Working with Czech-made Fomapan Classic in my Nikon F3, I’ve wandered the streets of Dublin seeking timeless images.
By careful chemical manipulation in the processing of the negatives, I aimed to extract exceptional shadow detail, maintain rich black tones and control highlight areas.
I’ve exposed these views over the last few weeks. In many instances, I’ve set my lenses to their widest apertures both to let greater amounts of light to reach the film, but also for the effects offered shallow depth of field.
Weather, including fog, added to the challenge and the atmosphere.
In our wanders around Philadelphia on New Year’s Day, I made dozens of digital image with my new Lumix LX7.
For these photos I was using the external viewfinder, an attachment that connects via the top of camera hot shoe. This makes it easier to compose in bright daylight.
I spent several days exploring Prague in Spring 2000. Unlike many cities in Western Europe, Prague escaped widespread damage during World War II and much of the historic city center has retained its classic architecture.
Semi-streamlined Tatra T3 trams were standard when I visited in May 2000. Most were painted in the traditional red and cream livery.
Prague also has an extensive public transport network, including an underground metro, suburban and long distance heavy rail services, and one of Europe’s largest tram systems.
The combination of great architecture in a scenic setting along the Vlatva River and well-maintained Tatra trams allowed for many photographic opportunities. The trams also afforded me convenient transport.
I quickly discovered that although beer in the city center was cheap by western standards, it could be obtained for about a third the price and in greater varieties in the suburbs. I also found the Czech’s very personable and so spent several great days wandering around in good company.
I exposed these images with my Nikon F3T on Fujichrome Sensia. I calculated exposure manually using my Sekonic Studio Deluxe hand-held photo cell.
A pair of T3s grind across the Vlatva River on a bright May 2000 day. The leading car was only about 10 years old at the time of the photograph.
The T6 Tatras have a boxier car-body than the T3s, but added a bit of variety to the photographs.
Prague has a tram museum and while I was wandering around I saw several historic cars on the city streets.
The red and cream Tatras reminded me of my father’s adventures photographing PCC cars in Pittsburgh in the early 1960s.
Tram frequency was excellent and I never waited long for a car to appear.
