September 23, 1984; crisp autumn sunlight made for some nice light to capture a southward Central Vermont freight crossing the Boston & Albany at Palmer, Massachusetts.
I was working with Kodak Tri-X, which I was learning to process in D-76, rather than Microdol-X. D-76 offered broader tonality, but resulted in somewhat coarser grain. Complicating matters, my process time was a bit longer than necessary and I tended to over agitate, which resulted in denser negatives than I’d like.
A comparatively rare Central Vemont lash-up; GP9 4551 and GP18 3602. The former Rock Island GP18 was relatively short lived on CV.Palmer Union Station at left.
Despite the minor processing flaws, I scanned the negatives last week and made minor corrections in post processing to yield better results.
On my visit to Carneys Point, New Jersey earlier this month, I exposed a few select frames of Kodak Tri-X using my Canon EOS-3 with 40mm pancake lens.
Previously, I posted a selection of the digital color photos that featured Conrail Shared Assets freight CA11. See: Bright Day on the Pennsylvania-Reading Seashore Lines. https://wp.me/p2BVuC-59B
I processed the film yesterday (Monday, 27 November 2017) using my two-stage development recipe:
By starting with ‘presoak’ solution that features a very weak developer, I allow for increased development in the shadow areas. My primary developer for this roll was Kodak D-76 stock solution diluted 1-1 with water.
While I intentionally under processed the film to avoid excessive highlight density, following stop bath, fixing baths, and rinse, I then soaked the negatives in selenium toner (mixed 1 to 9 )for 8 minutes to boost highlights to my desired ideal.
The results are these broad-toned monochromatic images with delicate silvery highlights.
A side effect of this process is the exceptionally archival quality of selenium toned original negatives that without any expensive storage conditions should long outlive my digital photos.
Conrail Shared Assets CA11 works at Carney Point, New Jersey.
The old Bell Telephone logo is a blast from the past.
My special ‘presoak’ developer aids in greater shadow detail.
