Snow, crisp cold air, and lots of decorative holiday lights: that’s the attraction of Connecticut Trolley Museum’s Winterfest.
Here’s a tip (two really): When making photos in this environment it helps to have a good solid tripod. And, if you going to bring a tripod that uses a clip-on system to attach the camera to the tripod head, IT REALLY HELPS to make sure you have your clip!
Last night, I exposed these photos using my FujiFilm X-T1 firmly mounted on a Gitzo Trip. I planned my visit to the Connecticut Trolley Museum to coincide with sunset, so that I could make use of the last of daylight before the inky black of night set in.
I experimented with my camera’s pre-programmed color temperature settings while also trying various Fuji film color profiles. With one or two images, I adjusted the RAW files to make the most of the scene.
By the time I was done with my first round of photography my fingers were pretty numb.
This afternoon on the way to catch Amtrak 57, the southward Vermonter, my dad and I stopped in for a visit to the Connecticut Trolley Museum at East Windsor for old time sake.
Three cars were on the line today. We went for a spin on a vintage 1902 Brill-built open car.
These photos were exposed using my Lumix LX7, downloaded to my laptop on board Amtrak 57, manipulated in Lightroom, and then uploaded to Tracking the Light courtesy of Amtrak’s WiFi. From my camera to the world: a demonstration of the miracles of modern technology.
On October 20, 2013, I stopped by the Connecticut Trolley Museum near East Windsor and made a variety of photos. The day was perfect; warm and sunny with a cloudless clear sky. A bit of autumn color clung to the trees.
This was an opportunity to experiment with my cameras and I’ve displayed here three images of former a Boston Type 5 streetcar that was working the line.
I exposed the top image on Fuji Velvia 50 color slide film with my father’s Leica M4 fitted with a 35mm Summicron. The bottom images were simultaneous files made with my Lumix LX3 (which features a Leica Vario-Summicron lens).
The Lumix allows me to make both a camera RAW file and a JPG at the same time. The Lumix software has a variety of color profiles for the JPG files that alter the appearance of the image. Typically, I use the “Standard” profile such as displayed here.
Although I’ve scaled all of the files and processed them for internet display, I’ve not made major changes to contrast, exposure or content. The color slide required a nominal color balance adjustment to remove the inherent bias associated with this film.
I scanned the slide using my Epson V600 scanner.
My father has some nice views of Boston’s Type 5s in revenue service exposed on Kodachrome in the 1950s.
All things being equal, I wonder which photographs will survive the longest? The 50+ year old Kodachromes? My Velvia slides exposed in October? Or the digital files exposed the same day? All the digital files (including scans) are preserved on at least three hard drives. While the slides are stored in a dark, cool dry place.