I realize that today’s title might not catch everyone’s eye.
How about: ‘Clean GM Diesel on a Freight’?
Or, ‘Irish Rail at Rush Hour’ ?
Anyway, this post is about light.
I was waiting on the Up IWT liner (International Warehousing & Transport Ballina, County Mayo to Dublin Northwall container train)with recently painted Irish Rail 071 class diesel number 082.
Just ahead of this Dublin-bound freight was the Up-Galway passenger train with a common set of ICRs (InterCity Railcars).
I was photographing into the sun. My intent was to work the glint effect. (That’s when the sun reflects off the side of the train).
Usually, I find this is most effective when you shade the front element of the lens to minimize flare. Notice the two variations with the ICR.
By the time the freight reached me clouds had partly shaded the sun leaving only a hint of back-lighting.
All the photos were made using my FujiFilm XT1 with 90mm f2.0 lens. The camera RAW Files were all adjusted for colour balance, colour saturation and contrast using the same ratio of change. (In other words, although I’ve manipulated the final result, all the photos have received the same degree of alteration).
Belmond is a high-end tour train operator that since 2016 has served Ireland with its Grand Hibernian sleeping car train.
This has been a popular topic for railway photographers as it represented a return of the Mark 3 carriage to Irish rails and makes for a decidedly different passenger train in contrast with Irish Rail’s regularly scheduled services.
Yet, as previously mentioned on Tracking the Light, the train itself is challenging to capture in images owing to its largely unbroken dark navy-blue paint.
In dull light this looks nearly black.
I’ve found that the most effective photographs of the Belmond Grand Hibernian are made in bright sunlight.
These views were exposed at ‘the Gullet’ west of Dublin’s Heuston Station. One was made with my Lumix LX7 with the Vivid colour profile; the other two with my FujiFilm X-T1 using the Velvia colour profile.
Files were scaled in Lightroom for internet presentation, but were not altered in post processing in regards to exposure, colour balance, colour temperature or contrast.