Tag Archives: #fujinon 90mm

Drop Under Light—CSX Q424 at Mitteneague (West Springfield).

A dreary evening at Mitteneague in West Springfield, Massachusetts was briefly brightened by a wink of drop under sun.

Luckily for me, at the very moment the trees in the distance were illuminated by this unexpected golden glow, I heard CSX’s Selkirk to West Springfield manifest freight Q424 approaching.

I exposed these trailing views with my 90mm f2.0 Fujinon lens.

Below are two variations of each image; one is a JPG made from the RAW without interpretation, the other is an adjusted file to represent what I saw at the time of exposure.

This is a scaled JPG made from the Camera RAW file without interpretation. Compare this with the adjust file below.
Image 2: To make for a more realistic and pleasing image, I adjusted the RAW file in Lightroom. Specifically I lightened the shadows while adjusting the blacks, alter the overall gamma (using the Clarity slider), and made a nominal increase in saturation. All changes were made globally (to the entire file).
Scaled, but otherwise un-adjusted JPG made from camera RAW.
Image 4: File adjusted in post processing using the same settings as the earlier image in the sequence (image 2).

Camera RAW files only represent the information (data) collected by the camera sensor, and rarely display an image as the scene actually appeared, thus the need for interpretation/adjustment during post processing.

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Fast 90—First Photos.

What better way to get a fresh view than to play with a new lens?

I’ve been working with my FujiFilm X-T1 mirror-less digital camera for nearly two years and it has proven to be an excellent tool.

The other day I visited Allen’s Camera in Levittown, Pennsylvania where I bought a Fujinon f2.0 90mm lens. I call this my ‘fast 90’ because of its relatively large aperture size for its length.

In the early 1990s, I routinely worked with a Nikon f1.8 105mm lens, and made thousands of Kodachrome slides with it.

Among the advantages of a ‘fast lens’ is the ability to work with shorter shutter speeds.

Where my 18-135mm zoom lens has a maximum aperture of f5.6, the ‘Fast 90’ is a full three stops faster. The difference is f5.6 at 1/125 versus f2.0 at 1/1000 working at ISO 200 on an overcast morning

Exposed at 1/1000 of a second.
Another advantage of a fast telephoto lens is the ability to use selective focus.
I’ve found selective focus exceptionally useful as a means for subtly guiding the eye through a complex composition.

I made this selection of images on the morning I bought the lens. Stayed tuned for more results later!

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