1 electric number 4876.

After the spectacular January 15, 1953 Washington Union Station wreck, Pennsylvania Railroad rebuilt GG1 4876, which required substantial reconstruction resulting in an nearly new machine.

In the late 1970s and early 1980s, I made a project of photographing old 4876, at which time it was working for New Jersey Department of Transportation on New York & Long Branch suburban services.

I exposed this detailed view with my Leica 3A at Rahway Junction in the locomotive’s last year of service.
I exposed this detailed view with my Leica 3A at Rahway Junction in the locomotive’s last year of service.

Tracking the Light Post Every Day!

Washington Union Station—Daily Post.

May 2002, Hologon View.

It’s always fun to play with a new piece of equipment. I’d just bought a 16mm flat field Hologon super wide angle lens for my Contax G2 and I used this to make some dramatic photos inside Washington Union.

Washington D.C. Union Station as it appeared to me in May 2002. Exposed on Fujichrome slide film using a Contax G2 Rangefinder with 16mm Hologon lens.
Washington D.C. Union Station as it appeared to me in May 2002. Exposed on Fujichrome slide film using a Contax G2 Rangefinder with 16mm Hologon lens.

This lens is specially corrected to eliminate barrel distortion (commonly associated with super wide lens design) but it must be kept completely level to avoid perspective convergence to vertical lines in the image. A bubble-level is provided in the clip-on viewfinder to aid with the leveling process.

For this image, rather than make any effort to keep the camera level, I happily embraced the effect of perspective convergence to make for a dramatic image of Washington Union’s magnificent barrel-vault ceiling.

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Tomorrow: looking back at the end of an era!

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