Yesterday, Kris & I made a drive to Vermont to deliver Hans-the-Rooster-Chicken to an animal sacntuary where he will live out his days. Hans has lived in our back yard since 2020 and has faithfully ushered in the new day with his cockadoodeling for many months.
It was a beautiful day and on the way back we stopped at a various places to make photos.
All of these photos were exposed digitally using my Nikon Z6 with 24-70mm lens.
The other day at White River Junction, Vermont, I made this photo of the Vermont Rail System yard office and GP38 204 using my Lumix LX7.
I like the classic style railroad building and vintage diesel, but I’m not sure about the pole. Would this photo be better without the pole, or does it lend context and relevance to the image?
Five years ago, on June 7, 2017, I was traveling with my long-time friend and photographer Paul Goewey. We were photographing Vermont Rail System’s Green Mountain Railroad freight 264, and caught this train passing the former Rutland Railroad passenger station at Chester, Vermont.
In the 1970s and early 1980s, I recall watching Steamtown run around their excursion train at this location, although I don’t think I made any photos at that time.
On this day, I was working with my FujiFilm XT1 digital camera, which allows me to simultaneously save a photo file as both a JPG and as a camera RAW (RAF). At the time of exposure, I profiled the JPG in-camera using Fuji’s built in Velvia color slide film profile setting. . While in post processing, I custom profiled the RAF image by making minor adjustments to contrast, color temperture and saturation using Adobe Lightroom, and then created a JPG for internet presentation.
Below, I offer both the in-camera JPG with Velvia color and my own adjusted file. Both images were created digitally. I did not crop the image area or make changes to sharpness.
On this date, July 17, 2010, I exposed this series of digital images with my Canon EOS 7D fitted with a prime Canon f2.8 24mm lens.
This camera was very new to me at the time. It was my first digital SLR and I had purchased it on advice of Chris Guss just a month earlier.
I bought it to augment my first digital camera, a Lumix LX3 (first of four similar cameras).
I was traveling with David Hegarty, and we caught Pan Am Southern’s intermodal freight symbol 22K passing through the curves on the Boston & Maine Fitchburg line at North Pownal, Vermont.
This famous photographer’s location is located in the far south-west corner of the state.
This morning, I made some nominal adjustements to the Canon RAW files using Adobe PhotoShop to correct for color temperature and bring in detail in the shadows and highlights.
Today, I’m offering a view of a northward train from the same over bridge.
I made this when following the train with Kris Sabbatino earlier this month.
Although looking toward the sun, I was happy to catch a train from this view point. Since VRS only operates 2-3 northward trains per week, I’m not in a position to be overly choosy about the light.
Exposed using a Nikon Z6 digital camera with 24-70mm lens, image processed using Adobe Lightroom.
Two weeks ago on our northward journey, Kris Sabbatino and I paused at Wells River to photograph the Vermont Rail System freight that we had been shadowing.
Over the years I’ve photographed the former Boston & Maine routes around Well River on various occasions several times, but until this most recent trip, I never managed to catch a train in motion on this infamous span.
Infamous because, back in 1984, this bridge had been damaged and effectively shut the line to traffic until it was repaired.
Exposed using my Nikon Z6 with 24-70mm lens.
Tracking the Light is a Daily Blog on Railway Photography.
Years ago I said to a fellow photographer, ‘When the scanner is silent, either the railroad isn’t running any trains, or your scanner isn’t working’.
Now that we are into the ‘long days,’ I hope to use the later sunset to make railroad photos that are not normally possible during the rest of the year.
Forty minutes to the north of North Conway, is Genesee & Wyoming’s St Lawrence & Atlantic. Normally this is an elusive nocturnal operation with road freights to and from Canada passing 3-4 nights a week.
While in the 1990s, I traveled on, and made a few photographs of trains on this former Grand Trunk Railway line at locations in Maine, New Hampshire and to lesser degree, Vermont, in recent times my coverage has only featured tracks, not trains.
On June 4, 2020, Kris Sabbatino and I set out in the hopes of finding one of these elusive trains . . .
We joined the route near Gorham, New Hampshire and followed the tracks west, passing Berlin, Groveton and North Stratford. Then into Vermont, to Island Pond.
Radio silence.
We continued following the tracks all the way to Norton, on the border with Canada. We waited out the daylight at a lightly used rural grade crossing just a few miles from the Vermont-Quebec line.
As darkness fell, we retreated to Island Pond were we made photos of the station and the rising moon. No sign; not even a hint of the southward (eastward?) freight.
I learned the next day, that it didn’t operate, but that trains were scheduled to run on that day, Friday June 5th.
All was quiet last Sunday when we passed through the once busy railroad hub at St. Johnsbury, Vermont.
Vermont Rail System services the former Canadian Pacific (née Boston & Maine) north-south line, but there was no sign of activity during our brief visit. However, on my previous trip to the town, I rolled by the southward VRS freight, and featured this further down the line in a series of Tracking the Light posts. See:
Fellow photographer Kris Sabbatino and I focused on the large railway station building that is a centerpiece of the town, then went to explore the nearby former Maine Central truss over the Passumpsic River that represents the far west end of the old Mountain Division—the railroad line utilized by Conway Scenic Railroad over Crawford Notch.
I’d photographed this bridge many years ago, but wanted to re-explore it, as it now has greater relevance for me.
The light was flat, and although dull, this seemed appropriate for the circumstances. In additional to these digital photos, I also exposed some black & white film that I intend to process at a later date.